XVI: the KING'S PIE

by Abbie Farwell Brown · from Kisington Town

fairy tale moral tale hopeful Ages 8-14 4651 words 21 min read
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Adapted Version

CEFR A1 Age 5 499 words 3 min Canon 95/100

Once upon a time, in a town called Kising, all were getting ready. A special visit was coming. The King and his new Queen were coming. Lord Mayor Hugh was very worried. "Oh no!" he said. "What to do?"

He got a note from his son, Cedric. The note said: "The King loves pie."

Lord Mayor Hugh thought and thought. He did not want a simple pie. He wanted a big, fancy pie for show. It was not for eating. "A pie for a parade!" he said.

He told all the cooks. "Make a big pie!" he said. "The best pie wins a big prize!" The prize was oxen, flour, and silver coins.

Roger was a proud cook. He asked his brother, Rafe, for help. "Help me!" said Roger. "My pie is best!"

Rafe was kind. He helped Roger. They built a very big pie. It was not for eating. It had flowers inside. Happy children sang inside it. The children sang happy songs.

Rafe worked hard. Then he went home. He was very tired. Rafe picked apples from his red-apple tree. He made a simple pie. It was a yummy apple pie. A hungry girl, Meg, came by. Rafe shared his pie with her. "This pie is for sharing," he said. Meg smiled. "I have magic nuts!" she said. "They make it yummy." The magic nut was nutmeg. It was a special spice.

The King and Queen came to town. They saw many big, fancy pies. You could not eat them. The King got hungry. The Queen got a little upset.

Then they saw Roger's big pie. Children sang inside. The King said, "No, thank you." He was still hungry.

At the end, Rafe and Meg came. They had a small, yummy apple pie with cream. They were shy but kind.

The King tasted the pie. "Yum!" he shouted. "I love this pie!" He ate it all up. "You are a magic cook!" he said. He gave Rafe a prize and a new name. "You are Baron Applepy!" he said.

The Queen gave Meg pretty beads. Lord Mayor Hugh gave Rafe the prize.

The King said, "Come cook for me!" Rafe looked worried. "I need magic nuts," he said. "And I must help my friends."

Meg stepped forward. "I have many magic nuts!" she said. "I can give them."

The King smiled. "You two must become a family!" he said. "Then you can make pies for me."

The Queen was kind. "They can live in their home," she said. "A fast horse can bring us the pies every day."

The King agreed. "Please make me three pies every day!" he said.

Rafe and Meg were happy. They got married. They lived in their little house. They made yummy pies for the King. They also cooked for their friends. They shared all they had.

The King said, "Kindness makes the best pie!" And Rafe and Meg lived happily, making yummy pies for the King and their friends. The end.

Original Story 4651 words · 21 min read

XVI: THE KING'S PIE

There was great excitement in Kisington; for the King was coming with his new young bride, and the town was preparing to give them a famous welcome.

Hugh, the Lord Mayor, was at his wits' end with all that must be done. As he sat in the Town Hall holding his aching head, while a mob of decorators and artists and musicians, costumers, jewelers, and florists clamored about him, there came to him a messenger from Cedric, his son. Cedric was one of the King's favorite friends, and he knew His Majesty's taste well. So he had sent to the Lord Mayor a hint as to how the King might best be pleased. Being a man of few words, this is how his message ran:--

"His Majesty is exceedingly fond of pie."

Long pondered the Lord Mayor over this mysterious message, reading it backward and forward, upside down and crisscross, and mixed up like an anagram. But he could make nothing of it except what it straightforwardly said: that the King was exceedingly fond of pie.

Now, in those days pie meant but one thing--a pasty; that is, meat of some sort baked in a dish covered with dough. At that time there was no such thing known as a pie made of fruit or mincemeat. Pie was not even a dainty. Pie was vulgar, ordinary victuals, and the Lord Mayor was shocked at his son's even mentioning pie in connection with the King.

"Pie, indeed!" he shuddered. "A pretty dish to set before a King on his wedding journey! How can pie be introduced into my grand pageant? The King can get pie anywhere, in any hut or hovel along his way. What has Kisington to do with pie?"

The Lord Mayor snorted scornfully, and was about to dismiss his son's hint from his mind, when he had an idea! A Pie! A great, glorified, poetic, symbolic Pie such as could be carried in procession decorated with flowers! That was a happy thought. The Lord Mayor dismissed every one else and sent for all the master cooks of the city.

It was decided to accept Cedric's hint for what it was worth, and make Pie the feature of the day. There should be a grand pageant of soldiers and maskers and music. And, following the other guilds, last of all should come the cooks, with their ideas of Pie presented as attractively as might be, for the edification of the King. Moreover, the Lord Mayor said, in dismissing the white-capped company:--

"To whichever of you best pleases His Majesty with the pie, I will give this reward: a team of white oxen, a hundred sacks of white flour, and a hundred pieces of white silver."

"Hurrah!" shouted the cooks, waving their white caps. Then away they hurried to put on their thinking-caps instead and plan for the building of the King's Pie.

Now, among the cooks of Kisington there were two brothers, Roger and Rafe. Roger, the elder, had one of the hugest kitchens and shops in Kisington. But Rafe, the younger, had only a little old house on an acre of land under a little red-apple tree, with a little red cow who gave a little rich cream every day. Rafe was very poor, and no richer for having a brother well-to-do like Roger. For the thrifty cook had little to do with Rafe, whose ways were not his ways.

Rafe cooked in his little kitchen for the poor folk of the town, charging small prices such as they could pay. Indeed, often as not he gave away what he had cooked for himself to some one who seemed hungrier. This is a poor way to make profit of gold, but an excellent way to make profit of affection. And Rafe was rich in the love of the whole town.

Roger was among the cooks whom the Lord Mayor summoned to consult about the King's Pie. But Rafe knew nothing at all of it, until one afternoon he was surprised by a visit from his brother, who had not darkened his door for many a day.

"Well, Brother," said Roger, briefly, "I suppose you are not busy, as I am. Will you work for me for a day or two? In fact, I need you."

"You need me!" said Rafe, in surprise. "How can that be, Brother?"

"I have a great task at hand," said the master-cook; "a task that needs extra help. You must come. Your own work can wait well enough, I judge."

Rafe hesitated. "I must cook for my poor people first," he said.

Roger sneered. "Your poor people, indeed! I am cooking for the King! Will you hesitate now?"

"Cooking for the King!" cried Rafe. "Ah, but he is not so hungry as my neighbors will be to-morrow without their rabbit-pies."

"Rabbit-pies! It is a pie for the King that I am making!" shouted Roger, in high dudgeon,--"such a pie as you and your louts never dreamed of. Now what say you? Will you come?"

"I must do my own small cooking first," said Rafe firmly.

"Very well then," growled Roger. "Cook for your beggars first; but come to me to-morrow. Every cook in town but you is engaged. I must have your help."

"I will come," said Rafe simply, and Roger bade him a surly good-bye without thanks or promises.

The next morning, when his own simple tasks were done, Rafe hied him to his brother's kitchen, and there he found great doings. Roger was superintending the preparations for baking an enormous pie. A group of masons had just finished building the huge oven out of doors, and about a score of smiths were struggling with the pie-dish, which they had forged of iron. It was a circular dish six feet across and three feet deep; and it looked more like a swimming-tank than anything else.

Rafe stared in amazement. "Is that to hold your pie, Brother?" he asked.

"Yes!" growled Roger. "Now get to work with the other men, for the crust must be baked this morning."

Three assistant cooks in caps and aprons were busy sifting buckets of flour, measuring out handfuls of salt and butter. Others were practicing with long rolling-pins made for the occasion, so big that a man had to roll at each end. On the ground lay a great round piece of tin, six feet across, pierced full of holes.

"What is that?" whispered Rafe to one of his fellow cooks.

"That is to be the lid of the pie," answered the cook. "See, they are lifting it onto the dish now. It will have a strong hinge, and it will be covered with crust."

"And what is to fill this marvelous pie?" asked Rafe, wondering still more. "Tender capon? Rabbits? Venison? Peacocks? What is suitable for a King? I do not know."

"Ah, there you show your lack of imagination!" cried the cook. "Master is a great man. This is a poetic pie. It is to be filled with flowers, and on the flowers will be sitting ten beautiful little children, pink and sweet as cherubs, dressed all in wreaths of flowers. And when the pie reaches the King, the top will be opened, and they will all begin to sing a song in honor of Their Majesties. Is it not a pretty thought?"

"Well, if the King be not too hungry," said the practical Rafe, doubtfully.

"Nonsense!" cried the cook testily. "Would you make out our King to be a cannibal?"

"Nay," said Rafe; "that is why I doubt. However, I am here but to assist in this colossal plan. Hand me yon bag of salt."

All day long at Roger's kitchen the cooks worked over the King's Pie. At noon came a band of ten mothers, each with a rosy, smiling baby. They placed the children in the great shell to see how they would look. Every one cried: "Charming! Superb! But ah! we must not tell any one, for Roger has paid us well, and the other cooks must not know how he is to win the prize to-morrow!"

Weary and unthanked, with his meager day's wage,--a little bag of flour and a pat of butter, sugar, and a handful of salt,--Rafe went home, musing sadly. "A team of white oxen; a hundred sacks of white flour; a hundred pieces of white silver,--what a prize! If only I could earn these, I should be rich, indeed, and able to help my poor neighbors. But Roger will win the prize," he thought.

He spread on the table his frugal supper. He had emptied his larder that morning for a sick woman. He had but a few apples and a bowl of cream. It was the first food he had eaten that day, for his brother had forgotten to bid him to his table.

As he was taking a bite from one of the rosy-checked apples, there came a tap at the door.

"Enter!" cried Rafe hospitably. The hinges creaked, and there tottered in a little, bent, old woman in a long black cloak, leaning on a staff.

"Good evening, Son," she said, in a cracked voice. "Are you a man of charity, or will you turn away a poor old soul who has had nothing to eat for many hours?"

Rafe rose and led her to the table. "Sit down, Mother," he said kindly. "Sit and share my poor supper: a few apples from my little tree, a sup of the cream which my good little red cow gives me,--that is all; but you are welcome."

"Thanks, Son," said the old woman, and without further words she began to eat. When she had finished she sat for a few moments looking into the empty bowl. Then she said:--

"Son, why do you not bake a pie for the King?"

"I!" cried Rafe, astonished. "How can I make a pie? You see all I have in my cupboard. There is nothing but a little bag of flour, a pat of butter, a handful of sugar and salt."

"It is enough," said the stranger. "Son, I will show you a secret. You have been kind to me. Now I will tell you that which until this day no man has known. You shall make the King a pie, indeed!"

"But, Mother," interrupted Rafe, smiling, "you do not know what manner of pies are being made. There will be many, though I have seen but one--a giant pie, a glorious pie, all golden crust and flowers and pink little babies who sing!"

"Humph!" grunted the old woman. "A pie for a pasteboard King. Why not cook a pie to tempt a hungry man?"

"The King is, indeed, a man," mused Rafe. "But how shall I make a pie without viands of any sort?" (As I have said, to speak of a pie in those days meant always a dish of meat or game or poultry.)

"I will tell you," said the old woman. "Have you not a tree of red apples? Yes, luscious apples of a goodly flavor, for I have tasted them." She leaned forward, whispering earnestly: "Make your pie of them, my Son!"

"Apples! A pie of apples!" cried Rafe. "Who ever heard of such a thing!" (And at this time, indeed, no one had.)

"Nay, you need not laugh so scornfully," said the old crone. "You shall see! I will help you."

At her command Rafe fetched out the bag of flour, and the butter, salt, and sugar. Then he went to gather a basket of apples, while the old woman mended the fire and mixed the dough. Wonderingly he watched her pare the apples, core and slice them, and cover all with a blanket of crust laid softly over, but not tucked in at the edges as for an ordinary pasty. Soon the pie was baked, all flaky and brown. When it came smoking hot from the oven, the old woman slipped a knife under the blanket of crust and lifted it aside.

"See," she said, "the apples are steamed and soft. Now I will mash them with a knife and mix the butter and sugar generously therein. This one must ever do, Son, last of all. This is the crown of my secret, the only recipe for a perfect pie."

Rafe watched her curiously, by no means convinced. Then, from a pouch somewhere concealed in her robe, she drew out a strange round nut, such as Rafe had never seen before.

"This is the final blessing," she said. "See, I will grate a little of this magic nut into the pie." Forthwith it was done, and a whiff of spicy fragrance reached Rafe's nose, and, more than anything, gave him confidence in this strange new pie.

"It smells worthy," said Rafe hungrily.

Without a word the stranger drew from under a cover a little pie baked in a tiny tin, an exact copy of the other. "Eat," she said: "eat and judge if my secret be worth keeping."

Rafe sunk his teeth into the warm, crisp crust and ate eagerly. His eyes sparkled, but he spoke no word till the last crumb was gone.

"Oh!" he said, "it is a magic pie! Never such have I met before! Never, in all my life!"

The old woman nodded. "A magic pie," she said. "And still better when you serve it with the yellow cream of your little red cow."

"It is a pie for a King!" said Rafe. "But shall I be allowed in the procession, Mother?"

"All the cooks in Kisington who choose may march with that guild," said the old woman. "Bear your pie proudly in your own hands, wearing your cap and apron. I will send some one to walk beside you and carry the jug of cream. She shall be here to-morrow when you milk the little red cow. Treat her kindly for my sake."

"Mother, how can I ever thank you--" began Rafe. But, with a quickness which seemed impossible to her years, the old woman had slipped out of the door and was gone.

The next morning bright and early Rafe went out to milk his cow. And there beside the cow stood a young maid, the fairest he had ever seen.

"Good morning, Rafe," said the maid, dropping a curtsy. "I am Meg, and I have come to help you carry the King's Pie." She smiled so sweetly that Rafe's heart danced a jig. She was dressed in a neat little gown of blue with a white apron, and had set a dainty cook's cap on her flaxen curls. And she wore red stockings and shoes, with silver buckles. From under her apron she drew a little blue jug. "See, I have brought this to hold the cream," she said, "and it is full of red strawberries for your breakfast. Milk the little red cow, Rafe, and then we can eat and be gone as soon as I have skimmed the cream of yesterday."

In a happy daze Rafe did as she bade. Merrily they breakfasted together on a wheaten loaf and milk and berries which the maid had brought, as if she knew how hungry Rafe would be. Then Meg skimmed the cream for the blue jug, and they were ready to start. Rafe, in his white cap and apron, bore the precious pie, while Meg walked along at his side. A merry, handsome couple they were.

When they came to the market-place they found a great crowd assembled. "Ho, Rafe! Rafe!" people shouted to him, for every one knew and loved him. "Come here! Come with us!"

But Rafe answered: "Nay. I am going to walk in the procession with the other cooks. I have a pie for the King."

"A pie! A pie!" they cried good-naturedly. "Look at Rafe's pasty! Of what is it made, Rafe? Grasshoppers or mice?" For they knew how poor he was. But Rafe only smiled and pushed his way to where the cooks were gathered. They, too, greeted him with jests. But he insisted that he must march with them. So they gave him place at the very end of the line, with the little maid at his side. But when he saw the wonderful pies all around him, he sighed and shook his head, looking ruefully at his own simple offering. The little maid, seeing him so look, said:--

"Never mind, Rafe. You are giving your best to the King. No one can do more than that."

The people waited. The hands of the great clock in the market-place crept slowly around until they marked noon. Every one began to feel uneasy, for it was close upon the dinner-hour, and the long procession had not moved. The King and Queen were late.

At last there sounded the blast of a trumpet, which told that the King and his bride had arrived, and that the Lord Mayor had led them to their seats on the balcony in front of the Town Hall. Every one gave a sigh of relief. But then there was another long wait, while the hands of the clock crept on--on, and the people watched and craned their necks eagerly. The Lord Mayor was making his speech, and it was very long. Finally arose more shouts and huzzas,--not because the speech was good, but because it was ended. And presently another trumpet gave signal for the procession to start.

Off they went, through the streets full of cheering, hungry people. Soldiers and bands of music led the way; then came the maskers and the flower-maidens, the city guilds and all the arts and crafts. Finally passed along the yoke of snowy oxen, with ribbons in their ears, drawing a white wain in which were the bags of flour and silver, the prize to be given the best pie-maker of Kisington. When the company of white-capped cooks came within sight of the King, he laughed merrily, rubbing his hands, and said:--

"Cooks! Now we shall have something worth while, for I am growing hungry, indeed!"

And the young Queen whispered: "So am I!"

Then came the pies. And such pies! Carried on the shoulders of sturdy boys, drawn on floats by teams of ponies, wreathed in flowers and stuck over with banners and mottoes, the pies passed along before the hungry King. And not one of the pies was real! Gradually the King's smile faded.

There was a wonderful big pie fashioned like a ship,--rigged with masts and sails and manned by sailor-dolls. There was a fine brown pasty like a bird's nest, and when it passed the King, off came the cover, and out flew four-and-twenty blackbirds croaking lustily.

"Good-bye, dinner!" sighed the King, looking after them wistfully.

The Queen nudged him and said: "'Sh! Behave, Your Majesty!" But she also began to look hungrier and hungrier.

There passed a pie in a carriage drawn by six mules. It seemed piping hot, for steam came out of it. But when it reached the King it blew up with a bang! scattering showers of blossoms over the royal party.

"My faith!" cried the King; "methought this was the end of all things. But it seems not. Here come more and more empty pies!"

The Queen smelled of her salts and grew paler every moment.

One pie had a musical box inside and played a sweet tune as it passed the King. In one was hidden a tiny dwarf, who popped out like a jack-in-the-box when the Queen pulled a golden cord.

Still the procession moved on, and so did the hands of the clock; and the King's hands moved to his ample girdle, which he tightened sharply. But both he and the pale young Queen were too polite to ask the Lord Mayor for buns or something to sustain them.

The pie which caused the greatest excitement as it passed along, drawn by four white horses, was that of Roger, the master cook, who walked proudly beside it. When it came opposite the King the carriage stopped, the cover was lifted, and ten beautiful babies on a bed of roses waved their little hands and began to sing.

The Queen leaned forward eagerly, forgetting to be hungry. "How sweet! The darlings!" she murmured. "Oh, this is the best of all!"

Roger the cook heard her and flushed with triumph.

But the King grumbled: "Humph! They look good enough to eat, but--my faith! I hope that this is the end, for soon I must eat something, or I shall become a cannibal!"

"Your Majesty!" protested the Queen, faintly.

But the King interrupted her.

"What comes here?" he cried. "This looks sensible!" It was Rafe and the pretty maid bringing up the rear of the procession. Side by side they walked in cap and apron, he bearing the small, delicately browned pie, she with a jug of yellow cream. No one paid any attention to them, but closed in around them, following Roger's chariot.

When Rafe and Meg came opposite the King and Queen, they turned and Rafe bowed low, holding up the pie as high as he could. The pretty maid curtsied gracefully, and offered the cream-jug with a winsome smile. The crowd was fain to hustle them on; but the King struck the floor with his staff and pointed eagerly at the pie.

"Hold!" he cried. "What have you there?" Every one stopped and began to stare. Rafe bowed again.

"'T is a pie, Your Majesty," said Rafe simply,--"an apple pie."

"With cream for the top," lisped the little maid, curtsying again.

"Apple pie!" cried the King. "Who ever heard of an apple pie! A pie should be of savory meat. But of apples!" Words failed to express his astonishment.

"Butter and sugar, Sire, go to the making of it, and the dust of a wondrous nut. Will you taste it, Sire?" Rafe held out the pie temptingly.

"With thick cream to pour on the top--yellow, sweet, rich, thick cream!" said Meg, lingering over each word as if it melted on her lips.

"Give hither that pie!" almost shouted the hungry King. "I will look into this matter." And, drawing a dagger from his girdle, he seized and stabbed the pie to the heart. Sniffing at it eagerly, his eyes grew round, and he smacked his lips. "It is good, I wager my scepter!" he cried. "Hand me the cream, fair maid."

The little maid stepped up and daintily poured cream upon the shattered pie, and without more ado the King began to eat with his dagger. (This was not considered bad manners in those days.) After the first mouthful he stopped only to say: "Food of the Fairies! Pie of the Pixies! Cook, you are a magician!" He went on at a rate which threatened not to leave a mouthful.

But the Queen pulled at his sleeve. "A bite for me, Your Majesty," she begged.

And, with an apology, the King handed her what was left, watching her wistfully till she ate the last crumb.

"Delicious! I never tasted anything finer!" she cried. "I must have the recipe."

"I must have the cook!" cried the King, turning to Rafe, with a broad grin on his merry, fat face. "You must come with me and cook such pies for every meal. Yes, I will have them for breakfast, too," he insisted, in response to a protest from the Queen.

Just then up stepped Hugh, the Lord Mayor.

"Sire," said he, bowing low, "will Your Majesty deign to point out to me the pie which has best pleased you, that I may have it set in the place of honor, and give the prize to the maker?"

"That I cannot do," said the King, "for the pie no longer exists. I have eaten it!" And he slapped his generous waistband. "But give whatever prize there may be to this worthy fellow, whom I now dub Baron Applepy. Baron, wear this ring in token of my pleasure in your pie." He drew a fine ruby from his finger and gave it to Rafe.

"And this is for the little maid," said the Queen, taking a beautiful pearl necklace and tossing it over Meg's curls.

But Roger, the master cook, stood by and tore his hair when he saw what was happening.

Then up came the yoke of white oxen drawing the cart bearing the prize. And the Lord Mayor gave a goad into Rafe's hands, with words of congratulation.

"Now, mount and come with me," said the King.

But Rafe hesitated.

"Your Majesty," he replied, "I see no way to make another pie like this which has pleased you. For I have no more of the magic nuts wherewith to flavor a second."

The King frowned. "What! No more pie! Is this to be the first and the last? Sirrah, I am not pleased!"

Then little Meg stepped forth. "The magic nut is the nutmeg," said she. "My name is Meg, and Granny called the magic nuts after me. I know where is hidden a store of them. These are my dower."

She emptied her pockets of the nuts which they held, and they were a precious handful.

"Ha!" cried the King eagerly, "you must marry Baron Applepy, that he may use your dower in our behalf."

Rafe and the maid looked sidewise at one another.

"You are willing, my dear?" said the Queen, smiling upon Meg.

"Yes," whispered she, with red-apple cheeks.

"Yes, indeed!" cried Rafe when the Queen looked at him.

But again he seemed troubled.

"Your Majesty," he said, "I cannot leave my poor neighbors. There will be no one to cook for them at my prices."

"You shall have your own price from me," said the King.

Rafe bowed low. "You do me great honor," he said humbly. "But I cannot leave my poor people, my house and my cow and my apple tree; indeed, I cannot."

The King looked very angry and raised his staff with a gesture of wrath. But the Queen laid her hand upon his arm.

"Why may he not live where he will and yet cook the pies for us?" she said. "A messenger on a fleet horse can bring them to us every day. We shall then have pies like that first delicious one, made of fresh apples from that very same red-apple tree of his. They would be best of all."

"True," said the King, reflecting for a moment.

"Please, Your Majesty!" said Meg, in her most winsome tones. "I do so long to help Rafe pick the red apples for your pies and skim the yellow cream of the little red cow. And please, I do so long to help him cook for his poor neighbors, who will miss him sadly if he goes. Now that we have the prize, we can do much for them. Please, Your Majesty!"

"Please, Your Majesty!" echoed Rafe.

"Please, Your Majesty!" begged the Queen.

So the King hemmed and hawed and yielded. "But see, Baron Applepy," he said, "that you make me three fine pies every day, for which my swiftest messenger shall call. Now, farewell to you--and to all! We must be off. It is past dinner-time."

"Heaven bless Your Majesties," said Rafe and Meg, bowing and curtsying low.

Then Rafe lifted the little maid into the white cart beside the hundred sacks of flour and the bag of silver, and amid shouts and cheers away they drove the white oxen toward the little house on the acre of land under the red-apple tree, where the little red cow was waiting for them.

And there they lived happily ever after, making three pies a day for the King at an enormous price, and feeding the beloved poor people, their neighbors, for no price at all.


Story DNA fairy tale · hopeful

Moral

True value and genuine kindness, even in simple forms, are more appreciated than ostentatious displays.

Plot Summary

The Lord Mayor of Kisington misinterprets a message that the King is 'fond of pie,' believing it means a grand, symbolic display is needed, not actual food. He announces a competition for the best 'pie,' attracting many cooks, including the proud Roger and his humble brother Rafe. Roger builds an enormous, inedible pie filled with singing children, while Rafe, after helping his brother, bakes a simple, delicious apple pie with the help of a kind maid, Meg. During the royal procession, the King and Queen are bored and hungry by a series of elaborate but inedible pies. Finally, Rafe and Meg present their small apple pie, which the King devours with delight, awarding Rafe a title and the prize. Rafe marries Meg and, with the Queen's support, convinces the King to let them remain in their home, cooking for him daily while continuing to serve their poor neighbors.

Themes

humility vs. pridesimplicity vs. extravagancekindness and generositytrue value vs. superficiality

Emotional Arc

underestimation to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three (prizes), contrast between characters

Narrative Elements

Conflict: person vs person (Roger vs. Rafe's approaches) and person vs society (Rafe's simple values against societal extravagance)
Ending: happy
Magic: the 'magic nuts' (nutmeg) are presented with a touch of whimsical mystery
the King's pie (symbol of true value vs. superficiality)the red-apple tree (symbol of humble abundance and home)

Cultural Context

Origin: American (though inspired by European fairy tale traditions)
Era: timeless fairy tale

Reflects a time when 'pie' primarily referred to savory meat dishes, and fruit pies were a later development, making the apple pie a novel delight for the King.

Plot Beats (16)

  1. Kisington prepares for the King and Queen's arrival; Lord Mayor Hugh is overwhelmed.
  2. Lord Mayor receives a cryptic message from his son: 'His Majesty is exceedingly fond of pie.'
  3. Lord Mayor misinterprets 'pie' (meaning a meat pasty) as a need for a grand, symbolic, non-edible pie for the pageant.
  4. He announces a competition for the best 'pie' with a lavish prize: white oxen, flour, and silver.
  5. Wealthy, proud cook Roger enlists his poor, kind brother Rafe to help with his enormous, elaborate pie.
  6. Rafe works tirelessly for Roger, who is building a giant, inedible pie filled with flowers and singing children.
  7. After a day of unrewarded labor, Rafe returns home, makes a simple apple pie with his few ingredients, and shares it with a hungry little maid, Meg, who reveals the 'magic nut' is nutmeg.
  8. The royal procession features many extravagant, symbolic, but inedible pies, leaving the King and Queen increasingly hungry and annoyed.
  9. Roger's grand pie, with singing children, is presented, but the King is unimpressed and still hungry.
  10. Rafe and Meg, at the very end of the procession, humbly present their small, simple, delicious apple pie with cream.
  11. The King, delighted by the taste, devours the pie, declares Rafe a magician, and awards him the prize and the title 'Baron Applepy.'
  12. The Queen gives Meg a pearl necklace, and the Lord Mayor presents Rafe with the oxen and other prizes.
  13. Rafe initially hesitates to accept the King's offer to become his personal cook, fearing he cannot make more pies without 'magic nuts' and cannot abandon his poor neighbors.
  14. Meg reveals the 'magic nut' is nutmeg and that she has a store of them, which is her dower.
  15. The King insists Rafe and Meg marry so he can have more pies, and the Queen persuades the King to allow Rafe and Meg to live in their home, sending pies via messenger.
  16. Rafe and Meg marry, live happily ever after, making pies for the King and continuing to feed their poor neighbors.

Characters 9 characters

Hugh, the Lord Mayor ◆ supporting

human adult male

A man of substantial build, likely portly from a life of comfort, with a tendency to hold his aching head when stressed. His complexion would be fair, typical of a Northern European official.

Attire: Formal, heavy woolen tunic in deep, rich colors like burgundy or forest green, possibly embroidered with the Kisington crest. Wears a heavy gold chain of office around his neck, and sturdy leather boots. A fur-lined cloak for outdoor occasions.

Wants: To impress the King and his new Queen, maintain the prestige of Kisington, and uphold his own reputation as Lord Mayor.

Flaw: His rigid adherence to tradition and inability to think outside the box; easily stressed by unexpected challenges.

Initially dismissive of the idea of 'pie' for the King, he eventually embraces the concept of a 'glorified' pie and is forced to acknowledge Rafe's unconventional success, ultimately rewarding him.

His heavy gold chain of office and his perpetually stressed expression, often with a hand pressed to his forehead.

Overwhelmed, traditional, scornful of common things, easily flustered, ultimately fair-minded when presented with clear success.

Image Prompt & Upload
A portly adult man with a round, flushed face and thinning grey hair, wearing a rich burgundy woolen tunic embroidered with a subtle crest, and a heavy gold chain of office around his neck. He stands with one hand pressed to his forehead, a look of exasperation on his face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Cedric ○ minor

human young adult male

Likely slender and agile, befitting a King's favorite friend, with a refined appearance. Fair skin, typical of the region.

Attire: Elegant, well-tailored doublet and hose in fashionable colors, perhaps deep blue or forest green, made of fine wool or velvet. A small, decorative dagger at his hip. Less formal than his father, but still clearly of noble standing.

Wants: To subtly guide his father, the Lord Mayor, to please the King, knowing the King's true tastes.

Flaw: His indirect communication style, which initially confuses his father.

Serves as the catalyst for the story's central conflict by sending his cryptic message, but does not appear directly in the narrative beyond that.

A small, rolled parchment scroll representing his cryptic message.

Clever, perceptive, concise, observant of the King's preferences.

Image Prompt & Upload
A slender young adult man with a sharp, intelligent face and neatly styled dark brown hair, wearing an elegant deep blue velvet doublet and matching hose. He holds a small, rolled parchment scroll in one hand, a knowing, subtle smile on his lips. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Roger ⚔ antagonist

human adult male

A large, imposing man, likely well-fed and robust, reflecting his successful business. Fair skin, perhaps a bit ruddy from kitchen heat.

Attire: Clean, practical, but well-made cook's whites, perhaps with a slightly more elaborate apron or cap than his assistants, indicating his master status. Sturdy leather shoes.

Wants: To win the Lord Mayor's prize, secure his reputation as the best cook, and gain wealth.

Flaw: His arrogance and inability to innovate or appreciate unconventional ideas; his disdain for the poor and his brother.

Remains unchanged, his arrogance and traditionalism lead to his downfall when his elaborate pie fails to impress the King, causing him to tear his hair in frustration.

His master cook's white cap and apron, often with a sneer on his face.

Arrogant, scornful, thrifty to the point of meanness, ambitious, traditional, competitive.

Image Prompt & Upload
A robust adult man with a stern, sneering face and short dark hair, wearing a clean, tall white chef's hat and a crisp white apron over a practical tunic. He stands with his hands on his hips, a look of disdain on his face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Rafe ★ protagonist

human young adult male

Likely of average height and build, perhaps a bit lean from his humble life and hard work. Fair skin, possibly with a healthy flush from working outdoors and in his kitchen.

Attire: Simple, clean, well-worn linen tunic and trousers in earthy tones like cream or light brown. A plain, practical leather apron, stained from cooking. Sturdy, comfortable leather boots or clogs.

Wants: To provide for his poor neighbors, to live a simple life, and to create delicious food.

Flaw: His humility and reluctance to leave his simple life and responsibilities.

Starts as a humble, poor cook, is reluctantly drawn into the King's contest, wins the King's favor with his innovative apple pie, and is elevated to Baron Applepy, but ultimately chooses to remain in his home, continuing his charitable work while also serving the King.

His simple, stained leather apron and the small, perfectly baked apple pie.

Kind, compassionate, humble, firm in his convictions, innovative, resourceful, generous.

Image Prompt & Upload
A lean young adult man with a kind, open face and slightly disheveled light brown hair. He wears a simple, clean cream linen tunic, light brown trousers, and a practical, stained leather apron. He holds a small, perfectly baked apple pie in his hands, a gentle, humble smile on his face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ◆ supporting

human adult male

A robust, merry man, described as having a 'fat face' and a 'generous waistband,' suggesting a love for good food. Fair skin, likely with a healthy, ruddy complexion.

Attire: Richly embroidered royal robes in deep, regal colors like crimson or royal blue, made of velvet or silk, possibly trimmed with fur. A golden crown or circlet, and a jeweled dagger at his girdle. Sturdy, ornate leather boots.

Wants: To enjoy his wedding journey and good food, to find pleasure and novelty.

Flaw: His impulsiveness and strong appetite, which can make him demanding.

Starts as a traditionalist regarding pie, but is completely won over by Rafe's apple pie, becoming an enthusiastic patron and showing flexibility in his demands, ultimately allowing Rafe to remain in Kisington.

His broad, merry, fat face, often with a wide grin, and his jeweled dagger used for eating pie.

Jovial, easily pleased by good food, impulsive, authoritative, appreciative of innovation, ultimately reasonable when persuaded.

Image Prompt & Upload
A robust adult man with a broad, merry, fat face and round, eager eyes, a wide grin. He has neatly trimmed dark hair and a short beard. He wears rich crimson velvet royal robes, trimmed with fur, and a golden circlet on his head. A jeweled dagger is at his girdle. He holds a royal staff in one hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Queen ◆ supporting

human young adult female

A graceful and beautiful young woman, befitting a new bride. Fair skin, delicate features.

Attire: Elegant and fashionable royal gown in soft, luxurious fabrics like silk or brocade, in colors like pale gold, silver, or light blue. Adorned with delicate jewelry, including a pearl necklace. A small, elegant crown or jeweled headpiece.

Wants: To support her husband, to enjoy her new life, and to ensure fairness and happiness.

Flaw: None explicitly shown, she acts as a positive influence.

Starts as a new Queen, observing her husband's reactions. She quickly appreciates Rafe's pie and, through her gentle persuasion, helps the King make a fair and practical decision regarding Rafe's future.

Her beautiful pearl necklace and her gentle, persuasive smile.

Gentle, diplomatic, appreciative, intelligent, persuasive, kind.

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A graceful young adult woman with a gentle, smiling face and long, elegantly curled light brown hair. She wears a beautiful pale gold silk royal gown adorned with delicate embroidery, and a pearl necklace around her neck. She stands with a composed and kind expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Meg ◆ supporting

human child female

A little maid, small and dainty, with 'red-apple cheeks.' Fair skin, likely with a healthy glow.

Attire: Simple, clean peasant dress, perhaps made of linen or homespun wool, in a cheerful color like blue or green, possibly with a small apron. Practical, comfortable shoes.

Wants: To help Rafe, to be useful, and to contribute to the well-being of her community.

Flaw: Her youth and small stature, which could make her seem insignificant.

Starts as a simple helper, but her knowledge of nutmeg and her persuasive charm prove crucial to Rafe's success and the King's satisfaction. She becomes Rafe's future wife and partner in his charitable and royal cooking endeavors.

Her 'red-apple cheeks' and her small, dainty curtsy while holding a cream-jug.

Winsome, innocent, helpful, observant, clever, persuasive, sweet.

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A small child, a little maid, with rosy 'red-apple cheeks' and bright, innocent eyes. Her light brown hair is in soft curls. She wears a simple sky-blue linen peasant dress and a small white apron. She holds a small ceramic cream-jug in her hands, curtsying gracefully with a winsome smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Little Red Cow ○ minor

animal adult female

A small, healthy cow with distinctive red-brown fur. Her udder is full, indicating she gives rich cream.

Attire: None, as an animal.

Wants: To graze and provide milk.

Flaw: None, as an animal.

Remains a constant, providing the essential cream for Rafe's famous pies.

Her distinctive red coat and gentle demeanor, often seen grazing under the red-apple tree.

Gentle, docile, productive.

Image Prompt & Upload
A small, healthy adult dairy cow with a distinctive reddish-brown coat and large, dark, placid eyes. She stands calmly, grazing on green grass. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Red-Apple Tree ○ minor

plant adult non-human

A mature apple tree, bearing an abundance of bright red apples. Its branches are sturdy, and its leaves are green.

Attire: None, as a plant.

Wants: To grow and bear fruit.

Flaw: None, as a plant.

Remains a constant, providing the essential ingredient for Rafe's famous pies.

Its branches laden with bright, ripe red apples.

Productive, steadfast.

Image Prompt & Upload
A mature, healthy apple tree with a sturdy trunk and branches, laden with an abundance of bright, ripe red apples. Its green leaves are vibrant. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
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Kisington Town Hall

indoor day Implied pleasant weather for a royal procession

A bustling public building where the Lord Mayor, Hugh, is overwhelmed by decorators, artists, musicians, costumers, jewelers, and florists preparing for the King's arrival. It's a place of official business and frantic activity.

Mood: Chaotic, stressed, formal, busy

The Lord Mayor receives Cedric's cryptic message about the King's fondness for pie and conceives the idea of a grand, symbolic pie.

Lord Mayor's office/chamber Clamoring crowd of various tradespeople Official documents/desk Messenger delivering a note
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An ornate, high-ceilinged medieval English town hall chamber, perhaps with exposed timber beams and large arched windows. Sunlight streams through, illuminating dust motes in the air. A long, heavy oak table is cluttered with scrolls and quills. In the foreground, a portly Lord Mayor clutches his head amidst a vibrant, bustling crowd of costumed artisans, their tools and wares spilling across the stone floor. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Roger's Grand Kitchen and Shop

indoor morning Clear, suitable for outdoor construction and baking

A huge, bustling kitchen, part of Roger's extensive shop, filled with activity. Outside, masons have just finished building an enormous oven, and smiths are struggling with a massive iron pie-dish, six feet across and three feet deep, resembling a swimming-tank. Inside, assistant cooks sift flour, measure ingredients, and practice with enormous rolling-pins.

Mood: Industrial, ambitious, competitive, busy

Rafe visits his brother Roger's kitchen and is astonished by the scale of the preparations for the King's pie, witnessing the construction of the giant oven and pie dish.

Huge outdoor oven built of stone Massive circular iron pie-dish Large rolling-pins requiring two men Buckets of flour, butter, salt Assistant cooks in caps and aprons Large round perforated tin lid
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A vast, high-ceilinged medieval English kitchen, with rough-hewn stone walls and a massive central hearth. Sunlight streams through a large, arched window, illuminating swirling flour dust. In the foreground, several burly cooks in white aprons struggle with an enormous wooden rolling pin on a vast wooden table. Through an open doorway, a glimpse of an outdoor courtyard reveals masons putting finishing touches on a newly built, immense brick oven, and smiths wrestling with a colossal iron pie dish. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Rafe's Little House and Acre

outdoor afternoon (when Roger visits) and morning (Rafe's daily routine) Mild, pleasant, implied late summer/early autumn for ripe apples

A humble, small old house situated on a single acre of land. A little red-apple tree stands prominently, and a little red cow grazes nearby, providing rich cream daily. It is a simple, peaceful, and self-sufficient setting.

Mood: Humble, peaceful, idyllic, self-sufficient, warm

This is Rafe's home, where he cooks for the poor and where he eventually lives happily ever after with Meg, continuing to make pies for the King and his neighbors.

Small, old cottage (perhaps thatched roof, stone walls) Single red-apple tree laden with fruit Little red cow Acre of green land/pasture Small kitchen within the house
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A charming, small, weathered English cottage with a thatched roof and whitewashed walls, nestled on a vibrant green acre of land. A sturdy, gnarled red-apple tree, heavy with ripe, crimson fruit, stands beside the house, casting dappled shadows. A small, contented red cow grazes peacefully in the foreground. The sky is a soft, clear blue, and the air feels fresh and still. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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The Royal Procession Route / King's Dining Hall

transitional / indoor day, likely afternoon Fine, celebratory weather

The grand pageant takes place along a route through Kisington, culminating in the King's presence, likely in a formal dining hall or a specially prepared outdoor viewing area. The atmosphere is festive and expectant, with soldiers, maskers, musicians, and guilds parading. The King and Queen are seated, observing the spectacle.

Mood: Festive, grand, ceremonial, expectant, regal

The various pies are presented to the King, including Roger's enormous, inedible pie and Rafe's small, delicious apple pie, which ultimately wins the King's favor.

Crowds lining the route Soldiers, maskers, musicians Guilds parading their wares/crafts King and Queen seated on a dais/throne A grand hall or pavilion for the royal viewing
Image Prompt & Upload
A magnificent medieval English royal dining hall, with soaring arched windows, tapestries depicting heraldic scenes, and a long, highly polished oak table. Golden afternoon sunlight streams through the windows, illuminating the rich fabrics and gleaming silverware. At the head of the table, a King and Queen are seated on ornate thrones, their expressions a mix of amusement and anticipation as a procession of cooks presents various dishes. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.