ENDYMION

by Jean Lang · from A Book of Myths

myth romance tender Ages 8-14 1309 words 6 min read
Cover: ENDYMION

Adapted Version

CEFR A1 Age 5 348 words 2 min Canon 100/100

Once, Moon Goddess Diana lived in the sky. Moon Goddess Diana lived high in the sky. She was strong. She watched the night. She liked to hunt. She had silver arrows. She was very strong. She moved very fast.

One night, Diana flew over Mount Latmos. She saw a young shepherd boy. His name was Shepherd Endymion. He was sleeping. He was very handsome. Diana thought he was pretty. She liked his face.

Diana stopped her flight. She stood close by Shepherd Endymion. She leaned down. She kissed his lips softly. It was a gentle kiss. Shepherd Endymion felt very happy. He felt a sweet dream.

Shepherd Endymion woke up. He saw his sheep. They were sleeping still. He did not see Diana. But he thought of the kiss. It made him feel warm. He wanted the kiss again. He thought about it all day.

Each night, Diana came to him. She kissed him again. Shepherd Endymion slept deeply. He had sweet dreams. He felt very happy. He did not wake up fully. He only felt her soft kiss.

Shepherd Endymion loved his dreams. He loved the night. His sheep were safe. No harm came to them. Diana watched them always. Shepherd Endymion only waited for night. He wanted his sweet dreams.

Diana loved Shepherd Endymion very much. She saw him grow. She worried about him. He would grow old. His looks might fade. She did not want this. She wanted him young always.

Diana talked to her father. His name was Zeus. She asked for a special gift. She wanted Shepherd Endymion to stay young. She wanted him to sleep well. She wanted him to dream always. Zeus said yes.

One special night came. The moon was very bright. Diana came to Shepherd Endymion. He was sleeping soundly. She lifted him gently. She carried him to a cave on Mount Latmos. It was a secret place.

Shepherd Endymion sleeps there now. He is always young. He dreams sweet dreams. Diana visits him each night. She kisses her love. Their love has no end. He sleeps well always.

Original Story 1309 words · 6 min read

ENDYMION

To the modern popular mind perhaps none of the goddesses of Greece—not even Venus herself—has more appeal than has the huntress goddess, Diana. Those who know but little of ancient statuary can still brighten to intelligent recognition of the huntress with her quiver and her little stag when they meet with them in picture gallery or in suburban garden. That unlettered sportsman in weather-worn pink, slowly riding over the fragrant dead leaves by the muddy roadside on this chill, grey morning, may never have heard of Artemis, but he is quite ready to make intelligent reference to Diana to the handsome young sportswoman whom he finds by the covert side; and Sir Walter’s Diana Vernon has helped the little-read public to realise that the original Diana was a goddess worthy of being sponsor to one of the finest heroines of fiction.

But not to the sportsman alone, but also to the youth or maid who loves the moon—they know not why—to those whom the shadows of the trees on a woodland path at night mean a grip of the heart, while “pale Dian” scuds over the dark clouds that are soaring far beyond the tree-tops and is peeping, chaste and pale, through the branches of the firs and giant pines, there is something arresting, enthralling, in the thought of the goddess Diana who now has for hunting-ground the blue firmament of heaven where the pale Pleiades

“Glitter like a swarm of fire-flies tangled in a silver braid.”

Tennyson.

“She gleans her silvan trophies; down the wold

She hears the sobbing of the stags that flee

Mixed with the music of the hunting roll’d,

But her delight is all in archery,

And naught of ruth and pity wotteth she

More than her hounds that follow on the flight;

The goddess draws a golden bow of might

And thick she rains the gentle shafts that slay.

She tosses loose her locks upon the night,

And through the dim wood Dian threads her way.”

Andrew Lang.

Again and again in mythological history we come on stories of the goddess, sometimes under her best known name of Diana, sometimes under her older Greek name of Artemis, and now and again as Selene, the moon-goddess, the Luna of the Romans. Her twin brother was Apollo, god of the sun, and with him she shared the power of unerringly wielding a bow and of sending grave plagues and pestilences, while both were patrons of music and of poetry.

When the sun-god’s golden chariot had driven down into the west, then would his sister’s noiseless-footed silver steeds be driven across the sky, while the huntress shot from her bow at will silent arrows that would slay without warning a joyous young mother with her newly-born babe, or would wantonly pierce, with a lifelong pain, the heart of some luckless mortal.

Now one night as she passed Mount Latmos, there chanced to be a shepherd lad lying asleep beside his sleeping flock. Many times had Endymion watched the goddess from afar, half afraid of one so beautiful and yet so ruthless, but never before had Diana realised the youth’s wonderful beauty. She checked her hounds when they would have swept on in their chase through the night, and stood beside Endymion. She judged him to be as perfect as her own brother, Apollo—yet more perfect, perhaps, for on his upturned sleeping face was the silver glamour of her own dear moon. Fierce and burning passion could come with the sun’s burning rays, but love that came in the moon’s pale light was passion mixed with gramarye. She gazed for long, and when, in his sleep, Endymion smiled, she knelt beside him and, stooping, gently kissed his lips. The touch of a moonbeam on a sleeping rose was no more gentle than was Diana’s touch, yet it was sufficient to wake Endymion. And as, while one’s body sleeps on, one’s half-waking mind, now and again in a lifetime seems to realise an ecstasy of happiness so perfect that one dares not wake lest, by waking, the wings of one’s realised ideal should slip between grasping fingers and so escape forever, so did Endymion realise the kiss of the goddess. But before his sleepy eyes could be his senses’ witnesses, Diana had hastened away. Endymion, springing to his feet, saw only his sleeping flock, nor did his dogs awake when he heard what seemed to him to be the baying of hounds in full cry in a forest far up the mountain. Only to his own heart did he dare to whisper what was this wonderful thing that he believed had befallen him, and although he laid himself down, hoping that once again this miracle might be granted to him, no miracle came; nor could he sleep, so great was his longing.

SHE CHECKED HER HOUNDS, AND STOOD BESIDE ENDYMION

All the next day, through the sultry hours while Apollo drove his chariot of burnished gold through the land, Endymion, as he watched his flocks, tried to dream his dream once more, and longed for the day to end and the cool, dark night to return. When night came he tried to lie awake and see what might befall, but when kind sleep had closed his tired eyes,

“There came a lovely vision of a maid,

Who seemed to step as from a golden car

Out of the low-hung moon.”

Lewis Morris.

Always she kissed him, yet when her kiss awoke him he never could see anything more tangible than a shaft of silver moonlight on the moving bushes of the mountain side, never hear anything more real than the far-away echo of the baying of pursuing hounds, and if, with eager, greatly-daring eyes, he looked skywards, a dark cloud, so it seemed to him, would always hasten to hide the moon from his longing gaze.

In this manner time passed on. The days of Endymion were filled by longing day-dreams. His sleeping hours ever brought him ecstasy. Ever, too, to the goddess, the human being that she loved seemed to her to grow more precious. For her all the joy of day and of night was concentrated in the moments she spent by the side of the sleeping Endymion. The flocks of the shepherd flourished like those of no other herd. No wild beast dared come near them; no storm nor disease assailed them. Yet for Endymion the things of earth no longer held any value. He lived only for his dear dream’s sake. Had he been permitted to grow old and worn and tired, and still a dreamer, who knows how his story might have ended? But to Diana there came the fear that with age his beauty might wane, and from her father, Zeus, she obtained for the one she loved the gifts of unending youth and of eternal sleep.

There came a night when the dreams of Endymion had no end. That was a night when the moon made for herself broad silver paths across the sea, from far horizon to the shore where the little waves lapped and curled in a radiant, ever-moving silver fringe. Silver also were the leaves of the forest trees, and between the branches of the solemn cypresses and of the stately dark pines, Diana shot her silver arrows. No baying of hounds came then to make Endymion’s flocks move uneasily in their sleep, but the silver stars seemed to sing in unison together. While still those gentle lips touched his, hands as gentle lifted up the sleeping Endymion and bore him to a secret cave in Mount Latmos. And there, for evermore, she came to kiss the mouth of her sleeping lover. There, forever, slept Endymion, happy in the perfect bliss of dreams that have no ugly awaking, of an ideal love that knows no ending.



Story DNA myth · tender

Plot Summary

The powerful moon goddess Diana discovers the sleeping shepherd Endymion on Mount Latmos and is instantly smitten by his beauty. She visits him nightly, kissing him and filling his dreams with ecstasy, though he never fully sees her when awake. Endymion becomes consumed by his longing for these dreams, losing interest in his mortal life. Fearing his beauty will fade, Diana obtains eternal youth and eternal sleep for him from Zeus. She then carries him to a secret cave on Mount Latmos, where he sleeps forever in blissful dreams, and she visits him every night to kiss him.

Themes

eternal lovebeautyimmortalitydivine intervention

Emotional Arc

longing to eternal bliss

Writing Style

Voice: third person omniscient
Pacing: slow contemplative
Descriptive: lush
Techniques: poetic descriptions, classical allusions

Narrative Elements

Conflict: person vs supernatural
Ending: happy
Magic: gods and goddesses, eternal youth, eternal sleep, divine powers, talking animals (implied hounds)
the moon (Diana/Selene)Mount Latmos (place of eternal sleep)Endymion's sleep (eternal youth and bliss)

Cultural Context

Origin: Greek
Era: timeless fairy tale

This is a retelling of a classical Greek myth, often interpreted as an explanation for the moon's nightly journey and its gentle light.

Plot Beats (10)

  1. The story introduces Diana, the powerful and often ruthless moon goddess, known for her hunting and her silent arrows.
  2. One night, as Diana passes Mount Latmos, she discovers the sleeping shepherd Endymion and is struck by his extraordinary beauty, which she finds more perfect than her brother Apollo's.
  3. Diana checks her hounds, stands beside Endymion, and gently kisses his lips, awakening him partially to an ecstatic feeling.
  4. Endymion wakes fully to find only his sleeping flock, but he is left with a profound longing for the mysterious kiss and spends his days dreaming of it.
  5. Every night, Diana visits Endymion in his sleep, kissing him and filling his dreams with ecstasy, though he never fully sees her when he stirs.
  6. Endymion's earthly life loses meaning; he lives only for his nightly dreams, while his flock thrives under the unseen protection of Diana.
  7. Diana, deeply in love, fears that Endymion's beauty will eventually fade with age.
  8. To preserve his beauty and their love, Diana petitions her father, Zeus, for the gifts of unending youth and eternal sleep for Endymion.
  9. On a night of profound moonlight, Diana gently lifts the sleeping Endymion and carries him to a secret cave on Mount Latmos.
  10. There, Endymion sleeps forever, eternally young, experiencing endless blissful dreams, and Diana visits him every night to kiss her beloved.

Characters 2 characters

Diana ★ protagonist

goddess ageless female

Tall and lithe, with the athletic build of a huntress. Her movements are swift and noiseless, reflecting her nature as a silent hunter. She possesses an ethereal beauty, often described with a silver glamour.

Attire: She wears practical hunting attire suitable for a goddess, likely a short chiton or tunic made of fine, flowing fabric, possibly silver or white, allowing for freedom of movement. She would have a quiver of arrows slung across her back and a golden bow.

Wants: Initially, her motivation is to hunt and maintain her chaste independence. After seeing Endymion, her motivation shifts to preserving his beauty and their unique, dream-like love.

Flaw: Her possessiveness and fear of Endymion's beauty waning, leading her to grant him eternal sleep rather than allowing him to live a mortal life.

She begins as a ruthless, chaste huntress. Upon discovering Endymion, she experiences a profound, unique form of love, leading her to use her divine power to preserve his youth and their connection, transforming her from a purely detached hunter to a protective, if controlling, lover.

Her golden bow and quiver of silver arrows, accompanied by her silent silver steeds, under the pale moonlight.

Ruthless, beautiful, chaste, passionate (when stirred), possessive, protective.

Image Prompt & Upload
A tall, lithe goddess with an athletic build, standing upright, facing forward, full body visible from head to toe. She has a pale, chaste face with sharp, discerning eyes and long, flowing silver-blonde hair. She wears a short, flowing silver chiton that allows for freedom of movement, with a golden bow in her left hand and a quiver of silver arrows slung across her back. Her expression is serene but powerful. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Endymion ◆ supporting

human young adult male

A shepherd lad of wonderful beauty, described as being as perfect as Apollo, with an added silver glamour from the moon. He is likely well-built from his life as a shepherd.

Attire: Simple, rustic shepherd's clothing, likely made of wool or linen in earthy tones, suitable for tending flocks on Mount Latmos. Perhaps a tunic and trousers, with a cloak for cooler nights.

Wants: To experience the miraculous kiss of the goddess again and again; to live within his beautiful dreams.

Flaw: His passivity and inability to fully grasp the goddess's presence when awake, leading him to accept eternal sleep rather than actively pursuing a mortal life.

He begins as a mortal shepherd, then becomes the object of a goddess's affection, transforming into an eternally youthful, eternally sleeping figure, living forever in a state of blissful dreams.

Sleeping peacefully, bathed in silver moonlight, with a gentle smile on his face.

Dreamy, longing, beautiful, passive, innocent, deeply affected by love.

Image Prompt & Upload
A young adult shepherd lad, standing upright, facing forward, full body visible from head to toe. He has a wonderfully beautiful face with a gentle, dreamy expression, and natural, slightly unkempt dark brown hair. He wears a simple, rustic tunic made of earthy-toned linen, with a wool cloak draped over his shoulders, and sturdy leather sandals. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 2 locations
No image yet

Mount Latmos Foothills (Shepherd's Pasture)

outdoor night Cool, dark night with a clear sky allowing moonlight to fall.

A mountainside pasture where Endymion tends his flock, characterized by sleeping sheep and the presence of firs and giant pines higher up the slopes. The ground is likely rocky and covered in sparse Mediterranean vegetation.

Mood: Peaceful, serene, with an underlying sense of mystery and magic.

Diana first encounters and kisses the sleeping Endymion, initiating their unique relationship.

Sleeping flock of sheep Shepherd Endymion Sparse mountain vegetation Distant firs and giant pines Moonlight
Image Prompt & Upload
A serene, moonlit mountainside pasture in ancient Greece. Scattered, low-lying Mediterranean shrubs and rough grasses cover the rocky ground where a flock of sheep lie sleeping. In the distance, the dark silhouettes of fir and pine trees rise against a clear, star-dusted night sky, illuminated by a soft, pale full moon. The air is cool and still, with a gentle silver glow over the landscape. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Secret Cave in Mount Latmos

indoor eternal night Constant, unchanging, as if outside time; perpetually bathed in moonlight.

A hidden grotto within Mount Latmos, where Endymion is eternally preserved in youth and sleep. It is a secluded, sacred space, bathed in the soft, constant glow of moonlight.

Mood: Magical, eternal, serene, sacred, and deeply romantic.

Endymion is transported here by Diana to sleep eternally, and she visits him forever.

Sleeping Endymion Diana (visiting) Cave mouth/entrance Moonlight (as if entering the cave) Natural rock formations
Image Prompt & Upload
A hidden, natural grotto deep within a limestone mountain, characteristic of ancient Greek landscapes. The cave interior is softly illuminated by an ethereal, silvery moonlight that seems to emanate from within, highlighting smooth, cool rock walls and subtle stalactite formations. The air is still and timeless, with a gentle, dreamlike quality. A sense of profound peace and eternal slumber pervades the space. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.