The Shirt-Collar
by Andrew Lang

The Boastful Collar
Once, there was a proud collar. He thought he was very fine.
Collar wanted a friend. He went into the wash-tub. There he saw Garter. "Hello!" said Collar. "You are very pretty. What is your name?" Garter was shy. "I will not tell you," she said. "Where do you live?" asked Collar. Garter did not answer. "You are so nice," said Collar. "Please talk to me." "Do not come close," said Garter. "You are not polite." Collar felt sad. He left the wash-tub.
Later, Collar was on an ironing board. A hot Iron came. "Hello, widow!" said Collar. "You make me new. But you are so hot!" "You are just a rag," said the Iron. The Iron moved away. Collar felt warm.
Then Scissors came. Collar had loose threads. "Oh!" said Collar. "You move so fast! You are like a dancer!" "I know," said Scissors. "You should be a queen," said Collar. Scissors was angry. She cut Collar a little. Now Collar was broken. He could not be worn.
Time passed. Collar was in a bag of old rags. He went to a paper factory. There were many rags. Collar talked a lot. "I had many friends," he boasted. "A pretty Garter liked me. A hot Iron loved me. A fast Scissors danced for me. I was very important!" This was not true. The other rags listened. They did not believe him.
Collar wanted to be clean paper. He wished very hard. He became white paper. This paper printed his story. Now everyone could read about his boasts. His story was in a book. Many people read it.
The story teaches us not to boast. If we boast, people see our true selves.
Original Story
The Shirt-collar Translated from the German of Hans Andersen. There was once a fine gentleman whose entire worldly possessions consisted of a boot-jack and a hair-brush; but he had the most beautiful shirt-collar in the world, and it is about this that we are going to hear a story. The shirt-collar was so old that he began to think about marrying; and it happened one day that he and a garter came into the wash-tub together. ‘Hulloa!’ said the shirt-collar, ‘never before have I seen anything so slim and delicate, so elegant and pretty! May I be permitted to ask your name?’ ‘I shan’t tell you,’ said the garter. ‘Where is the place of your abode?’ asked the shirt-collar. But the garter was of a bashful disposition, and did not think it proper to answer. ‘Perhaps you are a girdle?’ said the shirt-collar, ‘an under girdle? for I see that you are for use as well as for ornament, my pretty miss!’ ‘You ought not to speak to me!’ said the garter’ ‘I’m sure I haven’t given you any encouragement!’ ‘When anyone is as beautiful as you,’ said the shirt-collar, ‘is not that encouragement enough?’ ‘Go away, don’t come so close!’ said the garter. ‘You seem to be a gentleman!’ ‘So I am, and a very fine one too!’ said the shirt-collar; ‘I possess a boot-jack and a hair-brush!’ That was not true; it was his master who owned these things; but he was a terrible boaster. ‘Don’t come so close,’ said the garter. ‘I’m not accustomed to such treatment!’ ‘What affectation!’ said the shirt-collar. And then they were taken out of the wash-tub, starched, and hung on a chair in the sun to dry, and then laid on the ironing-board. Then came the glowing iron. ‘Mistress widow!’ said the shirt-collar, ‘dear mistress widow! I am becoming another man, all my creases are coming out; you are burning a hole in me! Ugh! Stop, I implore you!’ ‘You rag!’ said the iron, travelling proudly over the shirt-collar, for it thought it was a steam engine and ought to be at the station drawing trucks. ‘Rag!’ it said. The shirt-collar was rather frayed out at the edge, so the scissors came to cut off the threads. ‘Oh!’ said the shirt-collar, ‘you must be a dancer! How high you can kick! That is the most beautiful thing I have ever seen! No man can imitate you!’ ‘I know that!’ said the scissors. ‘You ought to be a duchess!’ said the shirt-collar. ‘My worldly possessions consist of a fine gentleman, a boot-jack, and a hair-brush. If only I had a duchy!’ ‘What! He wants to marry me?’ said the scissors, and she was so angry that she gave the collar a sharp snip, so that it had to be cast aside as good for nothing. ‘Well, I shall have to propose to the hair-brush!’ thought the shirt-collar. ‘It is really wonderful what fine hair you have, madam! Have you never thought of marrying?’ ‘Yes, that I have!’ answered the hair-brush; ‘I’m engaged to the boot-jack!’ ‘Engaged!’ exclaimed the shirt-collar. And now there was no one he could marry, so he took to despising matrimony. Time passed, and the shirt-collar came in a rag-bag to the paper-mill. There was a large assortment of rags, the fine ones in one heap, and the coarse ones in another, as they should be. They had all much to tell, but no one more than the shirt-collar, for he was a hopeless braggart. ‘I have had a terrible number of love affairs!’ he said. ‘They give me no peace. I was such a fine gentleman, so stiff with starch! I had a boot-jack and a hair-brush, which I never used! You should just have seen me then! Never shall I forget my first love! She was a girdle, so delicate and soft and pretty! She threw herself into a wash-tub for my sake! Then there was a widow, who glowed with love for me. But I left her alone, till she became black. Then there was the dancer, who inflicted the wound which has caused me to be here now; she was very violent! My own hair-brush was in love with me, and lost all her hair in consequence. Yes, I have experienced much in that line; but I grieve most of all for the garter,-I mean, the girdle, who threw herself into a wash-tub. I have much on my conscience; it is high time for me to become white paper!’ And so he did! he became white paper, the very paper on which this story is printed. And that was because he had boasted so terribly about things which were not true. We should take this to heart, so that it may not happen to us, for we cannot indeed tell if we may not some day come to the rag-bag, and be made into white paper, on which will be printed our whole history, even the most secret parts, so that we too go about the world relating it, like the shirt-collar.
Moral of the Story
Boasting and fabricating stories about oneself can lead to a loss of dignity and ultimately reveal one's true, insignificant nature.
Characters
Shirt-collar ★ protagonist
White, starched, frayed at the edge
Attire: Stiffly starched white linen
Boastful, arrogant, conceited
Garter ◆ supporting
Slim, delicate, elegant
Attire: Fine fabric, possibly silk, for holding up stockings
Bashful, demure, proper
Iron ⚔ antagonist
Glowing, hot
Proud, arrogant, forceful
Scissors ⚔ antagonist
Sharp
Easily angered, sharp-tongued, quick to act
Hair-brush ◆ supporting
Fine hair
Engaged, somewhat vain about her hair
Boot-jack ○ minor
Sturdy
Engaged to the hair-brush
Locations

Wash-tub
A tub filled with water and washing items
Mood: domestic, intimate
The shirt-collar first meets the garter and attempts to woo her.

Chair in the sun
A chair standing outdoors, bathed in sunlight
Mood: bright, exposed
The shirt-collar dries and prepares for ironing.

Ironing-board
A flat surface for ironing clothes
Mood: hot, pressured
The shirt-collar is ironed by the widow.

Rag-bag
A large bag filled with old, discarded rags of varying quality
Mood: desolate, crowded
The shirt-collar ends up in the rag-bag and recounts his past.
Story DNA
Moral
Boasting and fabricating stories about oneself can lead to a loss of dignity and ultimately reveal one's true, insignificant nature.
Plot Summary
A vain shirt-collar, belonging to a gentleman with few possessions, falsely claims his master's items as his own to impress various household objects, including a garter, an iron, and scissors, all of whom rebuff his advances. After being damaged and discarded, he ends up in a rag-bag at a paper-mill, where he continues to boast about his fabricated romantic past. Ultimately, he is transformed into white paper, on which his own story is printed, revealing his true nature and serving as a cautionary tale against vanity and untruthfulness.
Themes
Emotional Arc
pride to humility
Writing Style
Narrative Elements
Cultural Context
Hans Christian Andersen's tales often personified inanimate objects to convey moral lessons, reflecting the societal norms and values of his time, particularly regarding vanity and social pretension.
Plot Beats (10)
- A vain shirt-collar, believing himself to be a fine gentleman, seeks a wife.
- The shirt-collar encounters a garter in the wash-tub and immediately boasts about his master's possessions (claiming them as his own) to impress her, but she rebuffs him.
- While being ironed, the shirt-collar flirts with the iron, calling it a 'mistress widow' and complaining about being burned, but the iron dismisses him as a 'rag'.
- As his frayed edges are trimmed, the shirt-collar attempts to woo the scissors, calling her a 'dancer' and 'duchess', but she snips him in anger, making him unusable.
- The shirt-collar then tries to propose to the hair-brush, only to learn she is engaged to the boot-jack, causing him to declare he despises matrimony.
- Eventually, the shirt-collar ends up in a rag-bag at a paper-mill, among other discarded rags.
- Still a terrible boaster, the shirt-collar recounts his exaggerated and fabricated romantic history to the other rags, claiming many 'love affairs'.
- He laments his 'conscience' and expresses a desire to become 'white paper'.
- The shirt-collar is indeed made into white paper, which is then used to print his own story, revealing his boastful nature to the world.
- The narrator concludes with a moral warning against boasting, suggesting that one's true history might also be revealed.





