The Jogi's Punishment

by Andrew Lang · from The Lilac Fairy Book

fairy tale moral tale solemn Ages 8-14 2204 words 10 min read
Cover: The Jogi's Punishment
Original Story 2204 words · 10 min read

THE JOGI'S PUNISHMENT

ONCE upon a time there came to the ancient city of Rahmatabad a jogi[1]

of holy appearance, who took up his abode under a tree outside the city,

where he would sit for days at a time fasting from food and drink,

motionless except for the fingers that turned restlessly his string of

beads. The fame of such holiness as this soon spread, and daily the

citizens would flock to see him, eager to get his blessing, to watch his

devotions, or to hear his teaching, if he were in the mood to speak.

Very soon the rajah himself heard of the jogi, and began regularly to

visit him to seek his counsel and to ask his prayers that a son might be

vouchsafed to him. Days passed by, and at last the rajah became so

possessed with the thought of the holy man that he determined if

possible to get him all to himself. So he built in the neighbourhood a

little shrine, with a room or two added to it, and a small courtyard

closely walled up; and, when all was ready, besought the jogi to occupy

it, and to receive no other visitors except himself and his queen and

such pupils as the jogi might choose, who would hand down his teaching.

To this the jogi consented; and thus he lived for some time upon the

king's bounty, whilst the fame of his godliness grew day by day.

[Footnote 1: A Hindu holy man.]

Now, although the rajah of Rahmatabad had no son, he possessed a

daughter, who as she grew up became the most beautiful creature that eye

ever rested upon. Her father had long before betrothed her to the son of

the neighbouring rajah of Dilaram, but as yet she had not been married

to him, and lived the quiet life proper to a maiden of her beauty and

position. The princess had of course heard of the holy man and of his

miracles and his fastings, and she was filled with curiosity to see and

to speak to him; but this was difficult, since she was not allowed to go

out except into the palace grounds, and then was always closely guarded.

However, at length she found an opportunity, and made her way one

evening alone to the hermit's shrine.

Unhappily, the hermit was not really as holy as he seemed; for no sooner

did he see the princess than he fell in love with her wonderful beauty,

and began to plot in his heart how he could win her for his wife. But

the maiden was not only beautiful, she was also shrewd; and as soon as

she read in the glance of the jogi the love that filled his soul, she

sprang to her feet, and, gathering her veil about her, ran from the

place as fast as she could. The jogi tried to follow, but he was no

match for her; so, beside himself with rage at finding that he could not

overtake her, he flung at her a lance, which wounded her in the leg. The

brave princess stooped for a second to pluck the lance out of the wound,

and then ran on until she found herself safe at home again. There she

bathed and bound up the wound secretly, and told no one how naughty she

had been, for she knew that her father would punish her severely.

Next day, when the king went to visit the jogi, the holy man would

neither speak to nor look at him.

'What is the matter?' asked the king. 'Won't you speak to me to-day?'

'I have nothing to say that you would care to hear,' answered the jogi.

'Why?' said the king. 'Surely you know that I value all that you say,

whatever it may be.'

[Illustration: UNHAPPILY the Hermit was not really as HOLY as he

seemed]

But still the jogi sat with his face turned away, and the more the

king pressed him the more silent and mysterious he became. At last,

after much persuasion, he said:

'Let me tell you, then, that there is in this city a creature which, if

you do not put an end to it, will kill every single person in the

place.'

The king, who was easily frightened, grew pale.

'What,' he gasped--'what is this dreadful thing? How am I to know it and

to catch it? Only counsel me and help me, and I will do all that you

advise.'

'Ah!' replied the jogi, 'it is indeed dreadful. It is in the shape of a

beautiful girl, but it is really an evil spirit. Last evening it came to

visit me, and when I looked upon it its beauty faded into hideousness,

its teeth became horrible fangs, its eyes glared like coals of fire,

great claws sprang from its slender fingers, and were I not what I am it

might have consumed me.'

The king could hardly speak from alarm, but at last he said:

'How am I to distinguish this awful thing when I see it?'

'Search,' said the jogi, 'for a lovely girl with a lance wound in her

leg, and when she is found secure her safely and come and tell me, and I

will advise you what to do next.'

Away hurried the king, and soon set all his soldiers scouring the

country for a girl with a lance wound in her leg. For two days the

search went on, and then it was somehow discovered that the only person

with a lance wound in the leg was the princess herself. The king,

greatly agitated, went off to tell the jogi, and to assure him that

there must be some mistake. But of course the jogi was prepared for

this, and had his answer ready.

'She is not really your daughter, who was stolen away at her birth, but

an evil spirit that has taken her form,' said he solemnly. 'You can do

what you like, but if you don't take my advice she will kill you all.'

And so solemn he appeared, and so unshaken in his confidence, that the

king's wisdom was blinded, and he declared that he would do whatever the

jogi advised, and believe whatever he said. So the jogi directed him to

send him secretly two carpenters; and when they arrived he set them to

make a great chest, so cunningly jointed and put together that neither

air nor water could penetrate it. There and then the chest was made,

and, when it was ready, the jogi bade the king to bring the princess by

night; and they two thrust the poor little maiden into the chest and

fastened it down with long nails, and between them carried it to the

river and pushed it out into the stream.

As soon as the jogi got back from this deed he called two of his pupils,

and pretended that it had been revealed to him that there should be

found floating on the river a chest with something of great price within

it; and he bade them go and watch for it at such a place far down the

stream, and when the chest came slowly along, bobbing and turning in the

tide, they were to seize it and secretly and swiftly bring it to him,

for he was now determined to put the princess to death himself. The

pupils set off at once, wondering at the strangeness of their errand,

and still more at the holiness of the jogi to whom such secrets were

revealed.

[Illustration: The Princess released from the box]

It happened that, as the next morning was dawning, the gallant young

prince of Dilaram was hunting by the banks of the river, with a great

following of wazirs, attendants, and huntsmen, and as he rode he saw

floating on the river a large chest, which came slowly along, bobbing

and turning in the tide. Raising himself in his saddle, he gave an

order, and half a dozen men plunged into the water and drew the chest

out on to the river bank, where every one crowded around to see what it

could contain. The prince was certainly not the least curious among

them; but he was a cautious young man, and, as he prepared to open

the chest himself, he bade all but a few stand back, and these few to

draw their swords, so as to be prepared in case the chest should hold

some evil beast, or djinn, or giant. When all were ready and expectant,

the prince with his dagger forced open the lid and flung it back, and

there lay, living and breathing, the most lovely maiden he had ever seen

in his life.

Although she was half stifled from her confinement in the chest, the

princess speedily revived, and, when she was able to sit up, the prince

began to question her as to who she was and how she came to be shut up

in the chest and set afloat upon the water; and she, blushing and

trembling to find herself in the presence of so many strangers, told him

that she was the princess of Rahmatabad, and that she had been put into

the chest by her own father. When he on his part told her that he was

the prince of Dilaram, the astonishment of the young people was

unbounded to find that they, who had been betrothed without ever having

seen one another, should have actually met for the first time under such

strange circumstances. In fact, the prince was so moved by her beauty

and modest ways that he called up his wazirs and demanded to be married

at once to this lovely lady who had so completely won his heart. And

married they were then and there upon the river bank, and went home to

the prince's palace, where, when the story was told, they were welcomed

by the old rajah, the prince's father, and the remainder of the day was

given over to feasting and rejoicing. But when the banquet was over, the

bride told her husband that now, on the threshold of their married life,

she had more to relate of her adventures than he had given her the

opportunity to tell as yet; and then, without hiding anything, she

informed him of all that happened to her from the time she had stolen

out to visit the wicked jogi.

In the morning the prince called his chief wazir and ordered him to shut

up in the chest in which the princess had been found a great monkey that

lived chained up in the palace, and to take the chest back to the river

and set it afloat once more and watch what became of it. So the monkey

was caught and put into the chest, and some of the prince's servants

took it down to the river and pushed it off into the water. Then they

followed secretly a long way off to see what became of it.

[Illustration: The Terrible End of the Jogi]

Meanwhile the jogi's two pupils watched and watched for the chest until

they were nearly tired of watching, and were beginning to wonder

whether the jogi was right after all, when on the second day they spied

the great chest coming floating on the river, slowly bobbing and turning

on the tide; and instantly a great joy and exultation seized them, for

they thought that here indeed was further proof of the wonderful wisdom

of their master. With some difficulty they secured the chest, and

carried it back as swiftly and secretly as possible to the jogi's house.

As soon as they brought in the chest, the jogi, who had been getting

very cross and impatient, told them to put it down, and to go outside

whilst he opened the magic chest.

'And even if you hear cries and sounds, however alarming, you must on no

account enter,' said the jogi, walking over to a closet where lay the

silken cord that was to strangle the princess.

And the two pupils did as they were told, and went outside and shut

close all the doors. Presently they heard a great outcry within, and the

jogi's voice crying aloud for help; but they dared not enter, for had

they not been told that whatever the noise, they must not come in? So

they sat outside, waiting and wondering; and at last all grew still and

quiet, and remained so for such a long time that they determined to

enter and see if all was well. No sooner had they opened the door

leading into the courtyard than they were nearly upset by a huge monkey

that came leaping straight to the doorway and escaped past them into the

open fields. Then they stepped into the room, and there they saw the

jogi's body lying torn to pieces on the threshold of his dwelling!

Very soon the story spread, as stories will, and reached the ears of the

princess and her husband, and when she knew that her enemy was dead she

made her peace with her father.

From Major Campbell, Feroshepore.

Story DNA

Moral

Evil deeds, especially those born of malice and deceit, will ultimately lead to a just and often ironic punishment.

Plot Summary

A seemingly holy jogi, after being rejected by the rajah's daughter, wounds her and then manipulates her father into believing she is an evil spirit. The deceived rajah seals his daughter in a chest and casts her into the river. She is rescued by her betrothed prince, who marries her and learns of the jogi's treachery. Together, they replace the princess with a monkey in the chest, which is then delivered to the jogi, leading to his violent and ironic demise, and allowing the princess to reconcile with her father.

Themes

deceptionjusticetrue lovethe nature of evil

Emotional Arc

innocence threatened to triumph and justice

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three (jogi's initial holiness, then his deceit, then his punishment), foreshadowing (jogi's true nature), irony (jogi's own trap becomes his undoing)

Narrative Elements

Conflict: person vs person (jogi vs princess/prince), person vs self (rajah's internal conflict/deception)
Ending: moral justice
Magic: Jogi's supposed holiness and ability to reveal 'secrets', The jogi's fabricated claim of the princess being an evil spirit
The chest (symbol of imprisonment, deception, and ultimately, justice)The lance wound (mark of the jogi's malice, used as a tool for deception)The monkey (instrument of ironic justice)

Cultural Context

Origin: Indian
Era: timeless fairy tale

Reflects traditional Indian societal structures, religious figures, and common folk beliefs, likely from a period before significant Western influence.

Plot Beats (15)

  1. A jogi of holy appearance settles outside Rahmatabad, gaining fame and the rajah's trust.
  2. The rajah builds a private shrine for the jogi, who lives on his bounty.
  3. The rajah's beautiful daughter, betrothed to the prince of Dilaram, secretly visits the jogi out of curiosity.
  4. The jogi, overcome by lust, attempts to pursue the princess, but she flees; he wounds her leg with a lance.
  5. The jogi, to cover his crime, convinces the rajah that his daughter is an evil spirit with a lance wound on her leg.
  6. The deceived rajah, following the jogi's instructions, seals his own daughter in an airtight chest and casts her into the river.
  7. The jogi sends his pupils to retrieve the chest downstream, intending to kill the princess himself.
  8. The prince of Dilaram, hunting by the river, discovers and opens the chest, finding the princess inside.
  9. The prince and princess realize they are betrothed, fall in love, and marry immediately.
  10. The princess recounts the jogi's treachery to the prince.
  11. The prince replaces the princess with a chained monkey in the chest and sets it afloat again.
  12. The jogi's pupils retrieve the chest, believing it contains the princess, and bring it to the jogi.
  13. The jogi, alone, opens the chest, expecting to strangle the princess, but is instead attacked and killed by the monkey.
  14. The jogi's pupils discover his torn body, and the story of his demise spreads.
  15. The princess, hearing of the jogi's death, reconciles with her father.

Characters

👤

The Jogi

human adult male

Of holy appearance

Attire: Simple robes and a string of beads

String of prayer beads constantly in hand

Deceptive, lustful, manipulative

👤

The Rajah of Rahmatabad

human adult male

No specific details given

Attire: Richly decorated royal garments, turban with jewels

Elaborate jeweled turban

Gullible, easily frightened, desperate for a son

👤

The Princess of Rahmatabad

human young adult female

Most beautiful creature that eye ever rested upon

Attire: Fine silk garments, jewelry, and a veil

Lance wound on her leg

Brave, shrewd, modest

👤

The Prince of Dilaram

human young adult male

No specific details given

Attire: Hunting attire, royal garments

Dagger used to open the chest

Cautious, decisive, romantic

🐾

The Monkey

animal adult unknown

Great monkey

Attire: Chained up

Ferocious teeth

Aggressive, strong

Locations

Tree outside Rahmatabad

outdoor

A tree outside the ancient city where the jogi first sits, fasting and turning his beads.

Mood: holy, mysterious, public

The jogi first establishes his reputation for holiness.

tree jogi string of beads citizens

Hermit's Shrine

indoor evening

A little shrine with a room or two and a small, walled courtyard built by the rajah for the jogi.

Mood: secluded, deceptive (seeming holy but hiding evil)

The princess visits the jogi, who reveals his true, unholy intentions.

shrine courtyard walls room

River Bank

outdoor dawn

The bank of the river where the prince is hunting when he finds the chest.

Mood: fortunate, serendipitous, hopeful

The prince discovers the princess in the chest and they are married.

river chest prince huntsmen swords

Jogi's House

indoor

The jogi's dwelling, where he is killed by the monkey.

Mood: isolated, violent, ironic

The jogi meets his gruesome end.

chest silken cord monkey jogi's body