THE LUCK of THE ROSES

by Laurence Housman · from The house of joy

fairy tale transformation melancholic Ages 8-14 1930 words 9 min read
Cover: THE LUCK of THE ROSES

Adapted Version

CEFR A1 Age 5 254 words 2 min Canon 85/100

Once, a man and his wife loved red roses. They lived in a pretty valley. Their garden had many red roses. The roses grew very well. The man and his wife were happy. They worked in the garden each day.

They talked to the roses like children. They gave each rose a name. A kind fairy watched over their garden.

One morning, the garden was soft. The roses looked sad and droopy. The man saw a tiny fairy. She was very sad. The fairy was the rose fairy.

The fairy was very old. She said she must rest always. She would get smaller and smaller.

The man and his wife were kind. They took the fairy inside their house. They gave her soft leaves. They gave her sweet water.

All day, the fairy got smaller. She was very weak. The man and his wife cared for her.

At night, the fairy was tiny. She was as small as a bird. She asked to rest in a red rose.

They carried her to the garden. She went into a red rose. She faded away gently.

The man and his wife were sad. They went back inside. They waited softly for the morning.

In the morning, the garden was new. All the red roses were white. The roses changed to keep the fairy.

The man and his wife looked at each other. Their hair was now white. They felt older and changed.

They held hands. They went to pick the white roses. They felt calm close.

Original Story 1930 words · 9 min read

THE LUCK OF THE ROSES

TO

CLEMENCE


THE LUCK OF THE ROSES

Not far from a great town, in the midst of a well-wooded valley, lived a rose-gardener and his wife. All round the old home green sleepy hollows lay girdled by silver streams, long grasses bent softly in the wind, and the half fabulous murmur of woods filled the air.

Up in their rose-garden, on the valley’s side facing the sun, the gardener and his wife lived contentedly sharing toil and ease. They had been young, they were not yet old; and though they had to be frugal they did not call themselves poor. A strange fortune had belonged always to the plot of ground over which they laboured; whether because the soil was so rich, or the place so sheltered from cold, or the gardener so skilled in the craft, which had come down in his family from father to son, could not be known; but certainly it was true that his rose-trees gave forth better bloom and bore earlier and later through the season than any others that were to be found in those parts.

The good couple accepted what came to them, simply and gladly, thanking God. Perhaps it was from the kindness of fortune, or perhaps because the sweet perfume of the roses had mixed itself in their blood, that her man and his wife were so sweet-tempered and gentle in their ways. The colour of the roses was in their faces, and the colour of the rose was in their hearts; to her man she was the most beautiful and dearest of sweethearts, to his wife he was the best and kindest of lovers.

Every morning, before it was light, her man and his wife would go into the garden and gather all the roses that were ripe for sale; then with full baskets on their backs they would set out, and get to the market just as the level sunbeams from the east were striking all the vanes and spires of the city into gold. There they would dispose of their flowers to the florists and salesmen of the town, and after that trudge home again to hoe, and dig, and weed, and water, and prune, and plant for the rest of the day. No man ever saw them the one without the other, and the thought that such a thing might some day happen was the only fear and sorrow of their lives.

That they had no children of their own was scarcely a sorrow to them. “It seems to me,” said her man after they had been married for some years, “that God means that our roses are to be our children since He has made us love them so much. They will last when we are grown grey, and will support and comfort us in our old age.”

All the roses they had were red, and varied little in kind, yet her man and his wife had a name for each of them; to every tree they had given a name, until it almost seemed that the trees knew, and tried to answer when they heard the voices which spoke to them.

“Jane Janet, and you ought to blossom more freely at your age!” his wife might say to one some evening as she went round and watered the flowers; and the next day, when the two came to their dark morning’s gathering, Jane Janet would show ten or twelve great blooms under the light of the lantern, every one of them the birth of a single night.

“Mary Maudlin,” the gardener would say, as he washed the blight off a favourite rose, “to be sure, you are very beautiful, but did I not love you so, you were more trouble than all your sisters put together.” And then all at once great dew-drops would come tumbling down out of Mary Maudlin’s eyes at the tender words of his reproach. So day by day the companionable feet of the happy couple moved to and fro, always intent on the tender nurturing of their children.

In their garden they had bees too, who drew all their honey from the roses, and lived in a cone-thatched hive close under the porch; and that honey was famous through all the country-side, for its flavour was like no other honey made in the world.

Sometimes his wife said to her man, “I think our garden is looked after for us by some good Spirit; perhaps it is the Saints after whom we have named our rose-children.”

Her man made answer, “It is rich in years, which, like an old wine, have made it gain in flavour; it has been with us from father to son for three hundred years, and that is a great while.”

“A full fairy’s lifetime!” said his wife. “’Tis a pity we shall not hand it on, being childless.”

“When we two die,” said her man, “the roses will make us a grave and watch over us.” As he spoke a whole shower of petals fell from the trees.

“Did no one pass, just then?” said his wife.

Now one morning, soon after this, in the late season of roses, her man had gone before his wife into the garden, gathering for the market in the grey dusk before dawn; and wherever he went moths and beetles came flocking to the light of his lantern, beating against its horn shutters and crying to get in. Out of each rose, as the light fell on it, winged things sprang up into the darkness; but all the roses were bowed and heavy as if with grief. As he picked them from the stem great showers of dew fell out of them, making pools in the hollow of his palm.

There was such a sound of tears that he stopped to listen, and, surely, from all round the garden came the “drip, drip” of falling dew. Yet the pathways under foot were all dry: there had been no rain and but little dew. Whence was it, then, that the roses so shook and sobbed? For under the stems, surely, there was something that sobbed; and suddenly the light of the lantern took hold of a beautiful small figure, about three feet high, dressed in old rose and green, that went languidly from flower to flower. She lifted up such tired hands to draw their heads down to hers; and to each one she kissed she made a weary little sound of farewell, her beautiful face broken up with grief; and now and then out of her lips ran soft chuckling laughter, as if she still meant to be glad, but could not.

The gardener broke into tears to behold a sight so pitiful; and his wife had stolen out silently to his side, and was weeping too.

“Drip, drip” went the roses: wherever she came and kissed, they all began weeping. The gardener and his wife knelt down and watched her; in and out, in and out, not a rose-blossom did she miss. She came nearer and nearer, and at last was standing before them. She seemed hardly able to draw limb after limb, so weak was she; and her filmy garments hung heavy as chains.

A little voice said in their ears, “Kiss me, I am dying!”

They tasted her breath of rose.

“Do not die!” they said simply.

“I have lived three hundred years,” she answered. “Now I must die. I am the Luck of the Roses, but I must leave them and die.”

“When must you die?” said her man and his wife.

The little lady said: “Before the last roses are over; the chills of night take me, the first frost will kill me. Soon I must die. Now I must dwindle and dwindle, for little life is left to me, and only so can I keep warm. As life and heat grow less, so must I, till presently I am no more.”

She was a little thing already—not old, she did not seem old, but delicate as a snowflake, and so weary. She laid her head in the hand of the gardener’s wife and sobbed hard.

“You dear people, who belong so much to me too, I have watched over you.”

“Let us watch over you!” said they. They lifted her like a feather-weight, and carried her into the house. There, in the ingle-nook, she sat and shivered, while they brought rose-leaves and piled round her; but every hour she grew less and less.

Presently the sun shone full upon her from the doorway: its light went through her as through coloured glass; and her man and his wife saw, over the ingle behind her, shadows fluttering as of falling rose-petals: it was the dying rose of her life, falling without end.

All day long she dwindled and grew more weak and frail. Before sunset she was smaller than a small child when it first comes into the world. They set honey before her to taste, but she was too weary to uncurl her tiny hands: they lay like two white petals in the green lap of her dress. The half-filled panniers of roses stood where they had been set down in the porch: the good couple had taken nothing to the market that day. The luck of the house lay dying, for all their care; they could but sit and watch.

When the sun had set, she faded away fast: now she was as small as a young wren. The gardener’s wife took her and held her for warmth in the hollow of her hand. Presently she seemed no more than a grasshopper: the tiny chirrup of her voice was heard, about the middle of the night, asking them to take her and lay her among the roses, in the heart of one of the red roses, that there at last she might die and pass into nothing.

They went together into the dark night, and felt their way among the roses; presently they quite lost her tiny form: she had slipped away into the heart of a Jane Janet rose.

The gardener and his wife went back into the house and sat waiting; they did not know for what, but they were too sad at heart to think just then of sleep.

Soon the first greys of morning began to steal over the world; pale shivers ran across the sky, and one bird chirped in its sleep among the trees.

All at once there rang a soft sound of lamentation among the roses in the rose-garden; again and again, like the cry of many gentle wounded things in pain. The gardener and his wife went and opened the door: they had to tell the bees of the fairy’s death. They looked out under the twilight, into the garden they loved. “Drip,” “drip,” “drip” came the sound of steady weeping under the leaves. Peering out through the shadows they saw all the rose-trees rocking themselves softly for grief.

“Snow?” said his wife to her man.

But it was not snow.

Under the dawn all the roses in the garden had turned white; for they knew that the fairy was dead.

The gardener and his wife woke the bees, and told them of the fairy’s death; then they looked in each other’s faces, and saw that they, too, had become white and grey.

With gentle eyes the old couple took hands, and went down into the garden to gather white roses for the market.



Story DNA fairy tale · melancholic

Plot Summary

A devoted rose-gardener and his wife live a joyful life tending their magical red rose garden. One morning, they discover the 'Luck of the Roses,' a small fairy who embodies the garden's spirit, is dying after 300 years. Despite their loving efforts to save her, the fairy dwindles away and eventually passes into one of the roses. At dawn, all the red roses in the garden turn white in mourning, and the gardener and his wife, now also white-haired, accept their profound loss and continue their lives, forever changed.

Themes

love and devotionthe cycle of life and deathinterconnectedness of nature and humanityloss and grief

Emotional Arc

contentment to profound sorrow

Writing Style

Voice: third person omniscient
Pacing: slow contemplative
Descriptive: lush
Techniques: personification, sensory imagery, pathetic fallacy

Narrative Elements

Conflict: person vs nature
Ending: bittersweet
Magic: talking roses (implied through weeping and rocking), a nature fairy (Luck of the Roses), magical transformation of roses (red to white), magical aging/transformation of humans (implied by turning white/grey)
red roses (life, love, passion)white roses (death, mourning, purity, transformation)the fairy (the spirit of the garden, the ephemeral nature of beauty and luck)the gardener and his wife (humanity's connection to and dependence on nature)

Cultural Context

Origin: English
Era: timeless fairy tale

Laurence Housman was an English writer and illustrator, known for his fairy tales and fantasy. This story reflects a late Victorian/Edwardian sensibility, often with a melancholic or spiritual undertone, and a deep connection to nature.

Plot Beats (12)

  1. A rose-gardener and his wife live a happy, simple life tending their exceptionally fertile red rose garden, which has been passed down for 300 years.
  2. They treat their roses like children, naming them and believing a good spirit watches over the garden.
  3. One morning, the gardener finds a tiny, beautiful fairy, the 'Luck of the Roses,' weeping among the flowers, which are also weeping.
  4. The fairy reveals she is 300 years old and must die before the first frost, dwindling away as her life and heat diminish.
  5. The gardener and his wife, filled with pity, bring the weak fairy into their home and try to comfort her with rose-leaves and honey.
  6. Throughout the day, the fairy continues to shrink, becoming smaller and frailer despite their care.
  7. As night falls, the fairy, now no bigger than a wren, asks to be laid in the heart of one of the red roses to die.
  8. The couple takes her to the garden, and she slips away into a Jane Janet rose, disappearing.
  9. They return to the house, heartbroken, and wait for the dawn.
  10. At first light, a sound of lamentation rises from the garden, and they discover all the red roses have turned white in mourning for the fairy.
  11. The gardener and his wife realize they, too, have become white and grey, reflecting their profound grief and the passage of time.
  12. With gentle resignation, the old couple takes hands and goes to gather the white roses for market.

Characters 4 characters

The Rose-Gardener ★ protagonist

human adult male

Of medium height and build, with a gentle demeanor. His face shows the healthy flush of outdoor work, and his hands are likely calloused from tending roses. He is not yet old, but not young either, suggesting a mature adult in his prime.

Attire: Simple, practical working clothes suitable for a gardener in a European valley setting. Likely a sturdy linen or wool tunic, perhaps a leather apron, and practical trousers, all in muted, earthy tones like browns, greens, or undyed linen. Sturdy leather boots for working in the garden.

Wants: To nurture his roses, to live a peaceful life with his wife, and to honor the tradition of his family's rose-gardening craft.

Flaw: His deep emotional connection to his wife and the roses makes him vulnerable to sorrow when either is threatened or lost.

He begins as a content, hardworking gardener. He experiences profound grief at the death of the Luck of the Roses, which ultimately leads to a visible change in his appearance (hair turning white and grey) and a deeper, shared sorrow with his wife.

His hands, calloused and earthy, gently holding a perfect red rose.

Sweet-tempered, gentle, content, hardworking, devout, loving, observant.

Image Prompt & Upload
A mature adult man standing upright, facing forward, full body visible from head to toe. He has a kind, open face with a healthy, rosy complexion and gentle eyes. His hair is dark brown, neatly combed but slightly disheveled from work. He wears a sturdy, undyed linen tunic, practical dark brown trousers, and a worn leather apron over his front. His hands are calloused, and he holds a small, freshly picked red rose with great care. He has a gentle, slightly melancholic expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Rose-Gardener's Wife ★ protagonist

human adult female

Of graceful build, with a gentle and sweet demeanor. Her face, like her husband's, reflects the healthy glow of the roses. She is not yet old, but mature, suggesting a woman in her prime.

Attire: Simple, practical, and modest attire suitable for a gardener's wife in a European valley setting. Likely a long-sleeved linen or cotton dress in a muted color like cream, soft blue, or green, perhaps with a sturdy apron over it. Comfortable, low-heeled shoes or clogs.

Wants: To share a loving life with her husband, to nurture their roses, and to maintain the peaceful harmony of their home and garden.

Flaw: Her deep emotional connection to her husband and the roses makes her vulnerable to sorrow when either is threatened or lost.

She begins as a content, hardworking wife. She experiences profound grief at the death of the Luck of the Roses, which ultimately leads to a visible change in her appearance (hair turning white and grey) and a deeper, shared sorrow with her husband.

Her gentle hands cradling the tiny, fading form of the Luck of the Roses.

Sweet-tempered, gentle, content, hardworking, observant, loving, empathetic.

Image Prompt & Upload
A mature adult woman standing upright, facing forward, full body visible from head to toe. She has a beautiful, kind face with a rosy complexion and soft, observant eyes. Her light brown hair is neatly braided and coiled at the back of her head. She wears a long-sleeved, cream-colored linen dress with a simple, dark green apron tied at the waist. Her hands are clasped gently in front of her. She has a tender, slightly sorrowful expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Luck of the Roses ◆ supporting

magical creature ageless female

A beautiful small figure, initially about three feet high, but constantly dwindling in size. She is delicate as a snowflake, and appears eternally young, though ancient in years. Her form is ethereal, becoming translucent like 'coloured glass' as she fades.

Attire: Filmy garments 'dressed in old rose and green', which hang heavy as chains as she weakens. These clothes are likely made of a translucent, shimmering fabric, resembling delicate petals or leaves, in shades of faded pink and soft green.

Wants: To fulfill her ancient duty of watching over the roses, and ultimately, to find a peaceful end among them.

Flaw: Her existence is tied to the life of the roses and the warmth of the season; the chill of night and the first frost are fatal to her. Her life force is finite and dwindling.

She begins as a sorrowful, dwindling spirit, already in the process of dying. Her arc is one of rapid decline, from a three-foot-tall figure to a tiny wren-sized being, and finally fading into nothingness within a rose, completing her cycle of existence.

Her tiny, translucent form, dressed in old rose and green, fading away like a falling petal.

Grief-stricken, weary, ancient, delicate, loving (towards the roses and the gardeners), resigned to her fate, yet still capable of brief moments of joy.

Image Prompt & Upload
A tiny, delicate female figure, about three feet tall, standing upright, facing forward, full body visible from head to toe. She has a beautiful, sorrowful face with large, weary eyes. Her wispy, rose-petal colored hair is long and flowing. She wears a translucent, shimmering gown in shades of faded pink and soft green, resembling delicate petals. Her hands are lifted tiredly. She has a deeply mournful expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Bees ○ minor

insect ageless non-human

Standard honey bees, described as drawing honey from the roses. They live in a 'cone-thatched hive'.

Wants: To produce honey from the roses.

Flaw: Dependent on the roses for their livelihood.

They are initially a background element, then become recipients of the news of the fairy's death, joining in the collective grief of the garden.

A swarm of bees buzzing around a cone-thatched hive, their bodies dusted with rose pollen.

Industrious, connected to the garden's well-being.

Image Prompt & Upload
A group of honey bees flying around and entering a cone-thatched beehive. The bees have fuzzy, striped bodies and delicate wings. The hive is made of woven straw with a pointed top. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

Rose-Gardener's Home and Valley

outdoor Late season of roses, implying autumn approaching, with 'chills of night' and 'first frost' imminent.

An old home nestled in a well-wooded valley, surrounded by green sleepy hollows girdled by silver streams. Long grasses bend softly in the wind, and the murmur of woods fills the air. The house itself is implied to be a simple, traditional German-style cottage, given the story's tone and the mention of an 'ingle-nook'.

Mood: Peaceful, idyllic, slightly melancholic as the story progresses, with an underlying sense of ancient magic.

The general setting for the couple's life and the source of their livelihood and contentment.

old home/cottage well-wooded valley green sleepy hollows silver streams long grasses woods
Image Prompt & Upload
A traditional German half-timbered Fachwerk cottage with a thatched roof, nestled in a gentle, well-wooded valley. Silver streams wind through soft, rolling green hills covered in long grasses. The morning mist hangs low, filtering the soft, cool light of dawn. Ancient, gnarled oak trees dot the landscape, their leaves beginning to show hints of autumn colors. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Rose-Garden

outdoor dawn | night | morning Late season of roses, with the threat of 'chills of night' and 'first frost'. The final scene shows all roses turned white, covered in 'snow' that is not snow.

A meticulously tended rose-garden on the valley's side, facing the sun. It is filled with many varieties of red roses, each named by the couple. A cone-thatched beehive sits close under the porch of the house, drawing honey from the roses. The pathways are initially dry, but later become wet with the 'tears' of the roses.

Mood: Magical, industrious, deeply sorrowful during the fairy's decline, and ultimately mournful.

The place where the gardener and his wife work, where the Luck of the Roses fairy is discovered, and where she ultimately dies, transforming all the roses white.

rows of red rose bushes cone-thatched beehive garden pathways lantern light dew drops white roses (at the end)
Image Prompt & Upload
A dense, meticulously cultivated rose garden on a sun-facing slope, filled with countless varieties of deep red roses in full bloom. A rustic, cone-thatched beehive sits near a simple wooden porch. The ground is dark, rich soil, with narrow, dry earth pathways winding between the bushes. The air is heavy with the scent of roses. Soft, cool pre-dawn light illuminates the scene, with a single lantern casting warm, flickering glows on individual blossoms. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Ingle-Nook of the Cottage

indoor daytime Cool, late season, with the warmth of the fire and sunlight contrasting with the outdoor chill.

A cozy, recessed corner by the fireplace within the gardener's cottage, where the fairy is brought for warmth. Rose-leaves are piled around her. The doorway allows sunlight to stream in, passing through the fairy's translucent form.

Mood: Intimate, desperate, tender, and ultimately sorrowful as the fairy dwindles.

The place where the gardener and his wife try to save the dying fairy, and where she spends her last hours before being returned to the roses.

ingle-nook (recessed fireplace area) rose-leaves (piled for warmth) doorway with sunlight streaming in shadows fluttering like rose-petals on the wall
Image Prompt & Upload
A warm, rustic ingle-nook within a simple German cottage, featuring a large, rough-hewn stone hearth and a timber mantelpiece. Piles of vibrant red rose petals and leaves are scattered on the stone floor. A wooden doorway on the side allows a shaft of bright, golden afternoon sunlight to cut across the dark timber walls, illuminating dust motes in the air. Shadows resembling falling rose petals flutter on the wall above the hearth. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.