THE STORY of THE HERONS

by Laurence Housman · from Moonshine & Clover

fairy tale transformation tender Ages 8-14 6464 words 29 min read
Cover: THE STORY of THE HERONS

Adapted Version

CEFR A1 Age 5 195 words 1 min Canon 10/100

A kind King lived in a castle. A kind Queen lived there too. Their castle was grand. It had tall towers. They ruled with gentle hearts. They loved each other very, very much. One day, they had a baby girl. She was a pretty princess! King Leo and Queen Luna were very happy. Their hearts were full of love. They loved their baby girl. Her name was Princess Lily. She was a sweet little baby. She brought them much joy. Their group was complete. They smiled at their baby. They held her close. She was their dear child. They wished her a happy life. They sang sweet songs to her. They watched her sleep. Princess Lily was their world.

A Shadow Fairy did not like King Leo. She was very mean. The Shadow Fairy had a dark heart. She liked to cause trouble. She put a bad spell on Princess Lily. "She will love the first thing!" the Shadow Fairy said. Good Fairy Sparkle was there. She was a kind fairy. Good Fairy Sparkle was very clever. She thought fast. Good Fairy Sparkle wanted to help. She knew the spell was strong. She had to

Original Story 6464 words · 29 min read

THE STORY OF THE HERONS

A LONG time ago there lived a King and a Queen who loved each other dearly. They had both fallen in love at first sight; and as their love began so it went on through all their life. Yet this, which was the cause of all their happiness, was the cause also of all their misfortunes.

In his youth, when he was a beautiful young bachelor, the King had had the ill-luck to attract the heart of a jealous and powerful Fairy; and though he never gave her the least hope or encouragement, when she heard that his love had been won at first sight by a mere mortal, her rage and resentment knew no bounds. She said nothing, however, but bided her time.

After they had been married a year the Queen presented her husband with a little daughter; before she was yet a day old she was the most beautiful object in the world, and life seemed to promise her nothing but fortune and happiness.

The family Fairy came to the blessing of the new-born; and she, looking at it as it lay beautifully asleep in its cradle, and seeing that it had already as much beauty and health as the heart could desire, promised it love as the next best gift it was within her power to offer. The Queen, who knew how much happiness her own love had brought her, was kissing the good Fairy with all the warmth of gratitude, when a black kite came and perched upon the window-sill crying: "And I will give her love at first sight! The first living thing that she sets eyes on she shall love to distraction, whether it be man or monster, prince or pauper, bird, beast or reptile." And as the wicked Fairy spoke she clapped her wings, and up through the boards of the floor, and out from under the bed, and in through the window, came a crowd of all the ugliest shapes in the world. Thick and fast they came, gathering about the cradle and lifting their heads over the edge of it, waiting for the poor little Princess to wake up and fall in love at first sight with one of them.

Luckily the child was asleep; and the good Fairy, after driving away the black kite and the crowd of beasts it had called to its aid, wrapped the Princess up in a shawl and carried her away to a dark room where no glimmer of light could get in.

She said to the Queen: "Till I can devise a better way, you must keep her in the dark; and when you take her into the open air you must blindfold her eyes. Some day, when she is of a fit age, I will bring a handsome Prince for her; and only to him shall you unblindfold her at last, and make love safe for her."

She went, leaving the King and Queen deeply stricken with grief over the harm which had befallen their daughter. They did not dare to present even themselves before her eyes lest love for them, fatal and consuming, should drive her to distraction. In utter darkness the Queen would sit and cherish her daughter, clasping her to her breast, and calling her by all sweet names; but the little face, except by stealth when it was sound asleep, she never dared to see, nor did the baby-Princess know the face of the mother who loved her.

By and by, however, the family Fairy came again, saying: "Now, I have a plan by which your child may enjoy the delights of seeing, and no ill come of it." And she caused to be made a large chamber, the whole of one side of which was a mirror. High up in the opposite wall were windows so screened that from below no one could look out of them, but across on to the mirror came all the sweet sights of the world, glimpses of wood and field, and the sun and the moon and the stars, and of every bird as it flew by. So the little Princess was brought and set in a screened place looking towards the mirror, and there her eyes learned gradually all the beautiful things of the world. Over the screen, in the glass before her, she learned to know her mother's face, and to love it dearly in a gentle child-like fashion; and when she could talk she became very wise, understanding all that was told her about the danger of looking at anything alive, except by its reflection in the glass.

When she went out into the open air for her health, she always wore a bandage over her eyes, lest she should look, and love something too well: but in the chamber of the mirror her eyes were free to see whatever they could. The good Fairy, making herself invisible, came and taught her to read and make music, and draw; so that before she was fifteen she was the most charming and accomplished, as well as the most beautiful Princess of her day.

At last the Fairy said that the time was come for her world of reflections to be made real, and she went away to fetch the ideal Prince that the Princess might at first sight fall in love with him.

The very day after she was gone, as the morning was fine, the Princess went out with one of her maids for a wait through the woods. Over her patient eyes she wore a bandage of green silk, through which she felt the sunlight fall pleasantly.

Out of doors the Princess knew most things by their sounds. She passed under rustling leaves, and along by the side of running water; and at last she heard the silence of the water, and knew that she was standing by the great fish-pond in the middle of the wood. Then she said to her waiting-woman, "Is there not some great bird fishing out there, for I hear the dipping of his bill, and the water falling off it as he draws out the fish?"

And just as she was saying that, the wicked Fairy, who had long bided her time, coming softly up from behind, pushed the waiting-woman off the bank into the deep water of the pond. Then she snatched away the silk bandage, and before the Princess had time to think or close her eyes, she had lost her heart to a great heron that was standing half-way up to his feathers fishing among the reeds.

The Princess, with her eyes set free, laughed for joy at the sight of him. She stretched out her arms from the bank and cried most musically for the bird to come to her; and he came in grave, stately fashion, with trailing legs, and slow sobbing creak of his wings, and settled down on the bank beside her. She drew his slender neck against her white throat, and laughed and cried with her arms round him, loving him so that she forgot all in the world beside. And the heron looked gravely at her with kind eyes, and, bird-like, gave her all the love he could, but not more; and so, presently, casting his grey wings abroad, lifted himself and sailed slowly back to his fishing among the reeds.

The waiting-woman had got herself out of the water, and stood wringing her clothes and her hands beside the Princess. "O, sweet mistress," she cried, with lamentation, "now is all the evil come about which it was our whole aim to avoid! And what, and what will the Queen your mother say?"

But the Princess answered, smiling, "Foolish girl, I had no thought of what happiness meant till now! See you where my love is gone? and did you notice the bend of his neck, and the exceeding length of his legs, and the stretch of his grey wings as he flew? This pond is his hall of mirrors, wherein he sees the reflection of all his world. Surely I, from my hall of mirrors, am the true mate for him!"

Her maid, seeing how far the evil had gone, and that no worse could now happen, ran back to the palace and curdled all the court's blood with her news. The King and the Queen and all their nobility rushed down, and there they found the Princess with the heron once more in her arms, kissing and fondling it with all the marks of a sweet and maidenly passion. "Dear mother," she said, as soon as she saw the Queen, "the happiness, which you feared would be sorrow, has come; and it is such happiness I have no name for it! And the evil that you so dreaded, see how sweet it is! And how sweet it is to see all the world with my own eyes and you also at last!" And for the first time in her life she kissed her mother's face in the full light of day.

But her mother hung sobbing upon her neck, "O, my darling, my beautiful," she wept, "does your heart belong for ever to this grey bird?"

Her daughter answered, "He is more than all the world to me! Is he not goodly to look upon? Have you considered the bend of his neck, the length of his legs, and the waving of his wings; his skill also when he fishes: what imagination, what presence of mind!"

"Alas, alas," sorrowed the Queen, "dear daughter, is this all true to you?"

"Mother," cried the Princess, clinging to her with entreaty, "is all the world blind but me?"

The heron had become quite fond of the Princess; wherever she went it followed her, and, indeed, without it nowhere would she go. Whenever it was near her, the Princess laughed and sang, and when it was out of her sight she became sad as night. All the courtiers wept to see her in such bondage. "Ah," said she, "your eyes have been worn out with looking at things so long; mine have been kept for me in a mirror."

When the good family Fairy came (for she was at once sent for by the Queen, and told of all that had happened), she said, "Dear Madam, there are but two things you can do: either you can wring the heron's neck, and leave the Princess to die of grief; or you can make the Princess happy in her own way, by——" Her voice dropped, and she looked from the King to the Queen before she went on. "At her birth I gave your daughter love for my gift; now it is hers, will you let her keep it?"

The King and the Queen looked softly at each other. "Do not take love from her," said they, "let her keep it!"

"There is but one way," answered the Fairy.

"Do not tell me the way," said the Queen weeping, "only let the way be!"

So they went with the Fairy down to the great pond, and there sat the Princess, with the grey heron against her heart. She smiled as she saw them come. "I see good in your hearts towards me!" she cried. "Dear godmother, give me the thing that I want, that my love may be happy!"

Then the Fairy stroked her but once with her wand, and two grey herons suddenly rose up from the bank, and sailed away to a hiding-place in the reeds.

The Fairy said to the Queen, "You have made your daughter happy; and still she will have her voice and her human heart, and will remember you with love and gratitude; but her greatest love will be to the grey heron, and her home among the reeds."

So the changed life of the Princess began; every day her mother went down to the pool and called, and the Princess came rising up out of the reeds, and folded her grey wings over her mother's heart. Every day her mother said, "Daughter of mine, are you happy?"

And the Princess answered her, "Yes, for I love and am loved."

Yet each time the mother heard more and more of a note of sadness come into her daughter's voice; and at last one day she said, "Answer me truly, as the mother who brought you into the world, whether you be happy in your heart of hearts or no?"

Then the heron-Princess laid her head on the Queen's heart, and said, "Mother, my heart is breaking with love!"

"For whom, then?" asked the Queen astonished.

"For my grey heron, whom I love, and who loves me so much. And yet it is love that divides us, for I am still troubled with a human heart, and often it aches with sorrow because all the love in it can never be fully understood or shared by my heron; and I have my human voice left, and that gives me a hundred things to say all day, for which there is no word in heron's language, and so he cannot understand them. Therefore these things only make a gulf between him and me. For all the other grey herons in the pools there is happiness, but not for me who have too big a heart between my wings."

Her mother said softly, "Wait, wait, little heron-daughter, and it shall be well with you!" Then she went to the Fairy and said, "My daughter's heart is lonely among the reeds, for the grey heron's love covers but half of it. Give her some companions of her own kind that her hours may become merry again!"

So the Fairy took and turned five of the Princess's ladies'-maids into herons, and sent them down to the pool.

The five herons stood each on one leg in the shallows of the pool, and cried all day long; and their tears fell down into the water and frightened away the fish that came their way. For they had human hearts that cried out to be let go. "O, cruel, cruel," they wept, whenever the heron-Princess approached, "see what we suffer because of you, and what they have made of us for your sake!"

The Princess came to her mother and said, "Dear mother, take them away, for their cry wearies me, and the pool is bitter with their tears! They only awake the human part of my heart that wants to sleep; presently, maybe, if it is let alone, it will forget itself."

Her mother said, "It is my coming every day also that keeps it awake." The Princess answered, "This sorrow belongs to my birthright; you must still come; but for the others, let the Fairy take them away."

So the Fairy came and released the five ladies'-maids whom she had changed into herons. And they came up out of the water, stripping themselves of their grey feather-skins and throwing them back into the pool. The Fairy said, "You foolish maids, you have thrown away a gift that you should have valued; these skins you could have kept and held as heirlooms in your family."

The five maids answered, "We want to forget that there are such things as herons in the world!"

After much thought the Queen said to the Fairy, "You have changed a Princess into a heron, and five maids into herons and back again; cannot you change one heron into a Prince?" But the Fairy answered sadly, "Our power has limits; we can bring down, but we cannot bring up, if there be no heart to answer our call. The five maids only followed their hearts, that were human, when I called them back; but a heron has only a heron's heart, and unless his heart become too great for a bird and he earn a human one, I cannot change him to a higher form." "How can he earn a human one?" asked the Queen. "Only if he love the Princess so well that his love for her becomes stronger than his life," answered the Fairy. "Then he will have earned a human body, and then I can give him the form that his heart suits best. There may be a chance, if we wait for it and are patient, for the Princess's love is great and may work miracles."

A little while after this, the Queen watching, saw that the two herons were making a nest among the reeds. "What have you there?" said the mother to her daughter. "A little hollow place," answered the heron-Princess, "and in it the moon lies." A little while after she said again, "What have you there, now, little daughter?" And her daughter answered, "Only a small hollow space; but in it two moons lie."

The Queen told the family Fairy how in a hollow of the reeds lay two moons. "Now," said the Fairy, "we will wait no longer. If your daughter's love has touched the heron's heart and made it grow larger than a bird's, I can help them both to happiness; but if not, then birds they must still remain."

Among the reeds the heron said in bird language to his wife, "Go and stretch your wings for a little while over the water; it is weary work to wait here so long in the reeds." The heron-Princess looked at him with her bird's eyes, and all the human love in her heart strove, like a fountain that could not get free, to make itself known through them; also her tongue was full of the longing to utter sweet words, but she kept them back, knowing they were beyond the heron's power to understand. So she answered merely in heron's language, "Come with me, and I will come!"

They rose, wing beating beside wing; and the reflection of their grey breasts slid out under them over the face of the water.

Higher they went and higher, passing over the tree tops, and keeping time together as they flew. All at once the wings of the grey heron flagged, then took a deep beat; he cried to the heron-Princess, "Turn, and come home, yonder there is danger flying to meet us!" Before them hung a brown blot in the air, that winged and grew large. The two herons turned and flew back. "Rise," cried the grey heron, "we must rise!" and the Princess knew what was behind, and struggled with the whole strength of her wings for escape.

The grey heron was bearing ahead on stronger wing. "With me, with me!" he cried. "If it gets above us, one of us is dead!" But the falcon had fixed his eye on the Princess for his quarry, and flew she fast, or flew she slow, there was little chance for her now. Up and up she strained, but still she was behind her mate, and still the falcon gained.

The heron swung back to her side; she saw the anguish and fear of his downward glance as his head ranged by hers. Past her the falcon went, towering for the final swoop.

The Princess cried in heron's language, "Farewell, dear mate, and farewell, two little moons among the reeds!" But the grey heron only kept closer to her side.

Overhead the falcon closed in its wings and fell like a dead weight out of the clouds. "Drop!" cried the grey heron to his mate.

At his word she dropped; but he stayed, stretching up his wings, and, passing between the descending falcon and its prey, caught in his own body the death-blow from its beak. Drops of his blood fell upon the heron-Princess.

He stricken in body, she in soul, together they fell down to the margin of the pool. The falcon still clung fleshing its beak in the neck of its prey. The heron-Princess threw back her head, and, darting furiously, struck her own sharp bill deep into the falcon's breast. The bird threw out its wings with a hoarse cry and fell back dead, with a little tuft of the grey heron's feathers still upon its beak.

The heron-Princess crouched down, and covered with her wings the dying form of her mate; in her sorrow she spoke to him in her own tongue, forgetting her bird's language. The grey heron lifted his head, and, gazing tenderly, answered her with a human voice:

"Dear wife," he said, "at last I have the happiness so long denied to me of giving utterance in the speech that is your own to the love that you have put into my heart. Often I have heard you speak and have not understood; now something has touched my heart, and changed it, so that I can both speak and understand."

"O, beloved!" She laid her head down by his. "The ends of the world belong to us now. Lie down, and die gently by my side, and I will die with you, breaking my heart with happiness."

"No," said the grey heron, "do not die yet! Remember the two little moons that lie in the hollow among the reeds." Then he laid his head down by hers, being too weak to say more.

They folded their wings over each other, and closed their eyes; nor did they know that the Fairy was standing by them, till she stroked them both softly with her wand, saying to each of them the same words:

"Human heart, and human form, come out of the grey heron!"

And out of the grey heron-skins came two human forms; the one was the Princess restored again to her own shape, but the other was a beautiful youth, with a bird-like look about the eyes, and long slender limbs. The Princess, as she gazed on him, found hardly any change, for love remained the same, binding him close to her heart; and, grey heron or beautiful youth, he was all one to her now.

Then came the Queen, weeping for joy, and embracing them both, and after them, the Fairy. "O, how good an ending," she cried, "has come to that terrible dream! Let it never be remembered or mentioned between us more!" And she began to lead the way back to the palace.

But the youth, to whom the Fairy gave the name of Prince Heron, turned and took up the two heron-skins which he and his wife had let fall, and followed, carrying them upon his arm. And as they came past the bed of reeds, the Princess went aside, and, stooping down in a certain place drew out from thence something which she came carrying, softly wrapped in the folds of her gown.

With what rejoicing the Princess and her husband were welcomed by the King and all the Court needs not to be told. For a whole month the festivities continued; and whenever she showed herself, there was the Princess sitting with two eggs in her lap, and her hands over them to keep them warm. The King was impatient. "Why cannot you send them down to the poultry yard to be hatched?" he said.

But the Princess replied smiling, "My moons are my own, and I will keep them to myself."

"Do you hear?" she said one day, at last; and everybody who listened could hear something going "tap, tap," inside the shells. Presently the eggs cracked, and out of each, at the same moment, came a little grey heron.

When she saw that they were herons, the Queen wrung her hands. "O Fairy," she cried, "what a disappointment is this! I had hoped two beautiful babies would have come out of those shells."

But the Fairy said, "It is no matter. Half of their hearts are human already; birds' hearts do not beat so. If you wish it, I can change them." So she stroked them softly with her wand, saying to each, "Human heart, and human form, come out of the grey heron!"

Yet she had to stroke them three times before they would turn; and she said to the Princess, "My dear, you were too satisfied with your lot when you laid your moon-children. I doubt if more than a quarter of them is human."

"I was very satisfied," said the Princess, and she laughed across to her husband.

At last, however, on the third stroke of the wand, the heron's skins dropped off, and they changed into a pair of very small babies, a boy and a girl. But the difference between them and other children was, that instead of hair, their heads were covered with a fluff of downy grey feathers; also they had queer, round, bird-like eyes, and were able to sleep standing.

Now, after this the happiness of the Princess was great; but the Fairy said to her, "Do not let your husband see the heron-skins again for some while, lest with the memory a longing for his old life should return to him and take him away from you. Only by exchange with another can he ever get back his human form again, if he surrenders it of his own free will. And who is there so poor that he would willingly give up his human form to become a bird?"

So the Princess took the four coats of feathers—her own and her husband's and her two children's—and hid them away in a closet of which she alone kept the key. It was a little gold key, and to make it safe she hung it about her neck, and wore it night and day.

The Prince said to her, "What is that little key that you wear always hung round your neck?"

She answered him, "It is the key to your happiness and mine. Do not ask more than that!" At that there was a look in his face that made her say, "You are happy, are you not?"

He kissed her, saying, "Happy, indeed! Have I not you to make me so?" Yet though, indeed, he told no untruth, and was happy whenever she was with him, there were times when a restlessness and a longing for wings took hold of him; for, as yet, the life of a man was new and half strange to him, and a taint of his old life still mixed itself with his blood. But to her he was ashamed to say what might seem a complaint against his great fortune; so when she said "happiness," he thought, "Is it just the turning of that key that I want before my happiness can be perfect?"

Therefore, one night when the early season of spring made his longing strong in him, he took the key from the Princess while she slept, and opened the little closet in which hung the four feather coats. And when he saw his own, all at once he remembered the great pools of water, and how they lay in the shine and shadow of the moonlight, while the fish rose in rings upon their surface. And at that so great a longing came into him to revisit his old haunts that he reached out his hand and took down the heron-skin from its nail and put it over himself; so that immediately his old life took hold of him, and he flew out of the window in the form of a grey heron.

In the morning the Princess found the key gone from her neck, and her husband's place empty. She went in haste to the closet, and there stood the door wide with the key in it, and only three heron-skins hanging where four had used to be.

Then she came crying to the family Fairy, "My husband has taken his heron-skin and is gone! Tell me what I can do!"

The Fairy pitied her with all her heart, but could do nothing. "Only by exchange," said she, "can he get back his human shape; and who is there so poor that he would willingly lose his own form to become a bird? Only your children, who are but half human, can put their heron-skins on and off as they like and when they like."

In deep grief the Princess went to look for her husband down by the pools in the wood. But now his shame and sorrow at having deceived her were so great that as soon as he heard her voice he hid himself among the reeds, for he knew now that, having put on his heron-skin again, he could not take it off unless some one gave him a human form in exchange.

At last, however, so pitiful was the cry of the Princess for him, that he could bear to hear it no more; but rising up from the reeds came trailing to her sadly over the water. "Ah, dear love!" she said when he was come to her, "if I had not distrusted you, you would not have deceived me: thus, for my fault we are punished." So she sorrowed, and he answered her:

"Nay, dear love, for if I had not deceived you, you would not have distrusted me. I thought I was not happy, yet I feared to tell it you." Thus they sorrowed together, both laying on themselves the blame and the burden.

Then she said to him: "Be here for me to-night, for now I must go; but then I shall return."

She went back to the palace, and told her mother of all that had happened. "And now," she said, "you who know where my happiness lies will not forbid me from following it; for my heart is again with the grey heron." And the Queen wept, but would not say her no.

So that night the Princess went and kissed her children as they slept standing up in their beds, with their funny feather-pates to one side; and then she took down her skin of feathers and put it on, and became changed once more into a grey heron. And again she went up to the two in their cots, and kissed their birdish heads saying: "They who can change at will, being but half human, they will come and visit us in the great pool by the wood, and bring back word of us here."

In the morning the Princess was gone, and the two children when they woke looked at each other and said: "Did we dream last night?"

They both answered each other, "Yes, first we dreamed that our mother came and kissed us; and we liked that. And then we dreamed that a grey heron came and kissed us, and we liked that better still!" They waved their arms up and down. "Why have we not wings?" they kept asking. All day long they did this, playing that they were birds. If a window were opened, it was with the greatest difficulty that they were kept from trying to fly through.

In the Court they were known as the "Feather-pates"; nothing could they be taught at all. When they were rebuked they would stand on one leg and sigh with their heads on one side; but no one ever saw tears come out of their birdish eyes.

Now at night they would dream that two grey herons came and stood by their bedsides, kissing them; "And where in the world," they said when they woke, "are our wings?"

One day, wandering about in the palace, they came upon the closet in which hung the two little feather coats. "O!!!" they cried, and opened hard bright eyes at each other, nodding, for now they knew what they would do. "If we told, they would be taken from us," they said; and they waited till it was night. Then they crept back and took the two little coats from their pegs, and, putting them on, were turned into two young herons.

Through the window they flew, away down to the great fish-pond in the wood. Their father and mother saw them coming, and clapped their wings for joy. "See," they said, "our children come to visit us, and our hearts are left to us to love with. What further happiness can we want?" But when they were not looking at each other they sighed.

All night long the two young herons stayed with their parents; they bathed, and fished, and flew, till they were weary. Then the Princess showed them the nest among the reeds, and told them all the story of their lives.

"But it is much nicer to be herons than to be real people," said the young ones, sadly, and became very sorrowful when dawn drew on, and their mother told them to go back to the palace and hang up the feather coats again, and be as they had been the day before.

Long, long the day now seemed to them; they hardly waited till it was night before they took down their feather-skins, and, putting them on, flew out and away to the fish-pond in the wood.

So every night they went, when all in the palace were asleep; and in the morning came back before anyone was astir, and were found by their nurses lying demurely between the sheets, just as they had been left the night before.

One day the Queen when she went to see her daughter said to her, "My child, your two children are growing less like human beings and more like birds every day. Nothing will they learn or do, but stand all day flapping their arms up and down, and saying, 'Where are our wings, where are our wings?' The idea of one of them ever coming to the throne makes your father's hair stand on end under his crown."

"Oh, mother," said the heron-Princess, "I have made a sad bed for you and my father to lie on!"

One day the two children said to each other, "Our father and mother are sad, because they want to be real persons again, instead of having wings and catching fish the way we like to do. Let us give up being real persons, which is all so much trouble, and such a want of exercise, and make them exchange with us!" But when the two young herons went down to the pond and proposed it to them, their parents said, "You are young; you do not know what you would be giving up." Nor would they consent to it at all.

Now one morning it happened that the Feather-pates were so late in returning to the palace that the Queen, coming into their chamber, found the two beds empty; and just as she had turned away to search for them elsewhere, she heard a noise of wings and saw the two young herons come flying in through the window. Then she saw them take off their feather-skins and hang them up in the closet, and after that go and lie down in their beds so as to look as if they had been there all night.

The Queen struck her hands together with horror at the sight, but she crept away softly, so that they did not know they had been found out. But as soon as they were out of their beds and at play in another part of the palace, the Queen went to the closet, and setting fire to the two heron-skins where they hung, burnt them till not a feather of them was left, and only a heap of grey ashes remained to tell what had become of them.

At night, when the Feather-pates went to the closet and found their skins gone, and saw what had become of them, their grief knew no bounds. They trembled with fear and rage, and tears rained out of their eyes as they beheld themselves deprived of their bird bodies and made into real persons for good and all.

"We won't be real persons!" they cried. But for all their crying they knew no way out of it. They made themselves quite ill with grief; and that night, for the first time since they had found their way to the closet, they stayed where their nurses had put them, and did not even stand up in their beds to go to sleep. There they lay with gasping mouth, and big bird-like eyes all languid with grief, and hollow grey cheeks.

Presently their father and mother came seeking for them, wondering why they had not come down to the fish-pond as they were wont. "Where are you, my children?" cried the heron-Princess, putting her head in through the window.

"Here we are, both at death's door!" they cried. "Come and see us die! Our wicked grandam has burnt our feather-skins and made us into real persons for ever and ever, Amen. But we will die rather!"

The parent herons, when they heard that, flew in through the window and bent down over the little ones' beds.

The two children reached up their arms. "Give us your feathers!" they cried. "We shall die if you don't! We will die if you don't! O, do!" But still the parent birds hesitated, nor knew what to do.

"Bend down, and let me whisper something!" said the boy to his father: and "Bend down, and whisper!" cried the girl to her mother. And father and mother bent down over the faces of their sick children. Then these, both together, caught hold of them, and crying, "Human heart, and human form, exchange with the grey heron!" pulled off their parents' feather-skins, and put them upon themselves.

And there once more stood Prince Heron and the Princess in human shape, while the two children had turned into herons in their place.

The young herons laughed and shouted and clapped their wings for joy. "Are you not happy now?" cried they. And when their parents saw the joy, not only in their children's eyes, but in each other's, and felt their hearts growing glad in the bodies they had regained, then they owned that the Feather-pates had been wise in their generation, and done well according to their lights.

So it came about that the Prince and the Princess lived happily ever after, and the two young herons lived happily also, and were the best-hearted birds the world ever saw.

In course of time the Prince and Princess had other children, who pleased the old King better than the first had done. But the parents loved none better than the two who lived as herons by the great fish-pond in the wood; nor could there be greater love than was found between these and their younger brothers and sisters, whose nature it was to be real persons.



Story DNA fairy tale · tender

Moral

True love and happiness can be found in unexpected forms and may require sacrifice and understanding.

Plot Summary

A King and Queen's daughter is cursed by a jealous Fairy to fall in love with the first living thing she sees. Despite efforts to protect her, she falls for a heron and marries him, leading to her and the King's transformation into herons. Their half-human children, the 'Feather-pates', discover their heron skins and prefer their bird forms. When their grandmother burns their skins, trapping them as humans, the children, on the brink of death, trick their parents into exchanging forms, restoring the King and Queen to human life and allowing the children to live happily as herons, maintaining a loving family bond.

Themes

love and sacrificeidentity and belongingnature vs. nurtureparental love

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition of key phrases, emphasis on emotional states

Narrative Elements

Conflict: person vs supernatural
Ending: happy
Magic: fairies (good and wicked), curses, transformation (human to animal and vice-versa), magical mirror chamber
the heron (symbol of freedom, nature, and the Princess's true love)the mirror (symbol of controlled perception and safety)feather-skins (symbol of identity and choice)

Cultural Context

Origin: English
Era: timeless fairy tale

Reflects common European fairy tale tropes of curses, transformations, and the struggle between good and evil magic.

Plot Beats (13)

  1. A King and Queen, deeply in love, have a daughter.
  2. A jealous Fairy curses the Princess to fall in love with the first living thing she sees, while a good Fairy tries to protect her by keeping her in darkness and then in a mirror chamber.
  3. The Princess grows up seeing only reflections, learning to love her mother's reflection and understanding her danger.
  4. The wicked Fairy orchestrates for the Princess to see a heron, with whom she instantly falls in love.
  5. The Princess marries the heron, despite her parents' sorrow, and they have two children who are half-human, half-heron.
  6. The King, out of love for his wife, also transforms into a heron, and the family lives by the pond.
  7. The children, known as 'Feather-pates', discover their heron skins and begin to secretly transform and spend nights as birds.
  8. The Queen, observing her grandchildren's growing bird-like behavior and inability to learn human ways, becomes distressed.
  9. The Queen discovers the children's secret and burns their heron skins, trapping them permanently in human form.
  10. The Feather-pates fall gravely ill from grief, refusing to live as humans.
  11. The children trick their parents into exchanging skins, turning the King and Queen back into humans and themselves into full herons.
  12. The King and Queen regain their human forms and happiness, while the children joyfully embrace their lives as herons.
  13. The family maintains a loving relationship, with the human parents having more human children, but cherishing their heron children equally.

Characters 8 characters

The King ◆ supporting

human adult male

A man of noble bearing, likely of average height and a strong, regal build, reflecting a life of comfort but also responsibility. His features would be considered handsome, as he attracted the attention of a powerful fairy in his youth.

Attire: Rich, formal court attire typical of a European king, perhaps a tunic of deep velvet or brocade, embroidered with gold thread, worn over fine linen. A heavy, jeweled crown would be a constant accessory, especially when discussing matters of state.

Wants: To protect his daughter and ensure her happiness and a normal life; to maintain the royal lineage and stability of his kingdom.

Flaw: His deep love for his wife, which initially attracted the wicked fairy's wrath; his inability to directly intervene in the magical curse.

He endures the suffering of his daughter's curse and the transformation of his grandchildren, eventually finding happiness when his original form is restored and his children find their own joy.

His jeweled crown, which he wears even when his hair 'stands on end' from worry.

Loving, devoted, responsible, sorrowful, traditional.

Image Prompt & Upload
An adult man of regal appearance, standing upright, facing forward, full body visible from head to toe. He has a noble face with a fair complexion and dark, neatly combed hair. He wears a rich, deep red velvet tunic embroidered with gold thread, over a white linen shirt, and dark breeches. A heavy, ornate golden crown with embedded jewels sits upon his head. He has a concerned, slightly sorrowful expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Queen ◆ supporting

human adult female

A graceful and beautiful woman, likely of slender build, reflecting the elegance expected of a queen. Her beauty was sufficient to win the King's love at first sight.

Attire: Elegant and flowing gowns of fine silk or brocade, in soft, rich colors like sapphire blue or emerald green, adorned with subtle embroidery. She would wear delicate jewelry, but nothing ostentatious.

Wants: To protect her daughter from the curse; to restore her grandchildren to human form; to ensure her family's happiness.

Flaw: Her deep love for her family makes her vulnerable to the curse's effects and the pain it causes.

She endures the long years of her daughter's isolation and the transformation of her grandchildren, eventually taking a decisive action that leads to the resolution of the curse and her family's renewed happiness.

Her gentle, sorrowful expression as she cradles her blindfolded daughter.

Loving, devoted, nurturing, sorrowful, decisive (when burning the skins).

Image Prompt & Upload
An adult woman of graceful appearance, standing upright, facing forward, full body visible from head to toe. She has a gentle, beautiful face with a fair complexion and long, light brown hair styled elegantly. She wears a flowing gown of deep sapphire blue silk with delicate silver embroidery along the sleeves and hem. She has a loving yet sorrowful expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Princess (Heron-Princess) ★ protagonist

human (initially), heron (later) infant (initially), young adult (later), ageless (as heron) female

As an infant, she was the 'most beautiful object in the world.' As a young woman, she is described as the 'most charming and accomplished, as well as the most beautiful Princess of her day.' She has a delicate build and graceful movements, even as a heron.

Attire: As a human, she wears fine, elegant dresses, but often with a green silk bandage over her eyes. As a heron, she wears a coat of grey feathers.

Wants: To experience the world fully; to love and be loved; to protect her children's happiness.

Flaw: The curse of 'love at first sight' makes her vulnerable to inappropriate attachments; her deep love for her heron children makes her reluctant to change them back.

She begins as a protected, innocent child, falls in love with a heron and transforms into one herself, has children who are also herons, and eventually, through her children's actions, is restored to human form, finding lasting happiness.

Her human form with a green silk bandage over her eyes, or her majestic grey heron form.

Innocent, curious, loving, adaptable, sorrowful (when her children are sad), joyful (as a heron).

Image Prompt & Upload
A young adult woman of exquisite beauty, standing upright, facing forward, full body visible from head to toe. She has a delicate, innocent face with a fair complexion and long, wavy golden-blonde hair. She wears a flowing gown of pale lavender silk, embroidered with silver threads. A green silk bandage is tied neatly over her eyes. She has a serene, slightly curious expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Wicked Fairy (Black Kite) ⚔ antagonist

magical creature (fairy in disguise) ageless female

Initially appears as a black kite, a large bird of prey, with dark, ominous feathers and sharp talons. Her true form as a fairy is not explicitly described, but implied to be powerful and malevolent.

Attire: As a black kite, her 'wardrobe' is her dark, sleek feathers. As a fairy, she would likely wear dark, imposing garments, perhaps of a shadowy or thorny texture.

Wants: To punish the King for rejecting her love; to cause misery and misfortune to his family.

Flaw: Her overwhelming jealousy and desire for revenge, which drives her actions.

She initiates the curse and attempts to ensure its success, but is ultimately thwarted by the good fairy and the unexpected resilience of the cursed family.

Her form as a large, menacing black kite perched on a window-sill.

Jealous, vengeful, cruel, patient, cunning.

Image Prompt & Upload
A large, menacing black kite with dark, glossy feathers, sharp talons, and piercing yellow eyes, perched on a stone window-sill. Its head is slightly tilted, observing with a predatory gaze. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Good Fairy (Family Fairy) ◆ supporting

magical creature (fairy) ageless female

Likely delicate and ethereal, with an aura of kindness and wisdom. Her appearance would be gentle and reassuring.

Attire: Flowing, luminous gowns, perhaps in soft greens or blues, made of shimmering, ethereal fabric. She might wear delicate, natural adornments like flowers or leaves.

Wants: To protect the Princess from the curse; to ensure her happiness and safety.

Flaw: Her powers are not absolute, and she cannot entirely undo the wicked fairy's curse, only mitigate its effects.

She acts as a guardian and mentor, devising plans to protect the Princess and guide her towards a safe resolution of the curse.

Her gentle, luminous presence, perhaps with a soft glow around her.

Benevolent, wise, protective, resourceful, patient.

Image Prompt & Upload
An ethereal woman with a kind, serene face, ageless in appearance, standing upright, facing forward, full body visible from head to toe. She has long, flowing silver hair and gentle, luminous blue eyes. She wears a flowing gown of shimmering, pale green fabric that seems to glow softly. Her hands are held gracefully before her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Heron Prince ◆ supporting

heron (initially), human (later) ageless (as heron), young adult (as human) male

As a heron, he is a 'great heron' with grey feathers, a long beak, and trailing legs, moving in a 'grave, stately fashion.' As a human, he is a handsome prince.

Attire: As a heron, his 'wardrobe' is his coat of grey feathers. As a human, he would wear princely attire, perhaps a tunic of fine fabric in muted, natural tones.

Wants: To be with the Princess; to live freely as a heron; to protect his children.

Flaw: His deep love for the Princess and their shared heron life makes him initially reluctant to return to human form.

He begins as a simple heron, becomes a human prince, then transforms back into a heron with the Princess, fathers heron children, and is eventually restored to human form, finding lasting happiness.

His majestic form as a great grey heron, standing tall among the reeds.

Calm, dignified, loving, adaptable, patient.

Image Prompt & Upload
A majestic great grey heron, standing tall and still in shallow water among green reeds. Its long neck is slightly curved, and its sharp eyes are focused. Its plumage is a soft, mottled grey. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Boy (Young Heron) ◆ supporting

human (initially), heron (later) child male

As a human, he is a child, described as having 'gasping mouth, and big bird-like eyes all languid with grief, and hollow grey cheeks' when ill. As a heron, he is a young heron, active and joyful.

Attire: As a human, child's clothing. As a heron, a coat of grey feathers.

Wants: To live as a heron; to make his parents happy; to experience freedom and exercise.

Flaw: His strong desire to be a heron makes him unhappy as a human.

He begins as a human child who prefers his heron form, suffers grief when his heron skin is burned, and ultimately orchestrates the exchange that allows him to live permanently as a heron, finding lasting joy.

His small, grey heron form, flapping wings with joy.

Playful, curious, joyful (as a heron), sorrowful (as a human), decisive, clever.

Image Prompt & Upload
A young boy, around 8 years old, standing upright, facing forward, full body visible from head to toe. He has a pale, thin face with large, expressive dark eyes and short, messy brown hair. He wears a simple, loose-fitting tunic of undyed linen and dark breeches. He has a sorrowful, languid expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Girl (Young Heron) ◆ supporting

human (initially), heron (later) child female

As a human, she is a child, described as having 'gasping mouth, and big bird-like eyes all languid with grief, and hollow grey cheeks' when ill. As a heron, she is a young heron, active and joyful.

Attire: As a human, child's clothing. As a heron, a coat of grey feathers.

Wants: To live as a heron; to make her parents happy; to experience freedom and exercise.

Flaw: Her strong desire to be a heron makes her unhappy as a human.

She begins as a human child who prefers her heron form, suffers grief when her heron skin is burned, and ultimately orchestrates the exchange that allows her to live permanently as a heron, finding lasting joy.

Her small, grey heron form, flapping wings with joy.

Playful, curious, joyful (as a heron), sorrowful (as a human), decisive, clever.

Image Prompt & Upload
A young girl, around 7 years old, standing upright, facing forward, full body visible from head to toe. She has a pale, thin face with large, expressive dark eyes and long, straight brown hair tied with a simple ribbon. She wears a simple, loose-fitting dress of undyed linen. She has a sorrowful, languid expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
No image yet

Royal Palace Nursery

indoor morning implied pleasant weather, as a window is open

A room within a European-style royal palace, likely with ornate furnishings, where the newborn princess sleeps in her cradle. A window is present, allowing a black kite to perch on the sill.

Mood: initially joyful and blessed, quickly turning ominous and fearful

The princess receives the curse of 'love at first sight' from the wicked Fairy, disguised as a black kite, leading to her confinement.

ornate wooden cradle window sill black kite crowd of ugly shapes (monsters, beasts, reptiles) shawl
Image Prompt & Upload
A richly decorated 18th-century European royal nursery, with a carved wooden cradle draped in fine lace. Sunlight streams through a tall, arched window, illuminating dust motes in the air. A menacing black kite with sharp talons perches on the stone window sill, its shadow falling across the room. The floor is polished parquet, and the walls are adorned with tapestries depicting pastoral scenes. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Princess's Mirror Chamber

indoor varies, as it reflects outside conditions

A specially constructed large chamber within the palace. One entire wall is a massive mirror, reflecting views from screened windows high on the opposite wall. These windows are designed to prevent direct viewing out, but allow 'sweet sights of the world' to be seen in reflection.

Mood: safe, educational, visually stimulating yet isolated, a world of reflections

The princess grows up learning about the world and her mother through reflections, protected from the curse.

enormous wall-sized mirror screened windows high on opposite wall princess's screened viewing place glimpses of wood, field, sun, moon, stars, birds in reflection
Image Prompt & Upload
A vast, high-ceilinged chamber within a European palace, one entire wall a seamless, polished silver mirror reflecting a vibrant, sunlit landscape of a dense forest and rolling fields. High on the opposite wall, intricately carved wooden screens obscure tall windows, allowing only filtered light and reflected images onto the mirror. The floor is smooth, light-colored marble, and the air is still and serene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Great Fish-Pond in the Wood

outdoor morning fine, pleasant morning with sunlight

A large, deep fish-pond situated in the middle of a dense wood. The banks are steep in places, and reeds grow abundantly in the water, providing cover for fishing birds.

Mood: initially peaceful and natural, quickly becoming a scene of dramatic revelation and cursed love

The wicked Fairy pushes the waiting-woman into the pond, removes the princess's blindfold, and she falls in love with a heron.

large, deep fish-pond dense woods/forest surrounding reeds in the water steep bank heron fishing green silk blindfold
Image Prompt & Upload
A tranquil, deep fish-pond nestled within a dense, ancient European forest. Tall, slender reeds grow thickly along the water's edge, their green stalks reflected in the still, dark water. Sunlight filters through the overhead canopy of mature oak and beech trees, dappling the forest floor and the pond's surface. The bank is steep and earthy, covered in moss and fallen leaves. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Heron Nest among the Reeds

outdoor night implied mild weather suitable for nesting

A hidden nest, likely large and sturdy, constructed by herons within the dense reeds of the great fish-pond. It serves as a temporary home for the heron-parents and their human-turned-heron children.

Mood: secretive, wild, a place of freedom and transformation, yet tinged with sadness for the children

The heron-children visit their parents here, bathing, fishing, and flying, experiencing their bird-lives.

large bird's nest dense reeds fish-pond water moonlight or starlight (implied by night)
Image Prompt & Upload
A large, rough-hewn heron's nest woven from sticks and reeds, nestled deep within a thick bed of tall, swaying reeds at the edge of a still pond. The water is dark and reflects the faint glow of the night sky. The surrounding forest is a shadowy silhouette against the horizon. The air is cool and damp, with the rustling of reeds as the only sound. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.