Tom Tit Tot

by Joseph Jacobs · from Collected Folk Tales

fairy tale trickster tale whimsical Ages 8-14 1671 words 8 min read
Cover: Tom Tit Tot

Adapted Version

CEFR A1 Age 5 363 words 2 min Canon 95/100

Once, Lily loved to eat pies. Her mother baked five pies. The pies were too hard. Mother said, "Leave them to soften." But Lily ate them all. Later, Mother wanted a pie. "They are all gone," said Lily. Mother was sad. She spun by the door. She sang, "My daughter ate five pies today." The King heard her song. "What do you sing?" he asked. Mother was ashamed. She lied. She sang, "My daughter spun five skeins today." The King was surprised. "I will marry your daughter," he said. "She must spin five skeins daily. If she cannot spin, she must leave." Mother said yes. Lily was happy for eleven months. Then the last month came. The King took Lily to a room. "Spin five skeins today," he said. "Or you must stay here." He locked the door. Lily could not spin. She cried. A little black thing with a tail came. "Why are you sad?" it asked. "I must spin," said Lily. "I will help you," said the Imp. "What is your pay?" asked Lily. "Guess my name," said the Imp. "You have three tries each night. If you guess wrong, do a favor." Lily agreed. Every day, the Imp took the flax. Every night, he brought spun thread. Lily guessed names. "Is it Bill?" she asked. "No," said the Imp. "Is it Ned?" she asked. "No," said the Imp. She guessed many names. She was wrong. The Imp looked happy. The month was almost over. The Imp came. "One more night!" he said. Lily felt scared. The King visited Lily. "I saw a funny thing today," he said. "A little thing spun and sang. It sang, 'My name is Tom Tit Tot.'" Lily felt very happy. The last night came. The Imp came to the window. "What is my name?" he asked. Lily pretended to think. "Is it Solomon?" she asked. "No," said the Imp. "Is it Zebedee?" she asked. "No," said the Imp. The Imp grinned. "Guess again!" he said. Lily pointed. "Your name is Tom Tit Tot!" she cried. The Imp was very upset. He flew away. Lily was free. She smiled. Lily learned thinking smart saves the day.

Original Story 1671 words · 8 min read

TOM TIT TOT

Once upon a time there was a woman, and she baked five pies. And when they

  came out of the oven, they were that overbaked the crusts were too hard to


  eat. So she says to her daughter:

“Darter,” says she, “put you them there pies on the shelf, and leave 'em

  there a little, and they'll come again.”—She meant, you know, the


  crust would get soft.

But the girl, she says to herself: “Well, if they'll come again, I'll eat

  'em now.” And she set to work and ate 'em all, first and last.

Well, come supper-time the woman said: “Go you, and get one o' them there

  pies. I dare say they've come again now.”

The girl went and she looked, and there was nothing but the dishes. So

  back she came and says she: “Noo, they ain't come again.”

“Not one of 'em?” says the mother.

“Not one of 'em,” says she.

“Well, come again, or not come again,” said the woman “I'll have one for

  supper.”

“But you can't, if they ain't come,” said the girl.

“But I can,” says she. “Go you, and bring the best of 'em.”

“Best or worst,” says the girl, “I've ate 'em all, and you can't have one

  till that's come again.”

Well, the woman she was done, and she took her spinning to the door to

  spin, and as she span she sang:

“My darter ha' ate five, five pies to-day.

My darter ha' ate five, five pies to-day.”

The king was coming down the street, and he heard her sing, but what she

  sang he couldn't hear, so he stopped and said:

“What was that you were singing, my good woman?”

The woman was ashamed to let him hear what her daughter had been doing, so

  she sang, instead of that:

“My darter ha' spun five, five skeins to-day.

My darter ha' spun five, five skeins to-day.”

“Stars o' mine!” said the king, “I never heard tell of any one that could

  do that.”

Then he said: “Look you here, I want a wife, and I'll marry your daughter.

  But look you here,” says he, “eleven months out of the year she shall have


  all she likes to eat, and all the gowns she likes to get, and all the


  company she likes to keep; but the last month of the year she'll have to


  spin five skeins every day, and if she don't I shall kill her.”

“All right,” says the woman; for she thought what a grand marriage that

  was. And as for the five skeins, when the time came, there'd be plenty of


  ways of getting out of it, and likeliest, he'd have forgotten all about


  it.

Well, so they were married. And for eleven months the girl had all she

  liked to eat, and all the gowns she liked to get, and all the company she


  liked to keep.

But when the time was getting over, she began to think about the skeins

  and to wonder if he had 'em in mind. But not one word did he say about


  'em, and she thought he'd wholly forgotten 'em.

However, the last day of the last month he takes her to a room she'd never

  set eyes on before. There was nothing in it but a spinning-wheel and a


  stool. And says he: “Now, my dear, here you'll be shut in to-morrow with


  some victuals and some flax, and if you haven't spun five skeins by the


  night, your head'll go off.”

And away he went about his business.

Well, she was that frightened, she'd always been such a gatless girl, that

  she didn't so much as know how to spin, and what was she to do to-morrow


  with no one to come nigh her to help her? She sat down on a stool in the


  kitchen, and law! how she did cry!

However, all of a sudden she heard a sort of a knocking low down on the

  door. She upped and oped it, and what should she see but a small little


  black thing with a long tail. That looked up at her right curious, and


  that said:

“What are you a-crying for?”

“What's that to you?” says she.

“Never you mind,” that said, “but tell me what you're a-crying for.”

“That won't do me no good if I do,” says she.

“You don't know that,” that said, and twirled that's tail round.

“Well,” says she, “that won't do no harm, if that don't do no good,” and

  she upped and told about the pies, and the skeins, and everything.

“This is what I'll do,” says the little black thing, “I'll come to your

  window every morning and take the flax and bring it spun at night.”

“What's your pay?” says she.

That looked out of the corner of that's eyes, and that said: “I'll give

  you three guesses every night to guess my name, and if you haven't guessed


  it before the month's up you shall be mine.”

Well, she thought she'd be sure to guess that's name before the month was

  up. “All right,” says she, “I agree.”

“All right,” that says, and law! how that twirled that's tail.

Well, the next day, her husband took her into the room, and there was the

  flax and the day's food.

“Now there's the flax,” says he, “and if that ain't spun up this night,

  off goes your head.” And then he went out and locked the door.

He'd hardly gone, when there was a knocking against the window.

She upped and she oped it, and there sure enough was the little old thing

  sitting on the ledge.

“Where's the flax?” says he.

“Here it be,” says she. And she gave it to him.

Well, come the evening a knocking came again to the window. She upped and

  she oped it, and there was the little old thing with five skeins of flax


  on his arm.

“Here it be,” says he, and he gave it to her.

“Now, what's my name?” says he.

“What, is that Bill?” says she.

“Noo, that ain't,” says he, and he twirled his tail.

“Is that Ned?” says she.

“Noo, that ain't,” says he, and he twirled his tail.

“Well, is that Mark?” says she.

“Noo, that ain't,” says he, and he twirled his tail harder, and away he

  flew.

Well, when her husband came in, there were the five skeins ready for him.

  “I see I shan't have to kill you to-night, my dear,” says he; “you'll have


  your food and your flax in the morning,” says he, and away he goes.

Well, every day the flax and the food were brought, and every day that

  there little black impet used to come mornings and evenings. And all the


  day the girl sat trying to think of names to say to it when it came at


  night. But she never hit on the right one. And as it got towards the end


  of the month, the impet began to look so maliceful, and that twirled


  that's tail faster and faster each time she gave a guess.

At last it came to the last day but one. The impet came at night along

  with the five skeins, and that said,

“What, ain't you got my name yet?”

“Is that Nicodemus?” says she.

“Noo, t'ain't,” that says.

“Is that Sammle?” says she.

“Noo, t'ain't,” that says.

“A-well, is that Methusalem?” says she.

“Noo, t'ain't that neither,” that says.

Then that looks at her with that's eyes like a coal o' fire, and that

  says: “Woman, there's only to-morrow night, and then you'll be mine!” And


  away it flew.

Well, she felt that horrid. However, she heard the king coming along the

  passage. In he came, and when he sees the five skeins, he says, says he,

“Well, my dear,” says he, “I don't see but what you'll have your skeins

  ready to-morrow night as well, and as I reckon I shan't have to kill you,


  I'll have supper in here to-night.” So they brought supper, and another


  stool for him, and down the two sat.

Well, he hadn't eaten but a mouthful or so, when he stops and begins to

  laugh.

“What is it?” says she.

“A-why,” says he, “I was out a-hunting to-day, and I got away to a place

  in the wood I'd never seen before And there was an old chalk-pit. And I


  heard a kind of a sort of a humming. So I got off my hobby, and I went


  right quiet to the pit, and I looked down. Well, what should there be but


  the funniest little black thing you ever set eyes on. And what was that


  doing, but that had a little spinning-wheel, and that was spinning


  wonderful fast, and twirling that's tail. And as that span that sang:

“Nimmy nimmy not

My name's Tom Tit Tot.”

Well, when the girl heard this, she felt as if she could have jumped out

  of her skin for joy, but she didn't say a word.

Next day that there little thing looked so maliceful when he came for the

  flax. And when night came, she heard that knocking against the window


  panes. She oped the window, and that come right in on the ledge. That was


  grinning from ear to ear, and Oo! that's tail was twirling round so fast.

“What's my name?” that says, as that gave her the skeins.

“Is that Solomon?” she says, pretending to be afeard.

“Noo, t'ain't,” that says, and that came further into the room.

“Well, is that Zebedee?” says she again.

“Noo, t'ain't,” says the impet. And then that laughed and twirled that's

  tail till you couldn't hardly see it.

“Take time, woman,” that says; “next guess, and you're mine.” And that

  stretched out that's black hands at her.

Well, she backed a step or two, and she looked at it, and then she laughed

  out, and says she, pointing her finger at it:

Story DNA fairy tale · whimsical

Moral

Deception can lead to dire consequences, but cleverness and a bit of luck can sometimes save you.

Plot Summary

A lazy girl's mother lies to the King, claiming her daughter is a prodigious spinner. The King marries the girl, but demands she spin five skeins daily for one month each year, or face death. Unable to spin, the terrified girl makes a deal with a magical imp who spins for her, in exchange for her soul if she cannot guess its name by the month's end. On the final day, the King unwittingly reveals the imp's secret name, 'Tom Tit Tot', which he overheard. The girl uses this knowledge to defeat the imp, saving herself and living happily ever after.

Themes

consequences of deceitthe power of a nameresourcefulnessfate vs. free will

Emotional Arc

carefree to terrified to relieved

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: repetition, colloquialisms, direct address to reader (implied), rule of three (for guesses)

Narrative Elements

Conflict: person vs supernatural
Ending: happy
Magic: a magical imp, supernatural spinning ability, the power of a true name
the five pies (initial deceit/gluttony)the spinning wheel (impossible task/fate)the imp's name (power/identity)

Cultural Context

Origin: English
Era: timeless fairy tale

This tale is a variant of the Rumpelstiltskin story, common in European folklore, often reflecting societal expectations of women's domestic skills and the power of names in magical contracts.

Plot Beats (13)

  1. A woman bakes five pies, which are overbaked.
  2. The daughter eats all five pies, despite being told to let them soften.
  3. The mother, ashamed of her daughter's gluttony, lies to the King, claiming her daughter spun five skeins.
  4. The King, impressed, proposes marriage to the daughter, with the condition that she must spin five skeins a day for one month of the year, or die.
  5. The daughter enjoys eleven months of luxury, then is locked in a room with flax and the threat of death.
  6. A small, black, long-tailed imp appears and offers to spin the flax for her daily.
  7. The imp demands three guesses at its name each night, with the girl's soul as the prize if she fails to guess it by the end of the month.
  8. The girl makes daily guesses, but fails to identify the imp, growing increasingly fearful.
  9. On the second-to-last day, the imp warns her she has only one more night to guess.
  10. The King, returning from a hunt, tells his wife he overheard a strange creature singing its name: 'Tom Tit Tot'.
  11. On the final night, the imp arrives, expecting to claim the girl.
  12. The girl pretends to guess other names, then triumphantly reveals the imp's true name, 'Tom Tit Tot'.
  13. The imp, enraged and defeated, shrieks and vanishes, leaving the girl free.

Characters 4 characters

The Girl ★ protagonist

human young adult female

Not explicitly described, but implied to be a common, perhaps somewhat naive, young woman of the peasant class.

Attire: Simple peasant dress, likely made of homespun fabric, practical for daily chores.

A young woman, wide-eyed with fear, holding a bundle of flax.

Impulsive, naive, easily frightened, but capable of quick thinking when desperate.

Image Prompt & Upload
A young woman in her late teens with a determined yet kind expression. She has long, wavy chestnut hair partially tied back with a simple ribbon. She wears a practical, slightly worn, sky-blue cotton dress with a white apron, and sturdy brown leather boots. Her posture is upright and ready, one hand gently resting on a woven satchel at her hip. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Woman ◆ supporting

human adult female

Not explicitly described, but implied to be a working-class mother.

Attire: Practical, modest peasant clothing, perhaps an apron.

A woman spinning thread by her doorway, singing.

Resourceful, a bit manipulative (lying to the King), concerned for her daughter's future, but also pragmatic.

Image Prompt & Upload
A wise and kind elderly woman in her late 60s with deep smile lines and warm, crinkled eyes. She has a gentle, reassuring expression and silver hair neatly pinned in a bun. She wears a simple, long-sleeved dress of soft, undyed wool, covered by a sturdy canvas apron with pockets. Her posture is slightly bent but strong, with hands that look capable and comforting, one hand extended slightly forward as if offering aid. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ◆ supporting

human adult male

Not explicitly described, but implied to be of regal bearing.

Attire: Royal attire, possibly a crown or other symbols of his status, riding clothes when hunting.

A king on horseback, stopping to listen to a song.

Curious, demanding, somewhat arbitrary (setting the spinning task), but also capable of joy and laughter.

Image Prompt & Upload
An elderly man in his late sixties with a neatly trimmed white beard and kind, wise eyes. He wears a deep red velvet robe trimmed with gold embroidery over a white tunic. A simple gold crown rests upon his gray hair. He holds a wooden staff topped with a polished amber orb in one hand, his other hand resting thoughtfully on his chin. He stands beside a large, ornately carved wooden throne. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature

Tom Tit Tot ⚔ antagonist

magical creature ageless non-human

Small, little, black thing with a long tail.

Attire: None, or implied to be part of its natural form.

A small, black, imp-like creature with fiery eyes and a constantly twirling long tail, sitting on a window ledge.

Malicious, cunning, enjoys trickery, confident in its own cleverness.

Image Prompt & Upload
A cunning, elderly man with a sharp, angular face and deep-set, gleaming eyes. His wild, unkempt grey hair and beard are streaked with black. He wears a dark, tattered hooded cloak over a stained leather tunic, his posture hunched and leaning forward on a gnarled wooden staff. A cruel, knowing sneer twists his thin lips. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
No image yet

Woman's Kitchen

indoor supper-time, then later, unspecified implied temperate

A domestic space where the woman bakes pies and the daughter eats them. Later, the daughter sits on a stool here, crying.

Mood: initially domestic and ordinary, then shifts to despair for the daughter

The daughter eats all the pies; the mother discovers this; the daughter cries in despair over the spinning task.

oven shelf dishes stool
Image Prompt & Upload
Late afternoon light slants through a small window, casting long golden beams across a rustic kitchen. Dust motes drift in the warm air. A worn wooden table holds a half-eaten berry pie on a chipped ceramic plate, with a few crumbs scattered near an empty stool. A stone oven glows with fading embers, and copper pots hang from dark ceiling beams. Bundles of dried herbs dangle near the window, overlooking a blurred cottage garden. The atmosphere is quiet, heavy with the lingering scent of baked fruit and woodsmoke. Muted tones of amber, cream, and weathered brown dominate. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

Street outside the Woman's House

outdoor daytime unspecified

A public thoroughfare where the king passes by and overhears the woman singing.

Mood: public, bustling (implied by king's passage)

The king hears the woman singing about her daughter's supposed spinning prowess, leading to the marriage proposal.

street woman spinning at the door
Image Prompt & Upload
A narrow cobblestone street in a medieval town at dusk, bathed in the warm glow of wrought-iron lanterns. The sky is a deep indigo with the first stars appearing. Ancient, timber-framed houses with thatched roofs lean slightly over the lane, their windows emitting a soft, golden light. A light rain has recently fallen, making the stones glisten and reflecting the lantern light. A wooden cart sits abandoned near a closed shopfront, and potted herbs line a doorstep. The air feels cool and still, with the distant scent of woodsmoke. The street curves gently into shadow, inviting curiosity. No border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Spinning Room in the King's Castle

indoor day and night unspecified, but the task occurs over a month

A previously unseen room in the castle, containing only a spinning-wheel and a stool. It has a window that the imp uses to enter and exit.

Mood: claustrophobic, tense, isolated, magical

The daughter is confined here to spin; the imp performs the spinning and demands to know its name; the climax of the story unfolds here.

spinning-wheel stool window flax skeins
Image Prompt & Upload
Late afternoon light slants through a high, arched window of a forgotten chamber in the king's castle. Dust motes dance in the golden sunbeams, illuminating a solitary spinning wheel and a simple wooden stool on the cold, flagstone floor. The stone walls are bare and cool, draped in deep shadow. Through the window, a glimpse of a distant, misty forest is visible. The air is still and silent, filled with a sense of quiet abandonment and latent magic. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Chalk-pit in the Wood

outdoor daytime unspecified

A previously undiscovered location in the king's hunting grounds, featuring an old chalk-pit.

Mood: secluded, mysterious, slightly eerie due to the humming sound

The king discovers the imp spinning and singing its name, providing the crucial information for the daughter.

wood old chalk-pit king's hobby (horse)
Image Prompt & Upload
Early morning mist drifts through an ancient, sun-dappled forest clearing, revealing a hidden chalk-pit. Sheer, luminous white chalk walls rise from a floor of emerald moss and delicate ferns, their surfaces etched with old tool marks. Sunbeams pierce the canopy, illuminating floating dust motes and clusters of pale, magical-looking wildflowers growing from crevices. A shallow, crystal-clear pool reflects the towering oaks and beeches surrounding the depression. The atmosphere is serene, silent, and steeped in forgotten history. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration