THE CROWN'S WARRANTY
by Laurence Housman · from The Field of Clover
Adapted Version
Once, in a far land, a kind king lived. He had a good son, Prince Leo. The old king was very sick. He took off his special crown. He put it on Prince Leo's head. "This crown is from God," he said. "Be kind to all. Be fair to all. It made Prince Leo good. It made his heart feel warm.
Queen Malice was Prince Leo's step-mom. She had her own son, Prince Finn. Queen Malice watched Prince Leo. She wanted the crown for Prince Finn. She did not say a word. She kept her wish a secret. She thought of her own son.
Prince Leo wore the magic crown. It helped him be kind. He played with his toys. He was kind to his pets. He was kind to his helpers. All loved Prince Leo. He wanted to be a wise king. He wanted to be fair. He always thought of others.
One night, Prince Leo slept. A Little Mouse ran to his bed. "Prince Leo, run!" said the mouse. "Queen Malice wants to send you away. You must go now." Prince Leo felt sad. He got up. He left the palace in the dark night. He felt scared but brave.
Queen Malice saw Prince Leo was gone. She looked into her magic crystal. The crystal showed her Prince Leo. He ran far away. Queen Malice sent her guards. "Find Prince Leo!" she said. "Bring him back to me." The guards went to look for him.
Prince Leo ran into a big forest. A tall tree helped him hide. Birds brought him food. Fish swam away from the guards. Nature was kind to Prince Leo. The tree said, "Run, Prince Leo." It kept him safe from harm.
Prince Leo walked in the hills. A kind fox saw him. The fox knew Prince Leo was good. The magic crown made the fox feel good. "Come, hide with me," said the fox. The fox helped Prince Leo hide. They found a cozy den.
Prince Leo knew he could not hide always. He found Prince Finn. "Take my crown," he said. Prince Leo gave the crown to Prince Finn. Prince Leo went to a dark room. He hid there all alone. No one knew where he was.
When Prince Finn wore the crown, nature became sad. Trees lost their leaves. Birds flew away. Fish hid in the water. All things felt wrong.
The people saw sad nature. They knew Queen Malice did wrong. They took Queen Malice and Prince Finn. They went to the dark room. It was Prince Leo's hiding room.
Prince Finn felt the crown was heavy. It felt wrong to him. Queen Malice felt very hungry. She started to feel sorry.
Prince Leo was still kind. He shared his food. He gave it to Queen Malice. He gave it to Prince Finn.
Queen Malice was truly sorry now. She took the crown off Prince Finn. She gave it back to Prince Leo.
Nature became happy right away. Prince Leo came from the dark room. He forgave Queen Malice. He forgave Prince Finn.
Queen Malice could not see well. She lived quietly now. She was not mean no more. Prince Leo ruled with kindness. He loved his brother. Being kind is always best.
Original Story
THE CROWN'S WARRANTY
ive hundred years ago or more a king died, leaving two sons: one was the child of his first wife, and the other of his second, who surviving him became his widow. When the king was dying he took off the royal crown which he wore, and set it upon the head of the elder born, the son of his first wife, and said to him: 'God is the lord of the air, and of the water, and of the dry land: this gift cometh to thee from God. Be merciful, over whatsoever thou holdest power, as God is!' And saying these words he laid his hands upon the heads of his two sons and died.
Now this crown was no ordinary crown, for it was made of the gold brought by the Wise men of the East when they came to worship at Bethlehem. Every king that had worn it since then had reigned well and uprightly and had been loved by all his people: but only to himself was it known what virtue lay in his crown; and every king at dying gave it to his son with the same words of blessing.
So, now, the king's eldest son wore the crown; and his step-mother knew that her own son could not wear it while he lived, therefore she looked on and said nothing. Now he was known to all the people of his country, because of his right to the throne, as the king's son; and his brother, the child of the second wife, was called the queen's son. But as yet they were both young, and cared little enough for crowns.
After the king's death the queen was made regent till the king's son should be come to a full age; but already the little king wore the royal crown his father had left him, and the queen looked on and said nothing.
More than three years went by, and everybody said how good the queen was to the little king who was not her own son; and the king's son, for his part, was good to her and to his step-brother, loving them both; and all by himself he kept thinking, having his thoughts guarded and circled by his golden crown, 'How shall I learn to be a wise king, and to be merciful when I have power, as God is?'
So to everything that came his way, to his playthings and his pets, to his ministers and his servants, he played the king as though already his word made life and death. People watching him said, 'Everything that has touch with the king's son loves him.' They told strange tales of him: only in fairy books could they be believed, because they were so beautiful; and all the time the queen, getting a good name for herself, looked on and said nothing.
One night the king's son was lying half-asleep upon his bed, with wise dreams coming and going under the circle of his gold crown, when a mouse ran out of the wainscot and came and jumped up upon the couch. The poor mouse had turned quite white with fear and horror, and was trembling in every limb as it cried its news into the king's ear. 'O king's son,' it said, 'get up and run for your life! I was behind the wainscot in the queen's closet, and this is what I heard: if you stay here, when you wake up to-morrow you will be dead!'
The king's son got up, and all alone in the dark night stole out of the palace, seeking safety for his dear life. He sighed to himself, 'There was a pain in my crown ever since I wore it. Alas, mother, I thought you were too kind a step-mother to do this!'
Outside it was still winter: there was no warmth in the world, and not a leaf upon the trees. He wandered away and away, wondering where he should hide.
The queen, when her villains came and told her the king's son was not to be found, went and looked in her magic crystal to find trace of him. As soon as it grew light, for in the darkness the crystal could show her nothing, she saw many miles away the king's son running to hide himself in the forest. So she sent out her villains to search until they should find him.
As they went the sun grew hot in the sky, and birds began singing. 'It is spring!' cried the messengers. 'How suddenly it has come!' They rode on till they came to the forest.
The king's son, stumbling along through the forest under the bare boughs, thought, 'Even here where shall I hide? Nowhere is there a leaf to cover me.' But when the sun grew warm he looked up; and there were all the trees breaking into bud and leaf, making a green heaven above his head. So when he was too weary to go farther, he climbed into the largest tree he could find; and the leaves covered him.
The queen's messengers searched through all the forest but could not find him; so they went back to her empty handed, not having either the king's crown or his heart to show. 'Fools!' she cried, looking in her magic crystal, 'he was in the big sycamore under which you stopped to give your horses provender!'
The sycamore said to the king's son, 'The queen's eye is on you; get down and run for your life till you get to the hollow tarn-stones among the hills! But if you stay here, when you wake to-morrow you will be dead.'
When the queen's messengers came once more to the forest they found it all wintry again, and without leaf; only the sycamore was in full green, clapping its hands for joy in the keen and bitter air.
The messengers searched, and beat down the leaves, but the king's son was not there. They went back to the queen. She looked long in her magic crystal, but little could she see; for the king's son had hidden himself in a small cave beside the tarn-stones, and into the darkness the crystal could not pry.
Presently she saw a flight of birds crossing the blue, and every bird carried a few crumbs of bread in its beak. Then she ran and called to her villains, 'Follow the birds, and they will take you to where the little wizard is; for they are carrying bread to feed him, and they are all heading for the tarn-stones up on the hills.'
The birds said to the king's son, 'Now you are rested; we have fed you, and you are not hungry. The queen's eye is on you. Up, and run for your life! If you stay here, when you wake up to-morrow you will be dead.'
'Where shall I go?' said the king's son. 'Go,' answered the birds, 'and hide in the rushes on the island of the pool of sweet waters!'
When the queen's messengers came to the tarn-stones, it was as though five thousand people had been feeding: they found crumbs enough to fill twelve baskets full, lying in the cave; but no king's son could they lay their hands on.
The king's son was lying hidden among the rushes on the island of the great pool of sweet waters; and thick and fast came silver-scaled fishes, feeding him.
It took the queen three days of hard gazing in her crystal, before she found how the fishes all swam to a point among the rushes of the island in the pool of sweet waters, and away again. Then she knew: and running to her messengers she cried: 'He is among the rushes on the island in the pool of sweet waters; and all the fishes are feeding him!'
The fishes said to the king's son: 'The queen's eye is on you; up, and swim to shore, and away for your life! For if they come and find you here, when you wake to-morrow you will certainly be dead.'
'Where shall I go?' asked the king's son. 'Wherever I go, she finds me.' 'Go to the old fox who gets his poultry from the palace, and ask him to hide you in his burrow!'
When the queen's messengers came to the pool they found the fishes playing at alibis all about in the water; but nothing of the king's son could they see.
The king's son came to the fox, and the fox hid him in his burrow, and brought him butter and eggs from the royal dairy. This was better fare than the king's son had had since the beginning of his wanderings, and he thanked the fox warmly for his friendship. 'On the contrary,' said the fox, 'I am under an obligation to you; for ever since you came to be my guest I have felt like an honest man.' 'If I live to be king,' said the king's son, 'you shall always have butter and eggs from the royal dairy, and be as honest as you like.'
The queen hugged her magic crystal for a whole week, but could make nothing out of it: for her crystal showed her nothing of the king's son's hiding-place, nor of the fox at his nightly thefts of butter and eggs from the royal dairy. But it so happened that this same fox was a sort of half-brother of the queen's; and so guilty did he feel with his brand-new good conscience that he quite left off going to see her. So in a little while the queen, with her suspicions and her magic crystal, had nosed out the young king's hiding-place.
The fox said to the king's son: 'The queen's eye is on you! Get out and run for your life, for if you stay here till to-morrow, you will wake up and find yourself a dead goose!'
'But where else can I go to?' asked the king's son. 'Is there any place left for me?' The fox laughed, and winked, and whispered a word; and all at once the king's son got up and went.
The queen had said to her messengers, 'Go and look in the fox's hole; and you shall find him!' But the messengers came and dug up the burrow, and found butter and eggs from the royal dairy, but of the king's son never a sign.
The king's son came to the palace, and as he crept through the gardens he found there his little brother alone at play,—playing sadly because now he was all alone. Then the king's son stopped and said, 'Little brother, do you so much wish to be king?' And taking off the crown, he put it upon his brother's head. Then he went on through underground ways and corridors, till he came to the palace dungeons.
Now a dungeon is a hard thing to get out of, but it is easy enough to get into. He came to the deepest and darkest dungeon of all, and there he opened the door, and went in and hid himself.
The queen's son came running to his mother, wearing the king's crown. 'Oh, mother,' he said, 'I am frightened! while I was playing, my brother came looking all dead and white, and put this crown on my head. Take it off for me, it hurts!'
When the queen saw the crown on her son's head, she was horribly afraid; for that it should have so come there was the most unlikely thing of all. She fetched her crystal ball, and looked in, asking where the king's son might be, and, for answer, the crystal became black as night.
Then said the queen to herself, 'He is dead at last!'
But, now that the king's crown was on the wrong head, the air, and the water, and the dry land, over which God is lord, heard of it. And the trees said, 'Until the king's son returns, we will not put forth bud or leaf!'
And the birds said, 'We will not sing in the land, or breed or build nests until the king's son returns!'
And the fishes said, 'We will not stay in the ponds or rivers to get caught, unless the king's son, to whom we belong, returns!'
And the foxes said, 'Unless the king's son returns, we will increase and multiply exceedingly and be like locusts in the land!'
So all through that land the trees, though it was spring, stayed as if it were mid-winter; and all the fishes swam down to the sea; and all the birds flew over the sea, away into other countries; and all the foxes increased and multiplied, and became like locusts in the land.
Now when the trees, and the birds, and the beasts, and the fishes led the way the good folk of the country discovered that the queen was a criminal. So, after the way of the flesh, they took the queen and her little son, and bound them, and threw them into the deepest and darkest dungeon they could find; and said they: 'Until you tell us where the king's son is, there you stay and starve!'
The king's son was playing all alone in his dungeon with the mice who brought him food from the palace larder, when the queen and her son were thrown down to him fast bound, as though he were as dangerous as a den of lions. At first he was terribly afraid when he found himself pursued into his last hiding-place; but presently he gathered from the queen's remarks that she was quite powerless to do him harm.
'Oh, what a wicked woman I am!' she moaned; and began crying lamentably, as if she hoped to melt the stone walls which formed her prison.
Presently her little son cried, 'Mother, take off my brother's crown; it pricks me!' And the king's son sat in his corner, and cried to himself with grief over the harm that his step-mother's wickedness had brought about.
'Mother,' cried the queen's son again, 'night and day since I have worn it, it pricks me; I cannot sleep!'
But the queen's heart was still hard; not if she could help, would she yet take off from her son the crown.
Hours went by, and the queen and her son grew hungry. 'We shall be starved to death!' she cried. 'Now I see what a wicked woman I am!'
'Mother,' cried the queen's son, 'some one is putting food into my mouth!' 'No one,' said the queen, 'is putting any into mine. Now I know what a wicked woman I am!'
Presently the king's son came to the queen also, and began feeding her. 'Someone is putting food into my mouth, now!' cried the queen. 'If it is poisoned I shall die in agony! I wish,' she said, 'I wish I knew your brother were not dead; if I have killed him what a wicked woman I am!'
'Dear step-mother,' said the king's son 'I am not dead, I am here.'
'Here?' cried the queen, shaking with fright. 'Here? not dead! How long have you been here?'
'Days, and days, and days,' said the king's son, sadly.
'Ah! if I had only known that!' cried the queen. 'Now I know what a wicked woman I am!'
Just then, the trap-door in the roof of the dungeon opened, and a voice called down, 'Tell us where is the king's son! If you do not tell us, you shall stay here and starve.'
'The king's son is here!' cried the queen.
'A likely story!' answered the gaolers. 'Do you think we are going to believe that?' And they shut-to the trap.
The queen's son cried, 'Dear brother, come and take back your crown, it pricks so!' But the king's son only undid the queen's bonds and his brother's. 'Now,' said he, 'you are free: you can kill me now.'
'Oh!' cried the queen, 'what a wicked woman I must be! Do you think I could do it now?' Then she cried, 'O little son, bring your poor head to me, and I will take off the crown!' and she took off the crown and gave it back to the king's son. 'When I am dead,' she said, 'remember, and be kind to him!'
The king's son put the crown upon his own head.
Suddenly, outside the palace, all the land broke into leaf; there was a rushing sound in the river of fishes swimming up from the sea, and all the air was loud and dark with flights of returning birds. Almost at the same moment the foxes began to disappear and diminish, and cease to be like locusts in the land.
People came running to open the door of the deepest and darkest dungeon in the palace: 'For either,' they cried, 'the queen is dead, or the king's son has been found!'
'Where is the king's son, then?' they called out, as they threw wide the door. 'He is here!' cried the king; and out he came, to the astonishment of all, wearing his crown, and leading his step-mother and half-brother by the hand.
He looked at his step-mother, and she was quite white; as white as the mouse that had jumped upon the king's bed at midnight bidding him fly for his life. Not only her face, but her hair, her lips, and her very eyes were white and colourless, for she had gone blind from gazing too hard into her crystal ball, and hunting the king's son to death.
So she remained blind to the end of her days; but the king was more good to her than gold, and as for his brother, never did half-brothers love each other better than these. Therefore they all lived very happily together, and after a long time, the queen learned to forget what a wicked woman she had been.
Story DNA
Moral
True kingship is defined by mercy and justice, and wickedness ultimately harms the perpetrator.
Plot Summary
A dying king bestows a magical crown, which ensures good rule and affects nature, upon his elder son. His wicked stepmother plots to kill him for her own son to inherit. The king's son flees, aided by talking animals and nature, but eventually gives his crown to his step-brother and hides in a dungeon. With the crown on the 'wrong' head, nature revolts, causing chaos and revealing the queen's villainy, leading to her imprisonment with her son. In the dungeon, the queen repents, returns the crown to the king's son, who then forgives them both, restoring balance to the land and ruling mercifully.
Themes
Emotional Arc
persecution to triumph and forgiveness
Writing Style
Narrative Elements
Cultural Context
Reflects traditional European fairy tale motifs of wicked stepmothers and magical objects, with a strong emphasis on Christian virtues of mercy and divine oversight.
Plot Beats (15)
- A dying king passes his magical, virtue-imparting crown to his elder son, the 'king's son', with a blessing of mercy.
- The queen, the king's second wife and stepmother to the king's son, secretly desires the crown for her own son.
- The king's son, guided by the crown's influence, strives to be a merciful ruler, loved by all.
- A mouse warns the king's son of the queen's plot to kill him, prompting him to flee the palace at night.
- The queen uses her magic crystal to track the king's son, sending villains to capture him.
- Nature, personified (sycamore tree, birds, fishes), aids the king's son in his escape, providing shelter and food, and warning him of danger.
- The king's son is eventually hidden by a fox, who, influenced by the crown's presence, feels like an honest man.
- Realizing he cannot escape the queen's pursuit, the king's son gives his crown to his step-brother and hides in the deepest dungeon.
- With the crown on the 'wrong' head, nature revolts: trees become barren, birds flee, fish disappear, and foxes multiply, causing chaos in the land.
- The people, observing nature's distress, realize the queen's wrongdoing and imprison her and her son in the same dungeon as the king's son.
- In the dungeon, the queen's son suffers from the crown's 'pricking', and the queen, starving, begins to repent.
- The king's son, still merciful, feeds his stepmother and brother, revealing his survival and presence.
- The queen, fully repentant, removes the crown from her son's head and returns it to the king's son.
- Immediately, nature is restored, the king's son emerges from the dungeon, and he forgives his stepmother and brother.
- The queen remains blind but lives peacefully, and the king's son rules justly and mercifully, loving his brother.
Characters
The King's Son ★ protagonist
A young boy of slender build, with a gentle demeanor. His features are likely fair, consistent with a European royal lineage from 'five hundred years ago or more'.
Attire: Initially, he wears the royal crown. His general attire would be simple, comfortable clothing suitable for a young prince, perhaps a tunic and breeches of fine linen or wool in muted colors, but not overly elaborate until he fully assumes his kingship. When fleeing, he would be in simple, practical clothes.
Wants: To learn to be a wise and merciful king, as his father instructed. To survive his stepmother's plots.
Flaw: His initial innocence and trust in his stepmother, and his youth which makes him vulnerable.
He begins as an innocent child, forced to flee for his life due to his stepmother's treachery. Through his trials, he learns resilience and the true meaning of mercy, eventually forgiving his persecutors and restoring balance to the kingdom.
Merciful, innocent, loving, thoughtful, resilient, forgiving.
Image Prompt & Upload
A young boy, around 8-10 years old, standing upright, facing forward, full body visible from head to toe. He has fair skin, round blue eyes, and light brown hair cut short, falling just above his ears. He wears a simple, long-sleeved tunic of cream-colored linen and dark brown breeches. On his head rests a large, ornate golden crown, slightly askew, adorned with small, unpolished gems. His expression is gentle and slightly melancholic, yet determined. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Queen (Stepmother) ⚔ antagonist
A woman of regal bearing, initially appearing kind and good, but inwardly driven by ambition. Her appearance would be well-maintained, reflecting her status as regent.
Attire: Regal, but not overtly opulent until she gains full power. Perhaps a dark velvet gown with subtle embroidery, a high collar, and long sleeves, indicative of a queen regent. Later, more elaborate, but by the end, her appearance is secondary to her blindness.
Wants: To secure the throne for her own son, by any means necessary, including murder.
Flaw: Her overwhelming ambition and her reliance on dark magic (the crystal ball), which ultimately blinds her.
She begins as a seemingly benevolent regent, secretly plotting murder. Her ambition leads her to increasingly desperate acts, culminating in her blindness and imprisonment. She undergoes a profound transformation, realizing her wickedness and ultimately finding remorse and forgiveness.
Ambitious, cunning, ruthless, deceitful, manipulative, ultimately remorseful and humbled.
Image Prompt & Upload
A middle-aged woman, standing upright, facing forward, full body visible from head to toe. She has a gaunt, stark white face, with completely colorless, sightless eyes. Her lips are pale. Her hair, once dark, is now also stark white and hangs loosely around her shoulders. She wears a simple, dark grey, rough-spun linen gown, indicative of imprisonment. Her posture is slightly hunched, and her hands are clasped loosely in front of her. A look of profound sorrow and regret is etched on her face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Queen's Son ◆ supporting
A young boy, younger than the King's Son, likely of similar European royal lineage. He is depicted as innocent and somewhat timid.
Attire: Simple, comfortable clothing suitable for a young prince, similar to his half-brother, perhaps a tunic and breeches of fine linen or wool. When he wears the crown, it is clearly ill-fitting and causes him discomfort.
Wants: To play and be comfortable. To have the painful crown removed.
Flaw: His youth and innocence make him easily manipulated by his mother and vulnerable to the crown's discomfort.
He remains largely unchanged in personality, serving as a catalyst for the crown's power to manifest its discomfort when on the wrong head. He experiences the negative effects of his mother's ambition firsthand.
Innocent, timid, easily frightened, sensitive to discomfort.
Image Prompt & Upload
A young boy, around 6-8 years old, standing upright, facing forward, full body visible from head to toe. He has fair skin, wide, slightly fearful blue eyes, and light blonde hair cut in a simple bowl cut. He wears a plain, light blue linen tunic and darker blue breeches. A large, ornate golden crown, adorned with small, unpolished gems, is perched precariously on his head, clearly too big and causing him visible discomfort. His expression is one of distress and mild pain. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Mouse ◆ supporting
A small, ordinary house mouse, but one that turns 'quite white with fear and horror' when delivering its warning.
Attire: None.
Wants: To warn the King's Son of danger, driven by fear for its own life and perhaps a natural affinity for the good prince.
Flaw: Its inherent smallness and vulnerability to larger creatures.
Appears briefly to deliver a crucial warning, saving the King's Son's life, and later brings him food in the dungeon.
Fearful, loyal (to the King's Son), courageous (to deliver the warning).
Image Prompt & Upload
A small, white house mouse, standing on its hind legs, facing forward, full body visible head to toe. Its fur is pure white, its eyes are small and black, and its whiskers are twitching. Its body is visibly trembling. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Royal Palace - King's Son's Bedchamber
A private bedchamber within a grand royal palace, likely of a medieval European style, with wainscoting along the walls. The room is dark during the night.
Mood: Initially peaceful and dreamlike, then suddenly tense and fearful.
The king's son is warned by a mouse of his step-mother's plot and flees the palace.
Image Prompt & Upload
A dimly lit bedchamber in a medieval European palace. Heavy velvet drapes are drawn over a tall window, and a large, four-poster bed with rich coverings dominates the center. Wooden wainscoting lines the lower walls, reflecting faint moonlight filtering through a gap in the drapes. The air is still and cool. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Forest
A dense forest that magically shifts between winter and spring. Initially, it has bare boughs and no leaves, then suddenly bursts into bud and full green foliage, particularly a large sycamore tree.
Mood: Initially desolate and exposed, then magically protective and vibrant, later returning to a harsh, wintry feel.
The king's son seeks refuge here, and the forest magically provides cover. The queen's messengers search for him.
Image Prompt & Upload
A dense, ancient European forest in early spring. Gnarled sycamore trees with thick, textured bark are just beginning to unfurl their large, palmate leaves, creating a dappled canopy. Patches of last year's fallen leaves and damp earth cover the ground, interspersed with emerging green shoots. Soft, filtered sunlight streams through the budding branches, casting long shadows. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Hollow Tarn-Stones among the Hills
A rugged, elevated landscape featuring hollow stones near a tarn (small mountain lake). A small cave provides a hiding place.
Mood: Remote, desolate, and initially safe, but later exposed to discovery.
The king's son hides in a cave here, fed by birds, before being urged to move on.
Image Prompt & Upload
A rugged, windswept hillside in a temperate European climate. Large, weathered grey tarn-stones, some with hollowed-out sections, are scattered across sparse, rocky ground. A small, dark cave entrance is nestled among the largest stones. A still, dark tarn reflects the pale sky. Wild grasses and heather cling to the exposed rock. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Deepest and Darkest Dungeon
A subterranean prison cell, described as the 'deepest and darkest dungeon' within the palace, with stone walls and a trap-door in the roof.
Mood: Oppressive, despairing, but surprisingly becomes a place of reconciliation and revelation.
The king's son is imprisoned here, and later his step-mother and half-brother are thrown in with him, leading to their reconciliation and the crown's return.
Image Prompt & Upload
A claustrophobic, subterranean dungeon cell with rough-hewn, damp stone walls. No light source is visible, only the faintest hint of an opening far above, suggesting a trap-door. The air is heavy and cold. The floor is packed earth or rough flagstones. Chains hang from the walls, and the overall impression is one of utter confinement and gloom. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.