THE THREE AUNTS
by Asbjornsen and Moe · from Norwegian Folk Tales
Original Story
THE THREE AUNTS
Once on a time there was a poor man who lived in a hut far away in the wood,
and got his living by shooting. He had an only daughter who was very pretty,
and as she had lost her mother when she was a child, and was now half grown up,
she said she would go out into the world and earn her bread.
“Well, lassie!” said the father, “true enough you have learnt
nothing here but how to pluck birds and roast them, but still you may as well
try to earn your bread.”
So the girl went off to seek a place, and when she had gone a little while, she
came to a palace. There she stayed and got a place, and the queen liked her so
well, that all the other maids got envious of her. So they made up their minds
to tell the queen how the lassie said she was good to spin a pound of flax in
four and twenty hours, for you must know the queen was a great housewife, and
thought much of good work.
“Have you said this? then you shall do it”, said the queen;
“but you may have a little longer time if you choose.”
Now, the poor lassie dared not say she had never spun in all her life, but she
only begged for a room to herself. That she got, and the wheel and the flax
were brought up to her. There she sat sad and weeping, and knew not how to help
herself. She pulled the wheel this way and that, and twisted and turned it
about, but she made a poor hand of it, for she had never even seen a
spinning-wheel in her life.
But all at once, as she sat there, in came an old woman to her.
“What ails you, child?” she said.
“Ah!” said the lassie, with a deep sigh, “it’s no good
to tell you, for you’ll never be able to help me.”
“Who knows?” said the old wife. “May be I know how to help
you after all.”
Well, thought the lassie to herself, I may as well tell her, and so she told
her how her fellow-servants had given out that she was good to spin a pound of
flax in four and twenty hours.
“And here am I, wretch that I am, shut up to spin all that heap in a day
and a night, when I have never even seen a spinning-wheel in all my born
days.”
“Well, never mind, child”, said the old woman. “If
you’ll call me Aunt on the happiest day of your life, I’ll spin
this flax for you, and so you may just go away and lie down to sleep.”
Yes, the lassie was willing enough, and off she went and lay down to sleep.
Next morning when she awoke, there lay all the flax spun on the table, and that
so clean and fine, no one had ever seen such even and pretty yarn. The queen
was very glad to get such nice yarn, and she set greater store by the lassie
than ever. But the rest were still more envious, and agreed to tell the queen
how the lassie had said she was good to weave the yarn she had spun in four and
twenty hours. So the queen said again, as she had said it she must do it; but
if she couldn’t quite finish it in four and twenty hours, she
wouldn’t be too hard upon her, she might have a little more time. This
time, too, the lassie dared not say No, but begged for a room to herself, and
then she would try. There she sat again, sobbing and crying, and not knowing
which way to turn, when another old woman came in and asked:
“What ails you, child?”
At first the lassie wouldn’t say, but at last she told her the whole
story of her grief.
“Well, well!” said the old wife, “never mind. If you’ll
call me Aunt on the happiest day of your life, I’ll weave this yarn for
you, and so you may just be off, and lie down to sleep.”
Yes, the lassie was willing enough; so she went away and lay down to sleep.
When she awoke, there lay the piece of linen on the table, woven so neat and
close, no woof could be better. So the lassie took the piece and ran down to
the queen, who was very glad to get such beautiful linen, and set greater store
than ever by the lassie. But as for the others, they grew still more bitter
against her, and thought of nothing but how to find out something to tell about
her.
At last they told the queen the lassie had said she was good to make up the
piece of linen into shirts in four and twenty hours. Well, all happened as
before; the lassie dared not say she couldn’t sew; so she was shut up
again in a room by herself, and there she sat in tears and grief. But then
another old wife came, who said she would sew the shirts for her if she would
call her Aunt on the happiest day of her life. The lassie was only too glad to
do this, and then she did as the old wife told her, and went and lay down to
sleep.
Next morning when she woke she found the piece of linen made up into shirts,
which lay on the table—and such beautiful work no one had ever set eyes
on; and more than that, the shirts were all marked and ready for wear. So, when
the queen saw the work, she was so glad at the way in which it was sewn, that
she clapped her hands, and said:
“Such sewing I never had, nor even saw in all my born days”; and
after that she was as fond of the lassie as of her own children; and she said
to her:
“Now, if you like to have the Prince for your husband, you shall have
him; for you will never need to hire work-women. You can sew, and spin, and
weave all yourself.”
So as the lassie was pretty, and the Prince was glad to have her, the wedding
soon came on. But just as the Prince was going to sit down with the bride to
the bridal feast, in came an ugly old hag with a long nose—I’m sure
it was three ells long.
So up got the bride and made a curtsey, and said: “Good-day,
Auntie.”
“ That Auntie to my bride?” said the Prince.
“Yes, she was!”
“Well, then, she’d better sit down with us to the feast”,
said the Prince; but, to tell you the truth, both he and the rest thought she
was a loathsome woman to have next you.
But just then in came another ugly old hag. She had a back so humped and broad,
she had hard work to get through the door. Up jumped the bride in a trice, and
greeted her with “Good-day, Auntie!”
And the Prince asked again if that were his bride’s aunt. They both said
Yes; so the Prince said, if that were so, she too had better sit down with them
to the feast.
But they had scarce taken their seats before another ugly old hag came in, with
eyes as large as saucers, and so red and bleared, ’twas gruesome to look
at her. But up jumped the bride again, with her “Good-day, Auntie”,
and her, too, the Prince asked to sit down; but I can’t say he was very
glad, for he thought to himself: “Heaven shield me from such Aunties as
my bride has!” So when he had sat awhile, he could not keep his thoughts
to himself any longer, but asked,
“But how, in all the world, can my bride, who is such a lovely lassie,
have such loathsome, misshapen Aunts?”
“I’ll soon tell you how it is”, said the first. “I was
just as good-looking when I was her age; but the reason why I’ve got
this long nose is, because I was always kept sitting, and poking, and nodding
over my spinning, and so my nose got stretched and stretched, until it got as
long as you now see it.”
“And I”, said the second, “ever since I was young, I have sat
and scuttled backwards and forwards over my loom, and that’s how my back
has got so broad and humped as you now see it.”
“And I”, said the third, “ever since I was little, I have
sat, and stared, and sewn, and sewn and stared, night and day; and that’s
why my eyes have got so ugly and red, and now there’s no help for
them.”
“So! so! “said the Prince, “’twas lucky I came to know
this; for if folk can get so ugly and loathsome by all this, then my bride
shall neither spin, nor weave, nor sew all her life long.”
THE COCK, THE CUCKOO, AND THE BLACK-COCK [This is another of those tales in which the birds’ notes must be
imitated.] Once on a time the Cock, the Cuckoo, and the Black-cock bought a cow between
them. But when they came to share it, and couldn’t agree which should buy
the others out, they settled that he who woke first in the morning should have
the cow. So the Cock woke first. Now the cow’s mine! Now the cow’s mine! Hurrah! hurrah! he crew, and as he crew, up awoke the Cuckoo. Half cow! Half cow! sang the Cuckoo, and woke up the Black-cock. A like share, a like share; Dear friends, that’s only fair! Saw see! See saw! That’s what the Black-cock said. And now, can you tell me which of them ought to have the cow?
Story DNA
Moral
Excessive labor, particularly for women, can lead to physical disfigurement and an undesirable life, making it preferable to avoid such tasks if possible.
Plot Summary
A poor girl, seeking work, is hired at a palace but faces impossible domestic tasks (spinning, weaving, sewing) due to envious maids. Three magical old women, each disfigured by their respective crafts, appear sequentially to complete the tasks in exchange for being called 'Aunt' on the girl's happiest day. The girl marries the Prince, and at the wedding feast, the three aunts arrive. Their explanation of how their constant labor caused their deformities leads the Prince to forbid his new wife from ever performing such strenuous work.
Themes
Emotional Arc
suffering to triumph
Writing Style
Narrative Elements
Cultural Context
This tale reflects a pre-industrial society where textile production was a central domestic task, often arduous and physically demanding. The 'happiest day' promise is a common fairy tale trope for binding magical assistance.
Plot Beats (15)
- A poor, pretty girl leaves her forest home to find work.
- She gets a job at a palace, and the Queen favors her, making other maids envious.
- Envious maids tell the Queen the girl can spin a pound of flax in 24 hours.
- The girl, unable to spin, despairs in a locked room; a long-nosed old woman appears and offers to spin if called 'Aunt' on the happiest day.
- The flax is spun perfectly; the envious maids then claim the girl can weave the yarn in 24 hours.
- The girl despairs again; a hump-backed old woman appears and offers to weave if called 'Aunt' on the happiest day.
- The yarn is woven perfectly; the envious maids then claim the girl can sew shirts from the linen in 24 hours.
- The girl despairs again; a bleary-eyed old woman appears and offers to sew if called 'Aunt' on the happiest day.
- The shirts are sewn perfectly, impressing the Queen, who offers the girl's hand in marriage to the Prince.
- At the wedding feast, the first long-nosed aunt arrives, and the bride greets her as 'Auntie'.
- The second hump-backed aunt arrives, and the bride greets her as 'Auntie'.
- The third bleary-eyed aunt arrives, and the bride greets her as 'Auntie'.
- The Prince, disturbed by his bride's 'aunts', asks about their deformities.
- Each aunt explains her disfigurement is a result of her specific craft (spinning, weaving, sewing).
- The Prince, realizing the consequences of such labor, declares his bride will never have to spin, weave, or sew.
Characters
The Lassie ★ protagonist
Pretty
Attire: Inferred: Simple peasant dress, possibly with an apron
Kind, obedient
Image Prompt & Upload
A young woman in her late teens with long flowing auburn hair and bright green eyes, wearing a simple cream-colored linen dress with a brown leather corset belt, sturdy brown leather boots, and a dark green traveling cloak with a hood resting on her shoulders. She stands with a determined expression, her posture straight and confident, holding a worn wooden walking staff in her right hand. Her face is fair with a dusting of freckles across her nose, and she has a small leather satchel slung across her body. She appears ready for a journey, with a sense of quiet courage in her stance. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Queen ◆ supporting
Not described
Attire: Inferred: Royal gowns, possibly with a crown or other jewelry
Demanding, easily swayed
Image Prompt & Upload
A middle-aged woman with a composed, authoritative expression, wearing an elegant deep blue velvet gown with gold embroidery along the bodice and sleeves, and a high lace collar. Her silver-streaked hair is styled in a sophisticated updo secured with a delicate pearl-encrusted tiara. She stands with a regal, upright posture, one hand gently resting on her hip and the other holding a slender golden scepter. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
First Aunt ◆ supporting
Ugly, long nose
Attire: Inferred: Simple, old-fashioned dress
Helpful, cautionary
Image Prompt & Upload
A kind-faced middle-aged woman with soft wrinkles around her eyes and a gentle smile. She has warm brown hair neatly pinned up with a few loose strands. She wears a practical, long-sleeved dress in muted green with a cream-colored apron tied at the waist, and a cozy woolen shawl draped over her shoulders. Her posture is welcoming, with one hand extended slightly forward as if offering help. She stands straight with a nurturing and dependable presence. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Second Aunt ◆ supporting
Ugly, humped back
Attire: Inferred: Simple, old-fashioned dress
Helpful, cautionary
Image Prompt & Upload
A middle-aged woman with kind, smiling eyes and soft wrinkles at the corners. Her hair is neatly pinned up under a simple linen cap. She wears a practical, earth-toned wool dress with a white apron tied at the waist, and a warm shawl draped over her shoulders. She stands with a gentle, welcoming posture, holding a freshly baked pie in her hands. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Third Aunt ◆ supporting
Ugly, large, red, bleared eyes
Attire: Inferred: Simple, old-fashioned dress
Helpful, cautionary
Image Prompt & Upload
A kindly middle-aged woman with warm brown eyes and a gentle smile, her dark hair streaked with silver and pinned in a practical bun. She wears a simple, long-sleeved dress of muted blue wool over a white chemise, with a sturdy brown apron tied at her waist. Her posture is upright but relaxed, one hand resting on her hip while the other holds a woven basket filled with fresh herbs and bread. She stands with a welcoming, nurturing presence. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Prince ◆ supporting
Not described
Attire: Inferred: Royal attire, possibly with a crown or other jewelry
Curious, decisive
Image Prompt & Upload
A young prince in his early twenties with a handsome, kind face and short, neatly styled dark brown hair. He wears a royal blue tunic with intricate gold embroidery at the collar and cuffs, over dark trousers and polished black boots. A simple gold circlet rests on his brow. His posture is confident yet relaxed, standing tall with one hand resting casually on the hilt of a sheathed sword at his hip. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Hut in the Woods
A poor man's dwelling, isolated and far from others
Mood: desolate, humble
The girl decides to leave home to seek her fortune.
Image Prompt & Upload
At dusk, a weathered, moss-covered log hut sits in a secluded clearing within a dense, ancient forest. A thin trail of smoke rises from its crooked stone chimney into the cool, misty air. The surrounding woods are thick with towering, shadowy pines and gnarled oaks, their leaves in deep emerald and brown hues. A single, small, glowing window casts a warm, amber light onto the overgrown path leading to its rough-hewn wooden door. The atmosphere is quiet, isolated, and slightly melancholic, with soft, fading twilight filtering through the canopy. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Queen's Palace
A grand palace where the queen resides and employs many maids
Mood: formal, envious
The girl is given impossible tasks by the envious maids.
Image Prompt & Upload
A grand marble palace at sunset, its tall spires and domed roofs glowing with warm golden light. Ornate balconies and sweeping staircases are carved with intricate floral patterns. The palace overlooks a vast, tranquil reflecting pool that mirrors the deep blue and amber sky. Lush, perfectly trimmed gardens with sculpted hedges and blooming white roses surround the courtyard. The air is still and clear, with a soft magical luminescence emanating from the palace's many arched windows. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Secluded Room
A private room within the palace, given to the girl to complete her tasks
Mood: anxious, magical
The girl receives help from the three aunts.
Image Prompt & Upload
Late afternoon golden hour light streams through tall, arched windows of a secluded palace chamber. The room is carved from warm honey-colored stone, with a high vaulted ceiling lost in shadow. A heavy oak writing desk sits center, scattered with parchment and a lone quill. Dust motes dance in the sunbeams, illuminating a worn Persian rug in deep burgundy and navy. Through an open balcony door, a glimpse of a private, overgrown courtyard garden with trailing ivy and stone fountains is visible. The atmosphere is quiet, intimate, and bathed in a soft, focused glow. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Bridal Feast
A wedding celebration with the prince and bride
Mood: joyful, revealing
The aunts reveal the consequences of endless spinning, weaving, and sewing.
Image Prompt & Upload
Grand palace feast hall at dusk, long oak tables laden with remnants of a wedding banquet, golden plates and crystal goblets catching the last rays of sunset through tall stained-glass windows. Scattered rose petals on marble floors, towering floral centerpieces of white lilies and ivy. Warm candlelight from wrought-iron chandeliers blends with twilight hues, casting long shadows across empty velvet chairs. Vaulted ceilings with intricate gold leaf patterns, distant view of palace gardens through open archways. Atmosphere of lingering celebration, quiet and magical. Colors: deep gold, ivory, rose, emerald, twilight blue. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration