The Shirt-Collar
by Andrew Lang · from The Pink Fairy Book
Original Story
The Shirt-collar
Translated from the German of Hans Andersen.
There was once a fine gentleman whose entire worldly possessions
consisted of a boot-jack and a hair-brush; but he had the most beautiful
shirt-collar in the world, and it is about this that we are going to
hear a story.
The shirt-collar was so old that he began to think about marrying;
and it happened one day that he and a garter came into the wash-tub
together.
‘Hulloa!’ said the shirt-collar, ‘never before have I seen anything so
slim and delicate, so elegant and pretty! May I be permitted to ask your
name?’
‘I shan’t tell you,’ said the garter.
‘Where is the place of your abode?’ asked the shirt-collar.
But the garter was of a bashful disposition, and did not think it proper
to answer.
‘Perhaps you are a girdle?’ said the shirt-collar, ‘an under girdle? for
I see that you are for use as well as for ornament, my pretty miss!’
‘You ought not to speak to me!’ said the garter’ ‘I’m sure I haven’t
given you any encouragement!’
‘When anyone is as beautiful as you,’ said the shirt-collar, ‘is not
that encouragement enough?’
‘Go away, don’t come so close!’ said the garter. ‘You seem to be a
gentleman!’
‘So I am, and a very fine one too!’ said the shirt-collar; ‘I possess a
boot-jack and a hair-brush!’
That was not true; it was his master who owned these things; but he was
a terrible boaster.
‘Don’t come so close,’ said the garter. ‘I’m not accustomed to such
treatment!’
‘What affectation!’ said the shirt-collar. And then they were taken out
of the wash-tub, starched, and hung on a chair in the sun to dry, and
then laid on the ironing-board. Then came the glowing iron.
‘Mistress widow!’ said the shirt-collar, ‘dear mistress widow! I am
becoming another man, all my creases are coming out; you are burning a
hole in me! Ugh! Stop, I implore you!’
‘You rag!’ said the iron, travelling proudly over the shirt-collar, for
it thought it was a steam engine and ought to be at the station drawing
trucks.
‘Rag!’ it said.
The shirt-collar was rather frayed out at the edge, so the scissors came
to cut off the threads.
‘Oh!’ said the shirt-collar, ‘you must be a dancer! How high you can
kick! That is the most beautiful thing I have ever seen! No man can
imitate you!’
‘I know that!’ said the scissors.
‘You ought to be a duchess!’ said the shirt-collar. ‘My worldly
possessions consist of a fine gentleman, a boot-jack, and a hair-brush.
If only I had a duchy!’
‘What! He wants to marry me?’ said the scissors, and she was so angry
that she gave the collar a sharp snip, so that it had to be cast aside
as good for nothing.
‘Well, I shall have to propose to the hair-brush!’ thought the
shirt-collar. ‘It is really wonderful what fine hair you have, madam!
Have you never thought of marrying?’
‘Yes, that I have!’ answered the hair-brush; ‘I’m engaged to the
boot-jack!’
‘Engaged!’ exclaimed the shirt-collar. And now there was no one he could
marry, so he took to despising matrimony.
Time passed, and the shirt-collar came in a rag-bag to the paper-mill.
There was a large assortment of rags, the fine ones in one heap, and the
coarse ones in another, as they should be. They had all much to tell,
but no one more than the shirt-collar, for he was a hopeless braggart.
‘I have had a terrible number of love affairs!’ he said. ‘They give me
no peace. I was such a fine gentleman, so stiff with starch! I had a
boot-jack and a hair-brush, which I never used! You should just have
seen me then! Never shall I forget my first love! She was a girdle, so
delicate and soft and pretty! She threw herself into a wash-tub for my
sake! Then there was a widow, who glowed with love for me. But I
left her alone, till she became black. Then there was the dancer, who
inflicted the wound which has caused me to be here now; she was very
violent! My own hair-brush was in love with me, and lost all her hair
in consequence. Yes, I have experienced much in that line; but I grieve
most of all for the garter,-I mean, the girdle, who threw herself into a
wash-tub. I have much on my conscience; it is high time for me to become
white paper!’
And so he did! he became white paper, the very paper on which this story
is printed. And that was because he had boasted so terribly about things
which were not true. We should take this to heart, so that it may not
happen to us, for we cannot indeed tell if we may not some day come to
the rag-bag, and be made into white paper, on which will be printed our
whole history, even the most secret parts, so that we too go about the
world relating it, like the shirt-collar.
Story DNA
Moral
Boasting and fabricating stories about oneself can lead to a loss of dignity and ultimately reveal one's true, insignificant nature.
Plot Summary
A vain shirt-collar, belonging to a gentleman with few possessions, falsely claims his master's items as his own to impress various household objects, including a garter, an iron, and scissors, all of whom rebuff his advances. After being damaged and discarded, he ends up in a rag-bag at a paper-mill, where he continues to boast about his fabricated romantic past. Ultimately, he is transformed into white paper, on which his own story is printed, revealing his true nature and serving as a cautionary tale against vanity and untruthfulness.
Themes
Emotional Arc
pride to humility
Writing Style
Narrative Elements
Cultural Context
Hans Christian Andersen's tales often personified inanimate objects to convey moral lessons, reflecting the societal norms and values of his time, particularly regarding vanity and social pretension.
Plot Beats (10)
- A vain shirt-collar, believing himself to be a fine gentleman, seeks a wife.
- The shirt-collar encounters a garter in the wash-tub and immediately boasts about his master's possessions (claiming them as his own) to impress her, but she rebuffs him.
- While being ironed, the shirt-collar flirts with the iron, calling it a 'mistress widow' and complaining about being burned, but the iron dismisses him as a 'rag'.
- As his frayed edges are trimmed, the shirt-collar attempts to woo the scissors, calling her a 'dancer' and 'duchess', but she snips him in anger, making him unusable.
- The shirt-collar then tries to propose to the hair-brush, only to learn she is engaged to the boot-jack, causing him to declare he despises matrimony.
- Eventually, the shirt-collar ends up in a rag-bag at a paper-mill, among other discarded rags.
- Still a terrible boaster, the shirt-collar recounts his exaggerated and fabricated romantic history to the other rags, claiming many 'love affairs'.
- He laments his 'conscience' and expresses a desire to become 'white paper'.
- The shirt-collar is indeed made into white paper, which is then used to print his own story, revealing his boastful nature to the world.
- The narrator concludes with a moral warning against boasting, suggesting that one's true history might also be revealed.
Characters
Shirt-collar
White, starched, frayed at the edge
Attire: Stiffly starched white linen
Boastful, arrogant, conceited
Garter
Slim, delicate, elegant
Attire: Fine fabric, possibly silk, for holding up stockings
Bashful, demure, proper
Iron
Glowing, hot
Proud, arrogant, forceful
Scissors
Sharp
Easily angered, sharp-tongued, quick to act
Hair-brush
Fine hair
Engaged, somewhat vain about her hair
Boot-jack
Sturdy
Engaged to the hair-brush
Locations
Wash-tub
A tub filled with water and washing items
Mood: domestic, intimate
The shirt-collar first meets the garter and attempts to woo her.
Chair in the sun
A chair standing outdoors, bathed in sunlight
Mood: bright, exposed
The shirt-collar dries and prepares for ironing.
Ironing-board
A flat surface for ironing clothes
Mood: hot, pressured
The shirt-collar is ironed by the widow.
Rag-bag
A large bag filled with old, discarded rags of varying quality
Mood: desolate, crowded
The shirt-collar ends up in the rag-bag and recounts his past.