Bishop Svedberg and the Devil

by Herman Hofberg · from Swedish fairy tales

folk tale trickster tale solemn Ages 8-14 326 words 2 min read
Cover: Bishop Svedberg and the Devil

Adapted Version

CEFR A1 Age 5 349 words 2 min Canon 100/100

Bishop Ben was a kind man. He was good to everyone. Bishop Ben was a good man. He helped many people. A mischievous imp saw Bishop Ben. The imp did not like good people. He felt annoyed by Bishop Ben. The imp wanted to make trouble. He wanted to be naughty.

One day, Bishop Ben rode in his wagon. He went on a trip. He went to his home. The mischievous imp saw him again. The imp wanted to play a trick. He made a wheel fall off. The wagon began to shake. Then the wagon stopped. The wheel rolled away.

The Driver looked at the wheel. "Oh no!" he said. "We cannot go." Bishop Ben was not worried. He was very calm. "Put the wheel inside," he told the Driver. The Driver put the wheel in. They kept going now. The wagon moved well. The imp's trick did not work.

They came to Bishop Ben's home. "Look now," Bishop Ben said. ""Who was our fourth wheel?" Driver turned a light. He looked at the wagon. He saw the mischievous imp. The imp stood there. He held the wagon axle. He was pretending to be the wheel. Bishop Ben was very smart.

The mischievous imp was still annoyed. He wanted to cause more trouble. He wanted to be naughty. One night, he made a big smoky fire. It was near Bishop Ben's home. The fire made much smoke. It was a naughty trick. It was not a real fire.

Bishop Ben saw the smoky fire. He was not scared at all. He calmly talked to the imp. "Did you make this fire?" he asked. The imp said, "Yes, I did. I was still annoyed." Bishop Ben listened. He looked at the imp.

Bishop Ben said, "Go away now. Stop bothering good people." He told the imp, "Go away." The mischievous imp left. His little imp friends went too. They went far away. They could not cause more trouble. Bishop Ben was safe. The mischievous imp did not come back. Bishop Ben showed kindness and smarts win. Good always wins!

Original Story 326 words · 2 min read

Bishop Svedberg and the Devil.

Bishop Svedberg, of Skara, was a very pious man and a mighty preacher, therefore, intolerable to the devil.

One night the Bishop set out from Skara to his bishopric in Brunsbo. When he was on the way some distance, the wagon began to run from side to side of the road, and finally one of the hind wheels fell off and rolled away into the ditch.

The driver called the attention of the Bishop to this, and remarked that they could go no farther.

“Don’t trouble yourself about that,” said the Bishop. “Throw the wheel into the rear of the wagon and we will go along.”

The servant thought this a strange command, but did as directed, and the journey was continued to Brunsbo without further adventure.

Arriving at the inn, the Bishop directed the servant to go to the kitchen and bring a light.

“Look, now,” said the Bishop to the servant upon his return, “and you shall see who has been the fourth wheel,” at the same time springing from the wagon.

The servant turned the light in the direction indicated, where he saw none other than the devil himself, standing in the place of the wheel, with the axle in his hands.

The devil soon found an opportunity for revenge. One night a great fire spread over Brunsbo, and before morning the whole place was burned to the ground.

The Bishop was at no loss to know who had played him this foul trick, and called the devil to account for the devastation.

“Verily, you shall know,” said the devil. “Your maid was down in the pantry, and there snuffed the candle. Passing by, I took the snuffing and with it set fire to the place.”

The Bishop was obliged to be content with this answer, but in order that the devil should do him no further harm he sent him, with all his imps, to hell.


Story DNA folk tale · solemn

Moral

Even the devil can be outsmarted by faith, but he will seek revenge.

Plot Summary

Bishop Svedberg, a pious man, is targeted by the devil. During a journey, the devil sabotages his wagon, but the Bishop calmly continues, revealing the devil's presence. In revenge, the devil burns down Brunsbo. The Bishop confronts the devil, who admits to starting the fire with a candle snuff, and the Bishop, satisfied, banishes the devil and his imps to hell, ending their conflict.

Themes

piety vs. evildivine protectionretribution

Emotional Arc

challenge to triumph

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: sparse

Narrative Elements

Conflict: person vs supernatural
Ending: moral justice
Magic: the devil's physical manifestation, devil acting as a wagon wheel, devil causing a fire with a candle snuff, banishment of the devil to hell
the wagon wheel (devil's disguise)the candle snuff (devil's petty tool)

Cultural Context

Origin: Swedish
Era: timeless fairy tale

Jesper Svedberg (1653–1735) was a real Swedish bishop, hymn writer, and father of Emanuel Swedenborg, known for his strong faith and conflicts with the devil in folklore.

Plot Beats (7)

  1. Bishop Svedberg, a pious man, is hated by the devil.
  2. During a journey to Brunsbo, a wagon wheel mysteriously falls off.
  3. The Bishop instructs his servant to put the wheel in the wagon and continue, which they do without issue.
  4. Upon arrival, the Bishop reveals to his servant that the devil himself was acting as the fourth wheel.
  5. The devil later takes revenge by setting fire to Brunsbo, burning it to the ground.
  6. The Bishop confronts the devil, who admits to using a candle snuff from the maid to start the fire.
  7. Satisfied, the Bishop banishes the devil and his imps to hell to prevent future mischief.

Characters 4 characters

Bishop Svedberg ★ protagonist

human adult male

A man of average height and a sturdy, perhaps slightly portly, build, consistent with a well-fed clergyman of the 17th-18th century in Sweden. His posture is upright and confident, reflecting his piety and authority.

Attire: Formal clerical attire of a Swedish bishop from the 17th-18th century: a black cassock made of sturdy wool, a white ruff or clerical collar, and a black clerical cap (biretta). He might wear a simple silver pectoral cross over his cassock.

Wants: To fulfill his duties as a bishop, to uphold righteousness, and to protect his flock from evil.

Flaw: Perhaps a slight overconfidence in his own piety, which makes him a target for the devil.

He begins as a pious man targeted by the devil and ends by asserting his spiritual authority to banish the devil and his imps, demonstrating his power over evil.

His black clerical cassock and cap, signifying his unwavering religious authority.

Pious, courageous, quick-witted, authoritative, unwavering in faith.

Image Prompt & Upload
An adult Swedish man of the 17th-18th century, standing upright, facing forward, full body visible from head to toe. He has a sturdy build, a broad, kindly face, and short grey hair under a black clerical cap. He wears a black wool cassock with a white ruff, and a simple silver pectoral cross hangs from his neck. He has a calm, authoritative expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Devil ⚔ antagonist

magical creature ageless non-human

Takes on various forms, but when revealed, he is a dark, imposing figure. He could appear as a tall, gaunt man with unnaturally long limbs, or a more traditional demonic form with horns and a tail. His skin might be reddish or ashen grey, with visible sinews.

Attire: Often appears in a dark, nondescript cloak or suit, blending into the shadows, or in a more traditional demonic guise with tattered dark garments, perhaps with a hint of red or black leather, suggesting a powerful, ancient evil.

Wants: To torment pious individuals, cause chaos, and spread evil.

Flaw: Cannot directly harm those with strong faith, and can be commanded by righteous authority.

He attempts to thwart the Bishop and exact revenge but is ultimately defeated and banished by the Bishop's spiritual authority.

His piercing, malevolent red eyes and a cruel, knowing smirk.

Malicious, vengeful, cunning, persistent, destructive.

Image Prompt & Upload
A tall, gaunt male figure with unnaturally long limbs, standing upright, facing forward, full body visible from head to toe. He has ashen grey skin, a sharp, angular face with piercing red eyes, and small, dark horns protruding from his forehead. He wears a tattered, dark grey cloak that seems to absorb light. He has a cruel, knowing smirk on his face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Driver ◆ supporting

human adult male

A man of average height and a sturdy build, accustomed to physical labor. His hands would be calloused from work. He would have a practical, no-nonsense demeanor.

Attire: Typical Swedish peasant or working-class attire of the 17th-18th century: a practical wool tunic or jacket in muted colors (brown, grey), linen trousers, and sturdy leather boots. He might wear a simple wool cap.

Wants: To perform his duties as the Bishop's driver and ensure safe travel.

Flaw: Easily surprised and confused by supernatural events, lacking the Bishop's spiritual insight.

Remains largely unchanged, serving as an observer to the Bishop's encounter with the devil.

His practical, sturdy working clothes and a slightly bewildered expression.

Observant, dutiful, somewhat bewildered, obedient.

Image Prompt & Upload
An adult Swedish man of the 17th-18th century, standing upright, facing forward, full body visible from head to toe. He has a sturdy build, a weathered face with a short beard, and short brown hair under a simple wool cap. He wears a practical brown wool tunic, linen trousers, and sturdy leather boots. He has an observant, slightly bewildered expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Maid ○ minor

human young adult female

A young woman of slender to average build, typical of a household servant. Her posture would be deferential but efficient.

Attire: Practical Swedish servant's attire of the 17th-18th century: a plain linen dress or smock in a muted color (grey, natural linen), a simple apron, and sturdy, comfortable shoes. Her clothing would be clean but well-worn.

Wants: To perform her household duties.

Flaw: Her momentary carelessness with the candle snuff provides an opportunity for the devil.

Her actions (snuffing the candle) inadvertently trigger a major event, but she herself does not undergo a personal arc.

Her simple linen cap and apron, signifying her role as a household servant.

Dutiful, perhaps a bit careless (due to snuffing the candle).

Image Prompt & Upload
A young adult Swedish woman of the 17th-18th century, standing upright, facing forward, full body visible from head to toe. She has a slender build, a simple face, and her brown hair is neatly tied back under a plain white linen cap. She wears a practical grey linen dress, a white apron, and sturdy, comfortable shoes. She holds a small, metal candle snuff in her hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

Road from Skara to Brunsbo

transitional night Unspecified, but likely cool and clear given the journey, possibly late autumn or early winter in Sweden.

A dark, unpaved road winding through the Swedish countryside at night, likely flanked by dense pine or birch forests, with the faint glow of distant stars or moon above.

Mood: Mysterious, unsettling, with an underlying sense of divine protection.

The Bishop's wagon loses a wheel, and the Devil is forced to act as the fourth wheel.

Unpaved dirt road Dense pine/birch forest edges Bishop's wagon (likely a sturdy, horse-drawn carriage) Dark night sky
Image Prompt & Upload
A narrow, rutted dirt road cuts through a dense, dark Swedish pine forest under a moonless night sky. The gnarled branches of the pines loom on either side, casting deep, impenetrable shadows. A sturdy, horse-drawn wooden wagon is visible from the rear, its single remaining hind wheel kicking up faint dust. The air is still and cold, with a hint of mist clinging to the forest floor. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Brunsbo Inn Courtyard

outdoor night Unspecified, but cool and clear.

The exterior courtyard of a traditional Swedish inn (gästgivaregård) in Brunsbo, likely with timber-framed buildings, a stable, and a cobbled or dirt ground, illuminated by a single lantern.

Mood: Revealing, tense, with a sudden shock of the supernatural.

The Devil is revealed as the 'fourth wheel' of the Bishop's wagon.

Cobbled or dirt courtyard Timber-framed inn buildings Stable or outbuilding Lantern light Bishop's wagon The Devil (in human-like form, holding an axle)
Image Prompt & Upload
A dimly lit courtyard of a traditional Swedish gästgivaregård at night. Rough-hewn timber buildings with small, leaded-pane windows surround a packed dirt ground. A single lantern held aloft casts flickering, warm light onto a sturdy, dark wooden wagon. The shadows are deep and long, revealing only glimpses of the surrounding structures and a looming figure at the rear of the wagon. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Brunsbo (after the fire)

outdoor morning (after a night fire) Unspecified, but the air is heavy with smoke and ash.

The devastated remains of the village of Brunsbo, reduced to smoldering ruins and charred timbers, under a dark, smoke-filled sky.

Mood: Desolate, tragic, a scene of complete destruction and revenge.

Brunsbo is burned to the ground by the Devil as an act of revenge.

Charred timber beams Smoldering ashes Collapsed roofs Smoke rising into the sky Devastated village landscape
Image Prompt & Upload
A wide view of a Swedish village reduced to smoldering ruins at dawn. Charred timber frames and collapsed thatched roofs jut out from piles of ash and debris. Wisps of grey smoke curl upwards into a pale, overcast sky, tinged with the faint orange glow of the rising sun. The ground is a desolate expanse of black and grey, with no signs of life. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.