THE BALLOON BOY
by Abbie Farwell Brown · from The star jewels, and other wonders
Adapted Version
Once, a boy named Carlo sold balloons. Carlo sells balloons. He is kind. He saves money for Nita. Nita is his sister. He wants her to come live with him. Carlo works hard every day.
One day, it rains. Then the sun comes out. The sky is bright. Carlo goes to sell balloons. He stands on the corner. He holds his stick with balloons.
Some boys run by. They see the balloons. They play with the balloons. The balloons fly away! All the balloons go up, up, up. They float into the sky. Carlo is sad. He has no balloons. He cannot sell them. He cannot help Nita.
Carlo walks to the park. He feels very sad. He worries about money. He sees grape vines. The green leaves remind him of home. He is tired. He sleeps under the vines.
Carlo wakes up. A small man is there. He is the Little Man. He talks to Carlo. "Hello, Carlo!" says the Little Man. Carlo tells the Little Man about the boys. He tells him about Nita. He wants Nita to come.
The Little Man wants to help. He came from Carlo's old home. "I will help you!" he says. "I will help you, Carlo!" The Little Man is kind.
The Little Man climbs the grape vine. He picks grapes. He puts the grapes on the stick. The Little Man touches Carlo's head. Carlo sleeps again. Magic happens. Magic is in the air.
Carlo wakes up. The grapes are now balloons! They are big and colorful. There are green balloons. There are red and blue balloons. There are yellow balloons. The balloons shine in the sun.
Carlo sells the balloons. People like the green ones. They like the red ones too. He has lots of money. His pockets are full. Carlo is happy.
Carlo sells more balloons. He sells magic balloons every day. He gets rich. He saves his money. Nita comes to live with him. They are together.
The Little Man stays with Carlo. He helps with the balloons. Carlo is always happy. He smiles and sells balloons. Carlo never gave up. He was kind. Good things happened to him. They all live happily.
Original Story
THE BALLOON BOY
Carlo was the brown-skinned boy who stood on the corner of the Avenue every morning with a great bunch of red and blue balloons tied to a stick. Carlo used to wait smiling for the children to come up with their nurses and pick out the balloons with which they loved to play. The balloons bobbed and danced above Carlo’s head as if they wanted to fly away. Indeed, one of them once succeeded in escaping, just after it had been bought by little Johnny Parker. Johnny had forgotten to hold it tight, and Pouf! Off it sailed over the trees. No one ever knew what became of that little red balloon, which soared up far beyond the reach of Johnny’s wailing. But the other little balloons were always trying to follow after, and sometimes they pulled so hard at the strings that they seemed almost ready to lift Carlo off his feet and bear him with them over the tree-tops.
Carlo was a happy boy, for he had come from a happy country where the people still believe in fairies, and he had not lived in this land long enough to catch the disease which makes one believe that there are “no such things as the Little People.” Carlo was a kind boy, and he loved the little children who bought balloons of him and paid their pennies into his rough, brown hand. Carlo had a little sister at home in the old country, and when he had earned money enough by selling red and blue balloons he meant to send for Nita to come and live with him, so they could have a little home of their own.
One morning it rained hard, oh, very hard! Carlo did not go out to the Avenue, for he knew that the children would all stay indoors that day, playing in their nurseries with their house toys. But in the afternoon, after dinner-time, the rain cleared away and the sun came out, hot and bright and beautiful, so that the sidewalks were soon as dry as dry. Then Carlo took his bunch of balloons and trudged to the corner, where he always stood. For he knew that all the nurses and all the babies, tired of being in the house, would soon be hurrying out for an airing in the Park. And of course they would need balloons.
Carlo took up his station as usual on the corner where the Avenue stops short before the high gates, and wishes it could go on into the Park. This was where the children looked to find him every day, and he had never yet disappointed them.
It was just the hour when the big boys are let out of school. Carlo had forgotten this. He did not like big boys. Suddenly—with a rush and a whoop—a crowd of them came tearing around the corner from the next street. They raced up and down the Avenue, shouting and laughing and full of mischief, for they had been shut up all this rainy day and were glad to be out of doors once more. As they came running back down the Avenue, one of them spied Carlo standing on the corner.
“Hallo! Balloons!” shouted the boy, and immediately the noisy crowd rushed upon Carlo and surrounded him.
“Give me a red one!”
“Hi! Blue’s my color!”
“Pass me down a red one, quick, or I’ll cut the whole string!” But they offered him no money in exchange. Carlo held back, trying to defend his balloons from their snatching fingers. Then one boy cried,—
“Ho! Let’s cut the whole string, anyway, and see them go!” And quick as a flash, before Carlo had time to do anything, a sharp penknife had severed the string above the stick, and away went forty balloons, sailing over the trees merrily, glad to be free.
The boys gave a yell and danced up and down. But some one cried, “Look out! Here’s a policeman!” and off they scampered in every direction, before Carlo fairly knew what they had done. Yes, there was a policeman, but he had not seen what had happened, and already he was turning the corner. Even if Carlo could catch up with him he could not speak enough English to tell the man his troubles. Besides, not even a policeman could bring back those flying balloons.
Poor Carlo! No customers for him this day. He looked down at the bare stick in his hand, and then up to where he could just see some tiny specks on the blue sky, far, far away. The balloons were seeking their little brother who escaped long before. Carlo’s eyes filled with tears, for he was not a very big boy, and this was a dreadful thing which had happened to him. Already the procession of babies was coming down the Avenue, eager to buy Carlo’s balloons. But he had nothing to sell them this afternoon.
Slowly and sadly he turned away and slunk down a side street toward another entrance to the Park. But the children wondered what had become of their balloon boy, who was always waiting for them on the corner, smiling pleasantly.
Carlo wandered into the Park and walked about the twisting paths, wondering what he should do. He had no money to buy more balloons. How could he start out afresh in business? He had sent his last earnings back across the water to the little sister in the land where they still believed in fairies, and she had saved almost enough to bring her here to him. But now, what was he to do now? How buy food and lodging, and especially how buy more balloons with which to pile up future pennies?
Carlo wandered about for a long time, thinking and puzzling, until the shadows began to lengthen, and it was almost night. Then he went to a little arbor in the Park, far from the place where the nurses and children mostly gathered. It was a spot that he loved, for it was full of grape-vines, which reminded him of the beautiful home from which he had come,—the country where the fairies still lived. He was very tired and hungry, and he curled up on a settee in the arbor and went to sleep.
THE LITTLE MAN
He must have slept a long time, for when he woke the Park was quite dark, save where the electric lights made queer patches of brightness among the leaves and on the grass and gravel walks. In the arbor itself hung a light which made the grape-vine with its half-ripened clusters look strange but very beautiful.
Carlo awoke with a start, for he had certainly felt something touch his knee. Yes! Carlo looked again, and rubbed his eyes. There at his knee stood a little man,—a little, thick man in a queer long gown, with a rope about his waist,—one of the very same Little Men of whom his mother had often told him in the land across the sea!
“What is the matter, Carlo?” asked the Little Man, in Carlo’s own home language. And Carlo answered in the same soft tongue:
“The boys have cut my balloons away, and I have nothing left with which to earn my living, that I may send money to Nita.”
“That is too bad!” exclaimed the Little Man. “What can we do about it?”
Carlo stared hard at him, for he had always wanted to see a Little Man. His hat was tall and had a broad brim, and on his feet were sandals. His brown gown clung tight about him, like the skin upon a russet apple, seeming ready to burst with the plumpness inside. His cheeks, too, seemed ready to burst with laughing, even when Carlo told him the story of the boys’ wicked deed.
“That is too bad!” he cried again, but not sadly. “What can we do about it?”
He glanced thoughtfully around the arbor in which they were sitting. It was a grape arbor, as I have said, and already the grapes were beginning to turn red and purple in the autumn coolness, though some were still green.
“The bad boys will steal them,” said the Little Man to himself, looking at the grapes. “They will not bring good to any one, only stomach-aches.” Carlo wondered what he could possibly mean. Still the Little Man stared around the arbor, nodding his head slowly up and down, as if making up his mind about something very important. At last he turned to Carlo and asked suddenly,—
“Do you know where I came from?”
“No,” said Carlo. “I have been wondering. You do not seem to belong to this country at all.”
“I don’t,” said the Little Man. “They don’t even believe in me here, so they never, never see me—how could they? The babies who play over there,”—and he twisted his thumb toward the fountain and the sand-heap,—“even if they were to come in here now, could not see me. For their stupid nurses have told them that I don’t exist. Perhaps there might be one or two who still believe; and of them I should have to be very careful. For I don’t want to be discovered. But they do not often come here.”
“I come here often,” said Carlo.
“Of course,” chuckled the Little Man, “naturally!”
“But how happens it that you are here?” asked Carlo, eagerly.
“Why, I came with you, to be sure. I am the Little Man of your father’s house. And when you left the dear old country over the sea you brought me with you.” The Little Man sighed. Carlo sighed too. But quickly he remembered to be polite. “It was very good of you to come,” he said.
“Not at all,” answered the Little Man. “I had to follow. Some of them bring poison creatures in the fruit which they sell,—tarantulas and scorpions. Some of them bring measles, and the evil-eye, and other dreadful things. But you brought me, and I have been watching over you ever since. I am glad you come here every day, so I can live in this very nice place. Now I am going to help you.”
Carlo thanked him, but he seemed not to hear. Nimbly as a squirrel he was climbing up the vine which draped the arbor with its leaves and grapes. Presently down he came again, and in his hand he held a fine bunch of grapes, purple and red and green.
“It is not stealing,” he said, in a whisper, “for this bunch has stopped ripening; I can tell by signs which a fairy knows. It would soon wither, and would not even attract the bad boys. So I will use it for my purposes. Now, please give me your stick.”
Carlo handed him the shorn stick, wondering. With a few deft knots the Little Man tied the bunch of grapes to the handle, where the balloons used to bob.
“What!” he cried, nodding delightedly, “There you are! Now of course you must go to sleep again. I cannot let you see how the last touches are done.” He tapped Carlo three times on the forehead. Immediately Carlo’s eyes began to close, his head nodded, and before he knew it he was lying on the bench in the arbor, snoring lustily and forgetting all his troubles.
Then the Little Man must have done something very strange and wonderful and marvelous; though no one saw him, and so no one knows just what that something was. But when in the morning Carlo awoke with a start, a baby in a pink dress stood in the arbor holding out a little hand in which was a silver dime, and he was saying,—
“Please, Boy, give me a green balloon!”
Carlo jumped up and reached for the stick, which was propped between the bars of the seat beside him. And what do you think? The bunch of purple and red and green grapes seemed to have grown and grown, and swelled and swelled, until each grape had turned into a beautiful big balloon of the same color! And that is why on that particular day Carlo had some green balloons in his bunch, although the children had never seen any like them before. And he sold one to the pink baby, and others to the other babies who came crowding around when he went out upon the Avenue, until the green balloons were all gone. For of course the babies wanted the unusual kind first. But after that he sold off the ordinary blue and red ones, and went home with his pockets full of dimes, and with nothing more on the end of his stick than when the bad boys let loose his bunch of balloons. But now there were no tears in his eyes—no, indeed!
Now I do not know just what happened next. But Carlo always looks smiling and happy about something. The children buy his balloons every day, and every night he carries home a pocketful of silver. Carlo is growing rich. And now little Nita has come across the sea to be with him. When the cold weather comes I daresay the Little Man will go to live in their house, as he did in their old home in the land where people still believe in fairies. But you may be sure that as long as he can he will stay in the pretty grape-vine arbor. If you are one of the wise children who believe in him, perhaps you will see him there yourself, some day. At any rate, whether you believe in the Little Man or not, if you go at the right time you will be sure to see the Balloon Boy, sitting on the bench and smiling happily at something, with the bunch of red and blue balloons bobbing over his head. And if you pay ten cents you may have a balloon all for your own, which will tug and tug and will try to get away, just as little Johnny Parker’s did.
Story DNA
Moral
Belief in good and perseverance through hardship can lead to unexpected blessings and success.
Plot Summary
Carlo, a kind balloon seller, works hard to save money to bring his sister Nita from their old country. One day, mischievous schoolboys cut all his balloon strings, leaving him heartbroken and without a livelihood. Despairing, Carlo falls asleep in a park arbor, where he is visited by a 'Little Man'—a house fairy from his homeland. The Little Man, who has followed Carlo, magically transforms a bunch of grapes into new, colorful balloons while Carlo sleeps. Carlo wakes to find his stick laden with unique balloons, sells them all, and eventually rebuilds his business, bringing Nita to live with him, forever watched over by his magical helper.
Themes
Emotional Arc
suffering to triumph
Writing Style
Narrative Elements
Cultural Context
Reflects early 20th-century American urban life and immigration, where children from European countries might come to America to work and send money home.
Plot Beats (15)
- Carlo, a happy and kind balloon boy, sells balloons on the Avenue to save money for his sister Nita to join him.
- One rainy afternoon, after the sun comes out, Carlo takes his balloons to his usual spot.
- A group of mischievous schoolboys rush by, surround Carlo, and cut the strings of all his balloons, sending them flying away.
- Devastated and unable to explain to a passing policeman, Carlo is left with only a bare stick and no means to earn money.
- He wanders sadly into the park, worried about his future and how to buy more balloons.
- Carlo finds comfort in a grape arbor that reminds him of home and falls asleep, tired and hungry.
- He wakes to find a 'Little Man' (a house fairy from his homeland) who speaks his language and asks about his troubles.
- Carlo explains how the boys ruined his business and his dream of bringing Nita over.
- The Little Man, who has followed Carlo from his old country, decides to help him.
- The Little Man climbs the grape vine, picks a bunch of grapes, and ties them to Carlo's stick.
- He taps Carlo three times on the forehead, making him fall back asleep so he cannot see the magic.
- Carlo wakes to find the grapes transformed into beautiful, large, colorful balloons, including unique green ones.
- He sells all the balloons, especially the unusual green ones, and goes home with his pockets full of money.
- Carlo continues to sell balloons, grows rich, and successfully brings Nita across the sea to live with him.
- The Little Man continues to watch over Carlo, possibly moving into their house when winter comes, and Carlo remains a happy, smiling balloon boy.
Characters
Carlo ★ protagonist
A young boy with brown skin, likely of Southern European or Mediterranean descent given the 'happy country where people still believe in fairies' and the 'grape-vines' reminding him of home. He is not a very big boy, suggesting a slender, youthful build.
Attire: Simple, practical clothing suitable for a street vendor, likely worn and perhaps patched, but clean. No specific details are given, but it would be modest and durable, perhaps a linen shirt and trousers, or a tunic and breeches, in muted, earthy tones.
Wants: To earn enough money by selling balloons to bring his little sister, Nita, from their old country to live with him and establish a home together.
Flaw: Vulnerable to the cruelty of older boys and unable to defend himself or his livelihood due to his size and limited English. His belief in fairies, while a strength, also makes him somewhat naive.
Carlo starts as a happy, hopeful boy, then experiences despair and loss after his balloons are destroyed. He is then uplifted by the Little Man's magic, regaining his happiness and achieving his goal of bringing Nita to live with him, becoming prosperous.
Happy, kind, hardworking, resilient, hopeful, and a believer in magic/fairies.
Image Prompt & Upload
A young boy of Southern European descent, standing upright, facing forward, full body visible from head to toe. He has warm brown skin, dark, slightly wavy hair, and large, expressive dark eyes. He wears a simple, light brown linen tunic with rolled-up sleeves, dark grey trousers, and worn leather sandals. He holds a tall wooden stick with a large, vibrant bunch of red and blue balloons bobbing above his head. He has a gentle, hopeful smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Little Man ◆ supporting
A small, plump figure, like a russet apple. He is nimble and quick, able to climb vines easily.
Attire: A tall hat with a broad brim. A brown gown that clings tightly to him, like the skin of a russet apple. Sandals on his feet. The gown would be of a natural fabric, perhaps wool or linen, in a rich, earthy brown.
Wants: To protect and help Carlo, as he is the 'Little Man of your father's house' and came with Carlo from the old country. He enjoys living in the grape arbor and wants to ensure Carlo's well-being.
Flaw: He cannot be seen by those who do not believe in him, limiting his direct interaction with most people.
He remains largely unchanged, serving as a magical helper. His role is to maintain the balance and assist those who believe.
Mischievous, wise, kind, magical, protective, and a believer in the old ways.
Image Prompt & Upload
A very small, plump man, standing upright, facing forward, full body visible from head to toe. He has a round, jovial face with rosy cheeks and a wide, cheerful smile. He wears a tall, dark brown felt hat with a broad brim, a form-fitting, russet-brown linen tunic that resembles an apple skin, and simple leather sandals. His hands are clasped in front of him, and he has a mischievous, knowing expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Nita ○ minor
A little sister, implied to be younger than Carlo. Her specific features are not detailed, but she would share similar ethnic traits with Carlo, such as brown skin and dark hair/eyes.
Attire: Simple, modest clothing from her 'old country,' likely traditional and practical, similar to Carlo's implied attire.
Wants: To join her brother Carlo in the new country.
Flaw: Her dependence on Carlo for her passage to the new country.
She is initially a distant goal for Carlo, then successfully joins him in the new country, fulfilling his dream.
Not explicitly described, but her existence motivates Carlo, suggesting she is beloved and perhaps innocent.
Image Prompt & Upload
A young girl of Southern European descent, standing upright, facing forward, full body visible from head to toe. She has warm brown skin, dark, straight hair tied back with a simple ribbon, and wide, curious dark eyes. She wears a simple, light blue linen dress with a white embroidered collar and sturdy leather shoes. She holds a small, worn wooden doll in her hands. Gentle, expectant expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Johnny Parker ○ minor
A 'little Johnny Parker,' implying a young child, likely a toddler or preschooler.
Attire: Not described, but typical of a child from a well-off family, likely a sailor suit or similar children's attire of the period.
Wants: To play with a balloon.
Flaw: Lack of attentiveness, leading to the loss of his balloon.
A brief appearance to illustrate the nature of balloons and children's interactions with them.
Careless, easily distressed.
Image Prompt & Upload
A small child of European descent, standing upright, facing forward, full body visible from head to toe. He has fair skin, short, light brown hair, and round blue eyes. He wears a navy blue sailor suit with a white collar and short trousers, and dark leather shoes. His mouth is open in a wail, and his arms are outstretched, looking up at an unseen object. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Avenue Corner near Park Gates
A bustling city street corner where a wide avenue 'stops short' before the high gates of a park. The sidewalks are dry and clean after a rain, with trees lining the street. It's a place where children and their nurses gather.
Mood: Initially lively and expectant, then chaotic and mischievous, finally desolate and sad.
Carlo sells balloons here daily. He is robbed of his balloons by mischievous schoolboys, leaving him with nothing.
Image Prompt & Upload
A wide, sun-drenched city avenue corner, with tall, ornate iron gates marking the entrance to a large park in the background. The cobblestone street is clean and dry, reflecting the bright afternoon sun. Mature deciduous trees with full green canopies line the avenue, casting dappled shadows on the pavement. A few well-dressed nurses push prams, and children play nearby. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Grape-vine Arbor in the Park
A secluded, small arbor within a large park, far from the main gathering spots. It is heavily draped with grapevines, some with half-ripened clusters of red, purple, and green grapes. It contains a settee or bench. At night, electric lights cast 'queer patches of brightness' among the leaves.
Mood: Initially desolate and weary, then mysterious and magical, finally hopeful and peaceful.
Carlo sleeps here after losing his balloons. He meets the Little Man, who magically transforms the grape clusters into new balloons, restoring Carlo's livelihood.
Image Prompt & Upload
A rustic, secluded grape-vine arbor in a large park, bathed in the soft, cool light of pre-dawn. Thick, gnarled grapevines with broad leaves and clusters of red, purple, and green grapes heavily drape the wooden lattice structure. A simple, weathered stone bench sits within the arbor. The ground is a mix of packed earth and scattered gravel, with faint electric light spilling from unseen sources, creating soft glows on the foliage. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.