The Wonderful Tune

by Andrew Lang · from The Lilac Fairy Book

fairy tale transformation whimsical Ages 8-14 2331 words 11 min read
Cover: The Wonderful Tune
Original Story 2331 words · 11 min read

THE WONDERFUL TUNE

MAURICE CONNOR was the king, and that's no small word, of all the pipers

in Munster. He could play jig and reel without end, and Ollistrum's

March, and the Eagle's Whistle, and the Hen's Concert, and odd tunes of

every sort and kind. But he knew one far more surprising than the rest,

which had in it the power to set everything dead or alive dancing.

In what way he learned it is beyond my knowledge, for he was mighty

cautious about telling how he came by so wonderful a tune. At the very

first note of that tune the shoes began shaking upon the feet of all who

heard it--old or young, it mattered not--just as if the shoes had the

ague; then the feet began going, going, going from under them, and at

last up and away with them, dancing like mad, whisking here, there, and

everywhere, like a straw in a storm--there was no halting while the

music lasted.

Not a fair, nor a wedding, nor a feast in the seven parishes round, was

counted worth the speaking of without 'blind Maurice and his pipes.' His

mother, poor woman, used to lead him about from one place to another

just like a dog.

Down through Iveragh, Maurice Connor and his mother were taking their

rounds. Beyond all other places Iveragh is the place for stormy coasts

and steep mountains, as proper a spot it is as any in Ireland to get

yourself drowned, or your neck broken on the land, should you prefer

that. But, notwithstanding, in Ballinskellig Bay there is a neat bit of

ground, well fitted for diversion, and down from it, towards the water,

is a clean smooth piece of strand, the dead image of a calm summer's sea

on a moonlight night, with just the curl of the small waves upon it.

Here it was that Maurice's music had brought from all parts a great

gathering of the young men and the young women; for 'twas not every day

the strand of Trafraska was stirred up by the voice of a bagpipe. The

dance began; and as pretty a dance it was as ever was danced. 'Brave

music,' said everybody, 'and well done,' when Maurice stopped.

'More power to your elbow, Maurice, and a fair wind in the bellows,'

cried Paddy Dorman, a humpbacked dancing master, who was there to keep

order. ''Tis a pity,' said he, 'if we'd let the piper run dry after such

music; 'twould be a disgrace to Iveragh, that didn't come on it since

the week of the three Sundays.' So, as well became him, for he was

always a decent man, says he, 'Did you drink, piper?'

'I will, sir,' said Maurice, answering the question on the safe side,

for you never yet knew piper or schoolmaster who refused his drink.

'What will you drink, Maurice?' says Paddy.

'I'm no ways particular,' says Maurice; 'I drink anything barring raw

water; but if it's all the same to you, Mister Dorman, may-be you

wouldn't lend me the loan of a glass of whisky.'

'I've no glass, Maurice,' said Paddy; 'I've only the bottle.'

'Let that be no hindrance,' answered Maurice; 'my mouth just holds a

glass to the drop; often I've tried it sure.'

So Paddy Dorman trusted him with the bottle--more fool was he; and, to

his cost, he found that though Maurice's mouth might not hold more than

the glass at one time, yet, owing to the hole in his throat, it took

many a filling.

'That was no bad whisky neither,' says Maurice, handing back the empty

bottle.

'By the holy frost, then!' says Paddy, ''tis but cold comfort there's

in that bottle now; and 'tis your word we must take for the strength of

the whisky, for you've left us no sample to judge by'; and to be sure

Maurice had not.

Now I need not tell any gentleman or lady that if he or she was to drink

an honest bottle of whisky at one pull, it is not at all the same thing

as drinking a bottle of water; and in the whole course of my life I

never knew more than five men who could do so without being the worse.

Of these Maurice Connor was not one, though he had a stiff head enough

of his own. Don't think I blame him for it; but true is the word that

says, 'When liquor's in sense is out'; and puff, at a breath, out he

blasted his wonderful tune.

'Twas really then beyond all belief or telling the dancing. Maurice

himself could not keep quiet; staggering now on one leg, now on the

other, and rolling about like a ship in a cross sea, trying to humour

the tune. There was his mother, too, moving her old bones as light as

the youngest girl of them all; but her dancing, no, nor the dancing of

all the rest, is not worthy the speaking about to the work that was

going on down upon the strand. Every inch of it covered with all manner

of fish jumping and plunging about to the music, and every moment more

and more would tumble in out of the water, charmed by the wonderful

tune. Crabs of monstrous size spun round and round on one claw with the

nimbleness of a dancing master, and twirled and tossed their other claws

about like limbs that did not belong to them. It was a sight surprising

to behold. But perhaps you may have heard of Father Florence Conry, as

pleasant a man as one would wish to drink with of a hot summer's day;

and he had rhymed out all about the dancing fishes so neatly that it

would be a thousand pities not to give you his verses; so here they are

in English:

The big seals in motion,

Like waves of the ocean,

  Or gouty feet prancing,

Came heading the gay fish,

Crabs, lobsters, and cray-fish,

  Determined on dancing.



The sweet sounds they followed,

The gasping cod swallow'd--

  'Twas wonderful, really;

And turbot and flounder,

'Mid fish that were rounder,

  Just caper'd as gaily.



John-dories came tripping;

Dull hake, by their skipping,

  To frisk it seem'd given;

Bright mackrel went springing,

Like small rainbows winging

  Their flight up to heaven.



The whiting and haddock

Left salt water paddock

  This dance to be put in;

Where skate with flat faces

Edged out some old plaices;

  But soles kept their footing.



Sprats and herrings in powers

Of silvery showers

  All number out-numbered;

And great ling so lengthy

Was there in such plenty

  The shore was encumber'd.



The scollop and oyster

Their two shells did roister,

  Like castanets flitting;

While limpets moved clearly,

And rocks very nearly

  With laughter were splitting.

Never was such a hullabullo in this world, before or since; 'twas as if

heaven and earth were coming together; and all out of Maurice Connor's

wonderful tune!

In the height of all these doings, what should there be dancing among

the outlandish set of fishes but a beautiful young woman--as beautiful

as the dawn of day! She had a cocked hat upon her head; from under it

her long green hair--just the colour of the sea--fell down behind,

without hindrance to her dancing. Her teeth were like rows of pearls;

her lips for all the world looked like red coral; and she had a shining

gown pale green as the hollow of the wave, with little rows of purple

and red seaweeds settled out upon it; for you never yet saw a lady,

under the water or over the water, who had not a good notion of dressing

herself out.

Up she danced as last to Maurice, who was flinging his feet from under

him as fast as hops--for nothing in this world could keep still while

that tune of his was going on--and says she to him, chanting it out with

a voice as sweet as honey:

I'm a lady of honour

  Who live in the sea;

Come down, Maurice Connor,

  And be married to me.

Silver plates and gold dishes

  You shall have, and shall be

The king of the fishes,

  When you're married to me.

Drink was strong in Maurice's head, and out he chanted in return for her

great civility. It is not every lady, may-be, that would be after making

such an offer to a blind piper; therefore 'twas only right in him to

give her as good as she gave herself, so says Maurice:

I'm obliged to you, madam:

  Off a gold dish or plate,

If a king, and I had 'em,

  I could dine in great state.



With your own father's daughter

  I'd be sure to agree,

But to drink the salt water

  Wouldn't do so with me!

The lady looked at him quite amazed, and swinging her head from side to

side like a great scholar, 'Well,' says she, 'Maurice, if you're not a

poet, where is poetry to be found?'

In this way they kept on at it, framing high compliments; one answering

the other, and their feet going with the music as fast as their tongues.

All the fish kept dancing, too; Maurice heard the clatter and was afraid

to stop playing lest it might be displeasing to the fish, and not

knowing what so many of them may take it into their heads to do to him

if they got vexed.

Well, the lady with the green hair kept on coaxing Maurice with soft

speeches, till at last she over-persuaded him to promise to marry her,

and be king over the fishes, great and small. Maurice was well fitted to

be their king, if they wanted one that could make them dance; and he

surely would drink, barring the salt water, with any fish of them all.

[Illustration: The Sea-lady allures Maurice into the Sea.]

When Maurice's mother saw him with that unnatural thing in the form of a

green-haired lady as his guide, and he and she dancing down together so

lovingly to the water's edge, through the thick of the fishes, she

called out after him to stop and come back. 'Oh, then,' says she, 'as if

I was not widow enough before, there he is going away from me to be

married to that scaly woman. And who knows but 'tis grandmother I may be

to a hake or a cod--Lord help and pity me, but 'tis a mighty unnatural

thing! And may-be 'tis boiling and eating my own grandchild I'll be,

with a bit of salt butter, and I not knowing it! Oh, Maurice, Maurice,

if there's any love or nature left in you, come back to your own ould

mother, who reared you like a decent Christian!' Then the poor woman

began to cry and sob so finely that it would do anyone good to hear

her.

Maurice was not long getting to the rim of the water. There he kept

playing and dancing on as if nothing was the matter, and a great

thundering wave coming in towards him ready to swallow him up alive; but

as he could not see it, he did not fear it. His mother it was who saw it

plainly through the big tears that were rolling down her cheeks; and

though she saw it, and her heart was aching as much as ever mother's

heart ached for a son, she kept dancing, dancing all the time for the

bare life of her. Certain it was she could not help it, for Maurice

never stopped playing that wonderful tune of his.

He only turned his ear to the sound of his mother's voice, fearing it

might put him out in his steps, and all the answer he made back was,

'Whisht with you, mother--sure I'm going to be king over the fishes down

in the sea, and for a token of luck, and a sign that I'm alive and well,

I'll send you in, every twelvemonth on this day, a piece of burned wood

to Trafraska.' Maurice had not the power to say a word more, for the

strange lady with the green hair, seeing the wave just upon them,

covered him up with herself in a thing like a cloak with a big hood to

it, and the wave curling over twice as high as their heads, burst upon

the strand, with a rush and a roar that might be heard as far as Cape

Clear.

That day twelvemonth the piece of burned wood came ashore in Trafraska.

It was a queer thing for Maurice to think of sending all the way from

the bottom of the sea. A gown or a pair of shoes would have been

something like a present for his poor mother; but he had said it, and he

kept his word. The bit of burned wood regularly came ashore on the

appointed day for as good, ay, and better than a hundred years. The day

is now forgotten, and may-be that is the reason why people say how

Maurice Connor has stopped sending the luck-token to his mother. Poor

woman, she did not live to get as much as one of them; for what through

the loss of Maurice, and the fear of eating her own grandchildren, she

died in three weeks after the dance. Some say it was the fatigue that

killed her, but whichever it was, Mrs. Connor was decently buried with

her own people.

Seafaring people have often heard, off the coast of Kerry, on a still

night, the sound of music coming up from the water; and some, who have

had good ears could plainly distinguish Maurice Connor's voice singing

these words to his pipes--

Beautiful shore, with thy spreading strand,

Thy crystal water, and diamond sand;

Never would I have parted from thee,

But for the sake of my fair ladie.





From 'Fairy Tales and Traditions of the South of Ireland.'

Story DNA

Moral

null

Plot Summary

Maurice Connor, a blind piper with a magical tune that makes everything dance, gets drunk and plays it at a gathering. The tune causes people and even fish to dance wildly. A beautiful sea-lady emerges from the water, enchanting Maurice with promises of kingship if he marries her. Despite his mother's desperate pleas, Maurice, under the tune's spell, agrees and is swept into the sea with the sea-lady by a giant wave. He fulfills his promise to send his mother a piece of burned wood annually, but she dies of grief, while Maurice's music can still be heard from the ocean depths.

Themes

temptationlossthe allure of the unknownthe power of music

Emotional Arc

joy to sorrow

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader, poetic verse integration, hyperbole

Narrative Elements

Conflict: person vs supernatural
Ending: bittersweet
Magic: a musical tune that compels all things to dance, a sea-lady/mermaid, fish dancing on land, a blind man navigating by sound
the wonderful tune (irresistible temptation, otherworldly power)the burned wood (a token of lost connection, a promise kept from another world)the sea-lady (siren-like allure, the unknown)

Cultural Context

Origin: Irish
Era: timeless fairy tale

The story reflects traditional Irish storytelling, often featuring magical elements, music, and a blend of humor and melancholy. The character of the blind piper is a common figure in Irish folklore.

Plot Beats (14)

  1. Maurice Connor, a blind piper, is renowned for his magical tune that makes everything dance.
  2. At a gathering on Trafraska strand, Maurice drinks too much whisky offered by Paddy Dorman.
  3. Maurice accidentally plays his wonderful tune, causing everyone, including himself and his mother, to dance uncontrollably.
  4. Fish of all kinds emerge from the water and begin to dance on the strand.
  5. A beautiful sea-lady with green hair appears from the sea and dances with Maurice.
  6. The sea-lady sings a verse, inviting Maurice to marry her and become king of the fishes.
  7. Maurice, in his drunken state, replies in verse, initially declining due to the salt water.
  8. The sea-lady continues to charm and persuade Maurice with sweet talk.
  9. Maurice's mother, seeing him drawn to the sea-lady, desperately calls out to him to stop and return.
  10. Maurice, ignoring his mother's pleas, promises to send her a piece of burned wood annually as a sign of his well-being.
  11. The sea-lady covers Maurice with her cloak as a massive wave crashes over them, pulling him into the sea.
  12. A year later, a piece of burned wood washes ashore at Trafraska, fulfilling Maurice's promise.
  13. Maurice's mother dies three weeks after his disappearance, from grief and fear.
  14. Seafarers occasionally hear Maurice's music and voice singing from beneath the waves off the Kerry coast.

Characters

👤

Maurice Connor

human adult male

Blind piper

Attire: Traditional Irish piper's clothing, perhaps a simple tunic and breeches, worn leather shoes.

Blind man with bagpipes, staggering while playing

Musical, easily persuaded (especially when drunk), somewhat dutiful (sends the burned wood)

👤

Maurice's Mother

human elderly female

Old and frail, but able to dance when compelled by the music

Attire: Simple, practical peasant dress typical of rural Ireland, perhaps a shawl.

Old woman dancing frantically, tears streaming down her face

Loving, worried, somewhat melodramatic

✦

Sea-lady

magical creature ageless female

Beautiful, with green hair

Attire: Shining pale green gown with purple and red seaweed decorations

Green-haired woman emerging from the sea, beckoning

Persuasive, alluring, regal

👤

Paddy Dorman

human adult male

Humpbacked

Attire: Dancing master's attire, perhaps slightly more formal than the other peasants.

Humpbacked man with a bottle, looking dismayed

Decent, generous (initially), easily fooled

Locations

Strand of Trafraska

outdoor night summer, calm

Clean, smooth piece of strand, the dead image of a calm summer's sea on a moonlight night, with just the curl of the small waves upon it.

Mood: festive, magical

Maurice plays his wonderful tune, causing everyone and everything, including the sea creatures, to dance. He meets the sea lady.

strand small waves dancing young men and women fish jumping and plunging crabs spinning

Water's Edge

transitional varies, stormy

Rim of the water where the waves crash.

Mood: dangerous, sorrowful

The sea lady coaxes Maurice into the sea as a large wave engulfs them.

thundering wave sea lady Maurice Maurice's mother

Bottom of the Sea

outdoor

Implied to be a kingdom of fishes.

Mood: magical, unknown

Maurice becomes king of the fishes and sends a burned piece of wood to his mother every year.

silver plates gold dishes fishes