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Prince Ring

by Andrew Lang

Prince Ring

The Prince and the Princess

CEFR A1 Age 5 411 words 2 min Canon 100/100

Once upon a time, a Prince lived. He was poor. He wanted to marry a Princess. He was a kind Prince.

He sent the Princess two gifts. One gift was a pretty rose. The rose smelled very nice. The other gift was a bird. The bird sang sweet songs. They were real, natural gifts.

The Princess and her ladies saw the gifts. "Ugh! It's real!" said the Princess. "Ugh! It's real!" said the ladies. "We do not like real things!" They liked fake, shiny things.

So the Prince had a plan. He dressed like a pig keeper. He got a job at the King's house. His job was to look after the pigs. He worked hard every day. He was a good worker.

One day, he made a magic pot. The pot was very clever. It could show food in other houses. It played pretty music too. It was a wonderful pot.

The Princess walked by the pigs. She heard the pot's music. "I want that pot," she said. "I must have it."

The Prince said, "Give me ten pretty stones."

The Princess said, "No!" Her ladies helped hide her. She gave the Prince ten pretty stones. Then she got the pot. She was very happy with it.

Next, the Prince made a magic toy. The toy played music for dancing. It was a fun toy. It made happy sounds.

The Princess wanted the toy too. "I must have it," she said. "It is so fun."

The Prince said, "Give me one hundred buttons."

The Princess said, "No!" Her ladies helped hide her again. She gave the Prince one hundred shiny buttons. Then she got the toy. She danced with the toy.

The King found them trading by the pigs. He saw the pretty stones and buttons. He was very angry. "Go away!" he said. "Leave my house!" He sent the Princess and the Prince away. They had to leave.

The Princess cried. "I wish I liked his real gifts," she said. She was very sad.

The Prince washed his face. He put on nice clothes. He became the Prince again. He looked very handsome.

He said to the Princess, "You liked fake things." "You did not like real beauty."

Then the Prince walked away. He left the Princess alone. The Princess was sad and alone. She learned a big lesson. Real things are better than fake things. It is important to like real beauty. True beauty is inside, not outside.

Original Story 2336 words · 11 min read

Prince Ring; you must have seen to my husband and children.’ Snati saw that she was about to attack them, and sprang at her with a red-hot iron from the fire, while Ring kept pouring boiling porridge on her without stopping, and in this way they at last got her killed. Then they burned the old troll and her to ashes, and explored the cave, where they found plenty of gold and treasures. The most valuable of these they carried with them as far as the cliff, and left them there. Then they hastened home to the King with his three treasures, where they arrived late on Christmas night, and Ring handed them over to him. The King was beside himself with joy, and was astonished at how clever a man Ring was in all kinds of feats, so that he esteemed him still more highly than before, and betrothed his daughter to him; and the feast for this was to last all through Christmastide. Ring thanked the King courteously for this and all his other kindnesses, and as soon as he had finished eating and drinking in the hall went off to sleep in his own room. Snati, however, asked permission to sleep in the Prince’s bed for that night, while the Prince should sleep where the Dog usually lay. Ring said he was welcome to do so, and that he deserved more from him than that came to. So Snati went up into the Prince’s bed, but after a time he came back, and told Ring he could go there himself now, but to take care not to meddle with anything that was in the bed. Now the story comes back to Red, who came into the hall and showed the King his right arm wanting the hand, and said that now he could see what kind of a man his intended son-in-law was, for he had done this to him without any cause whatever. The King became very angry, and said he would soon find out the truth about it, and if Ring had cut off his hand without good cause he should be hanged; but if it was otherwise, then Red should die. So the King sent for Ring and asked him for what reason he had done this. Snati, however, had just told Ring what had happened during the night, and in reply he asked the King to go with him and he would show him something. The King went with him to his sleeping-room, and saw lying on the bed a man’s hand holding a sword. ‘This hand,’ said Ring, ‘came over the partition during the night, and was about to run me through in my bed, if I had not defended myself.’ The King answered that in that case he could not blame him for protecting his own life, and that Red was well worthy of death. So Red was hanged, and Ring married the King’s daughter. The first night that they went to bed together Snati asked Ring to allow him to lie at their feet, and this Ring allowed him to do. During the night he heard a howling and outcry beside them, struck a light in a hurry and saw an ugly dog’s skin lying near him, and a beautiful Prince in the bed. Ring instantly took the skin and burned it, and then shook the Prince, who was lying unconscious, until he woke up. The bridegroom then asked his name; he replied that he was called Ring, and was a King’s son. In his youth he had lost his mother, and in her place his father had married a witch, who had laid a spell on him that he should turn into a dog, and never be released from the spell unless a Prince of the same name as himself allowed him to sleep at his feet the first night after his marriage. He added further, ‘As soon as she knew that you were my namesake she tried to get you destroyed, so that you might not free me from the spell. She was the hind that you and your companions chased; she was the woman that you found in the clearing with the barrel, and the old hag that we just now killed in the cave.’ After the feasting was over the two namesakes, along with other men, went to the cliff and brought all the treasure home to the Palace. Then they went to the island and removed all that was valuable from it. Ring gave to his namesake, whom he had freed from the spell, his sister Ingiborg and his father’s kingdom to look after, but he himself stayed with his father-in-law the King, and had half the kingdom while he lived and the whole of it after his death. _THE SWINEHERD_ There was once a poor Prince. He possessed a kingdom which, though small, was yet large enough for him to marry on, and married he wished to be. Now it was certainly a little audacious of him to venture to say to the Emperor’s daughter, ‘Will you marry me?’ But he did venture to say so, for his name was known far and wide. There were hundreds of princesses who would gladly have said ‘Yes,’ but would she say the same? Well, we shall see. On the grave of the Prince’s father grew a rose-tree, a very beautiful rose-tree. It only bloomed every five years, and then bore but a single rose, but oh, such a rose! Its scent was so sweet that when you smelt it you forgot all your cares and troubles. And he had also a nightingale which could sing as if all the beautiful melodies in the world were shut up in its little throat. This rose and this nightingale the Princess was to have, and so they were both put into silver caskets and sent to her. The Emperor had them brought to him in the great hall, where the Princess was playing ‘Here comes a duke a-riding’ with her ladies-in-waiting. And when she caught sight of the big caskets which contained the presents, she clapped her hands for joy. ‘If only it were a little pussy-cat!’ she said. But the rose-tree with the beautiful rose came out. ‘But how prettily it is made!’ said all the ladies-in-waiting. ‘It is more than pretty,’ said the Emperor, ‘it is charming!’ But the Princess felt it, and then she almost began to cry. ‘Ugh! Papa,’ she said, ‘it is not artificial, it is _real!_’ ‘Ugh!’ said all the ladies-in-waiting, ‘it is real!’ ‘Let us see first what is in the other casket before we begin to be angry,’ thought the Emperor, and there came out the nightingale. It sang so beautifully that one could scarcely utter a cross word against it. ‘_Superbe! charmant!_’ said the ladies-in-waiting, for they all chattered French, each one worse than the other. ‘How much the bird reminds me of the musical snuff-box of the late Empress!’ said an old courtier. ‘Ah, yes, it is the same tone, the same execution!’ ‘Yes,’ said the Emperor; and then he wept like a little child. ‘I hope that this, at least, is not real?’ asked the Princess. ‘Yes, it is a real bird,’ said those who had brought it. ‘Then let the bird fly away,’ said the Princess; and she would not on any account allow the Prince to come. But he was nothing daunted. He painted his face brown and black, drew his cap well over his face, and knocked at the door. ‘Good-day, Emperor,’ he said. ‘Can I get a place here as servant in the castle?’ ‘Yes,’ said the Emperor, ‘but there are so many who ask for a place that I don’t know whether there will be one for you; but, still, I will think of you. Stay, it has just occurred to me that I want someone to look after the swine, for I have so very many of them.’ And the Prince got the situation of Imperial Swineherd. He had a wretched little room close to the pigsties; here he had to stay, but the whole day he sat working, and when evening was come he had made a pretty little pot. All round it were little bells, and when the pot boiled they jingled most beautifully and played the old tune— ‘Where is Augustus dear? Alas! he’s not here, here, here!’ But the most wonderful thing was, that when one held one’s finger in the steam of the pot, then at once one could smell what dinner was ready in any fire-place in the town. That was indeed something quite different from the rose. Now the Princess came walking past with all her ladies-in-waiting, and when she heard the tune she stood still and her face beamed with joy, for she also could play ‘Where is Augustus dear?’ It was the only tune she knew, but that she could play with one finger. [Illustration: The Swineherd Takes the Ten Kisses] ‘Why, that is what I play!’ she said. ‘He must be a most accomplished Swineherd! Listen! Go down and ask him what the instrument costs.’ And one of the ladies-in-waiting had to go down; but she put on wooden clogs. ‘What will you take for the pot?’ asked the lady-in-waiting. ‘I will have ten kisses from the Princess,’ answered the Swineherd. ‘Heaven forbid!’ said the lady-in-waiting. ‘Yes, I will sell it for nothing less,’ replied the Swineherd. ‘Well, what does he say?’ asked the Princess. ‘I really hardly like to tell you,’ answered the lady-in-waiting. ‘Oh, then you can whisper it to me.’ ‘He is disobliging!’ said the Princess, and went away. But she had only gone a few steps when the bells rang out so prettily— ‘Where is Augustus dear? Alas! he’s not here, here, here.’ ‘Listen!’ said the Princess. ‘Ask him whether he will take ten kisses from my ladies-in-waiting.’ ‘No, thank you,’ said the Swineherd. ‘Ten kisses from the Princess, or else I keep my pot.’ ‘That is very tiresome!’ said the Princess. ‘But you must put yourselves in front of me, so that no one can see.’ And the ladies-in-waiting placed themselves in front and then spread out their dresses; so the Swineherd got his ten kisses, and she got the pot. What happiness that was! The whole night and the whole day the pot was made to boil; there was not a fire-place in the whole town where they did not know what was being cooked, whether it was at the chancellor’s or at the shoemaker’s. The ladies-in-waiting danced and clapped their hands. ‘We know who is going to have soup and pancakes; we know who is going to have porridge and sausages—isn’t it interesting?’ ‘Yes, very interesting!’ said the first lady-in-waiting. ‘But don’t say anything about it, for I am the Emperor’s daughter.’ ‘Oh, no, of course we won’t!’ said everyone. The Swineherd—that is to say, the Prince (though they did not know he was anything but a true Swineherd)—let no day pass without making something, and one day he made a rattle which, when it was turned round, played all the waltzes, galops, and polkas which had ever been known since the world began. ‘But that is _superbe!_’ said the Princess as she passed by. ‘I have never heard a more beautiful composition. Listen! Go down and ask him what this instrument costs; but I won’t kiss him again.’ ‘He wants a hundred kisses from the Princess,’ said the lady-in-waiting who had gone down to ask him. ‘I believe he is mad!’ said the Princess, and then she went on; but she had only gone a few steps when she stopped. ‘One ought to encourage art,’ she said. ‘I am the Emperor’s daughter! Tell him he shall have, as before, ten kisses; the rest he can take from my ladies-in-waiting.’ ‘But we don’t at all like being kissed by him,’ said the ladies-in-waiting. ‘That’s nonsense,’ said the Princess; ‘and if I can kiss him, you can too. Besides, remember that I give you board and lodging.’ So the ladies-in-waiting had to go down to him again. ‘A hundred kisses from the Princess,’ said he, ‘or each keeps his own.’ ‘Put yourselves in front of us,’ she said then; and so all the ladies-in-waiting put themselves in front, and he began to kiss the Princess. ‘What can that commotion be by the pigsties?’ asked the Emperor, who was standing on the balcony. He rubbed his eyes and put on his spectacles. ‘Why those are the ladies-in-waiting playing their games; I must go down to them.’ So he took off his shoes, which were shoes though he had trodden them down into slippers. What a hurry he was in, to be sure! As soon as he came into the yard he walked very softly, and the ladies-in-waiting were so busy counting the kisses and seeing fair play that they never noticed the Emperor. He stood on tip-toe. ‘What is that?’ he said, when he saw the kissing; and then he threw one of his slippers at their heads just as the Swineherd was taking his eighty-sixth kiss. ‘Be off with you!’ said the Emperor, for he was very angry. And the Princess and the Swineherd were driven out of the empire. Then she stood still and wept; the Swineherd was scolding, and the rain was streaming down. ‘Alas, what an unhappy creature I am!’ sobbed the Princess. ‘If only I had taken the beautiful Prince! Alas, how unfortunate I am!’ And the Swineherd went behind a tree, washed the black and brown off his face, threw away his old clothes, and then stepped forward in his splendid dress, looking so beautiful that the Princess was obliged to courtesy. ‘I now come to this. I despise you!’ he said. ‘You would have nothing to do with a noble Prince; you did not understand the rose or the nightingale, but you could kiss the

Moral of the Story

True value lies not in outward appearance or material possessions, but in inner beauty, genuine artistry, and a discerning heart.


Characters 7 characters

Prince Ring ★ protagonist

human young adult male

Strong and capable, skilled in combat

Attire: Simple but sturdy clothing suitable for travel and combat, possibly with a tunic and leggings.

Brave, resourceful, and loyal

Snati ◆ supporting

human (cursed) young adult male

Initially appears as an ugly dog, later revealed to be a handsome prince

Attire: As a dog: dog's skin. As a prince: fine princely garments

Grateful, loyal, and cursed

The King ◆ supporting

human adult male

A powerful ruler, impressed by feats of strength and cleverness

Attire: Royal robes and crown, befitting his status

Easily impressed, values strength and cleverness, and is quick to anger when deceived

Red ⚔ antagonist

human adult male

Deceitful and malicious

Attire: Common clothing, possibly with a hidden weapon

Deceitful, malicious, and cowardly

The Troll Hag ⚔ antagonist

magical creature elderly female

Old, ugly, and monstrous

Attire: Ragged and dirty clothing

Evil, vengeful, and cunning

Ingiborg ○ minor

human young adult female

Sister to Prince Ring, presumably beautiful

Attire: Fine clothing befitting a princess

Not specified, but presumably kind and loyal

The King's Daughter ◆ supporting

human young adult female

Beautiful, desired by many

Attire: Fine gowns and jewelry befitting a princess

Not explicitly defined, but she is a prize to be won

Locations 5 locations
Troll Cave

Troll Cave

indoor Implied cold, as trolls are present

A dark cave filled with gold and treasures, later burned to ashes.

Mood: Eerie, dangerous, then triumphant

Prince Ring and Snati kill the troll and her hag mother, finding treasure.

red-hot ironboiling porridgegoldtreasuresashes
King's Hall

King's Hall

indoor night Christmastide

A grand hall where feasting and celebrations occur.

Mood: Joyful, celebratory, then tense and accusatory

Ring returns with the treasures, is betrothed, and later defends himself against Red's accusation.

feasting tabledrinking vesselsthronepartition
Prince Ring's Sleeping Room

Prince Ring's Sleeping Room

indoor night Christmastide

A private chamber with a bed.

Mood: Intimate, dangerous

Ring discovers the attempted assassination and defends himself.

bedpartitionswordsevered hand
Royal Bedchamber

Royal Bedchamber

indoor night Implied comfort

The bedchamber of Prince Ring and his new bride.

Mood: Magical, transformative

Snati's curse is broken, revealing him to be a prince.

beddog's skinlight source
Pigsties

Pigsties

outdoor

A wretched little room close to the pigsties

Mood: Wretched

The prince works as a swineherd and makes the pot.

pigstieslittle roompotbells

Story DNA fairy tale · satirical

Moral

True value lies not in outward appearance or material possessions, but in inner beauty, genuine artistry, and a discerning heart.

Plot Summary

A proud Prince, disguised as a swineherd, attempts to teach a superficial Princess a lesson after she rejects his genuine, natural gifts. He creates artificial, magical objects which she eagerly trades kisses for, eventually leading to her and the swineherd's banishment by her father. Upon revealing his true identity, the Prince scorns the Princess for her shallow values, leaving her to face the harsh consequences of her choices.

Themes

superficiality vs. true worthpride and humilityconsequences of poor judgmentdisguise and revelation

Emotional Arc

pride to humility

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: irony, repetition (of Princess's dismissive phrases), direct address to reader

Narrative Elements

Conflict: person vs society
Ending: moral justice
Magic: rose with scent that makes one forget troubles, nightingale with all beautiful melodies, pot that reveals what's cooking in town, rattle that plays all dances
the real rose and nightingale (nature, true beauty)the pot and rattle (artifice, superficiality)the swineherd's disguise (hidden worth)

Cultural Context

Origin: Danish
Era: timeless fairy tale

Hans Christian Andersen's tales often critiqued societal norms and superficiality prevalent in 19th-century European aristocracy.

Plot Beats (13)

  1. A Prince, though poor, desires to marry an Emperor's daughter.
  2. He sends her two precious, natural gifts: a magical rose and a nightingale.
  3. The Princess and her ladies-in-waiting dismiss the gifts for being 'real' and not artificial.
  4. The Prince, undeterred, disguises himself as a swineherd and gets a job in the Emperor's castle.
  5. As a swineherd, he creates a magical pot that reveals what's cooking in any house in town.
  6. The Princess is enchanted by the pot and trades ten kisses with the Swineherd for it, using her ladies-in-waiting as a screen.
  7. The Swineherd then creates a magical rattle that plays all the world's dances.
  8. The Princess desires the rattle and, despite initial reluctance, trades one hundred kisses for it, again using her ladies-in-waiting as a screen.
  9. The Emperor discovers the kissing by the pigsties and, enraged, banishes both the Princess and the Swineherd.
  10. The Princess weeps, regretting not having accepted the 'beautiful Prince' (referring to the swineherd's initial proposal).
  11. The Swineherd washes off his disguise and reveals himself as the Prince in splendid attire.
  12. The Prince declares his contempt for the Princess, stating she valued artificiality over true beauty and worth.
  13. The Prince leaves the Princess, who is left alone and disgraced.

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