GERTRUDE’S BIRD
by Asbjornsen and Moe · from Norwegian Folk Tales
Original Story
GERTRUDE’S BIRD
In those days when our Lord and St Peter wandered upon earth, they came once to
an old wife’s house, who sat baking. Her name was Gertrude, and she had a
red mutch on her head. They had walked a long way, and were both hungry, and
our Lord begged hard for a bannock to stay their hunger. Yes, they should have
it. So she took a little tiny piece of dough and rolled it out, but as she
rolled it, it grew and grew till it covered the whole griddle.
Nay, that was too big; they couldn’t have that. So she took a tinier bit
still; but when that was rolled out, it covered the whole griddle just the
same, and that bannock was too big, she said; they couldn’t have that
either.
The third time she took a still tinier bit—so tiny you could scarce see
it; but it was the same story over again—the bannock was too big.
“Well”, said Gertrude, “I can’t give you anything; you
must just go without, for all these bannocks are too big.”
Then our Lord waxed wroth, and said:
“Since you loved me so little as to grudge me a morsel of food, you shall
have this punishment: you shall become a bird, and seek your food between bark
and bole; and never get a drop to drink save when it rains.”
He had scarce said the last word before she was turned into a great black
woodpecker, or Gertrude’s bird, and flew from her kneading-trough right
up the chimney; and till this very day you may see her flying about, with her
red mutch on her head, and her body all black, because of the soot in the
chimney; and so she hacks and taps away at the trees for her food, and whistles
when rain is coming, for she is ever athirst, and then she looks for a drop to
cool her tongue.
BOOTS AND THE TROLL Once on a time there was a poor man who had three sons. When he died, the two
elder set off into the world to try their luck, but the youngest they
wouldn’t have with them at any price. “As for you”, they said, “you’re fit for nothing but to
sit and poke about in the ashes.” So the two went off and got places at a palace—the one under the
coachman, and the other under the gardener. But Boots, he set off too, and took
with him a great kneading-trough, which was the only thing his parents left
behind them, but which the other two would not bother themselves with. It was
heavy to carry, but he did not like to leave it behind, and so, after he had
trudged a bit, he too came to the palace, and asked for a place. So they told
him they did not want him, but he begged so prettily that at last he got leave
to be in the kitchen, and carry in wood and water for the kitchen maid. He was
quick and ready, and in a little while every one liked him; but the two others
were dull, and so they got more kicks than halfpence, and grew quite envious of
Boots, when they saw how much better he got on. Just opposite the palace, across a lake, lived a Troll, who had seven silver
ducks which swam on the lake, so that they could be seen from the palace. These
the king had often longed for; and so the two elder brothers told the coachman: “If our brother only chose, he has said he could easily get the king
those seven silver ducks.” You may fancy it wasn’t long before the coachman told this to the king;
and the king called Boots before him, and said: “Your brothers say you can get me the silver ducks; so now go and fetch
them.” “I’m sure I never thought or said anything of the kind,” said
the lad. “You did say so, and you shall fetch them”, said the king, who
would hold his own. “Well! well!” said the lad; “needs must, I suppose; but give
me a bushel of rye, and a bushel of wheat, and I’ll try what I can
do.” So he got the rye and the wheat, and put them into the kneading-trough he had
brought with him from home, got in, and rowed across the lake. When he reached
the other side he began to walk along the shore, and to sprinkle and strew the
grain, and at last he coaxed the ducks into his kneading-trough, and rowed back
as fast as ever he could. When he got half over, the Troll came out of his house, and set eyes on him. “HALLOA!” roared out the Troll; “is it you that has gone off
with my seven silver ducks.” “AYE! AYE!” said the lad. “Shall you be back soon?” asked the Troll. “Very likely”, said the lad. So when he got back to the king, with the seven silver ducks, he was more liked
than ever, and even the king was pleased to say, “Well done!” But
at this his brothers grew more and more spiteful and envious; and so they went
and told the coachman that their brother had said, if he chose, he was man
enough to get the king the Troll’s bed-quilt, which had a gold patch and
a silver patch, and a silver patch and a gold patch; and this time, too, the
coachman was not slow in telling all this to the king. So the king said to the
lad, how his brothers had said he was good to steal the Troll’s
bed-quilt, with gold and silver patches; so now he must go and do it, or lose
his life. Boots answered, he had never thought or said any such thing; but when he found
there was no help for it, he begged for three days to think over the matter. So when the three days were gone, he rowed over in his kneading-trough, and
went spying about. At last he saw those in the Troll’s cave come out and
hang the quilt out to air, and as soon as ever they had gone back into the face
of the rock, Boots pulled the quilt down, and rowed away with it as fast as he
could. And when he was half across, out came the Troll and set eyes on him, and roared
out: “HALLOA! Is it you who took my seven silver ducks?” “AYE! AYE!” said the lad. “And now, have you taken my bed-quilt, with silver patches and gold
patches, and gold patches and silver patches?” “Aye! aye!” said the lad. “Shall you come back again?” “Very likely”, said the lad. But when he got back with the gold and silver patchwork quilt, every one was
fonder of him than ever, and he was made the king’s body-servant. At this, the other two were still more vexed, and, to be revenged, they went
and told the coachman: “Now, our brother has said, he is man enough to get the king the gold
harp which the Troll has, and that harp is of such a kind, that all who listen
when it is played grow glad, however sad they may be.” Yes! the coachman went and told the king, and he said to the lad: “If you have said this, you shall do it. If you do it, you shall have the
Princess and half the kingdom. If you don’t, you shall lose your
life.” “I’m sure I never thought or said anything of the kind”, said
the lad; “but if there’s no help for it, I may as well try; but I
must have six days to think about it.” Yes! he might have six days, but when they were over, he must set out. Then he took a tenpenny nail, a birch-pin, and a waxen taper-end in his pocket,
and rowed across, and walked up and down before the Troll’s cave, looking
stealthily about him. So when the Troll came out, he saw him at once. “HO, HO!” roared the Troll; “is it you who took my seven
silver ducks?” “AYE! AYE!” said the lad. “And it is you who took my bed-quilt, with the gold and silver
patches?” asked the Troll. “Aye! aye!” said the lad. So the Troll caught hold of him at once, and took him off into the cave in the
face of the rock. “Now, daughter dear”, said the Troll, “I’ve caught the
fellow who stole the silver ducks and my bed-quilt, with gold and silver
patches; put him into the fattening coop, and when he’s fat, we’ll
kill him, and make a feast for our friends.” She was willing enough, and put him at once into the fattening coop, and there
he stayed eight days, fed on the best, both in meat and drink, and as much as
he could cram. So, when the eight days were over, the Troll said to his
daughter to go down and cut him in his little finger, that they might see if he
were fat. Down she came to the coop. “Out with your little finger!” she said. But Boots stuck out his tenpenny nail, and she cut at it. “Nay! nay! he’s as hard as iron still”, said the
Troll’s daughter, when she got back to her father; “we can’t
take him yet.” After another eight days the same thing happened, and this time Boots stuck out
his birchen pin. “Well, he’s a little better”, she said, when she got back to
the Troll; “but still he’ll be as hard as wood to chew.” But when another eight days were gone, the Troll told his daughter to go down
and see if he wasn’t fat now. “Out with your little finger”, said the Troll’s daughter,
when she reached the coop, and this time Boots stuck out the taper end. “Now he’ll do nicely”, she said. “Will he?” said the Troll. “Well, then, I’ll just set
off and ask the guests; meantime you must kill him, and roast half and boil
half.” So when the Troll had been gone a little while, the daughter began to sharpen a
great long knife. “Is that what you’re going to kill me with?” asked the lad. “Yes it is,” said she. “But it isn’t sharp”, said the lad. “Just let me
sharpen it for you, and then you’ll find it easier work to kill
me.” So she let him have the knife, and he began to rub and sharpen it on the
whetstone. “Just let me try it on one of your hair plaits; I think it’s about
right now.” So he got leave to do that; but at the same time that he grasped the plait of
hair, he pulled back her head, and at one gash, cut off the Troll’s
daughter’s head; and half of her he roasted and half of her he boiled,
and served it all up. After that he dressed himself in her clothes, and sat away in the corner. So when the Troll came home with his guests, he called out to his
daughter—for he thought all the time it was his daughter—to come
and take a snack. “No, thank you”, said the lad, “I don’t care for food,
I’m so sad and downcast.” “Oh!” said the Troll, “if that’s all, you know the
cure; take the harp, and play a tune on it.” “Yes!” said the lad; “but where has it got to; I can’t
find it.” “Why, you know well enough”, said the Troll; “you used it
last; where should it be but over the door yonder? The lad did not wait to be told twice; he took down the harp, and went in and
out playing tunes; but, all at once he shoved off the kneading-trough, jumped
into it, and rowed off, so that the foam flew around the trough. After a while the Troll thought his daughter was a long while gone, and went
out to see what ailed her; and then he saw the lad in the trough, far, far out
on the lake. “HALLOA! Is it you”, he roared, “that took my seven silver
ducks?” “AYE, AYE!” said the lad. “Is it you that took my bed-quilt, with the gold and silver
patches.” “Yes!” said the lad. “And now you have taken off my gold harp?” screamed the Troll. “Yes!” said the lad; “I’ve got it, sure enough.” “And haven’t I eaten you up after all, then?” “No, no! ’twas your own daughter you ate”, answered the lad. But when the Troll heard that, he was so sorry, he burst; and then Boots rowed
back, and took a whole heap of gold and silver with him, as much as the trough
could carry. And so, when he came to the palace with the gold harp, he got the
Princess and half the kingdom, as the king had promised him; and, as for his
brothers, he treated them well, for he thought they had only wished his good
when they said what they had said.
Story DNA
Moral
Greed and selfishness lead to harsh consequences, while resourcefulness and kindness can lead to great rewards.
Plot Summary
Lord and St. Peter curse a greedy baker, Gertrude, into a woodpecker for refusing them food. Later, the youngest brother, Boots, is abandoned by his jealous elder siblings but uses his humble kneading-trough and cunning to repeatedly outsmart a dangerous Troll, first stealing his silver ducks and bed-quilt. Finally, forced to steal the Troll's gold harp, Boots is captured but tricks the Troll's daughter into being killed and eaten by her own father, escapes with the harp and treasure, and ultimately marries the Princess and inherits half the kingdom, forgiving his brothers.
Themes
Emotional Arc
suffering to triumph
Writing Style
Narrative Elements
Cultural Context
Collected by Asbjornsen and Moe, key figures in preserving Norwegian folk tales, similar to the Brothers Grimm in Germany. The 'Gertrude's Bird' part is a common etiological tale explaining natural phenomena.
Plot Beats (16)
- Lord and St. Peter, hungry, ask Gertrude, a baker, for food.
- Gertrude repeatedly makes dough that grows too large, refusing to share any, even a tiny piece.
- Lord curses Gertrude for her greed, turning her into a black woodpecker (Gertrude's bird) with a red cap, forever seeking food and water.
- A poor man dies, and his two elder sons abandon the youngest, Boots, who is left with only a kneading-trough.
- Boots gets a job at the palace, quickly becoming well-liked, while his brothers are not.
- Boots' jealous brothers falsely tell the coachman that Boots can get the king the Troll's seven silver ducks.
- The king orders Boots to get the ducks; Boots uses grain and his kneading-trough to lure and steal them from the Troll.
- The brothers again falsely claim Boots can get the Troll's bed-quilt; Boots steals it by waiting for it to be aired.
- The brothers, even more jealous, claim Boots can get the Troll's gold harp, promising him the Princess and half the kingdom if he succeeds, or death if he fails.
- Boots takes a nail, birch-pin, and taper-end, rows to the Troll's cave, and is captured by the Troll.
- The Troll's daughter puts Boots in a fattening coop; Boots tricks her by substituting the nail, pin, and taper for his finger when she checks his fatness.
- The Troll, believing Boots is fat, leaves to invite guests, instructing his daughter to kill and prepare Boots.
- Boots tricks the daughter into letting him sharpen the knife, then decapitates her and prepares her body.
- Boots disguises himself as the daughter, serves the prepared body to the Troll and guests, and then feigns sadness to get the harp.
- Boots escapes with the harp in his kneading-trough; the Troll, realizing he ate his daughter, bursts from sorrow.
- Boots returns with the harp and treasure, marries the Princess, inherits half the kingdom, and treats his brothers kindly.
Characters
Gertrude ⚔ antagonist
Old woman baking
Attire: Red 'mutch' (cap)
Greedy, uncharitable
Image Prompt & Upload
An elderly woman in her late 70s with a severe, gaunt face, sharp cheekbones, and cold, calculating eyes. Her steel-gray hair is pulled back into a tight, immaculate bun. She wears a high-collared, floor-length gown of deep plum velvet with dark, intricate embroidery. Her posture is rigid and imperious, standing tall with one hand resting on the head of a gnarled, blackthorn walking stick. Her expression is one of cold disdain and cruel amusement, with a thin, knowing smirk on her lips. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Our Lord ◆ supporting
Implied to be in human form
Attire: Simple traveler's clothes
Righteous, just
Image Prompt & Upload
A young Middle Eastern man in his early thirties with a gentle, serene expression and kind, compassionate eyes. He has shoulder-length brown hair, a short beard, and warm olive skin. He is wearing a simple, undyed white linen robe that reaches his ankles, with a darker sash at his waist. He stands barefoot in a relaxed, open posture, his arms slightly outstretched in a welcoming or supportive gesture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
St. Peter ◆ supporting
Implied to be in human form
Attire: Simple traveler's clothes
Loyal, observant
Image Prompt & Upload
An elderly apostle with a long white beard and kind, weathered face, dressed in simple layered robes of undyed wool. He holds a large, ornate pair of keys in one hand and gestures gently with the other. His posture is steady and welcoming, standing in a serene, sunlit garden with ancient olive trees. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Boots ★ protagonist
Poor, underestimated
Attire: Simple peasant clothing
Clever, resourceful
Image Prompt & Upload
A young boy of about twelve with a determined expression, wearing a patched brown tunic over simple leggings. His sturdy, knee-high leather boots are the most prominent feature. He has messy chestnut hair and carries a small satchel over one shoulder. He stands confidently on a forest path, one foot slightly forward as if ready to embark on a journey. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Troll ⚔ antagonist
Large, monstrous
Attire: Unspecified, likely crude or nonexistent
Greedy, easily tricked
Image Prompt & Upload
A large, hulking creature with rough, moss-covered gray-green skin, standing upright on thick tree-trunk legs. Enormous bulbous nose, wide mouth with jagged yellowed teeth, small beady black eyes filled with malice. Long matted dark hair hangs past broad slumped shoulders. Muscular arms ending in thick clawed hands, hunched posture suggesting brute strength. Wearing a crude patchwork tunic made of animal hides belted with rope, tattered fur loincloth, and worn leather boots. A heavy wooden club rests against one shoulder. Weathered, battle-scarred complexion with warts and bumps across the forehead. Bushy unkempt eyebrows furrowed in a scowl, ears large and pointed. Stocky, barrel-chested frame towering with menace. Expression cruel and cunning, lips curled into a sneer. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature
Troll's Daughter ◆ supporting
Unspecified, assumed monstrous
Attire: Unspecified, assumed crude
Obedient, gullible
Image Prompt & Upload
A young female troll with a broad, flat nose, thick brow, and wild, tangled dark green hair adorned with small twigs and moss. She has a sturdy, slightly hunched posture, wearing a rough tunic of stitched animal hides and a necklace of polished stones. Her expression is curious yet wary, holding a mossy rock in one large, four-fingered hand. She stands in a shallow cave with stalactites and faintly glowing mushrooms. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
King ◆ supporting
Royal
Attire: Royal robes, crown
Greedy, easily manipulated
Image Prompt & Upload
A middle-aged man with a kind, wise expression and a neatly trimmed salt-and-pepper beard. He wears a majestic deep blue velvet robe trimmed with gold embroidery and a ermine fur collar. A simple golden crown rests on his head. He stands tall and dignified with a gentle, supportive posture, one hand resting calmly on the pommel of a ceremonial sword at his side. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Gertrude's Baking House
A humble dwelling with a griddle for baking bannocks and a chimney leading upwards.
Mood: Initially warm and domestic, turning wrathful and transformative.
Gertrude is cursed and transformed into a woodpecker.
Image Prompt & Upload
A humble thatched-roof cottage at dusk, warm golden light glowing from a single window and the open doorway. A thin wisp of smoke curls from a sturdy stone chimney into the clear lavender sky. The cottage has rough-hewn timber walls and a small, well-trodden dirt path leading to its door. To the side, a simple stone griddle sits cold on a hearth, visible through the open front. Clumps of wildflowers grow around the foundation, and a gnarled old oak tree stands nearby in the deepening blue twilight. The atmosphere is peaceful, quiet, and inviting. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Palace Kitchen
A busy kitchen where Boots is assigned to carry wood and water for the kitchen maid.
Mood: Busy, hierarchical, and filled with envy.
Boots gains favor and the envy of his brothers.
Image Prompt & Upload
A rustic medieval palace kitchen at dusk, illuminated by the warm glow of a massive stone hearth where embers crackle and a large cauldron steams. Copper pots and iron pans hang from dark wooden ceiling beams, reflecting flickering firelight. Rough-hewn wooden tables are cluttered with flour-dusted bread loaves, root vegetables, and earthenware bowls. Stacks of firewood are piled neatly near the hearth, and large wooden water buckets sit by a stone basin. Bundles of dried herbs hang from the rafters. The flagstone floor is worn smooth, and shadows dance in the corners of the vaulted, soot-stained ceiling. The atmosphere is cozy, busy, and warmly lit, with hints of woodsmoke and baked bread in the air. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Lake by the Palace
A lake situated opposite the palace, where seven silver ducks swim.
Mood: Serene, but also a boundary between the palace and the troll's domain.
Boots retrieves the silver ducks and the quilt.
Image Prompt & Upload
A serene lake at dawn, opposite a grand fairy-tale palace with towering spires and golden domes. The water is a calm, reflective mirror of pale blue and silver, with seven silver ducks gliding silently across its surface. Soft, rosy light from the rising sun casts long, gentle shadows and highlights the intricate architecture of the palace, its white marble walls adorned with delicate carvings. Lush, weeping willows line the far bank, their branches dipping into the water, while mist lightly hovers over the lake. The sky transitions from soft pink to pale lavender, with a few wispy clouds. The atmosphere is peaceful and magical, with a cool, crisp morning air. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Troll's Cave
A cave in the face of a rock, where the Troll lives and keeps his treasures.
Mood: Dangerous, mysterious, and filled with the threat of the Troll.
Boots outwits the Troll and his daughter, ultimately escaping with the gold harp.
Image Prompt & Upload
A gloomy twilight scene at the mouth of a deep, jagged cave carved into a sheer cliff face. The rocky overhang is draped with thick, gnarled roots and damp moss. Inside the dark maw, faint glints of gold and silver coins, scattered gemstones, and tarnished metal goblets are visible on the uneven stone floor. The air is misty and cool, with shafts of fading blue and purple light piercing through cracks in the cavern roof, illuminating dancing dust motes. Gnarled, ancient trees with twisted branches frame the scene, their leaves rustling in a faint breeze. The color palette is dominated by deep slate grays, mossy greens, and muted earth tones, punctuated by the cold, alluring sparkle of hidden riches. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.