The steadfast tin-soldier
by Andrew Lang

The Tin Soldier and the Dancer
Once, there was a little tin soldier. He had only one leg. He stood up very straight.
He saw a pretty paper dancer. She stood on one leg too. The soldier loved her very much.
At night, the toys played. The soldier and the dancer did not move. They stayed in their places.
A little imp came out of a box. "Do not look at her," it said to him.
The next morning, the soldier fell. He fell from the window. He fell down to the street.
Two boys found him. They put him in a paper boat. They let the boat go on the water.
The boat went down the water. A rat saw him. "Who are you?" the rat asked.
The boat went into a dark tunnel. Then it went into a big river. It sank in the water.
A big fish swallowed the soldier. It was very dark inside the fish.
People caught the fish. They found the soldier inside. They took him back to the house.
He was on the table again. He saw the dancer. She was still standing on one leg.
A boy put the soldier in the stove. He did not say why.
The soldier got very warm. He looked at the dancer. He loved her very much.
A wind blew the dancer into the stove. She flew to the soldier.
The soldier became a little tin heart. The dancer's gold rose was with him. They were together forever.
Original Story
_THE STEADFAST TIN-SOLDIER_ There were once upon a time five-and-twenty tin-soldiers—all brothers, as they were made out of the same old tin spoon. Their uniform was red and blue, and they shouldered their guns and looked straight in front of them. The first words that they heard in this world, when the lid of the box in which they lay was taken off, were: ‘Hurrah, tin-soldiers!’ This was exclaimed by a little boy, clapping his hands; they had been given to him because it was his birthday, and now he began setting them out on the table. Each soldier was exactly like the other in shape, except just one, who had been made last when the tin had run short; but there he stood as firmly on his one leg as the others did on two, and he is the one that became famous. There were many other playthings on the table on which they were being set out, but the nicest of all was a pretty little castle made of cardboard, with windows through which you could see into the rooms. In front of the castle stood some little trees surrounding a tiny mirror which looked like a lake. Wax swans were floating about and reflecting themselves in it. That was all very pretty; but the most beautiful thing was a little lady, who stood in the open doorway. She was cut out of paper, but she had on a dress of the finest muslin, with a scarf of narrow blue ribbon round her shoulders, fastened in the middle with a glittering rose made of gold paper, which was as large as her head. The little lady was stretching out both her arms, for she was a Dancer, and was lifting up one leg so high in the air that the Tin-soldier couldn’t find it anywhere, and thought that she, too, had only one leg. ‘That’s the wife for me!’ he thought; ‘but she is so grand, and lives in a castle, whilst I have only a box with four-and-twenty others. This is no place for her! But I must make her acquaintance.’ Then he stretched himself out behind a snuff-box that lay on the table; from thence he could watch the dainty little lady, who continued to stand on one leg without losing her balance. When the night came all the other tin-soldiers went into their box, and the people of the house went to bed. Then the toys began to play at visiting, dancing, and fighting. The tin-soldiers rattled in their box, for they wanted to be out too, but they could not raise the lid. The nut-crackers played at leap-frog, and the slate-pencil ran about the slate; there was such a noise that the canary woke up and began to talk to them, in poetry too! The only two who did not stir from their places were the Tin-soldier and the little Dancer. She remained on tip-toe, with both arms outstretched; he stood steadfastly on his one leg, never moving his eyes from her face. [Illustration: Don’t Look at Things That Aren’t Intended for the Likes of You!] The clock struck twelve, and crack! off flew the lid of the snuff-box; but there was no snuff inside, only a little black imp—that was the beauty of it. ‘Hullo, Tin-soldier!’ said the imp. ‘Don’t look at things that aren’t intended for the likes of you!’ But the Tin-soldier took no notice, and seemed not to hear. ‘Very well, wait till to-morrow!’ said the imp. When it was morning, and the children had got up, the Tin-soldier was put in the window; and whether it was the wind or the little black imp, I don’t know, but all at once the window flew open and out fell the little Tin-soldier, head over heels, from the third-storey window! That was a terrible fall, I can tell you! He landed on his head with his leg in the air, his gun being wedged between two paving-stones. The nursery-maid and the little boy came down at once to look for him, but, though they were so near him that they almost trod on him, they did not notice him. If the Tin-soldier had only called out ‘Here I am!’ they must have found him; but he did not think it fitting for him to cry out, because he had on his uniform. Soon it began to drizzle; then the drops came faster, and there was a regular down-pour. When it was over, two little street boys came along. ‘Just look!’ cried one. ‘Here is a Tin-soldier! He shall sail up and down in a boat!’ [Illustration: Down the Drain] So they made a little boat out of newspaper, put the Tin-soldier in it, and made him sail up and down the gutter; both the boys ran along beside him, clapping their hands. What great waves there were in the gutter, and what a swift current! The paper-boat tossed up and down, and in the middle of the stream it went so quick that the Tin-soldier trembled; but he remained steadfast, showed no emotion, looked straight in front of him, shouldering his gun. All at once the boat passed under a long tunnel that was as dark as his box had been. ‘Where can I be coming now?’ he wondered. ‘Oh, dear! This is the black imp’s fault! Ah, if only the little lady were sitting beside me in the boat, it might be twice as dark for all I should care!’ Suddenly there came along a great water-rat that lived in the tunnel. ‘Have you a passport?’ asked the rat. ‘Out with your passport!’ But the Tin-soldier was silent, and grasped his gun more firmly. The boat sped on, and the rat behind it. Ugh! how he showed his teeth, as he cried to the chips of wood and straw: ‘Hold him, hold him! he has not paid the toll! He has not shown his passport!’ But the current became swifter and stronger. The Tin-soldier could already see daylight where the tunnel ended; but in his ears there sounded a roaring enough to frighten any brave man. Only think! at the end of the tunnel the gutter discharged itself into a great canal; that would be just as dangerous for him as it would be for us to go down a waterfall. Now he was so near to it that he could not hold on any longer. On went the boat, the poor Tin-soldier keeping himself as stiff as he could: no one should say of him afterwards that he had flinched. The boat whirled three, four times round, and became filled to the brim with water: it began to sink! The Tin-soldier was standing up to his neck in water, and deeper and deeper sank the boat, and softer and softer grew the paper; now the water was over his head. He was thinking of the pretty little Dancer, whose face he should never see again, and there sounded in his ears, over and over again: ‘Forward, forward, soldier bold! Death’s before thee, grim and cold!’ The paper came in two, and the soldier fell—but at that moment he was swallowed by a great fish. Oh! how dark it was inside, even darker than in the tunnel, and it was really very close quarters! But there the steadfast little Tin-soldier lay full length, shouldering his gun. Up and down swam the fish, then he made the most dreadful contortions, and became suddenly quite still. Then it was as if a flash of lightning had passed through him; the daylight streamed in, and a voice exclaimed, ‘Why, here is the little Tin-soldier!’ The fish had been caught, taken to market, sold, and brought into the kitchen, where the cook had cut it open with a great knife. She took up the soldier between her finger and thumb, and carried him into the room, where everyone wanted to see the hero who had been found inside a fish; but the Tin-soldier was not at all proud. They put him on the table, and—no, but what strange things do happen in this world!—the Tin-soldier was in the same room in which he had been before! He saw the same children, and the same toys on the table; and there was the same grand castle with the pretty little Dancer. She was still standing on one leg with the other high in the air; she too was steadfast. That touched the Tin-soldier, he was nearly going to shed tin-tears; but that would not have been fitting for a soldier. He looked at her, but she said nothing. All at once one of the little boys took up the Tin-soldier, and threw him into the stove, giving no reasons; but doubtless the little black imp in the snuff-box was at the bottom of this too. There the Tin-soldier lay, and felt a heat that was truly terrible; but whether he was suffering from actual fire, or from the ardour of his passion, he did not know. All his colour had disappeared; whether this had happened on his travels or whether it was the result of trouble, who can say? He looked at the little lady, she looked at him, and he felt that he was melting; but he remained steadfast, with his gun at his shoulder. Suddenly a door opened, the draught caught up the little Dancer, and off she flew like a sylph to the Tin-soldier in the stove, burst into flames—and that was the end of her! Then the Tin-soldier melted down into a little lump, and when next morning the maid was taking out the ashes, she found him in the shape of a heart. There was nothing left of the little Dancer but her gilt rose, burnt as black as a cinder. [Illustration: And That Was the End]
Moral of the Story
True steadfastness and unwavering devotion can persist even in the face of insurmountable odds and lead to a symbolic, if not literal, union.
Characters
Tin-soldier ★ protagonist
Made of tin, missing one leg, wears a red and blue uniform, carries a gun
Attire: Red and blue military uniform
Steadfast, brave, stoic, determined
Dancer ◆ supporting
Made of paper, wears a muslin dress and blue ribbon scarf with a large gold paper rose, standing on one leg
Attire: Muslin dress, blue ribbon scarf, gold paper rose
Elegant, graceful, seemingly steadfast
Imp ⚔ antagonist
Little and black
Attire: Implied to be mischievous and shadowy
Mischievous, malevolent, meddling
Water-rat ○ minor
Large, menacing
Aggressive, territorial, bureaucratic
Locations

Boy's Bedroom Tabletop
A tabletop covered with toys, including a cardboard castle with windows, a mirror lake with wax swans, and a snuff-box.
Mood: Playful, domestic, miniature
The tin soldier first sees the paper dancer and falls in love; the imp emerges from the snuff-box.

Gutter Stream
A swift-flowing gutter stream with large waves, running under a long, dark tunnel.
Mood: Perilous, dark, adventurous
The tin soldier is swept away in a paper boat, encounters a rat, and is plunged into darkness.

Inside the Fish
A dark, cramped, and slimy space inside a large fish.
Mood: Confined, dark, strange
The tin soldier is swallowed by a fish and waits in darkness.

Stove
A hot stove with flames.
Mood: Burning, passionate, tragic
The tin soldier and the paper dancer are burned together.
Story DNA
Moral
True steadfastness and unwavering devotion can persist even in the face of insurmountable odds and lead to a symbolic, if not literal, union.
Plot Summary
A one-legged tin-soldier falls in love with a paper dancer. After being mysteriously knocked from a window, he endures a perilous journey through a gutter, a canal, and inside a fish, only to be returned to his original home. Just as he is reunited with the dancer, a boy throws him into a stove. The dancer is then swept into the flames by a draft, and they both perish, the soldier melting into a heart and the dancer leaving only her burnt gilt rose, symbolizing their tragic, yet unified, end.
Themes
Emotional Arc
innocence to suffering to tragic union
Writing Style
Narrative Elements
Cultural Context
Hans Christian Andersen's tales often reflect 19th-century European societal norms and a blend of Christian morality with folk elements.
Plot Beats (14)
- Twenty-five tin-soldiers are made, one with only one leg, and given to a boy for his birthday.
- The one-legged soldier sees a paper dancer in a cardboard castle and falls in love, believing she also has one leg.
- At night, toys play, but the soldier and dancer remain steadfast in their places.
- A black imp from a snuff-box warns the soldier not to look at the dancer.
- The next morning, the soldier falls from the window, possibly due to the imp or wind.
- He is unnoticed by the boy and maid, then found by street boys who put him in a paper boat.
- The soldier sails down a gutter, encounters a demanding water-rat, and eventually plunges into a canal.
- He is swallowed by a fish and experiences darkness and confinement.
- The fish is caught, brought to the kitchen, and cut open, revealing the soldier, who is returned to the table.
- The soldier finds himself back in the same room, seeing the dancer still standing steadfast.
- A boy inexplicably throws the soldier into the stove.
- The soldier begins to melt, feeling intense heat and looking at the dancer one last time.
- A draft carries the paper dancer into the stove, where she bursts into flames.
- The soldier melts into a tin heart, and the dancer's gilt rose is found, burnt black.





