The Steadfast Tin-soldier

by Andrew Lang · from The Yellow Fairy Book

fairy tale transformation melancholy Ages 8-14 1648 words 8 min read
Cover: The Steadfast Tin-soldier
Original Story 1648 words · 8 min read

THE STEADFAST TIN-SOLDIER

There were once upon a time five-and-twenty tin-soldiers—all

brothers, as they were made out of the same old tin spoon. Their

uniform was red and blue, and they shouldered their guns and looked

straight in front of them. The first words that they heard in this

world, when the lid of the box in which they lay was taken off, were:

‘Hurrah, tin-soldiers!’ This was exclaimed by a little boy, clapping

his hands; they had been given to him because it was his birthday, and

now he began setting them out on the table. Each soldier was exactly

like the other in shape, except just one, who had been made last when

the tin had run short; but there he stood as firmly on his one leg as

the others did on two, and he is the one that became famous.

There were many other playthings on the table on which they were being

set out, but the nicest of all was a pretty little castle made of

cardboard, with windows through which you could see into the rooms. In

front of the castle stood some little trees surrounding a tiny mirror

which looked like a lake. Wax swans were floating about and reflecting

themselves in it. That was all very pretty; but the most beautiful

thing was a little lady, who stood in the open doorway. She was cut

out of paper, but she had on a dress of the finest muslin, with a

scarf of narrow blue ribbon round her shoulders, fastened in the

middle with a glittering rose made of gold paper, which was as large

as her head. The little lady was stretching out both her arms, for she

was a Dancer, and was lifting up one leg so high in the air that the

Tin-soldier couldn’t find it anywhere, and thought that she, too, had

only one leg.

‘That’s the wife for me!’ he thought; ‘but she is so grand, and lives

in a castle, whilst I have only a box with four-and-twenty others.

This is no place for her! But I must make her acquaintance.’ Then he

stretched himself out behind a snuff-box that lay on the table; from

thence he could watch the dainty little lady, who continued to stand

on one leg without losing her balance.

When the night came all the other tin-soldiers went into their box,

and the people of the house went to bed. Then the toys began to play

at visiting, dancing, and fighting. The tin-soldiers rattled in their

box, for they wanted to be out too, but they could not raise the lid.

The nut-crackers played at leap-frog, and the slate-pencil ran about

the slate; there was such a noise that the canary woke up and began to

talk to them, in poetry too! The only two who did not stir from their

places were the Tin-soldier and the little Dancer. She remained on

tip-toe, with both arms outstretched; he stood steadfastly on his one

leg, never moving his eyes from her face.

[Illustration: Don’t Look at Things That Aren’t Intended for the Likes

of You!]

The clock struck twelve, and crack! off flew the lid of the snuff-box;

but there was no snuff inside, only a little black imp—that was the

beauty of it.

‘Hullo, Tin-soldier!’ said the imp. ‘Don’t look at things that aren’t

intended for the likes of you!’

But the Tin-soldier took no notice, and seemed not to hear.

‘Very well, wait till to-morrow!’ said the imp.

When it was morning, and the children had got up, the Tin-soldier was

put in the window; and whether it was the wind or the little black

imp, I don’t know, but all at once the window flew open and out fell

the little Tin-soldier, head over heels, from the third-storey window!

That was a terrible fall, I can tell you! He landed on his head with

his leg in the air, his gun being wedged between two paving-stones.

The nursery-maid and the little boy came down at once to look for him,

but, though they were so near him that they almost trod on him, they

did not notice him. If the Tin-soldier had only called out ‘Here I

am!’ they must have found him; but he did not think it fitting for him

to cry out, because he had on his uniform.

Soon it began to drizzle; then the drops came faster, and there was a

regular down-pour. When it was over, two little street boys came

along.

‘Just look!’ cried one. ‘Here is a Tin-soldier! He shall sail up and

down in a boat!’

[Illustration: Down the Drain]

So they made a little boat out of newspaper, put the Tin-soldier in

it, and made him sail up and down the gutter; both the boys ran along

beside him, clapping their hands. What great waves there were in the

gutter, and what a swift current! The paper-boat tossed up and down,

and in the middle of the stream it went so quick that the Tin-soldier

trembled; but he remained steadfast, showed no emotion, looked

straight in front of him, shouldering his gun. All at once the boat

passed under a long tunnel that was as dark as his box had been.

‘Where can I be coming now?’ he wondered. ‘Oh, dear! This is the black

imp’s fault! Ah, if only the little lady were sitting beside me in the

boat, it might be twice as dark for all I should care!’

Suddenly there came along a great water-rat that lived in the tunnel.

‘Have you a passport?’ asked the rat. ‘Out with your passport!’

But the Tin-soldier was silent, and grasped his gun more firmly.

The boat sped on, and the rat behind it. Ugh! how he showed his teeth,

as he cried to the chips of wood and straw: ‘Hold him, hold him! he

has not paid the toll! He has not shown his passport!’

But the current became swifter and stronger. The Tin-soldier could

already see daylight where the tunnel ended; but in his ears there

sounded a roaring enough to frighten any brave man. Only think! at the

end of the tunnel the gutter discharged itself into a great canal;

that would be just as dangerous for him as it would be for us to go

down a waterfall.

Now he was so near to it that he could not hold on any longer. On went

the boat, the poor Tin-soldier keeping himself as stiff as he could:

no one should say of him afterwards that he had flinched. The boat

whirled three, four times round, and became filled to the brim with

water: it began to sink! The Tin-soldier was standing up to his neck

in water, and deeper and deeper sank the boat, and softer and softer

grew the paper; now the water was over his head. He was thinking of

the pretty little Dancer, whose face he should never see again, and

there sounded in his ears, over and over again:

 ‘Forward, forward, soldier bold!

  Death’s before thee, grim and cold!’

The paper came in two, and the soldier fell—but at that moment he was

swallowed by a great fish.

Oh! how dark it was inside, even darker than in the tunnel, and it was

really very close quarters! But there the steadfast little Tin-soldier

lay full length, shouldering his gun.

Up and down swam the fish, then he made the most dreadful contortions,

and became suddenly quite still. Then it was as if a flash of

lightning had passed through him; the daylight streamed in, and a

voice exclaimed, ‘Why, here is the little Tin-soldier!’ The fish had

been caught, taken to market, sold, and brought into the kitchen,

where the cook had cut it open with a great knife. She took up the

soldier between her finger and thumb, and carried him into the room,

where everyone wanted to see the hero who had been found inside a

fish; but the Tin-soldier was not at all proud. They put him on the

table, and—no, but what strange things do happen in this world!—the

Tin-soldier was in the same room in which he had been before! He saw

the same children, and the same toys on the table; and there was the

same grand castle with the pretty little Dancer. She was still

standing on one leg with the other high in the air; she too was

steadfast. That touched the Tin-soldier, he was nearly going to shed

tin-tears; but that would not have been fitting for a soldier. He

looked at her, but she said nothing.

All at once one of the little boys took up the Tin-soldier, and threw

him into the stove, giving no reasons; but doubtless the little black

imp in the snuff-box was at the bottom of this too.

There the Tin-soldier lay, and felt a heat that was truly terrible;

but whether he was suffering from actual fire, or from the ardour of

his passion, he did not know. All his colour had disappeared; whether

this had happened on his travels or whether it was the result of

trouble, who can say? He looked at the little lady, she looked at him,

and he felt that he was melting; but he remained steadfast, with his

gun at his shoulder. Suddenly a door opened, the draught caught up the

little Dancer, and off she flew like a sylph to the Tin-soldier in the

stove, burst into flames—and that was the end of her! Then the

Tin-soldier melted down into a little lump, and when next morning the

maid was taking out the ashes, she found him in the shape of a heart.

There was nothing left of the little Dancer but her gilt rose, burnt

as black as a cinder.

[Illustration: And That Was the End]


Story DNA

Moral

True steadfastness and unwavering devotion can persist even in the face of insurmountable odds and lead to a symbolic, if not literal, union.

Plot Summary

A one-legged tin-soldier falls in love with a paper dancer. After being mysteriously knocked from a window, he endures a perilous journey through a gutter, a canal, and inside a fish, only to be returned to his original home. Just as he is reunited with the dancer, a boy throws him into a stove. The dancer is then swept into the flames by a draft, and they both perish, the soldier melting into a heart and the dancer leaving only her burnt gilt rose, symbolizing their tragic, yet unified, end.

Themes

steadfastnessunrequited lovefate vs. free willperseverance

Emotional Arc

innocence to suffering to tragic union

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: personification, pathetic fallacy, rule of three (implied journeys/dangers), direct address to reader

Narrative Elements

Conflict: person vs. fate
Ending: tragic
Magic: talking animals (canary, rat), sentient toys, black imp
the one-legged soldier (steadfastness, uniqueness)the paper dancer (fragility, beauty, unrequited love)the tin heart (enduring love, sacrifice)the black imp (malevolence, fate, mischief)

Cultural Context

Origin: Danish
Era: 19th century

Hans Christian Andersen's tales often reflect 19th-century European societal norms and a blend of Christian morality with folk elements.

Plot Beats (14)

  1. Twenty-five tin-soldiers are made, one with only one leg, and given to a boy for his birthday.
  2. The one-legged soldier sees a paper dancer in a cardboard castle and falls in love, believing she also has one leg.
  3. At night, toys play, but the soldier and dancer remain steadfast in their places.
  4. A black imp from a snuff-box warns the soldier not to look at the dancer.
  5. The next morning, the soldier falls from the window, possibly due to the imp or wind.
  6. He is unnoticed by the boy and maid, then found by street boys who put him in a paper boat.
  7. The soldier sails down a gutter, encounters a demanding water-rat, and eventually plunges into a canal.
  8. He is swallowed by a fish and experiences darkness and confinement.
  9. The fish is caught, brought to the kitchen, and cut open, revealing the soldier, who is returned to the table.
  10. The soldier finds himself back in the same room, seeing the dancer still standing steadfast.
  11. A boy inexplicably throws the soldier into the stove.
  12. The soldier begins to melt, feeling intense heat and looking at the dancer one last time.
  13. A draft carries the paper dancer into the stove, where she bursts into flames.
  14. The soldier melts into a tin heart, and the dancer's gilt rose is found, burnt black.

Characters

✦

Tin-soldier

object ageless male

Made of tin, missing one leg, wears a red and blue uniform, carries a gun

Attire: Red and blue military uniform

Missing leg

Steadfast, brave, stoic, determined

✦

Dancer

object ageless female

Made of paper, wears a muslin dress and blue ribbon scarf with a large gold paper rose, standing on one leg

Attire: Muslin dress, blue ribbon scarf, gold paper rose

Large gold paper rose

Elegant, graceful, seemingly steadfast

✦

Imp

magical creature ageless male

Little and black

Attire: Implied to be mischievous and shadowy

Emerging from a snuff-box

Mischievous, malevolent, meddling

🐾

Water-rat

animal adult male

Large, menacing

Sharp teeth

Aggressive, territorial, bureaucratic

Locations

Boy's Bedroom Tabletop

indoor Indoors, so no weather specified

A tabletop covered with toys, including a cardboard castle with windows, a mirror lake with wax swans, and a snuff-box.

Mood: Playful, domestic, miniature

The tin soldier first sees the paper dancer and falls in love; the imp emerges from the snuff-box.

cardboard castle mirror lake wax swans tin soldiers paper dancer snuff-box

Gutter Stream

outdoor day Rainy, wet

A swift-flowing gutter stream with large waves, running under a long, dark tunnel.

Mood: Perilous, dark, adventurous

The tin soldier is swept away in a paper boat, encounters a rat, and is plunged into darkness.

paper boat gutter water tunnel water-rat paving stones

Inside the Fish

indoor N/A

A dark, cramped, and slimy space inside a large fish.

Mood: Confined, dark, strange

The tin soldier is swallowed by a fish and waits in darkness.

fish innards darkness sliminess

Stove

indoor N/A

A hot stove with flames.

Mood: Burning, passionate, tragic

The tin soldier and the paper dancer are burned together.

flames hot metal ashes