Fairy gifts
by Andrew Lang

The Fairy's Gifts
Once, there was a kind fairy. She loved flowers very much. She lived in a palace with a garden. The garden had many colorful flowers. The fairy was very kind to everyone. Young royals came to live with her. When they left, she gave each a special gift.
The fairy loved Princess Sylvia the most. She wanted Sylvia to learn from others. So, she sent Sylvia to visit friends. Sylvia flew in a cart to see them.
First, Sylvia visited Princess Iris. Iris had asked for pretty looks. She was very pretty. But then she got sick. She lost her pretty looks. Iris was very sad. She did not like her face now. She wanted her pretty looks back. Iris cried and said, "I am so unhappy. I used to be pretty, but now I am not." Sylvia felt sorry for her.
Sylvia went home and told the fairy about Iris. The fairy looked sorry. "I cannot help," she said. "My gift is given only once. I cannot take it back."
Next, Sylvia visited Princess Daphne. Daphne had asked to speak well. She talked all the time, even when no one listened. Sylvia did not like it. Daphne talked too much about herself. It was not nice to hear.
Sylvia went home again. She told the fairy about Daphne. "She talks and talks," said Sylvia. "She never stops. I was glad to leave because it was too noisy."
Sylvia thought about the gifts she saw. Pretty looks were not enough. Talking well was not enough. She did not want those gifts for herself. She wanted something better.
It was time for Sylvia to get her gift. The fairy smiled and asked her, "What gift do you want, Sylvia?"
Sylvia thought slowly. She remembered Iris and Daphne. "I want a quiet spirit," she said.
The fairy smiled. She gave Sylvia the gift. A quiet spirit is calm and kind inside. Sylvia felt very happy. She was always kind to others. People near her felt happy too. The fairy smiled and said, "Being kind inside is the best gift of all."
Original Story
_FAIRY GIFTS_ It generally happens that people's surroundings reflect more or less accurately their minds and dispositions, so perhaps that is why the Flower Fairy lived in a lovely palace, with the most delightful garden you can imagine, full of flowers, and trees, and fountains, and fish-ponds, and everything nice. For the Fairy herself was so kind and charming that everybody loved her, and all the young princes and princesses who formed her court, were as happy as the day was long, simply because they were near her. They came to her when they were quite tiny, and never left her until they were grown up and had to go away into the great world; and when that time came she gave to each whatever gift he asked of her. But it is chiefly of the Princess Sylvia that you are going to hear now. The Fairy loved her with all her heart, for she was at once original and gentle, and she had nearly reached the age at which the gifts were generally bestowed. However, the Fairy had a great wish to know how the other princesses who had grown up and left her, were prospering, and before the time came for Sylvia to go herself, she resolved to send her to some of them. So one day her chariot, drawn by butterflies, was made ready, and the Fairy said: 'Sylvia, I am going to send you to the court of Iris; she will receive you with pleasure for my sake as well as for your own. In two months you may come back to me again, and I shall expect you to tell me what you think of her.' Sylvia was very unwilling to go away, but as the Fairy wished it she said nothing--only when the two months were over she stepped joyfully into the butterfly chariot, and could not get back quickly enough to the Flower-Fairy, who, for her part, was equally delighted to see her again. [Illustration] 'Now, child,' said she, 'tell me what impression you have received.' 'You sent me, madam,' answered Sylvia, 'to the Court of Iris, on whom you had bestowed the gift of beauty. She never tells anyone, however, that it was your gift, though she often speaks of your kindness in general. It seemed to me that her loveliness, which fairly dazzled me at first, had absolutely deprived her of the use of any of her other gifts or graces. In allowing herself to be seen, she appeared to think that she was doing all that could possibly be required of her. But, unfortunately, while I was still with her she became seriously ill, and though she presently recovered, her beauty is entirely gone, so that she hates the very sight of herself, and is in despair. She entreated me to tell you what had happened, and to beg you, in pity, to give her beauty back to her. And, indeed, she does need it terribly, for all the things in her that were tolerable, and even agreeable, when she was so pretty, seem quite different now she is ugly, and it is so long since she thought of using her mind or her natural cleverness, that I really don't think she has any left now. She is quite aware of all this herself, so you may imagine how unhappy she is, and how earnestly she begs for your aid.' 'You have told me what I wanted to know,' cried the Fairy, 'but alas! I cannot help her; my gifts can be given but once.' Some time passed in all the usual delights of the Flower-Fairy's palace, and then she sent for Sylvia again, and told her she was to stay for a little while with the Princess Daphne, and accordingly the butterflies whisked her off, and set her down in quite a strange kingdom. But she had only been there a very little time before a wandering butterfly brought a message from her to the Fairy, begging that she might be sent for as soon as possible, and before very long she was allowed to return. 'Ah! madam,' cried she, 'what a place you sent me to that time!' 'Why, what was the matter?' asked the Fairy. 'Daphne was one of the princesses who asked for the gift of eloquence, if I remember rightly.' 'And very ill the gift of eloquence becomes a woman,' replied Sylvia, with an air of conviction. 'It is true that she speaks well, and her expressions are well chosen; but then she never leaves off talking, and though at first one may be amused, one ends by being wearied to death. Above all things she loves any assembly for settling the affairs of her kingdom, for on those occasions she can talk and talk without fear of interruption; but, even then, the moment it is over she is ready to begin again about anything or nothing, as the case may be. Oh! how glad I was to come away I cannot tell you.' The Fairy smiled at Sylvia's unfeigned disgust at her late experience; but after allowing her a little time to recover she sent her to the Court of the Princess Cynthia, where she left her for three months. At the end of that time Sylvia came back to her with all the joy and contentment that one feels at being once more beside a dear friend. The Fairy, as usual, was anxious to hear what she thought of Cynthia, who had always been amiable, and to whom she had given the gift of pleasing. 'I thought at first,' said Sylvia, 'that she must be the happiest Princess in the world; she had a thousand lovers who vied with one another in their efforts to please and gratify her. Indeed, I had nearly decided that I would ask a similar gift.' 'Have you altered your mind, then?' interrupted the Fairy. 'Yes, indeed, madam,' replied Sylvia; 'and I will tell you why. The longer I stayed the more I saw that Cynthia was not really happy. In her desire to please everyone she ceased to be sincere, and degenerated into a mere coquette; and even her lovers felt that the charms and fascinations which were exercised upon all who approached her without distinction were valueless, so that in the end they ceased to care for them, and went away disdainfully.' 'I am pleased with you, child,' said the Fairy; 'enjoy yourself here for awhile and presently you shall go to Phyllida.' Sylvia was glad to have leisure to think, for she could not make up her mind at all what she should ask for herself, and the time was drawing very near. However, before very long the Fairy sent her to Phyllida, and waited for her report with unabated interest. 'I reached her court safely,' said Sylvia, 'and she received me with much kindness, and immediately began to exercise upon me that brilliant wit which you had bestowed upon her. I confess that I was fascinated by it, and for a week thought that nothing could be more desirable; the time passed like magic, so great was the charm of her society. But I ended by ceasing to covet that gift more than any of the others I have seen, for, like the gift of pleasing, it cannot really give satisfaction. By degrees I wearied of what had so delighted me at first, especially as I perceived more and more plainly that it is impossible to be constantly smart and amusing without being frequently ill-natured, and too apt to turn all things, even the most serious, into mere occasions for a brilliant jest.' The Fairy in her heart agreed with Sylvia's conclusions, and felt pleased with herself for having brought her up so well. But now the time was come for Sylvia to receive her gift, and all her companions were assembled; the Fairy stood in the midst and in the usual manner asked what she would take with her into the great world. Sylvia paused for a moment, and then answered: 'A quiet spirit.' And the Fairy granted her request. This lovely gift makes life a constant happiness to its possessor, and to all who are brought into contact with her. She has all the beauty of gentleness and contentment in her sweet face; and if at times it seems less lovely through some chance grief or disquietude, the hardest thing that one ever hears said is: 'Sylvia's dear face is pale to-day. It grieves one to see her so.' And when, on the contrary, she is gay and joyful, the sunshine of her presence rejoices all who have the happiness of being near her. By the Comte de Caylus.
Moral of the Story
True and lasting happiness comes from inner virtues like a quiet spirit, not from superficial gifts or external validation.
Characters
Flower Fairy ◆ supporting
Kind and charming, reflecting the beauty of her surroundings.
Attire: Ethereal gowns of silk and gossamer, interwoven with flower petals and leaves.
Kind, wise, observant
Sylvia ★ protagonist
Gentle and original, with a sweet face.
Attire: Simple but elegant gowns of fine linen or silk, suitable for a princess in training.
Observant, thoughtful, gentle
Iris ◆ supporting
Dazzlingly beautiful, but loses her beauty through illness.
Attire: Luxurious gowns of velvet and brocade, adorned with jewels and lace.
Vain, shallow, dependent on beauty
Daphne ◆ supporting
Eloquent but tiresome.
Attire: Formal gowns suitable for court, perhaps with quill and parchment visible.
Talkative, verbose, self-important
Cynthia ◆ supporting
Amiable but insincere.
Attire: Flattering gowns designed to attract attention, adorned with ribbons and lace.
Coquettish, insincere, people-pleasing
Phyllida ◆ supporting
Witty but ill-natured.
Attire: Elegant gowns with a touch of extravagance, perhaps with a jeweled fan.
Witty, sarcastic, sharp-tongued
Locations

Flower Fairy's Palace Garden
A delightful garden full of flowers, trees, fountains, and fish-ponds.
Mood: Lovely, happy, charming, idyllic.
Sylvia departs and returns from her visits to the other princesses.

Princess Iris's Court
Implied to be luxurious and focused on visual beauty, but details are not given.
Mood: Initially dazzling and impressive, but later becomes despairing and ugly.
Sylvia observes Iris's dependence on her beauty and her subsequent despair when it is lost.

Princess Daphne's Assembly Hall
A place for settling the affairs of her kingdom.
Mood: Wearying, talkative, overwhelming.
Sylvia is overwhelmed by Daphne's constant talking and desire to be heard.
Story DNA
Moral
True and lasting happiness comes from inner virtues like a quiet spirit, not from superficial gifts or external validation.
Plot Summary
The kind Flower Fairy raises young royals, granting each a special gift upon leaving her court. She sends her favorite, Princess Sylvia, to observe former princesses who chose gifts like beauty, eloquence, pleasing, and wit. Sylvia learns that these superficial traits lead to unhappiness, insincerity, or weariness. Upon her return, having gained wisdom from these experiences, Sylvia chooses 'a quiet spirit' as her gift, which brings her lasting happiness and radiates joy to all around her.
Themes
Emotional Arc
innocence to wisdom
Writing Style
Narrative Elements
Cultural Context
Andrew Lang was a Scottish poet and folklorist who collected and retold fairy tales from various cultures. The original author, Comte de Caylus, was an 18th-century French antiquarian and writer, suggesting an Enlightenment-era influence on the story's moralizing tone.
Plot Beats (13)
- The Flower Fairy, known for her kindness, raises young royals in her palace and grants each a gift upon their departure.
- The Fairy sends her favorite, Princess Sylvia, to visit four former princesses to observe the outcomes of their chosen gifts.
- Sylvia first visits Princess Iris, who chose beauty, and witnesses her despair after losing her beauty and realizing its emptiness.
- Sylvia reports back to the Fairy about Iris's plight, and the Fairy explains her gifts cannot be taken back.
- Sylvia then visits Princess Daphne, who chose eloquence, and finds her constant, self-serving talking to be tiresome.
- Sylvia reports her negative experience with Daphne's gift to the Fairy.
- Next, Sylvia visits Princess Cynthia, who chose the gift of pleasing, and observes her insincerity and the eventual loss of her admirers.
- Sylvia reports her findings about Cynthia's gift, noting her change of mind about wanting a similar gift.
- Finally, Sylvia visits Princess Phyllida, who chose wit, and initially enjoys it but later realizes its potential for ill-nature and superficiality.
- Sylvia returns to the Fairy, having reflected on all the gifts she witnessed.
- The Fairy asks Sylvia what gift she desires for herself.
- Sylvia, having learned from the experiences of others, requests 'a quiet spirit.'
- The Fairy grants Sylvia's wish, and Sylvia lives a life of constant happiness, radiating contentment to all around her.





