MUSIC’S STORY
by James Hume-Cook · from Australian Fairy Tales
Adapted Version
Once, a kind Helper stood at world's edge. He looked out at space. He heard a soft sound. It was a little sad. It was also very sweet.
A small head was there. It had no body. This was Little Music Head. He looked up at the Helper. He looked very sad.
The Helper asked, "Why are you sad?" Little Music Head spoke slowly. "I have many songs inside me. But I cannot sing them. I want to share them. But I cannot make them come out."
"Many song friends live in me," he said. "They want to dance. They want to sing. I cannot let them out. I wish I could sing. Then they would be free."
The Helper asked, "How can I help?" Little Music Head looked happy. He said, "Please blow on me. Blow very strong. I will change. Then I will be free."
"I found many sounds," he said. "From the ocean. From the wind. I kept them safe. Now I want to share them. Your breath can help."
The Helper picked him up. He blew on Little Music Head. Eight little music friends came out. They danced. They sang. They jumped on his hands. "More! More!" they cried.
The Helper blew again. Many more little music friends flew out. They filled his hands. They laughed a happy sound. Some went into his mouth. His own laugh became music.
A little bird came near. It heard the sweet sounds. The Helper gave it some music. The bird took the music. It opened its beak. It sang a beautiful song.
The Helper had a great idea. He asked the wind. "Take this music," he said. "Take it far and wide. Give it to everyone."
The wind listened to the Helper. It took the music. It carried it everywhere. The music went to all places.
Everyone heard the new music. They all loved it. They started to sing. They started to play. The world was full of happy songs. It was a wonderful sound.
Original Story
MUSIC’S STORY
“Once upon a time, a long while ago, I was standing on the rounded shore of the world, gazing into space. As I stood there, lost in thought, my attention was eventually called to a long, slow succession of sounds like sighs, infinitely sad, but inexpressibly sweet.
“Whilst I was wondering what these sounds might mean, and from whence they came, at my feet I suddenly perceived a very extraordinary-looking little person, who appeared to be all head and no body. He was looking up at me with such a wistful expression on his face that I felt impelled to ask him, ‘Who are you, and what is your Story?’ And by way of answer, in a very slow and somewhat hesitating way, this is what he said:—
“ ‘My name is Music, though my parents call me Breve. For untold ages I have lived upon the outer edge of the earth with my father, Harmony, and my mother, Concord. Both my parents have quite an exalted opinion of me; but so far I have not come up to their expectations. I am very sorry that this should be the case, for nothing would please me better than to justify their hopes.
“ ‘The truth is, however, that they are so wrapped up in each other and their mutual affairs, that they will not listen to what I have to say, and so I make no progress. I am but a single sound sighing in a wilderness! If by chance I could persuade them, or, for that matter, anyone else, to do what I know in my mind is the right thing to be done, I am certain I should be a success. I know, though they do not, that my head is as full of dainty melodies as a pomegranate is full of pretty seeds, and that if only my poor tongue-tied condition were remedied, so that I might use that organ as it should be used, I could release an Octave, eight little fellows who beneath my tongue are now held captive; but who, if they were only free, are possessed of such astounding and never-ending ability, as to be able to produce a succession of the most musical notes, the like of which have never before been heard.’
“Here he sighed most mightily, and then it was that I saw he rested in the opening of a shell that is called a ‘conch.’
“ ‘But,’ said I, ‘how am I to loose your tongue? I am no surgeon, neither have I a knife or other cutting instrument wherewith to perform the operation. Besides, would you not die if such an unpractised hand as mine attempted so delicate a task?’
“ ‘Not at all!’ he replied, in his soft, slow tone; ‘I should certainly die away just as an echo does when fleeing into space; but it really would not hurt me, I assure you!’
“Still feeling very puzzled, however, I sought for further information, and so said to him, ‘But where and how did you become possessed of all these sweet-sounding notes which you claim your Octave can produce with such never-ending brilliance and variety? And further, supposing I were willing to assist you in the direction you desire, having no knife, as I told you before, is there any other way in which I could safely render you the service that you seek?’
“Instantly he brightened, and, speaking as fast as his poor tongue-tied condition would permit, this is what he replied:
“ ‘These notes that I am simply yearning to release I have carefully gathered together over millions of years! They have come to me from the Ocean and the Breeze, and, as they came, I classified and arranged them. Over me, throughout those infinite ages, the tumbling seas have tossed and the careless winds have blown! But always, whenever a new note I heard, I promptly seized upon it and stored it with the rest, and as it is tens of thousands of years since last I added to my collection, I am now fully satisfied that there are no fresh notes to be obtained.
“ ‘As to the way in which you can assist me, please hold me up to face the wind, or, better still, blow upon me strongly with your breath, and all will be well.’
“So, obedient to his desire, I picked him up in my two hands, and holding him firmly, blew sharply and strongly upon him with my breath, and, true enough, just as he had predicted, out came eight little fellows who called themselves ‘Semi-Breves,’ dancing and jumping about on my hands in the utmost glee!
“All at once they started singing, ‘Blow again! Blow again!’ and so amused was I with their caperings and cries that I blew upon them just as I had blown upon Breve, whom I thereupon let fall.
“In the flash of an eye my hands filled to overflowing with any number of other little fellows, who called themselves ‘Minims,’ ‘Crotchets,’ ‘Quavers,’ and ‘Semi-Quavers,’ and I know not what beside. And they laughed such pretty rippling laughter that I felt constrained to join them. Yet, almost before I could utter a sound, some of them popped into my mouth, and to my utter astonishment, I found my hard, dry laughter had become almost as musical as their own.
“Whilst still more or less amazed at this delightful discovery, a skylark and a nightingale, attracted by the sweet sounds, came up to listen to what was taking place. ‘Here,’ said I, ‘take some of these for yourselves!’ and I threw to each of them a few of the notes just as they started to speak. Both were nearly choked as the notes went flying down their throats, but when they next essayed to speak they sang instead, and the music in their voices was of such a quality as to leave the listeners spellbound with delight.
“These extraordinary happenings gave me a great idea. Calling to my aid the idling Winds, I said to them, ‘Take from me these glorious notes; spread them far and wide; leaving some where’er you sink to rest, and giving some to all who care to take them. Be swift, and see to it that your task is well performed!’
“Happily the winds were willing to obey my orders; and so, to the uttermost ends of the Universe there was taken a measure of Music’s notes. And to every class and kind of living thing was offered a share. A very few refused the munificent gift, and so spend their lives in stony silence.
“But the great majority accepted, some, the singers, to improve their voices; others, the players upon instruments, to add to the deftness of their fingers and the delicacy of their touch; others, again, such as the Nightingale, the Bul-bul, and the Skylark, to fill the night or morning with their glorious mother melodies, to the great delight of all who pause to hear!”
Thus ended the Story, and so was brought to a happy conclusion the ceremonies and the entertainments connected with the marriage festivities.
The Band then struck up the Fairies’ National Anthem, and as all stood up whilst King Waratah and Queen Wattle Blossom passed slowly and smilingly down the room, there began for the Royal couple such a wonderful career of love and happiness that even to this day it is the pride and joy of Austral Fairyland!
“They, the children of the sky,
. . . . . . . . . . . . . . . . .
To the moon—their mother—came one happy summer night.”
Story DNA
Moral
Great potential can be unlocked and shared to enrich the world, often requiring external assistance.
Plot Summary
A narrator encounters a peculiar, head-like being named Music (Breve) who is full of melodies but unable to release them due to a 'tongue-tied' condition. Music explains he has collected notes for eons and can be freed if the narrator blows upon him. The narrator does so, releasing countless musical notes that fill his hands and even make his own laughter musical. Inspired, the narrator commands the Winds to spread these notes across the entire Universe, offering them to all living things. Most creatures accept the gift, transforming their voices and instruments, thus filling the world with glorious music, concluding a tale framed within a royal wedding celebration.
Themes
Emotional Arc
curiosity to wonder to joy
Writing Style
Narrative Elements
Cultural Context
James Hume-Cook was an Australian politician and author. The framing device with 'Austral Fairyland' and specific Australian flower names grounds the story within an Australian literary tradition, even though the core narrative is universal.
Plot Beats (13)
- The narrator stands on the world's edge, hearing sad, sweet sounds.
- A small, head-like being named Music (Breve) appears, looking wistful.
- The narrator asks Music his story, and Music explains he is full of melodies but cannot release them, feeling unheard by his parents, Harmony and Concord.
- Music reveals he holds an 'Octave' of notes captive and believes he could be a success if his 'tongue-tied condition' were remedied.
- The narrator asks how to help, expressing concern about surgery, but Music assures him it wouldn't hurt him to 'die away' like an echo.
- Music explains he has collected notes from the Ocean and Breeze over millions of years and that the narrator can help by blowing strongly upon him.
- The narrator blows on Music, releasing eight 'Semi-Breves' who dance and sing, urging the narrator to blow again.
- The narrator blows again, releasing countless 'Minims,' 'Crotchets,' 'Quavers,' and 'Semi-Quavers,' some of which enter the narrator's mouth, making his laughter musical.
- A skylark and nightingale are attracted by the sounds; the narrator gives them some notes, transforming their voices into song.
- Inspired, the narrator commands the idling Winds to spread Music's notes far and wide, offering them to all living things.
- The Winds obey, distributing the notes across the Universe.
- Most creatures accept the gift, improving their voices and musical abilities, filling the world with music.
- The story concludes, framed as an entertainment for a royal wedding, with a final note about the King and Queen's happiness.
Characters
The Narrator ★ protagonist
Stood on the rounded shore of the world, implying a grand, possibly ethereal presence. No specific height or build is given, but their hands are large enough to hold 'Breve' and later many 'Semi-Breves' and other notes.
Attire: No specific clothing is mentioned, suggesting a simple or unadorned appearance, or perhaps a form that transcends the need for clothing.
Wants: To understand the sounds they hear and the being producing them; later, to help Music achieve its potential and spread its beauty.
Flaw: Initially puzzled and unsure how to help, requiring guidance from Music.
Transforms from a passive observer to an active participant who facilitates the birth and spread of music, becoming a conduit for its universal distribution.
Curious, compassionate, helpful, observant, and later, proactive and generous. They are open to new experiences and willing to assist others.
Image Prompt & Upload
An ageless humanoid figure of indeterminate gender, standing on a smooth, rounded shore that curves into the distance, gazing thoughtfully into a starry void. Their form is simple and unadorned, with no specific clothing, suggesting an ethereal quality. Their hands are open and slightly cupped as if ready to receive or offer something. Calm, observant expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Music (Breve) ★ protagonist
A very extraordinary-looking little person, who appeared to be all head and no body. Rests in the opening of a conch shell. Small enough to be held in two hands.
Attire: No clothing mentioned, as he is essentially a living head.
Wants: To be released from his 'tongue-tied condition' and allow the 'Octave' of notes to be freed, thereby fulfilling his parents' expectations and his own potential.
Flaw: His inability to express himself fully, being 'tongue-tied' and confined to a single sigh.
Transforms from a single, sighing, tongue-tied entity into the source of all music, releasing his potential and becoming the foundation for all melodies.
Wistful, sad, hopeful, persistent, knowledgeable, and eager. He has a deep understanding of his potential and the notes he contains.
Image Prompt & Upload
A small, round, wistful-faced head with large, expressive eyes, resting within the opening of a large, spiraled conch shell. The head has no visible body or neck, appearing to emerge directly from the shell. It has a soft, pale complexion and a slightly open mouth as if about to sigh. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Semi-Breves ◆ supporting
Eight little fellows, dancing and jumping about. Small enough to fit on the Narrator's hands.
Attire: No clothing mentioned, implying a simple, elemental form.
Wants: To be free and to sing, encouraging the release of more musical notes.
Flaw: Dependent on the Narrator's breath for their initial release and proliferation.
Released from captivity, they become the initial manifestation of music, inspiring further musical creation.
Joyful, energetic, playful, and eager to encourage more music ('Blow again! Blow again!').
Image Prompt & Upload
Eight tiny, translucent, glowing humanoid figures, appearing like children, dancing and leaping with immense joy on a pair of large, open hands. They have cheerful, smiling faces and are full of vibrant energy. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Minims, Crotchets, and Quavers ○ minor
Any number of other little fellows, filling the Narrator's hands. Small and numerous.
Attire: No clothing mentioned, implying a simple, elemental form.
Wants: To exist and spread their musical laughter.
Flaw: Dependent on the Narrator's breath for their release.
Released into the world, they contribute to the spread of music, even transforming the Narrator's laughter.
Joyful, playful, and infectious in their happiness.
Image Prompt & Upload
A multitude of tiny, translucent, glowing humanoid figures, appearing like children, laughing with rippling joy as they overflow from a pair of large, open hands. They have cheerful, animated expressions and are in various states of playful movement. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Skylark ○ minor
A skylark, attracted by sweet sounds. Described as a bird.
Attire: Natural bird plumage.
Wants: Attracted by sweet sounds, then to sing with its newfound musicality.
Flaw: Nearly choked by the notes, indicating a physical vulnerability.
Transforms from a bird that speaks to one that sings with unparalleled beauty, filling the morning with its melodies.
Curious, receptive to music, and later, a magnificent singer.
Image Prompt & Upload
A small, brown-feathered skylark, with a distinctive crest on its head, perched on a slender branch, its beak slightly open as if in mid-song. Its eyes are bright and alert. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Nightingale ○ minor
A nightingale, attracted by sweet sounds. Described as a bird.
Attire: Natural bird plumage.
Wants: Attracted by sweet sounds, then to sing with its newfound musicality.
Flaw: Nearly choked by the notes, indicating a physical vulnerability.
Transforms from a bird that speaks to one that sings with unparalleled beauty, filling the night with its melodies.
Curious, receptive to music, and later, a magnificent singer.
Image Prompt & Upload
A small, plain brown nightingale with a slightly reddish-brown tail, perched on a delicate branch in the moonlight, its beak open in a beautiful song. Its eyes are dark and expressive. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Winds ◆ supporting
Described as 'idling Winds', implying a pervasive, unseen presence that can be called upon. No specific physical form, but they are capable of 'taking' and 'spreading' notes.
Attire: No clothing, as they are an elemental force.
Wants: To obey the Narrator's orders and spread the glorious notes.
Flaw: Requires direction to act purposefully.
Transform from an idling force to active agents in the universal distribution of music.
Obedient, swift, and willing to perform tasks when directed.
Image Prompt & Upload
Invisible, swirling currents of air, depicted as subtle distortions or shimmering lines, flowing across a vast, open landscape. Within these currents, tiny, glowing musical notes are visibly carried and dispersed. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
The Rounded Shore of the World
A vast, curved coastline at the very edge of existence, gazing into the emptiness of space. The ground is likely smooth and worn, suggesting immense age and exposure.
Mood: Vast, contemplative, ancient, slightly melancholic due to the initial sounds.
The narrator first encounters Music (Breve) and hears his sad, sweet sighs, initiating the entire story.
Image Prompt & Upload
A desolate, rounded shore made of smooth, ancient grey stone, curving gently towards a vast, star-filled cosmic void. The horizon line is soft and indistinct where the land meets the endless dark. A single, large, iridescent conch shell rests on the smooth stone in the foreground, catching faint starlight. The air is still and clear, with a sense of profound quietude. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Austral Fairyland - Royal Wedding Hall
A grand hall within Austral Fairyland, filled with light and joy for a royal wedding. The architecture would reflect Australian flora, with elements like King Waratah and Queen Wattle Blossom suggesting a vibrant, natural, and perhaps art nouveau-inspired aesthetic using native Australian wood and flowers.
Mood: Joyful, celebratory, regal, magical, filled with music.
The setting for the telling of 'Music's Story' as part of wedding festivities, concluding with the royal couple's procession and the Fairies' National Anthem.
Image Prompt & Upload
An opulent, high-ceilinged hall in Austral Fairyland, adorned with intricate carvings of waratah flowers and wattle blossoms on polished, light-colored timber walls. Sunlight streams through tall, arched windows, illuminating a floor made of smooth, golden-hued wood. Delicate, glowing fairy lights shaped like eucalyptus leaves hang from the ceiling. A raised platform at one end holds a small, elegant band playing instruments made of natural, shimmering materials. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.