The Dragon of the North
by Andrew Lang · from The Yellow Fairy Book
Original Story
Dragon of the North was not far
off, and might shortly be expected in the country. The King announced
publicly that he would give his daughter in marriage, as well as a
large part of his kingdom, to whosoever should free the country from
the monster. The youth then went to the King and told him that he had
good hopes of subduing the Dragon, if the King would grant him all he
desired for the purpose. The King willingly agreed, and the iron
horse, the great spear, and the chains were all prepared as the youth
requested. When all was ready, it was found that the iron horse was so
heavy that a hundred men could not move it from the spot, so the youth
found there was nothing for it but to move it with his own strength
by means of the magic ring. The Dragon was now so near that in a
couple of springs he would be over the frontier. The youth now began
to consider how he should act, for if he had to push the iron horse
from behind he could not ride upon it as the sorcerer had said he
must. But a raven unexpectedly gave him this advice: ‘Ride upon the
horse, and push the spear against the ground, as if you were pushing
off a boat from the land.’ The youth did so, and found that in this
way he could easily move forwards. The Dragon had his monstrous jaws
wide open, all ready for his expected prey. A few paces nearer, and
man and horse would have been swallowed up by them! The youth trembled
with horror, and his blood ran cold, yet he did not lose his courage;
but, holding the iron spear upright in his hand, he brought it down
with all his might right through the monster’s lower jaw. Then quick
as lightning he sprang from his horse before the Dragon had time to
shut his mouth. A fearful clap like thunder, which could be heard for
miles around, now warned him that the Dragon’s jaws had closed upon
the spear. When the youth turned round he saw the point of the spear
sticking up high above the Dragon’s upper jaw, and knew that the other
end must be fastened firmly to the ground; but the Dragon had got his
teeth fixed in the iron horse, which was now useless. The youth now
hastened to fasten down the chains to the ground by means of the
enormous iron pegs which he had provided. The death struggle of the
monster lasted three days and three nights; in his writhing he beat
his tail so violently against the ground, that at ten miles’ distance
the earth trembled as if with an earthquake. When he at length lost
power to move his tail, the youth with the help of the ring took up a
stone which twenty ordinary men could not have moved, and beat the
Dragon so hard about the head with it that very soon the monster lay
lifeless before him.
You can fancy how great was the rejoicing when the news was spread
abroad that the terrible monster was dead. His conqueror was received
into the city with as much pomp as if he had been the mightiest of
kings. The old King did not need to urge his daughter to marry the
slayer of the Dragon; he found her already willing to bestow her hand
upon this hero, who had done all alone what whole armies had tried in
vain to do. In a few days a magnificent wedding was celebrated, at
which the rejoicings lasted four whole weeks, for all the neighbouring
kings had met together to thank the man who had freed the world from
their common enemy. But everyone forgot amid the general joy that they
ought to have buried the Dragon’s monstrous body, for it began now to
have such a bad smell that no one could live in the neighbourhood, and
before long the whole air was poisoned, and a pestilence broke out
which destroyed many hundreds of people. In this distress, the King’s
son-in-law resolved to seek help once more from the Eastern magician,
to whom he at once travelled through the air like a bird by the help
of the ring. But there is a proverb which says that ill-gotten gains
never prosper, and the Prince found that the stolen ring brought him
ill-luck after all. The Witch-maiden had never rested night nor day
until she had found out where the ring was. As soon as she had
discovered by means of magical arts that the Prince in the form of a
bird was on his way to the Eastern magician, she changed herself into
an eagle and watched in the air until the bird she was waiting for
came in sight, for she knew him at once by the ring which was hung
round his neck by a ribbon. Then the eagle pounced upon the bird, and
the moment she seized him in her talons she tore the ring from his
neck before the man in bird’s shape had time to prevent her. Then the
eagle flew down to the earth with her prey, and the two stood face to
face once more in human form.
‘Now, villain, you are in my power!’ cried the Witch-maiden. ‘I
favoured you with my love, and you repaid me with treachery and theft.
You stole my most precious jewel from me, and do you expect to live
happily as the King’s son-in-law? Now the tables are turned; you are
in my power, and I will be revenged on you for your crimes.’
‘Forgive me! forgive me!’ cried the Prince; ‘I know too well how
deeply I have wronged you, and most heartily do I repent it.’
The maiden answered, ‘Your prayers and your repentance come too late,
and if I were to spare you everyone would think me a fool. You have
doubly wronged me; first you scorned my love, and then you stole my
ring, and you must bear the punishment.’
With these words she put the ring upon her left thumb, lifted the
young man with one hand, and walked away with him under her arm. This
time she did not take him to a splendid palace, but to a deep cave in
a rock, where there were chains hanging from the wall. The maiden now
chained the young man’s hands and feet so that he could not escape;
then she said in an angry voice, ‘Here you shall remain chained up
until you die. I will bring you every day enough food to prevent you
dying of hunger, but you need never hope for freedom any more.’ With
these words she left him.
The old King and his daughter waited anxiously for many weeks for the
Prince’s return, but no news of him arrived. The King’s daughter often
dreamed that her husband was going through some great suffering; she
therefore begged her father to summon all the enchanters and
magicians, that they might try to find out where the Prince was and
how he could be set free. But the magicians, with all their arts,
could find out nothing, except that he was still living and undergoing
great suffering; but none could tell where he was to be found. At last
a celebrated magician from Finland was brought before the King, who
had found out that the King’s son-in-law was imprisoned in the East,
not by men, but by some more powerful being. The King now sent
messengers to the East to look for his son-in-law, and they by good
luck met with the old magician who had interpreted the signs on King
Solomon’s ring, and thus was possessed of more wisdom than anyone else
in the world. The magician soon found out what he wished to know, and
pointed out the place where the Prince was imprisoned, but said: ‘He
is kept there by enchantment, and cannot be set free without my help.
I will therefore go with you myself.’
So they all set out, guided by birds, and after some days came to the
cave where the unfortunate Prince had been chained up for nearly seven
years. He recognised the magician immediately, but the old man did not
know him, he had grown so thin. However, he undid the chains by the
help of magic, and took care of the Prince until he recovered and
became strong enough to travel. When he reached home he found that the
old King had died that morning, so that he was now raised to the
throne. And now after his long suffering came prosperity, which lasted
to the end of his life; but he never got back the magic ring, nor has
it ever again been seen by mortal eyes.
Now, if you had been the Prince, would you not rather have stayed
with the pretty witch-maiden?
[Illustration: ‘Here You Shall Remain Chained Up Until You Die’]
STORY OF THE EMPEROR’S NEW CLOTHES[4]
Many years ago there lived an Emperor who was so fond of new clothes
that he spent all his money on them in order to be beautifully
dressed. He did not care about his soldiers, he did not care about the
theatre; he only liked to go out walking to show off his new clothes.
He had a coat for every hour of the day; and just as they say of a
king, ‘He is in the council-chamber,’ they always said here, ‘The
Emperor is in the wardrobe.’
In the great city in which he lived there was always something going
on; every day many strangers came there. One day two impostors arrived
who gave themselves out as weavers, and said that they knew how to
manufacture the most beautiful cloth imaginable. Not only were the
texture and pattern uncommonly beautiful, but the clothes which were
made of the stuff possessed this wonderful property that they were
invisible to anyone who was not fit for his office, or who was
unpardonably stupid.
‘Those must indeed be splendid clothes,’ thought the Emperor. ‘If I
had them on I could find out which men in my kingdom are unfit for the
offices they hold; I could distinguish the wise from the stupid! Yes,
this cloth must be woven for me at once.’ And he gave both the
impostors much money, so that they might begin their work.
They placed two weaving-looms, and began to do as if they were
working, but they had not the least thing on the looms. They also
demanded the finest silk and the best gold, which they put in their
pockets, and worked at the empty looms till late into the night.
[Footnote 4: Andersen.]
‘I should like very much to know how far they have got on with the
cloth,’ thought the Emperor. But he remembered when he thought about
it that whoever was stupid or not fit for his office would not be able
to see it. Now he certainly believed that he had nothing to fear for
himself, but he wanted first to send somebody else in order to see how
he stood with regard to his office. Everybody in the whole town knew
what a wonderful power the cloth had, and they were all curious to see
how bad or how stupid their neighbour was.
‘I will send my old and honoured minister to the weavers,’ thought the
Emperor. ‘He can judge best what the cloth is like, for he has
intellect, and no one understands his office better than he.’
Now the good old minister went into the hall where the two impostors
sat working at the empty weaving-looms. ‘Dear me!’ thought the old
minister, opening his eyes wide, ‘I can see nothing!’ But he did not
say so.
Both the impostors begged him to be so kind as to step closer, and
asked him if it were not a beautiful texture and lovely colours. They
pointed to the empty loom, and the poor old minister went forward
rubbing his eyes; but he could see nothing, for there was nothing
there.
‘Dear, dear!’ thought he, ‘can I be stupid? I have never thought that,
and nobody must know it! Can I be not fit for my office? No, I must
certainly not say that I cannot see the cloth!’
‘Have you nothing to say about it?’ asked one of the men who was
weaving.
‘Oh, it is lovely, most lovely!’ answered the old minister, looking
through his spectacles. ‘What a texture! What colours! Yes, I will
tell the Emperor that it pleases me very much.’
‘Now we are delighted at that,’ said both the weavers, and thereupon
they named the colours and explained the make of the texture.
The old minister paid great attention, so that he could tell the same
to the Emperor when he came back to him, which he did.
The impostors now wanted more money, more silk, and more gold to use
in their weaving. They put it all in their own pockets, and there came
no threads on the loom, but they went on as they had done before,
working at the empty loom. The Emperor soon sent another worthy
statesman to see how the weaving was getting on, and whether the cloth
would soon be finished. It was the same with him as the first one; he
looked and looked, but because there was nothing on the empty loom he
could see nothing.
‘Is it not a beautiful piece of cloth?’ asked the two impostors, and
they pointed to and described the splendid material which was not
there.
‘Stupid I am not!’ thought the man, ‘so it must be my good office for
which I am not fitted. It is strange, certainly, but no one must be
allowed to notice it.’ And so he praised the cloth which he did not
see, and expressed to them his delight at the beautiful colours and
the splendid texture. ‘Yes, it is quite beautiful,’ he said to the
Emperor.
Everybody in the town was talking of the magnificent cloth.
Now the Emperor wanted to see it himself while it was still on the
loom. With a great crowd of select followers, amongst whom were both
the worthy statesmen who had already been there before, he went to the
cunning impostors, who were now weaving with all their might, but
without fibre or thread.
‘Is it not splendid!’ said both the old statesmen who had already been
there. ‘See, your Majesty, what a texture! What colours!’ And then
they pointed to the empty loom, for they believed that the others
could see the cloth quite well.
‘What!’ thought the Emperor, ‘I can see nothing! This is indeed
horrible! Am I stupid? Am I not fit to be Emperor? That were the most
dreadful thing that could happen to me.’ ‘Oh, it is very beautiful,’ he
said. ‘It has my gracious approval.’ And then he nodded pleasantly,
and examined the empty loom, for he would not say that he could see
nothing.
His whole Court round him looked and looked, and saw no more than the
others; but they said like the Emperor, ‘Oh! it is beautiful!’ And
they advised him to wear these new and magnificent clothes for the
first time at the great procession which was soon to take place.
‘Splendid! Lovely! Most beautiful!’ went from mouth to mouth; everyone
seemed delighted over them, and the Emperor gave to the impostors the
title of Court weavers to the Emperor.
Throughout the whole of the night before the morning on which the
procession was to take place, the impostors were up and were working
by the light of over sixteen candles. The people could see that they
were very busy making the Emperor’s new clothes ready. They pretended
they were taking the cloth from the loom, cut with huge scissors in
the air, sewed with needles without thread, and then said at last,
‘Now the clothes are finished!’
The Emperor came himself with his most distinguished knights, and each
impostor held up his arm just as if he were holding something, and
said, ‘See! here are the breeches! Here is the coat! Here the cloak!’
and so on.
‘Spun clothes are so comfortable that one would imagine one had
nothing on at all; but that is the beauty of it!’
‘Yes,’ said all the knights, but they could see nothing, for there was
nothing there.
[Illustration: The Emperor comes to see his new clothes]
‘Will it please your Majesty graciously to take off your clothes,’
said the impostors, ‘then we will put on the new clothes, here before
the mirror.’
The Emperor took off all his clothes, and the impostors placed
themselves before him as if they were putting on each part of his new
clothes which was ready, and the Emperor turned and bent himself in
front of the mirror.
‘How beautifully they fit! How well they sit!’ said everybody. ‘What
material! What colours! It is a gorgeous suit!’
‘They are waiting outside with the canopy which your Majesty is wont
to have borne over you in the procession,’ announced the Master of the
Ceremonies.
‘Look, I am ready,’ said the Emperor. ‘Doesn’t it sit well!’ And he
turned himself again to the mirror to see if his finery was on all
right.
The chamberlains who were used to carry the train put their hands near
the floor as if they were lifting up the train; then they did as if
they were holding something in the air. They would not have it noticed
that they could see nothing.
So the Emperor went along in the procession under the splendid canopy,
and all the people in the streets and at the windows said, ‘How
matchless are the Emperor’s new clothes! That train fastened to his
dress, how beautifully it hangs!’
No one wished it to be noticed that he could see nothing, for then he
would have been unfit for his office, or else very stupid. None of the
Emperor’s clothes had met with such approval as these had.
‘But he has nothing on!’ said a little child at last.
‘Just listen to the innocent child!’ said the father, and each one
whispered to his neighbour what the child had said.
‘But he has nothing on!’ the whole of the people called out at last.
This struck the Emperor, for it seemed to him as if they were right;
but he thought to himself, ‘I must go on with the procession now.’ And
the chamberlains walked along still more uprightly, holding up the
train which was not there at all.
THE GOLDEN CRAB[5]
Once upon a time there was a fisherman who had a wife and three
children. Every morning he used to go out fishing, and whatever fish
he caught he sold to the King. One day, among the other fishes, he
caught a golden crab. When he came home he put all the fishes together
into a great dish, but he kept the Crab separate because it shone so
beautifully, and placed it upon a high shelf in the cupboard. Now
while the old woman, his wife, was cleaning the fish, and had tucked
up her gown so that her feet were visible, she suddenly heard a voice,
which said:
‘Let down, let down thy petticoat
That lets thy feet be seen.’
She turned round in surprise, and then she saw the little creature,
the
Story DNA
Moral
Betrayal and ill-gotten gains will eventually lead to suffering and loss, even if temporary success is achieved.
Plot Summary
A youth, using a stolen magic ring, defeats a fearsome dragon, marries the princess, and becomes a celebrated hero. However, the unburied dragon's corpse causes a plague, prompting the Prince to seek magical aid. On his journey, the Witch-maiden, from whom he stole the ring, intercepts him, reclaims her magic, and imprisons him in a cave for seven years. Eventually, a wise magician finds and frees the emaciated Prince, who returns home to become King, living a prosperous life, but forever without the magic ring he once coveted.
Themes
Emotional Arc
triumph to suffering to eventual prosperity (but with lasting loss)
Writing Style
Narrative Elements
Cultural Context
Andrew Lang's collections often compiled tales from various European sources, making precise origin difficult without deeper research into this specific tale's first appearance. The 'Dragon of the North' suggests a Norse or Germanic influence, while the 'Eastern magician' points to broader cultural exchange in storytelling.
Plot Beats (15)
- A King offers his daughter and kingdom to anyone who can defeat the Dragon of the North.
- A youth, possessing a stolen magic ring, requests specific items (iron horse, spear, chains) to fight the dragon.
- The youth struggles to move the heavy iron horse but uses the magic ring and a raven's advice to maneuver it.
- The youth defeats the dragon by impaling its jaw with the spear, then chaining it down, leading to a three-day death struggle.
- The youth is celebrated, marries the princess, and becomes a Prince.
- The unburied dragon's corpse causes a terrible plague, forcing the Prince to seek help from an Eastern magician.
- The Witch-maiden, from whom the Prince stole the magic ring, intercepts him in bird form, reclaims her ring, and transforms him back.
- The Witch-maiden confronts the Prince, refuses his pleas for forgiveness, and chains him in a deep cave, promising him food but no freedom.
- The King and Princess anxiously await the Prince's return; the Princess dreams of his suffering.
- Magicians are summoned but can only confirm the Prince is alive and suffering, not his location.
- A Finnish magician reveals the Prince is imprisoned in the East by a powerful being.
- Messengers are sent to the East and find a wise old magician who knows the Prince's location and agrees to help.
- The magician, guided by birds, finds the emaciated Prince chained in a cave after seven years and frees him.
- The Prince recovers and returns home to find the old King has died, making him the new King.
- The Prince rules prosperously but never recovers the magic ring, which is never seen again.
Characters
Dragon of the North
Monstrous, with large jaws and a tail strong enough to cause earthquakes
Destructive, terrifying
The Youth
Strong enough to move an iron horse with a magic ring
Attire: Implied to be wearing practical clothing for riding and fighting
Courageous, resourceful
The King
Not described
Attire: Royal robes and crown
Desperate, grateful
The Princess
Not described
Attire: Royal gown
Willing, obedient
Raven
Black feathers
Helpful, wise
Witch-maiden
Able to transform into an eagle
Attire: Not described, but able to transform
Vengeful, scorned
Locations
Frontier Pass
The edge of the kingdom, where the dragon is expected to cross. A place of imminent danger.
Mood: tense, fearful
The youth confronts and defeats the dragon.
Deep Cave
A dark, rocky cave with chains hanging from the wall.
Mood: desolate, hopeless
The Witch-maiden imprisons the prince.
Royal City
The city where the King resides, filled with people rejoicing.
Mood: joyful, celebratory
The hero is celebrated and marries the princess.