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The Wonderful Tune

by Andrew Lang

The Wonderful Tune

The Piper and the Sea Lady

CEFR A1 Age 5 653 words 3 min Canon 95/100

Once, there was a man named Maurice. He was blind. But he played fun music on his pipes. His music was very good. It made all dance. People loved his music. When he played, they danced. Maurice was happy. He played music every day.

One day, Maurice played at the beach. The sun was shining. The beach was nice. People came from far away. They wanted to dance. Paddy was there. He gave Maurice a sweet drink. Maurice drank it. He felt very excited. He played his pipes with joy.

Then Maurice played his special tune. All began to dance. They could not stop. Maurice danced too. His mother danced. It was fun. The music was fast and happy. People jumped and turned. They laughed and smiled. Maurice played more and more. The dance went on and on. No one wanted to stop. All were so happy. The music filled the air. It was a great time.

Then, fish came from the water. They danced on the sand. Big fish and small fish danced. Crabs danced too. Even starfish came. They all danced to the music. It was a funny sight. Maurice played on.

A pretty Sea Lady came from the sea. She had green hair. She smiled at Maurice. She danced with him. Maurice liked her. She was nice. She sang a sweet song to him. The Sea Lady was magic. She came from the waves. She wore seaweed. Her eyes were blue. She took Maurice's hand. They danced together.

The Sea Lady sang to Maurice. 'Come with me,' she sang. 'Live in the sea. Be my king. We will be happy. You can play your music. The fish will dance. We will have fun.' Her song was sweet. She smiled as she sang. Maurice liked her voice. It was a pretty song.

Maurice was excited. He sang back to her. 'I like your song,' he said. 'But I do not like salt water. It is not for me.' He smiled. Maurice thought about the sea. He liked his home. He did not want to leave. But the Sea Lady was nice.

The Sea Lady smiled. She danced closer to Maurice. She spoke sweetly. 'Come with me,' she said. 'It will be great. You will be happy. We will play music.' She held his hand. Maurice felt nice. He liked her words.

Mother saw Maurice with the Sea Lady. She was worried. 'Maurice, come back!' she cried. 'Do not go with her! She is from the sea. Stay here with me.' Mother was sad. Mother loved Maurice. She did not want him to go. She ran to him. 'Please, listen to me,' she said. 'I am your mother.' Her eyes were wet.

Maurice did not listen to his mother. 'I must go,' he said. 'But I will send you a gift. Look for it on the sand. It will be burned wood.' He smiled. Mother cried. But Maurice was excited. He wanted to go with the Sea Lady.

Then a big wave came. The Sea Lady covered Maurice with her cloak. The wave took them into the sea. They went under the water. Maurice was gone. The people on the beach were sad. The wave was big and blue. It pulled Maurice away. The Sea Lady held him tight. They swam to the deep sea. It was a magic moment.

Later, burned wood came to the sand. It was Maurice's gift. Mother found it. She was very sad. She missed Maurice a lot. The wood was warm. It had a nice smell. Mother held it close. She thought of Maurice.

Later, people hear music from the sea. It is Maurice playing his pipes. He plays his fun tune. So, listen to your mother. Do not go with strangers. The music is sweet and happy. It reminds us of Maurice. He is happy in the sea. But we should listen to our mothers.

Original Story 2331 words · 11 min read

_THE WONDERFUL TUNE_ MAURICE CONNOR was the king, and that's no small word, of all the pipers in Munster. He could play jig and reel without end, and Ollistrum's March, and the Eagle's Whistle, and the Hen's Concert, and odd tunes of every sort and kind. But he knew one far more surprising than the rest, which had in it the power to set everything dead or alive dancing. In what way he learned it is beyond my knowledge, for he was mighty cautious about telling how he came by so wonderful a tune. At the very first note of that tune the shoes began shaking upon the feet of all who heard it--old or young, it mattered not--just as if the shoes had the ague; then the feet began going, going, going from under them, and at last up and away with them, dancing like mad, whisking here, there, and everywhere, like a straw in a storm--there was no halting while the music lasted. Not a fair, nor a wedding, nor a feast in the seven parishes round, was counted worth the speaking of without 'blind Maurice and his pipes.' His mother, poor woman, used to lead him about from one place to another just like a dog. Down through Iveragh, Maurice Connor and his mother were taking their rounds. Beyond all other places Iveragh is the place for stormy coasts and steep mountains, as proper a spot it is as any in Ireland to get yourself drowned, or your neck broken on the land, should you prefer that. But, notwithstanding, in Ballinskellig Bay there is a neat bit of ground, well fitted for diversion, and down from it, towards the water, is a clean smooth piece of strand, the dead image of a calm summer's sea on a moonlight night, with just the curl of the small waves upon it. Here it was that Maurice's music had brought from all parts a great gathering of the young men and the young women; for 'twas not every day the strand of Trafraska was stirred up by the voice of a bagpipe. The dance began; and as pretty a dance it was as ever was danced. 'Brave music,' said everybody, 'and well done,' when Maurice stopped. 'More power to your elbow, Maurice, and a fair wind in the bellows,' cried Paddy Dorman, a humpbacked dancing master, who was there to keep order. ''Tis a pity,' said he, 'if we'd let the piper run dry after such music; 'twould be a disgrace to Iveragh, that didn't come on it since the week of the three Sundays.' So, as well became him, for he was always a decent man, says he, 'Did you drink, piper?' 'I will, sir,' said Maurice, answering the question on the safe side, for you never yet knew piper or schoolmaster who refused his drink. 'What will you drink, Maurice?' says Paddy. 'I'm no ways particular,' says Maurice; 'I drink anything barring _raw_ water; but if it's all the same to you, Mister Dorman, may-be you wouldn't lend me the loan of a glass of whisky.' 'I've no glass, Maurice,' said Paddy; 'I've only the bottle.' 'Let that be no hindrance,' answered Maurice; 'my mouth just holds a glass to the drop; often I've tried it sure.' So Paddy Dorman trusted him with the bottle--more fool was he; and, to his cost, he found that though Maurice's mouth might not hold more than the glass at one time, yet, owing to the hole in his throat, it took many a filling. 'That was no bad whisky neither,' says Maurice, handing back the empty bottle. 'By the holy frost, then!' says Paddy, ''tis but _cold_ comfort there's in that bottle now; and 'tis your word we must take for the strength of the whisky, for you've left us no sample to judge by'; and to be sure Maurice had not. Now I need not tell any gentleman or lady that if he or she was to drink an honest bottle of whisky at one pull, it is not at all the same thing as drinking a bottle of water; and in the whole course of my life I never knew more than five men who could do so without being the worse. Of these Maurice Connor was not one, though he had a stiff head enough of his own. Don't think I blame him for it; but true is the word that says, 'When liquor's in sense is out'; and puff, at a breath, out he blasted his wonderful tune. 'Twas really then beyond all belief or telling the dancing. Maurice himself could not keep quiet; staggering now on one leg, now on the other, and rolling about like a ship in a cross sea, trying to humour the tune. There was his mother, too, moving her old bones as light as the youngest girl of them all; but her dancing, no, nor the dancing of all the rest, is not worthy the speaking about to the work that was going on down upon the strand. Every inch of it covered with all manner of fish jumping and plunging about to the music, and every moment more and more would tumble in out of the water, charmed by the wonderful tune. Crabs of monstrous size spun round and round on one claw with the nimbleness of a dancing master, and twirled and tossed their other claws about like limbs that did not belong to them. It was a sight surprising to behold. But perhaps you may have heard of Father Florence Conry, as pleasant a man as one would wish to drink with of a hot summer's day; and he had rhymed out all about the dancing fishes so neatly that it would be a thousand pities not to give you his verses; so here they are in English: The big seals in motion, Like waves of the ocean, Or gouty feet prancing, Came heading the gay fish, Crabs, lobsters, and cray-fish, Determined on dancing. The sweet sounds they followed, The gasping cod swallow'd-- 'Twas wonderful, really; And turbot and flounder, 'Mid fish that were rounder, Just caper'd as gaily. John-dories came tripping; Dull hake, by their skipping, To frisk it seem'd given; Bright mackrel went springing, Like small rainbows winging Their flight up to heaven. The whiting and haddock Left salt water paddock This dance to be put in; Where skate with flat faces Edged out some old plaices; But soles kept their footing. Sprats and herrings in powers Of silvery showers All number out-numbered; And great ling so lengthy Was there in such plenty The shore was encumber'd. The scollop and oyster Their two shells did roister, Like castanets flitting; While limpets moved clearly, And rocks very nearly With laughter were splitting. Never was such a hullabullo in this world, before or since; 'twas as if heaven and earth were coming together; and all out of Maurice Connor's wonderful tune! In the height of all these doings, what should there be dancing among the outlandish set of fishes but a beautiful young woman--as beautiful as the dawn of day! She had a cocked hat upon her head; from under it her long green hair--just the colour of the sea--fell down behind, without hindrance to her dancing. Her teeth were like rows of pearls; her lips for all the world looked like red coral; and she had a shining gown pale green as the hollow of the wave, with little rows of purple and red seaweeds settled out upon it; for you never yet saw a lady, under the water or over the water, who had not a good notion of dressing herself out. Up she danced as last to Maurice, who was flinging his feet from under him as fast as hops--for nothing in this world could keep still while that tune of his was going on--and says she to him, chanting it out with a voice as sweet as honey: I'm a lady of honour Who live in the sea; Come down, Maurice Connor, And be married to me. Silver plates and gold dishes You shall have, and shall be The king of the fishes, When you're married to me. Drink was strong in Maurice's head, and out he chanted in return for her great civility. It is not every lady, may-be, that would be after making such an offer to a blind piper; therefore 'twas only right in him to give her as good as she gave herself, so says Maurice: I'm obliged to you, madam: Off a gold dish or plate, If a king, and I had 'em, I could dine in great state. With your own father's daughter I'd be sure to agree, But to drink the salt water Wouldn't do so with me! The lady looked at him quite amazed, and swinging her head from side to side like a great scholar, 'Well,' says she, 'Maurice, if you're not a poet, where is poetry to be found?' In this way they kept on at it, framing high compliments; one answering the other, and their feet going with the music as fast as their tongues. All the fish kept dancing, too; Maurice heard the clatter and was afraid to stop playing lest it might be displeasing to the fish, and not knowing what so many of them may take it into their heads to do to him if they got vexed. Well, the lady with the green hair kept on coaxing Maurice with soft speeches, till at last she over-persuaded him to promise to marry her, and be king over the fishes, great and small. Maurice was well fitted to be their king, if they wanted one that could make them dance; and he surely would drink, barring the salt water, with any fish of them all. [Illustration: The Sea-lady allures Maurice into the Sea.] When Maurice's mother saw him with that unnatural thing in the form of a green-haired lady as his guide, and he and she dancing down together so lovingly to the water's edge, through the thick of the fishes, she called out after him to stop and come back. 'Oh, then,' says she, 'as if I was not widow enough before, there he is going away from me to be married to that scaly woman. And who knows but 'tis grandmother I may be to a hake or a cod--Lord help and pity me, but 'tis a mighty unnatural thing! And may-be 'tis boiling and eating my own grandchild I'll be, with a bit of salt butter, and I not knowing it! Oh, Maurice, Maurice, if there's any love or nature left in you, come back to your own _ould_ mother, who reared you like a decent Christian!' Then the poor woman began to cry and sob so finely that it would do anyone good to hear her. Maurice was not long getting to the rim of the water. There he kept playing and dancing on as if nothing was the matter, and a great thundering wave coming in towards him ready to swallow him up alive; but as he could not see it, he did not fear it. His mother it was who saw it plainly through the big tears that were rolling down her cheeks; and though she saw it, and her heart was aching as much as ever mother's heart ached for a son, she kept dancing, dancing all the time for the bare life of her. Certain it was she could not help it, for Maurice never stopped playing that wonderful tune of his. He only turned his ear to the sound of his mother's voice, fearing it might put him out in his steps, and all the answer he made back was, 'Whisht with you, mother--sure I'm going to be king over the fishes down in the sea, and for a token of luck, and a sign that I'm alive and well, I'll send you in, every twelvemonth on this day, a piece of burned wood to Trafraska.' Maurice had not the power to say a word more, for the strange lady with the green hair, seeing the wave just upon them, covered him up with herself in a thing like a cloak with a big hood to it, and the wave curling over twice as high as their heads, burst upon the strand, with a rush and a roar that might be heard as far as Cape Clear. That day twelvemonth the piece of burned wood came ashore in Trafraska. It was a queer thing for Maurice to think of sending all the way from the bottom of the sea. A gown or a pair of shoes would have been something like a present for his poor mother; but he had said it, and he kept his word. The bit of burned wood regularly came ashore on the appointed day for as good, ay, and better than a hundred years. The day is now forgotten, and may-be that is the reason why people say how Maurice Connor has stopped sending the luck-token to his mother. Poor woman, she did not live to get as much as one of them; for what through the loss of Maurice, and the fear of eating her own grandchildren, she died in three weeks after the dance. Some say it was the fatigue that killed her, but whichever it was, Mrs. Connor was decently buried with her own people. Seafaring people have often heard, off the coast of Kerry, on a still night, the sound of music coming up from the water; and some, who have had good ears could plainly distinguish Maurice Connor's voice singing these words to his pipes-- Beautiful shore, with thy spreading strand, Thy crystal water, and diamond sand; Never would I have parted from thee, But for the sake of my fair ladie. From 'Fairy Tales and Traditions of the South of Ireland.'

Moral of the Story

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Characters 4 characters

Maurice Connor ★ protagonist

human adult male

Blind piper

Attire: Traditional Irish piper's clothing, perhaps a simple tunic and breeches, worn leather shoes.

Musical, easily persuaded (especially when drunk), somewhat dutiful (sends the burned wood)

Maurice's Mother ◆ supporting

human elderly female

Old and frail, but able to dance when compelled by the music

Attire: Simple, practical peasant dress typical of rural Ireland, perhaps a shawl.

Loving, worried, somewhat melodramatic

Sea-lady ⚔ antagonist

magical creature ageless female

Beautiful, with green hair

Attire: Shining pale green gown with purple and red seaweed decorations

Persuasive, alluring, regal

Paddy Dorman ○ minor

human adult male

Humpbacked

Attire: Dancing master's attire, perhaps slightly more formal than the other peasants.

Decent, generous (initially), easily fooled

Locations 3 locations
Strand of Trafraska

Strand of Trafraska

outdoor night summer, calm

Clean, smooth piece of strand, the dead image of a calm summer's sea on a moonlight night, with just the curl of the small waves upon it.

Mood: festive, magical

Maurice plays his wonderful tune, causing everyone and everything, including the sea creatures, to dance. He meets the sea lady.

strandsmall wavesdancing young men and womenfish jumping and plungingcrabs spinning
Water's Edge

Water's Edge

transitional varies, stormy

Rim of the water where the waves crash.

Mood: dangerous, sorrowful

The sea lady coaxes Maurice into the sea as a large wave engulfs them.

thundering wavesea ladyMauriceMaurice's mother
Bottom of the Sea

Bottom of the Sea

outdoor

Implied to be a kingdom of fishes.

Mood: magical, unknown

Maurice becomes king of the fishes and sends a burned piece of wood to his mother every year.

silver platesgold dishesfishes

Story DNA fairy tale · whimsical

Moral

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Plot Summary

Maurice Connor, a blind piper with a magical tune that makes everything dance, gets drunk and plays it at a gathering. The tune causes people and even fish to dance wildly. A beautiful sea-lady emerges from the water, enchanting Maurice with promises of kingship if he marries her. Despite his mother's desperate pleas, Maurice, under the tune's spell, agrees and is swept into the sea with the sea-lady by a giant wave. He fulfills his promise to send his mother a piece of burned wood annually, but she dies of grief, while Maurice's music can still be heard from the ocean depths.

Themes

temptationlossthe allure of the unknownthe power of music

Emotional Arc

joy to sorrow

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader, poetic verse integration, hyperbole

Narrative Elements

Conflict: person vs supernatural
Ending: bittersweet
Magic: a musical tune that compels all things to dance, a sea-lady/mermaid, fish dancing on land, a blind man navigating by sound
the wonderful tune (irresistible temptation, otherworldly power)the burned wood (a token of lost connection, a promise kept from another world)the sea-lady (siren-like allure, the unknown)

Cultural Context

Origin: Irish
Era: timeless fairy tale

The story reflects traditional Irish storytelling, often featuring magical elements, music, and a blend of humor and melancholy. The character of the blind piper is a common figure in Irish folklore.

Plot Beats (14)

  1. Maurice Connor, a blind piper, is renowned for his magical tune that makes everything dance.
  2. At a gathering on Trafraska strand, Maurice drinks too much whisky offered by Paddy Dorman.
  3. Maurice accidentally plays his wonderful tune, causing everyone, including himself and his mother, to dance uncontrollably.
  4. Fish of all kinds emerge from the water and begin to dance on the strand.
  5. A beautiful sea-lady with green hair appears from the sea and dances with Maurice.
  6. The sea-lady sings a verse, inviting Maurice to marry her and become king of the fishes.
  7. Maurice, in his drunken state, replies in verse, initially declining due to the salt water.
  8. The sea-lady continues to charm and persuade Maurice with sweet talk.
  9. Maurice's mother, seeing him drawn to the sea-lady, desperately calls out to him to stop and return.
  10. Maurice, ignoring his mother's pleas, promises to send her a piece of burned wood annually as a sign of his well-being.
  11. The sea-lady covers Maurice with her cloak as a massive wave crashes over them, pulling him into the sea.
  12. A year later, a piece of burned wood washes ashore at Trafraska, fulfilling Maurice's promise.
  13. Maurice's mother dies three weeks after his disappearance, from grief and fear.
  14. Seafarers occasionally hear Maurice's music and voice singing from beneath the waves off the Kerry coast.

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