Thumbelina

by Andrew Lang · from The Yellow Fairy Book

fairy tale transformation hopeful Ages 5-10 5604 words 25 min read
Cover: Thumbelina
Original Story 5604 words · 25 min read

THUMBELINA

There was once a woman who wanted to have quite a tiny, little child,

but she did not know where to get one from. So one day she went to an

old Witch and said to her: ‘I should so much like to have a tiny,

little child; can you tell me where I can get one?’

‘Oh, we have just got one ready!’ said the Witch. ‘Here is a

barley-corn for you, but it’s not the kind the farmer sows in his

field, or feeds the cocks and hens with, I can tell you. Put it in a

flower-pot, and then you will see something happen.’

‘Oh, thank you!’ said the woman, and gave the Witch a shilling, for

that was what it cost. Then she went home and planted the barley-corn;

immediately there grew out of it a large and beautiful flower, which

looked like a tulip, but the petals were tightly closed as if it were

still only a bud.

‘What a beautiful flower!’ exclaimed the woman, and she kissed the red

and yellow petals; but as she kissed them the flower burst open. It

was a real tulip, such as one can see any day; but in the middle of

the blossom, on the green velvety petals, sat a little girl, quite

tiny, trim, and pretty. She was scarcely half a thumb in height; so

they called her Thumbelina. An elegant polished walnut-shell served

Thumbelina as a cradle, the blue petals of a violet were her mattress,

and a rose-leaf her coverlid. There she lay at night, but in the

day-time she used to play about on the table; here the woman had put a

bowl, surrounded by a ring of flowers, with their stalks in water, in

the middle of which floated a great tulip petal, and on this

Thumbelina sat, and sailed from one side of the bowl to the other,

rowing herself with two white horse-hairs for oars. It was such a

pretty sight! She could sing, too, with a voice more soft and sweet

than had ever been heard before.

One night, when she was lying in her pretty little bed, an old toad

crept in through a broken pane in the window. She was very ugly,

clumsy, and clammy; she hopped on to the table where Thumbelina lay

asleep under the red rose-leaf.

‘This would make a beautiful wife for my son,’ said the toad, taking

up the walnut-shell, with Thumbelina inside, and hopping with it

through the window into the garden.

There flowed a great wide stream, with slippery and marshy banks; here

the toad lived with her son. Ugh! how ugly and clammy he was, just

like his mother! ‘Croak, croak, croak!’ was all he could say when he

saw the pretty little girl in the walnut-shell.

[Illustration: CROAK CROAK CROAK Was All He Could Say.]

‘Don’t talk so loud, or you’ll wake her,’ said the old toad. ‘She

might escape us even now; she is as light as a feather. We will put

her at once on a broad water-lily leaf in the stream. That will be

quite an island for her; she is so small and light. She can’t run away

from us there, whilst we are preparing the guest-chamber under the

marsh where she shall live.’

Outside in the brook grew many water-lilies, with broad green leaves,

which looked as if they were swimming about on the water. The leaf

farthest away was the largest, and to this the old toad swam with

Thumbelina in her walnut-shell.

The tiny Thumbelina woke up very early in the morning, and when she

saw where she was she began to cry bitterly; for on every side of the

great green leaf was water, and she could not get to the land.

The old toad was down under the marsh, decorating her room with rushes

and yellow marigold leaves, to make it very grand for her new

daughter-in-law; then she swam out with her ugly son to the leaf where

Thumbelina lay. She wanted to fetch the pretty cradle to put it into

her room before Thumbelina herself came there. The old toad bowed low

in the water before her, and said: ‘Here is my son; you shall marry

him, and live in great magnificence down under the marsh.’

[Illustration: Thumbelina Rides on the Waterlily-leaf]

‘Croak, croak, croak!’ was all that the son could say. Then they took

the neat little cradle and swam away with it; but Thumbelina sat alone

on the great green leaf and wept, for she did not want to live with

the clammy toad, or marry her ugly son. The little fishes swimming

about under the water had seen the toad quite plainly, and heard what

she had said; so they put up their heads to see the little girl. When

they saw her, they thought her so pretty that they were very sorry she

should go down with the ugly toad to live. No; that must not happen.

They assembled in the water round the green stalk which supported the

leaf on which she was sitting and nibbled the stem in two. Away

floated the leaf down the stream, bearing Thumbelina far beyond the

reach of the toad.

On she sailed past several towns, and the little birds sitting in the

bushes saw her, and sang, ‘What a pretty little girl!’ The leaf

floated farther and farther away; thus Thumbelina left her native

land.

A beautiful little white butterfly fluttered above her, and at last

settled on the leaf. Thumbelina pleased him, and she, too, was

delighted, for now the toads could not reach her, and it was so

beautiful where she was travelling; the sun shone on the water and

made it sparkle like the brightest silver. She took off her sash, and

tied one end round the butterfly; the other end she fastened to the

leaf, so that now it glided along with her faster than ever.

A great cockchafer came flying past; he caught sight of Thumbelina,

and in a moment had put his arms round her slender waist, and had

flown off with her to a tree. The green leaf floated away down the

stream, and the butterfly with it, for he was fastened to the leaf and

could not get loose from it. Oh, dear! how terrified poor little

Thumbelina was when the cockchafer flew off with her to the tree! But

she was especially distressed on the beautiful white butterfly’s

account, as she had tied him fast, so that if he could not get away he

must starve to death. But the cockchafer did not trouble himself about

that; he sat down with her on a large green leaf, gave her the honey

out of the flowers to eat, and told her that she was very pretty,

although she wasn’t in the least like a cockchafer. Later on, all the

other cockchafers who lived in the same tree came to pay calls; they

examined Thumbelina closely, and remarked, ‘Why, she has only two

legs! How very miserable!’

‘She has no feelers!’ cried another.

‘How ugly she is!’ said all the lady chafers—and yet Thumbelina was

really very pretty.

The cockchafer who had stolen her knew this very well; but when he

heard all the ladies saying she was ugly, he began to think so too,

and would not keep her; she might go wherever she liked. So he flew

down from the tree with her and put her on a daisy. There she sat and

wept, because she was so ugly that the cockchafer would have nothing

to do with her; and yet she was the most beautiful creature

imaginable, so soft and delicate, like the loveliest rose-leaf.

The whole summer poor little Thumbelina lived alone in the great wood.

She plaited a bed for herself of blades of grass, and hung it up under

a clover-leaf, so that she was protected from the rain; she gathered

honey from the flowers for food, and drank the dew on the leaves every

morning. Thus the summer and autumn passed, but then came winter—the

long, cold winter. All the birds who had sung so sweetly about her had

flown away; the trees shed their leaves, the flowers died; the great

clover-leaf under which she had lived curled up, and nothing remained

of it but the withered stalk. She was terribly cold, for her clothes

were ragged, and she herself was so small and thin. Poor little

Thumbelina! she would surely be frozen to death. It began to snow, and

every snow-flake that fell on her was to her as a whole shovelful

thrown on one of us, for we are so big, and she was only an inch high.

She wrapt herself round in a dead leaf, but it was torn in the middle

and gave her no warmth; she was trembling with cold.

Just outside the wood where she was now living lay a great cornfield.

But the corn had been gone a long time; only the dry, bare stubble was

left standing in the frozen ground. This made a forest for her to

wander about in. All at once she came across the door of a

field-mouse, who had a little hole under a corn-stalk. There the mouse

lived warm and snug, with a store-room full of corn, a splendid

kitchen and dining-room. Poor little Thumbelina went up to the door

and begged for a little piece of barley, for she had not had anything

to eat for the last two days.

‘Poor little creature!’ said the field-mouse, for she was a

kind-hearted old thing at the bottom. ‘Come into my warm room and have

some dinner with me.’

As Thumbelina pleased her, she said: ‘As far as I am concerned you may

spend the winter with me; but you must keep my room clean and tidy,

and tell me stories, for I like that very much.’

And Thumbelina did all that the kind old field-mouse asked, and did it

remarkably well too.

‘Now I am expecting a visitor,’ said the field-mouse; ‘my neighbour

comes to call on me once a week. He is in better circumstances than I

am, has great, big rooms, and wears a fine black-velvet coat. If you

could only marry him, you would be well provided for. But he is blind.

You must tell him all the prettiest stories you know.’

But Thumbelina did not trouble her head about him, for he was only a

mole. He came and paid them a visit in his black-velvet coat.

‘He is so rich and so accomplished,’ the field-mouse told her. ‘His

house is twenty times larger than mine; he possesses great knowledge,

but he cannot bear the sun and the beautiful flowers, and speaks

slightingly of them, for he has never seen them.’

Thumbelina had to sing to him, so she sang ‘Lady-bird, lady-bird, fly

away home!’ and other songs so prettily that the mole fell in love

with her; but he did not say anything, he was a very cautious man. A

short time before he had dug a long passage through the ground from

his own house to that of his neighbour; in this he gave the

field-mouse and Thumbelina permission to walk as often as they liked.

But he begged them not to be afraid of the dead bird that lay in the

passage: it was a real bird with beak and feathers, and must have died

a little time ago, and now laid buried just where he had made his

tunnel. The mole took a piece of rotten wood in his mouth, for that

glows like fire in the dark, and went in front, lighting them through

the long dark passage. When they came to the place where the dead bird

lay, the mole put his broad nose against the ceiling and pushed a hole

through, so that the daylight could shine down. In the middle of the

path lay a dead swallow, his pretty wings pressed close to his sides,

his claws and head drawn under his feathers; the poor bird had

evidently died of cold. Thumbelina was very sorry, for she was very

fond of all little birds; they had sung and twittered so beautifully

to her all through the summer. But the mole kicked him with his bandy

legs and said:

‘Now he can’t sing any more! It must be very miserable to be a little

bird! I’m thankful that none of my little children are; birds always

starve in winter.’

‘Yes, you speak like a sensible man,’ said the field-mouse. ‘What has

a bird, in spite of all his singing, in the winter-time? He must

starve and freeze, and that must be very pleasant for him, I must

say!’

Thumbelina did not say anything; but when the other two had passed on

she bent down to the bird, brushed aside the feathers from his head,

and kissed his closed eyes gently. ‘Perhaps it was he that sang to me

so prettily in the summer,’ she thought. ‘How much pleasure he did

give me, dear little bird!’

The mole closed up the hole again which let in the light, and then

escorted the ladies home. But Thumbelina could not sleep that night;

so she got out of bed, and plaited a great big blanket of straw, and

carried it off, and spread it over the dead bird, and piled upon it

thistle-down as soft as cotton-wool, which she had found in the

field-mouse’s room, so that the poor little thing should lie warmly

buried.

‘Farewell, pretty little bird!’ she said. ‘Farewell, and thank you for

your beautiful songs in the summer, when the trees were green, and the

sun shone down warmly on us!’ Then she laid her head against the

bird’s heart. But the bird was not dead: he had been frozen, but now

that she had warmed him, he was coming to life again.

In autumn the swallows fly away to foreign lands; but there are some

who are late in starting, and then they get so cold that they drop

down as if dead, and the snow comes and covers them over.

[Illustration: Thumbelina Brings Thistle-down for the Swallow]

Thumbelina trembled, she was so frightened; for the bird was very

large in comparison with herself—only an inch high. But she took

courage, piled up the down more closely over the poor swallow, fetched

her own coverlid and laid it over his head.

Next night she crept out again to him. There he was alive, but very

weak; he could only open his eyes for a moment and look at Thumbelina,

who was standing in front of him with a piece of rotten wood in her

hand, for she had no other lantern.

‘Thank you, pretty little child!’ said the swallow to her. ‘I am so

beautifully warm! Soon I shall regain my strength, and then I shall be

able to fly out again into the warm sunshine.’

‘Oh!’ she said, ‘it is very cold outside; it is snowing and freezing!

stay in your warm bed; I will take care of you!’

Then she brought him water in a petal, which he drank, after which he

related to her how he had torn one of his wings on a bramble, so that

he could not fly as fast as the other swallows, who had flown far away

to warmer lands. So at last he had dropped down exhausted, and then he

could remember no more. The whole winter he remained down there, and

Thumbelina looked after him and nursed him tenderly. Neither the mole

nor the field-mouse learnt anything of this, for they could not bear

the poor swallow.

When the spring came, and the sun warmed the earth again, the swallow

said farewell to Thumbelina, who opened the hole in the roof for him

which the mole had made. The sun shone brightly down upon her, and the

swallow asked her if she would go with him; she could sit upon his

back. Thumbelina wanted very much to fly far away into the green wood,

but she knew that the old field-mouse would be sad if she ran away.

‘No, I mustn’t come!’ she said.

‘Farewell, dear good little girl!’ said the swallow, and flew off into

the sunshine. Thumbelina gazed after him with the tears standing in

her eyes, for she was very fond of the swallow.

‘Tweet, tweet!’ sang the bird, and flew into the green wood.

Thumbelina was very unhappy. She was not allowed to go out into the

warm sunshine. The corn which had been sowed in the field over the

field-mouse’s home grew up high into the air, and made a thick forest

for the poor little girl, who was only an inch high.

‘Now you are to be a bride, Thumbelina!’ said the field-mouse, ‘for

our neighbour has proposed for you! What a piece of fortune for a poor

child like you! Now you must set to work at your linen for your dowry,

for nothing must be lacking if you are to become the wife of our

neighbour, the mole!’

Thumbelina had to spin all day long, and every evening the mole

visited her, and told her that when the summer was over the sun would

not shine so hot; now it was burning the earth as hard as a stone.

Yes, when the summer had passed, they would keep the wedding.

But she was not at all pleased about it, for she did not like the

stupid mole. Every morning when the sun was rising, and every evening

when it was setting, she would steal out of the house-door, and when

the breeze parted the ears of corn so that she could see the blue sky

through them, she thought how bright and beautiful it must be outside,

and longed to see her dear swallow again. But he never came; no doubt

he had flown away far into the great green wood.

By the autumn Thumbelina had finished the dowry.

‘In four weeks you will be married!’ said the field-mouse; ‘don’t be

obstinate, or I shall bite you with my sharp white teeth! You will get

a fine husband! The King himself has not such a velvet coat. His

store-room and cellar are full, and you should be thankful for that.’

[Illustration: Thumbelina Has to Spin]

Well, the wedding-day arrived. The mole had come to fetch Thumbelina

to live with him deep down under the ground, never to come out into

the warm sun again, for that was what he didn’t like. The poor little

girl was very sad; for now she must say good-bye to the beautiful sun.

‘Farewell, bright sun!’ she cried, stretching out her arms towards it,

and taking another step outside the house; for now the corn had been

reaped, and only the dry stubble was left standing. ‘Farewell,

farewell!’ she said, and put her arms round a little red flower that

grew there. ‘Give my love to the dear swallow when you see him!’

‘Tweet, tweet!’ sounded in her ear all at once. She looked up. There

was the swallow flying past! As soon as he saw Thumbelina, he was very

glad. She told him how unwilling she was to marry the ugly mole, as

then she had to live underground where the sun never shone, and she

could not help bursting into tears.

‘The cold winter is coming now,’ said the swallow. ‘I must fly away to

warmer lands: will you come with me? You can sit on my back, and we

will fly far away from the ugly mole and his dark house, over the

mountains, to the warm countries where the sun shines more brightly

than here, where it is always summer, and there are always beautiful

flowers. Do come with me, dear little Thumbelina, who saved my life

when I lay frozen in the dark tunnel!’

‘Yes, I will go with you,’ said Thumbelina, and got on the swallow’s

back, with her feet on one of his outstretched wings. Up he flew into

the air, over woods and seas, over the great mountains where the snow

is always lying. And if she was cold she crept under his warm

feathers, only keeping her little head out to admire all the beautiful

things in the world beneath. At last they came to warm lands; there

the sun was brighter, the sky seemed twice as high, and in the hedges

hung the finest green and purple grapes; in the woods grew oranges and

lemons: the air was scented with myrtle and mint, and on the roads

were pretty little children running about and playing with great

gorgeous butterflies. But the swallow flew on farther, and it became

more and more beautiful. Under the most splendid green trees beside a

blue lake stood a glittering white marble castle. Vines hung about the

high pillars; there were many swallows’ nests, and in one of these

lived the swallow who was carrying Thumbelina.

‘Here is my house!’ said he. ‘But it won’t do for you to live with me;

I am not tidy enough to please you. Find a home for yourself in one of

the lovely flowers that grow down there; now I will set you down, and

you can do whatever you like.’

‘That will be splendid!’ said she, clapping her little hands.

There lay a great white marble column which had fallen to the ground

and broken into three pieces, but between these grew the most

beautiful white flowers. The swallow flew down with Thumbelina, and

set her upon one of the broad leaves. But there, to her astonishment,

she found a tiny little man sitting in the middle of the flower, as

white and transparent as if he were made of glass; he had the

prettiest golden crown on his head, and the most beautiful wings on

his shoulders; he himself was no bigger than Thumbelina. He was the

spirit of the flower. In each blossom there dwelt a tiny man or woman;

but this one was the King over the others.

‘How handsome he is!’ whispered Thumbelina to the swallow.

[Illustration: We Will Call You May Blossom]

The little Prince was very much frightened at the swallow, for in

comparison with one so tiny as himself he seemed a giant. But when he

saw Thumbelina, he was delighted, for she was the most beautiful girl

he had ever seen. So he took his golden crown from off his head and

put it on hers, asking her her name, and if she would be his wife, and

then she would be Queen of all the flowers. Yes! he was a different

kind of husband to the son of the toad and the mole with the

black-velvet coat. So she said ‘Yes’ to the noble Prince. And out of

each flower came a lady and gentleman, each so tiny and pretty that it

was a pleasure to see them. Each brought Thumbelina a present, but the

best of all was a beautiful pair of wings which were fastened on to

her back, and now she too could fly from flower to flower. They all

wished her joy, and the swallow sat above in his nest and sang the

wedding march, and that he did as well as he could; but he was sad,

because he was very fond of Thumbelina and did not want to be

separated from her.

‘You shall not be called Thumbelina!’ said the spirit of the flower to

her; ‘that is an ugly name, and you are much too pretty for that. We

will call you May Blossom.’

‘Farewell, farewell!’ said the little swallow with a heavy heart, and

flew away to farther lands, far, far away, right back to Denmark.

There he had a little nest above a window, where his wife lived, who

can tell fairy-stories. ‘Tweet, tweet!’ he sang to her. And that is

the way we learnt the whole story.

THE NIGHTINGALE

In China, as I daresay you know, the Emperor is a Chinaman, and all

his courtiers are also Chinamen. The story I am going to tell you

happened many years ago, but it is worth while for you to listen to

it, before it is forgotten.

The Emperor’s Palace was the most splendid in the world, all made of

priceless porcelain, but so brittle and delicate that you had to take

great care how you touched it. In the garden were the most beautiful

flowers, and on the loveliest of them were tied silver bells which

tinkled, so that if you passed you could not help looking at the

flowers. Everything in the Emperor’s garden was admirably arranged

with a view to effect; and the garden was so large that even the

gardener himself did not know where it ended. If you ever got beyond

it, you came to a stately forest with great trees and deep lakes in

it. The forest sloped down to the sea, which was a clear blue. Large

ships could sail under the boughs of the trees, and in these trees

there lived a Nightingale. She sang so beautifully that even the poor

fisherman who had so much to do stood and listened when he came at

night to cast his nets. ‘How beautiful it is!’ he said; but he had to

attend to his work, and forgot about the bird. But when she sang the

next night and the fisherman came there again, he said the same thing,

‘How beautiful it is!’

From all the countries round came travellers to the Emperor’s town,

who were astonished at the Palace and the garden. But when they heard

the Nightingale they all said, ‘This is the finest thing after all!’

The travellers told all about it when they went home, and learned

scholars wrote many books upon the town, the Palace, and the garden.

But they did not forget the Nightingale; she was praised the most, and

all the poets composed splendid verses on the Nightingale in the

forest by the deep sea.

The books were circulated throughout the world, and some of them

reached the Emperor. He sat in his golden chair, and read and read. He

nodded his head every moment, for he liked reading the brilliant

accounts of the town, the Palace, and the garden. ‘But the Nightingale

is better than all,’ he saw written.

‘What is that?’ said the Emperor. ‘I don’t know anything about the

Nightingale! Is there such a bird in my empire, and so near as in my

garden? I have never heard it! Fancy reading for the first time about

it in a book!’

And he called his First Lord to him. He was so proud that if anyone of

lower rank than his own ventured to speak to him or ask him anything,

he would say nothing but ‘P!’ and that does not mean anything.

‘Here is a most remarkable bird which is called a Nightingale!’ said

the Emperor. ‘They say it is the most glorious thing in my kingdom.

Why has no one ever said anything to me about it?’

‘I have never before heard it mentioned!’ said the First Lord. ‘I will

look for it and find it!’

But where was it to be found? The First Lord ran up and down stairs,

through the halls and corridors; but none of those he met had ever

heard of the Nightingale. And the First Lord ran again to the Emperor,

and told him that it must be an invention on the part of those who had

written the books.

‘Your Imperial Majesty cannot really believe all that is written!

There are some inventions called the Black Art!’

‘But the book in which I read this,’ said the Emperor, ‘is sent me by

His Great Majesty the Emperor of Japan; so it cannot be untrue, and I

will hear the Nightingale! She must be here this evening! She has my

gracious permission to appear, and if she does not, the whole Court

shall be trampled under foot after supper!’

‘Tsing pe!’ said the First Lord; and he ran up and down stairs,

through the halls and corridors, and half the Court ran with him, for

they did not want to be trampled under foot. Everyone was asking after

the wonderful Nightingale which all the world knew of, except those at

Court.

At last they met a poor little girl in the kitchen, who said, ‘Oh! I

know the Nightingale well. How she sings! I have permission to carry

the scraps over from the Court meals to my poor sick mother, and when

I am going home at night, tired and weary, and rest for a little in

the wood, then I hear the Nightingale singing! It brings tears to my

eyes, and I feel as if my mother were kissing me!’

[Illustration: The Kitchenmaid Listens to the Nightingale]

‘Little kitchenmaid!’ said the First Lord, ‘I will give you a place in

the kitchen, and you shall have leave to see the Emperor at dinner, if

you can lead us to the Nightingale, for she is invited to come to

Court this evening.’

And so they all went into the wood where the Nightingale was wont to

sing, and half the Court went too.

When they were on the way there they heard a cow mooing.

‘Oh!’ said the Courtiers, ‘now we have found her! What a wonderful

power for such a small beast to have! I am sure we have heard her

before!’

‘No; that is a cow mooing!’ said the little kitchenmaid. ‘We are still

a long way off!’

Then the frogs began to croak in the marsh. ‘Splendid!’ said the

Chinese chaplain. ‘Now we hear her; it sounds like a little

church-bell!’

‘No, no; those are frogs!’ said the little kitchenmaid. ‘But I think

we shall soon hear her now!’

Then the Nightingale began to sing.

‘There she is!’ cried the little girl. ‘Listen! She is sitting there!’

And she pointed to a little dark-grey bird up in the branches.

‘Is it possible!’ said the First Lord. ‘I should never have thought

it! How ordinary she looks! She must surely have lost her feathers

because she sees so many distinguished men round her!’

‘Little Nightingale,’ called out the little kitchenmaid, ‘our Gracious

Emperor wants you to sing before him!’

‘With the greatest of pleasure!’ said the Nightingale; and she sang so

gloriously that it was a pleasure to listen.

‘It sounds like glass bells!’ said the First Lord. ‘And look how her

little throat works! It is wonderful that we have never heard her

before! She will be a great success at Court.’

‘Shall I sing once more for the Emperor?’ asked the Nightingale,

thinking that the Emperor was there.

‘My esteemed little Nightingale,’ said the First Lord, ‘I have the

great pleasure to invite you to Court this evening, where His Gracious

Imperial Highness will be enchanted with your charming song!’

‘It sounds best in the green wood,’ said the Nightingale; but still,

she came gladly when she heard that the Emperor wished it. At the

Palace everything was splendidly prepared. The porcelain walls and

floors glittered in the light of many thousand gold lamps; the most

gorgeous flowers which tinkled out well were placed in the corridors.

There was such a hurrying and draught that all the bells jingled so

much that one could not hear oneself speak. In the centre of the great

hall where the Emperor sat was a golden perch, on which the

Nightingale sat. The whole Court was there, and the little kitchenmaid

was allowed to stand behind the door, now that she was a Court-cook.

Everyone was dressed in his best, and everyone was looking towards the

little grey bird to whom the Emperor nodded.

[Illustration: The Present from the Emperor of Japan]

The Nightingale sang so gloriously that the tears came into the

Emperor’s eyes and ran down his cheeks. Then the Nightingale sang even

more beautifully; it went straight to all hearts. The Emperor was so

delighted that he said she should wear his gold slipper round her

neck. But the Nightingale thanked him, and said she had had enough

reward already. ‘I have seen tears in the Emperor’s eyes—that is a

great reward. An Emperor’s tears have such power!’ Then she sang again

with her gloriously sweet voice.

‘That is the most charming coquetry I have ever seen!’ said all the

ladies round. And they all took to holding water in their mouths that

they might gurgle whenever anyone spoke to them. Then they thought

themselves nightingales. Yes, the lackeys and chambermaids announced

that they were pleased; which means a great deal, for they are the

most difficult people of all to satisfy. In short, the Nightingale was

a real success.

She had to stay at Court now; she had her own cage, and permission to

walk out twice in the day and once at night.

She was given twelve servants, who each held a silken string which was

fastened round her leg. There was little pleasure in flying about like

this.

The whole town was talking about the wonderful bird, and when two

people met each other one would say ‘Nightin,’ and the other ‘Gale,’

and then they would both sigh and understand one another. Yes, and

eleven grocer’s children were called after her, but not one of them

could sing a note.

One day the Emperor received a large parcel on which was written ‘The


Story DNA

Moral

True happiness and belonging come from finding one's own kind and accepting oneself, not from conforming to others' expectations or seeking external validation.

Plot Summary

A tiny girl named Thumbelina is born from a flower and soon kidnapped by a toad who wants her for her son. She escapes with the help of fish but is then abducted by a cockchafer who later abandons her. After enduring a harsh winter, she is taken in by a field mouse who arranges a marriage to a wealthy, blind mole. Unhappy, Thumbelina secretly nurses a wounded swallow back to health, and he eventually carries her away to a warm land where she discovers her true kind: tiny flower-angels. She marries a flower-angel prince and finally finds her true home and happiness.

Themes

belonging and displacementinner worth vs. external appearanceperseverance through adversitythe search for love and acceptance

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: lush
Techniques: personification of nature, repetition of character descriptions (e.g., 'ugly and clammy'), contrast between smallness and vastness

Narrative Elements

Conflict: person vs society
Ending: happy
Magic: magical barley-corn producing a human, talking animals (toads, fish, cockchafers, field mouse, mole, swallow, flower-angels), tiny human size, wings for Thumbelina
the lily pad (freedom, journey)the walnut shell (home, vulnerability)the swallow (hope, escape, true love)wings (belonging, transformation)

Cultural Context

Origin: Danish
Era: timeless fairy tale

Hans Christian Andersen's original story (from which Lang's version is adapted) often critiques societal norms and explores themes of alienation and finding one's place, which are evident here.

Plot Beats (13)

  1. A lonely woman obtains a magical barley-corn from a witch, which grows into a flower containing tiny Thumbelina.
  2. Thumbelina lives happily in her human mother's home, sleeping in a walnut shell and sailing on a tulip petal.
  3. An old toad kidnaps Thumbelina, intending her to marry her ugly son and live in the marsh.
  4. Fish, pitying Thumbelina, gnaw through her lily pad stem, allowing her to float away from the toads.
  5. A cockchafer abducts Thumbelina, but his friends deem her ugly for not having insect features, so he abandons her.
  6. Thumbelina lives alone in the forest through summer and autumn, then suffers greatly during a harsh winter.
  7. A kind field mouse takes Thumbelina in, providing shelter and food in exchange for housework.
  8. The field mouse introduces Thumbelina to a wealthy, blind mole, who proposes marriage, which Thumbelina dreads.
  9. Thumbelina discovers a frozen swallow in the mole's tunnel, whom she secretly nurses back to health.
  10. The swallow recovers and flies away, offering to take Thumbelina with him, but she initially declines out of loyalty to the mouse.
  11. As the wedding day approaches, Thumbelina is miserable and decides to escape with the returning swallow.
  12. The swallow carries Thumbelina to a warm, beautiful land where she meets tiny flower-angels, her true kind.
  13. Thumbelina is given wings, marries a flower-angel prince, and finds her true home and happiness.

Characters

👤

Woman

human adult female

Not described

Attire: Inferred to be typical for the story's setting

Holding the magic barleycorn

Desireful, grateful

👤

Witch

human elderly female

Not described, but implied to be stereotypical witch-like

Attire: Inferred to be stereotypical witch-like

Offering the barleycorn

Helpful (for a price), mysterious

👤

Thumbelina

human child female

Scarcely half a thumb in height, trim, pretty

Attire: Walnut-shell cradle, violet petal mattress, rose-leaf coverlid, sash

Tiny size compared to a tulip

Delicate, sensitive, resourceful

🐾

Old Toad

animal adult female

Ugly, clumsy, clammy

Carrying Thumbelina in the walnut shell

Possessive, determined

🐾

Toad's Son

animal young adult male

Ugly, clammy, like his mother

Croaking loudly

Simple, unenthusiastic

🐾

Butterfly

animal adult unknown

White, beautiful

Tied to Thumbelina's sash

Gentle, helpful

Locations

Woman's Garden

outdoor night

A garden accessible through a broken window pane, containing a wide stream with slippery, marshy banks.

Mood: eerie, natural

Thumbelina is kidnapped by the toad and placed on a water-lily leaf.

wide stream slippery banks marshy banks water-lily leaves

Marsh Home of the Toads

outdoor morning

A marshy area under the water with a guest-chamber being decorated with rushes and yellow marigold leaves.

Mood: unpleasant, clammy

The toads prepare a home for Thumbelina to marry their son.

rushes yellow marigold leaves mud murky water

Stream with Water-lily Leaf

outdoor morning sunny

A stream with water-lilies, where Thumbelina floats on a large green leaf after being set adrift by the fishes.

Mood: peaceful, hopeful

Thumbelina escapes the toads and begins her journey.

water-lily leaves stream sunlight fishes towns in the distance bushes

Emperor's Palace

indoor evening

A splendid palace with porcelain walls and floors glittering with gold lamps, decorated with gorgeous flowers.

Mood: grand, artificial

The Nightingale sings for the Emperor and the court.

porcelain walls gold lamps gorgeous flowers golden perch silken strings

The Wood

outdoor night

A green wood where the Nightingale sings, bringing tears to the kitchenmaid's eyes.

Mood: peaceful, natural

The kitchenmaid leads the court to the Nightingale.

trees branches dark-grey bird cows frogs marsh