The Yellow Dwarf

by Andrew Lang · from The Blue Fairy Book

fairy tale cautionary tale solemn Ages 8-14 1232 words 6 min read
Cover: The Yellow Dwarf
Original Story 1232 words · 6 min read

Cover

the Yellow Dwarf.

“Ah! Princess,” he cried, “do not be angry with me. Let me explain

everything. I am not faithless or to blame for what has happened. I am

a miserable wretch who has displeased you without being able to help

himself.”

“Ah!” cried Bellissima, “did I not see you flying through the air with

the loveliest being imaginable? Was that against your will?”

“Indeed it was, Princess,” he answered; “the wicked Fairy of the Desert,

not content with chaining me to a rock, carried me off in her chariot to

the other end of the earth, where I should even now be a captive but for

the unexpected help of a friendly mermaid, who brought me here to rescue

you, my Princess, from the unworthy hands that hold you. Do not refuse

the aid of your most faithful lover.” So saying, he threw himself at her

feet and held her by her robe. But, alas! in so doing he let fall the

magic sword, and the Yellow Dwarf, who was crouching behind a lettuce,

no sooner saw it than he sprang out and seized it, well knowing its

wonderful power.

The Princess gave a cry of terror on seeing the Dwarf, but this only

irritated the little monster; muttering a few magical words he summoned

two giants, who bound the King with great chains of iron.

“Now,” said the Dwarf, “I am master of my rival’s fate, but I will give

him his life and permission to depart unharmed if you, Princess, will

consent to marry me.”

“Let me die a thousand times rather,” cried the unhappy King.

“Alas!” cried the Princess, “must you die? Could anything be more

terrible?”

“That you should marry that little wretch would be far more terrible,”

answered the King.

“At least,” continued she, “let us die together.”

“Let me have the satisfaction of dying for you, my Princess,” said he.

“Oh, no, no!” she cried, turning to the Dwarf; “rather than that I will

do as you wish.”

“Cruel Princess!” said the King, “would you make my life horrible to me

by marrying another before my eyes?”

“Not so,” replied the Yellow Dwarf; “you are a rival of whom I am too

much afraid; you shall not see our marriage.” So saying, in spite of

Bellissima’s tears and cries, he stabbed the King to the heart with the

diamond sword.

The poor Princess, seeing her lover lying dead at her feet, could no

longer live without him; she sank down by him and died of a broken

heart.

So ended these unfortunate lovers, whom not even the Mermaid could help,

because all the magic power had been lost with the diamond sword.

As to the wicked Dwarf, he preferred to see the Princess dead rather

than married to the King of the Gold Mines; and the Fairy of the Desert,

when she heard of the King’s adventures, pulled down the grand monument

which she had built, and was so angry at the trick that had been played

her that she hated him as much as she had loved him before.

The kind Mermaid, grieved at the sad fate of the lovers, caused them to

be changed into two tall palm trees, which stand always side by side,

whispering together of their faithful love and caressing one another

with their interlacing branches.(1)

(1) Madame d’Aulnoy.

LITTLE RED RIDING HOOD

Once upon a time there lived in a certain village a little country girl,

the prettiest creature was ever seen. Her mother was excessively fond

of her; and her grandmother doted on her still more. This good woman

had made for her a little red riding-hood; which became the girl so

extremely well that everybody called her Little Red Riding-Hood.

One day her mother, having made some custards, said to her:

“Go, my dear, and see how thy grandmamma does, for I hear she has been

very ill; carry her a custard, and this little pot of butter.”

Little Red Riding-Hood set out immediately to go to her grandmother, who

lived in another village.

As she was going through the wood, she met with Gaffer Wolf, who had

a very great mind to eat her up, but he dared not, because of some

faggot-makers hard by in the forest. He asked her whither she was going.

The poor child, who did not know that it was dangerous to stay and hear

a wolf talk, said to him:

“I am going to see my grandmamma and carry her a custard and a little

pot of butter from my mamma.”

“Does she live far off?” said the Wolf.

“Oh! ay,” answered Little Red Riding-Hood; “it is beyond that mill you

see there, at the first house in the village.”

“Well,” said the Wolf, “and I’ll go and see her too. I’ll go this way

and you go that, and we shall see who will be there soonest.”

The Wolf began to run as fast as he could, taking the nearest way,

and the little girl went by that farthest about, diverting herself in

gathering nuts, running after butterflies, and making nosegays of such

little flowers as she met with. The Wolf was not long before he got to

the old woman’s house. He knocked at the door--tap, tap.

“Who’s there?”

“Your grandchild, Little Red Riding-Hood,” replied the Wolf,

counterfeiting her voice; “who has brought you a custard and a little

pot of butter sent you by mamma.”

The good grandmother, who was in bed, because she was somewhat ill,

cried out:

“Pull the bobbin, and the latch will go up.”

The Wolf pulled the bobbin, and the door opened, and then presently he

fell upon the good woman and ate her up in a moment, for it was above

three days that he had not touched a bit. He then shut the door and went

into the grandmother’s bed, expecting Little Red Riding-Hood, who came

some time afterward and knocked at the door--tap, tap.

“Who’s there?”

Little Red Riding-Hood, hearing the big voice of the Wolf, was at first

afraid; but believing her grandmother had got a cold and was hoarse,

answered:

“‘Tis your grandchild, Little Red Riding-Hood, who has brought you a

custard and a little pot of butter mamma sends you.”

The Wolf cried out to her, softening his voice as much as he could:

“Pull the bobbin, and the latch will go up.”

Little Red Riding-Hood pulled the bobbin, and the door opened.

The Wolf, seeing her come in, said to her, hiding himself under the

bed-clothes:

“Put the custard and the little pot of butter upon the stool, and come

and lie down with me.”

Little Red Riding-Hood undressed herself and went into bed, where, being

greatly amazed to see how her grandmother looked in her night-clothes,

she said to her:

“Grandmamma, what great arms you have got!”

“That is the better to hug thee, my dear.”

“Grandmamma, what great legs you have got!”

“That is to run the better, my child.”

“Grandmamma, what great ears you have got!”

“That is to hear the better, my child.”

“Grandmamma, what great eyes you have got!”

“It is to see the better, my child.”

“Grandmamma, what great teeth you have got!”

“That is to eat thee up.”

And, saying these words, this wicked wolf fell upon Little Red

Riding-Hood, and ate her all up.


Story DNA

Moral

Children should not talk to strangers or stray from the path their parents set for them, as doing so can lead to grave danger.

Plot Summary

Little Red Riding-Hood is sent by her mother to deliver food to her sick grandmother, with a strict warning not to stray from the path. In the woods, she encounters a cunning wolf, who tricks her into taking a longer route while he races to the grandmother's house. The wolf devours the grandmother, disguises himself, and then waits for Little Red Riding-Hood. Upon her arrival, after a series of questions about her 'grandmother's' large features, the wolf reveals himself and devours the innocent girl, ending the story tragically.

Themes

obediencestranger dangerdeceptionvulnerability

Emotional Arc

innocence to tragedy

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: sparse
Techniques: repetition (of the 'what big...' questions), direct address to reader (implied moral)

Narrative Elements

Conflict: person vs person (or creature)
Ending: tragic
Magic: talking animals (wolf)
the red riding-hood (symbol of innocence, vulnerability, and the character's identity)the path (symbol of obedience and safety vs. deviation and danger)

Cultural Context

Origin: French
Era: timeless fairy tale

This version by Charles Perrault is one of the earliest recorded and is notably darker than later adaptations, lacking a huntsman or happy ending. It served as a direct cautionary tale for young girls.

Plot Beats (13)

  1. Little Red Riding-Hood, named for her red cloak, lives in a village.
  2. Her mother asks her to take custard and butter to her sick grandmother in another village, warning her to stay on the path.
  3. In the woods, Little Red Riding-Hood meets a wolf who asks where she's going.
  4. She innocently tells the wolf about her grandmother's house and her errand.
  5. The wolf suggests they each take a different path to see who arrives first, secretly planning to take the shortest route.
  6. Little Red Riding-Hood gets distracted by flowers and butterflies, taking the longer path.
  7. The wolf arrives at the grandmother's house, imitates Little Red Riding-Hood's voice, and tricks the grandmother into letting him in.
  8. The wolf immediately devours the grandmother and then puts on her nightcap, getting into bed to await Little Red Riding-Hood.
  9. Little Red Riding-Hood arrives, knocks, and hears the wolf's gruff voice, which she attributes to a cold.
  10. She enters the house, and the wolf, still disguised, tells her to put the food down and join him in bed.
  11. Little Red Riding-Hood notices her 'grandmother's' unusually large features (arms, legs, ears, eyes, teeth) and questions them.
  12. The wolf reveals his true intention, stating his big teeth are 'to eat thee up.'
  13. The wolf devours Little Red Riding-Hood.

Characters

✦

Yellow Dwarf

magical creature adult male

Small stature, implied to be grotesque

Attire: Not described, but likely wears clothing befitting his status and the story's setting

Crouching behind a lettuce, clutching a magic sword

Cruel, possessive, vengeful

👤

Bellissima

human young adult female

Implied to be beautiful

Attire: Princess attire, fine gowns, jewels

Tears streaming as she kneels beside her dead lover

Faithful, loving, ultimately passive

👤

King of the Gold Mines

human young adult male

Implied to be handsome and strong

Attire: Royal attire, fine fabrics, gold embellishments

Stabbed through the heart with a diamond sword

Brave, devoted, honorable

✦

Fairy of the Desert

magical creature ageless female

Powerful and imposing

Attire: Desert-themed attire, flowing robes, jeweled accessories

Pulling down a grand monument in a fit of rage

Wicked, manipulative, easily angered

✦

Mermaid

magical creature ageless female

Fish tail, human upper body

Attire: None specified

Transforming the dead lovers into palm trees

Kind, helpful, magical

Locations

Desert Rock

outdoor arid, hot

A desolate rock in the middle of a vast desert, where the King was chained.

Mood: desolate, lonely, hopeless

The King is held captive by the Fairy of the Desert.

rock chains sand endless horizon

Lettuce Patch

outdoor growing season, likely warm

A garden patch filled with large lettuce plants, providing cover for the Yellow Dwarf.

Mood: deceptive, tense, dangerous

The Yellow Dwarf ambushes the King and Bellissima.

lettuce magic sword shadows garden soil

Palm Tree Grove

outdoor tropical, warm

A grove of tall palm trees, standing side by side, their branches intertwined.

Mood: melancholy, romantic, eternal

The transformed King and Bellissima exist forever.

palm trees interlacing branches sand sunlight