THE WHITE KING
by Laurence Housman · from The house of joy
Adapted Version
Once, a proud Queen lived. She had many lands. She wanted everyone to like her. But one King did not like her. His name was the King. He was kind and happy.
The Queen got very angry. She sent the King a message. The King sent her a special gift. It was a statue of himself. The statue held a small sword. It had a puzzle on it. The Queen looked at the statue. She loved the statue very much.
The King went away. The Queen was sad. She put the statue in her garden. She loved the statue more and more.
The Queen felt very sad. She asked a Fairy for help. The Fairy said, "Put love under the statue." "Then it might come to life."
The Queen found a singer. The singer did not like love. The Queen's Helper liked the singer. The Helper cried for him.
The Queen gave the singer a sleepy drink. He fell asleep by the statue. The Helper came at night. She told the sleeping singer she loved him. She called him "my King."
The Queen made the singer go away forever. She put a special token under the statue. She saw the singer's face. He was the real King! The Queen was very surprised.
The Queen felt very sad. The Helper felt very sad. They remembered the King.
The statue started to move. It could hear and see.
A magic plant grew by the statue. The Queen was scared of it. The Helper loved the plant. She made a crown from its flowers.
The statue sang a song. The Queen was surprised. She knew the song. She thought the statue knew her bad thing.
The statue talked to the Helper. It knew her love. It became the real King! He was alive and kind.
The King and the Helper went home. The magic plant hugged the Queen softly. It said, "Sleep now." The Queen fell asleep forever.
The King and the Helper were happy. The statue place was empty. Kind love is the best love.
Original Story
THE WHITE KING
TO
KATE
THE WHITE KING
Long years ago there was living a Queen who could not keep count of the countries over which she ruled. Her wealth and her wonderful beauty made her an apple of discord to all the kings who lived round about her borders. For love of her they waged perpetual war upon one another, and every king who proved victorious made a gift to the Queen of the country of the one whom he had conquered, in the hopes of thereby strengthening his claim to her favour. Thus it came about that she could no longer keep count of the lands which had fallen under her rule; yet still of all her suitors she chose none.
Now at this time there was one King, and only one, who had not succeeded in losing his heart to the Queen’s majesty, in spite of her wealth and power, and all her wonderful beauty. And so, during a long time, since his fancy was thus free, he was left in undisturbed peace and prosperity, while other kings fought out their jealous battles, and stole away each other’s lands. And because his reign was so quiet and his country in such rest, his people, for a pet-name and for their pride in him, named him “the White King.”
Now after a time the Queen took it as an insult that any one should be so indifferent to the power of her charms, and she began to threaten him with war for this reason and for that, wishing thereby to cajole him into becoming her suitor. But the White King saw through all the disguises with which she covered her meaning, and understood the arrogance of her claim; so one day he sent to her as a gift a statue of himself with his sword sheathed, and all his armour covered over with the cloak of peace. Round the base of it was written
“When a heart in stone doth move,
Then your lover I may prove;
But until the marvel’s done,
Fruitlessly your wars are won.”
The Queen looked once at the statue, and for a long time after never looked away; and when at last she did her heart had been taken captive. Then she looked at the words beneath, and the red flush that rose to her face was not gone when the last of her army passed out of the city gates to carry war into the country of the man who had dared thus to speak scorn of her.
For a whole year the White King fought with the forces she sent against him; but when all the other kings came to her aid, then, stronghold by stronghold, all his cities were taken, and his lands were laid waste and their villages burnt, and nothing but defeat and ruin remained.
Yet in the last battle, when his enemies thought to have him a safe prisoner, all of a sudden they found that the White King had disappeared.
Back came the Queen’s armies in triumph with their allies, and the conquered territory was added as one more to the many that formed her realm. But the Queen sighed as she looked at the White King’s statue, and her triumph grew bitter to her. Day by day, as she looked at the calm marble face, her love for it increased, and she owned sadly to herself, “He whom I have conquered has conquered me!”
Of the lost King himself no tidings could be learned, though search was made far and wide. Minstrels came to the court, and sang of his great deeds in fighting against odds, but of his end they sang variously. Some sang that he lay buried beneath the thickest of the slain; others that from his last battle he had been carried by good fairies, and that after he had been healed of his wounds, he would return in a hundred years and recover his kingdom.
One minstrel came to stay at the court, who sang of ruined homes and wasted fields, and a happy land laid desolate, and how its King wandered friendless and unknown through the world, hiding himself in disguise, sometimes in the cottages of the poor, and sometimes in the dwellings of the rich. But from no one could the Queen learn any news that satisfied her, or gave hope that he would at last bend down his pride, and come and sue to her for forgiveness.
Wishing to have a hiding place for her grief, she caused the statue to be set up in a green glade in the most lonely part of the gardens; and there often she would go and gaze on the calm noble face (whose closed eyes seemed even now to disdain her love), and would wonder how long a queen’s heart took to break.
But after a time she thought, “Though I may never win the love of the White King for my own, is there no way by which my passion can assuage itself, when by lifting my finger I can summon half fairyland to my aid?”
So she called to her the most powerful Fairy she knew, and taking her into the green glade, began sighing and weeping in front of the White King’s statue. “This,” she said, “is the image of the only man on earth I can love! But the man himself is lost, gone I know not where; and my heart is breaking for grief! Give this statue a life and a heart, and teach it to love me, else soon I shall surely be dead!”
The Fairy said to her, “All the might of fairyland could not do so much; but a little of it I can do; and if Fate is kind to you, Fate may bring the rest of it to pass.”
“How much can you do?” asked the Queen.
“This only,” said the Fairy, “but even that you must do for yourself: I can but show you the way. Stone is stone, and out of stone I cannot make a heart; but a heart may grow into it, and this is the way to compass it.
“You must find first a man who is loved, but does not love (for if he loves, the statue’s heart when it wakes will turn from you); and him you must kill with your own hand, and take out his heart and bury it beneath the feet of the statue. Then I will work my charms, and gradually, as a flower draws its life out of the ground, so the statue will draw life out of the human heart buried below. And after a little time you will see it move, and in a little time more its senses will come, and it will be able to hear, and see, and speak. But full life will not come to it until it has learned to love. Then, so soon as it learns to love, it will become no longer stone, but a human being.”
But the Queen said, “Supposing its love were to turn from me to another, where should I be then?”
“Surely,” said the Fairy, “the secret will be your own, and the watching of its life as it grows will be yours. Your voice it will hear, your face it will see; whom, then, will it learn to love more than you?”
“Wait, then, till I have found the man,” said the Queen, “and we will do this thing between us!”
She searched long among her court for some man whose heart was whole, but who was himself loved. Generally, however, she found it was all the other way. There was not a man at the court who was not in love, or did not think himself so; and if there were one who had no thought of love, he was too poor and mean for the love of any woman to be his.
But one day the Queen heard a minstrel in the palace court-yard singing and making merry against love. It was that same minstrel who sang only sad songs of the White King’s lands laid waste and himself a wanderer: a fellow with a dark sunburnt face, and thick hair hanging over his eyes. And as he sang and rattled his jests at the courtiers who stood by to listen, the Queen noticed one of her waiting-women looking out of a small lattice, who, as she watched the singer’s face, and listened to his words, had tears running fast down out of her eyes.
“Is this a case,” thought the Queen, “of a man who is loved but who does not love?”
She sent for the minstrel, and said to him, when he stood bending his head before her, “Is this pretty scorn that you cast on love earnest or jest?”
“Nay,” he answered, “I jest in good earnest; for to speak of love in earnest is to jest about it.”
“So,” said the Queen, “you are heart-whole?”
“Why,” said the minstrel, “I doubt if a mouse could find its way in; and if I am heart-whole in your presence, I ought to be safe from all the world!”
“Now,” thought the Queen, “if only my waiting-woman answers the test, here is the heart I will have out!”
Then she bade the minstrel follow her to where stood the White King’s statue, bidding him sit down under it and sing her more of his rhymes about love.
So the minstrel crossed his legs in the long grass and sang. His song became bitter to the Queen’s ears, for he took the words that were round the statue, and rhymed them and chimed them, and threw them laughing in the Queen’s face. She hated him so that she could have poisoned him; but she remembered that his life was necessary for her experiment to reach its end. So she sent instead for a sleepy wine, which she gave him to drink, and presently his voice grew thick and his head dropped down upon his breast, and his legs slid out and brought him down level with the grass. When night came on she left him soundly sleeping with his head between the feet of the White King’s statue.
Then she sent for the waiting-woman and said, “Go down to the White King’s statue, and find for me my handkerchief which I have dropped there.” But as the girl went, the Queen stole secretly after her, and watched her come to where the minstrel lay asleep.
And when the waiting-maid saw him lying so, with his face thrown back, she knelt down in the grass by his side, and putting her arms softly about him, kissed him upon the lips over and over again as though she could never come to an end, and her tears dropped down on to his face, and, as if her mind were gone mad for love of him, the Queen heard her sighing, “Oh, White King, my White King, my Beloved, whom I love, but who loves me not!”
As soon as the waiting-maid was gone, the Queen came softly to the place, and with a sharp knife she cut out the minstrel’s heart and buried it at the base of the statue.
In the morning the minstrel was found lying dead, with his heart gone; and when they washed the dead face and put back the hair that covered the eyes, they found that it was the White King himself.
That day, and for many days after, there were two women weeping in the palace: one was the Queen and the other was the waiting-woman. But the body of the White King they buried close by the statue in the green glade.
Now presently, when the first violence of her grief was over, the Queen came to look at the place; and, sure enough, the Fairy had been there with her spells. When the wind blew the statue swayed gently like a tree in the wind.
The Queen caused gates and barriers to be put up so that no one should enter the glade but herself; only Love found a way, and at night, when all the world was asleep, the waiting-woman crept through a loose pale in the barriers, and came to moan over the place where her lover had been slain.
All night she would lie with her arms round the feet of the White King’s statue, and dream of the dead minstrel whom she had loved and known through all his disguise. And all night long her lips would murmur his name, and whisper over and over again the sad story of her love.
And presently, as the statue drew life from the heart buried beneath its feet, its ears were opened and it heard.
In the daytime the Queen would come and sit before it and whisper to it of love, offering it all the gifts of riches and power that are in the hands of kings to give; but at night came the waiting-woman and offered it only love.
Out of the ground the Queen saw grow a small plant, that began to creep upwards and to wind itself round the base of the statue; and when she saw that its flower was the deadly nightshade, her heart trembled and her conscience made her afraid.
But the waiting-maid, when she saw it, picked the sad blossoms and made a crown for the statue’s head as of pale amethyst and gold: for she said to herself, “Down below my dear lies dead, and the roots of this flower are in his hair.”
One day as the Queen came into the glade, she heard the dead minstrel’s voice, and her heart shook with terror as she saw the statue open its white lips and sing, and recognised the tune and the words as those which had made her heart feel so bitter against him; for she thought, “What if he knows that it is I who have slain him?”
Now that she saw that the stone had its five senses, and could see and speak and hear, she pleaded to it all day out of the greatness of her grief and her love. But the statue never returned her word.
At night, lying with her face bowed between the White King’s statue’s feet, the waiting-woman knew nothing of all this change; only the statue heard and saw and knew. And at last one day as her tears dropped on them, she felt the feet grow warm between her hands; and a voice over her head that she remembered and loved, said, “Little heart, why are you weeping so?”
In the morning the Queen came and found the statue gone. There on the pedestal was only the print of his feet, half covered by the deadly nightshade which had climbed up to his knees and fallen. There it lay heavy and half-withered, clasping the hollows where his feet had been.
The Queen knelt down and caught the bare stone pedestal in her arms. “Oh, Love,” she cried, “have you left me? Oh, White King, my White King, have you betrayed me?” And as she clung there weeping, her lips touched the deadly nightshade; and the nightshade thrilled, and felt joy give new life down into its roots.
It reached up and laid its arms about the Queen, about her throat, and about her feet and about her waist. “Dearly, dearly we love each other,” said the nightshade, “do we not?”
At night the courtiers came, and found only a dead Queen lying, and the statue gone.
But the White King had gone home to his own land to marry the waiting-woman.
Story DNA
Moral
True love, even when unrequited, holds a power that selfish desire cannot overcome.
Plot Summary
A powerful Queen, accustomed to adoration, wages war on the 'White King' for his indifference. After his defeat and disappearance, she falls in love with his statue. A Fairy advises her to bury the heart of a loved but unloving man beneath it to bring it to life. The Queen finds such a man in a minstrel, who is secretly loved by her waiting-woman. The Queen kills the minstrel, only to discover he was the White King in disguise. The statue slowly comes to life, hearing the waiting-woman's devoted laments, and eventually transforms into the living White King, choosing the waiting-woman. The Queen, consumed by her own cruel actions, is killed by a poisonous plant that grew from the buried heart.
Themes
Emotional Arc
pride to despair for the Queen; suffering to triumph for the White King and waiting-woman
Writing Style
Narrative Elements
Cultural Context
Reflects common fairy tale tropes of powerful queens, magical intervention, and the triumph of true love over ambition.
Plot Beats (14)
- A powerful Queen rules many lands but remains unchosen by her numerous suitors; only the 'White King' is indifferent to her.
- The Queen, insulted, wages war on the White King, who sends her a statue symbolizing his defiance and a riddle about his heart.
- The White King is defeated and disappears, leaving the Queen with his statue, which she places in her garden and falls deeply in love with.
- The Queen, desperate, consults a Fairy who tells her to bury the heart of a man who is loved but does not love beneath the statue to bring it to life.
- The Queen finds a minstrel who scorns love and observes her waiting-woman secretly weeping for him, confirming he is loved but unloving.
- The Queen intoxicates the minstrel, leaves him by the statue, and later observes the waiting-woman confessing her love to the sleeping minstrel, calling him 'White King'.
- The Queen kills the minstrel, buries his heart, and discovers to her horror that the minstrel was the White King in disguise.
- Both the Queen and the waiting-woman mourn the White King, whose body is buried near the statue.
- The statue begins to show signs of life, swaying and eventually hearing and seeing.
- A deadly nightshade plant grows from the buried heart, which the Queen fears but the waiting-woman cherishes, believing its roots are in her lover's hair.
- The statue sings the minstrel's defiant song, terrifying the Queen, who realizes it knows her crime.
- The statue finally speaks to the waiting-woman, recognizing her love, and transforms into the living White King.
- The White King and the waiting-woman leave together, while the deadly nightshade embraces and kills the Queen.
- The White King returns to his land with the waiting-woman, leaving the Queen dead and the statue's pedestal empty.
Characters
The Queen ⚔ antagonist
A woman of striking beauty, her features are sharp and commanding, reflecting her arrogance and power. She carries herself with an air of regal authority, accustomed to being admired and obeyed.
Attire: Luxurious gowns made of rich silks and velvets, adorned with intricate embroidery and precious jewels. Her attire would emphasize her wealth and status, perhaps in deep jewel tones like emerald or sapphire, with a fitted bodice and a wide, flowing skirt. She would wear a crown or an elaborate headpiece.
Wants: To possess the White King, first out of pride and later out of genuine, albeit misguided, love. She desires to conquer all who defy her, especially those who resist her charms.
Flaw: Her overwhelming pride and possessiveness, which lead her to commit terrible acts and ultimately to her own demise. She cannot accept rejection.
Begins as an arrogant, indifferent ruler, becomes obsessed with the White King, commits murder out of desperation to win his love, and ultimately dies alone and heartbroken, consumed by the very plant that grew from her act.
Arrogant, possessive, determined, cruel, and ultimately heartbroken. She is accustomed to getting her way and views indifference as a personal insult.
Image Prompt & Upload
A young adult woman standing upright, facing forward, full body visible from head to toe. She has a commanding presence, with a proud expression. Her dark, elaborately styled hair is adorned with a jeweled crown. She wears a rich, deep emerald green velvet gown with intricate gold embroidery, a fitted bodice, and a wide, flowing skirt. Her eyes are dark and piercing. She holds a small, sharp silver knife in her right hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The White King ★ protagonist
A man of noble bearing, his physique is strong and capable, reflecting his warrior status, yet his demeanor is calm and peaceful. He is described as having a 'calm marble face' in his statue form, suggesting classic, handsome features.
Attire: Initially, full armor covered by a cloak of peace. Later, disguised as a minstrel, he would wear simple, worn traveling clothes: a tunic of coarse wool or linen, simple breeches, and sturdy leather boots, perhaps in muted earth tones. His minstrel attire would be unassuming to avoid recognition.
Wants: To live in peace and protect his kingdom. Later, to find true love and escape the Queen's possessive advances.
Flaw: His initial indifference to the Queen's charms, which provokes her wrath. His vulnerability to disguise and the Queen's treachery.
Begins as a peaceful, indifferent king, is forced into war, loses his kingdom, goes into hiding, is murdered, and is resurrected through the love of the Waiting-Woman, ultimately finding true love and reclaiming his life.
Peaceful, principled, steadfast, brave, and ultimately loving. He values peace and integrity over power and superficial beauty.
Image Prompt & Upload
A young adult man standing upright, facing forward, full body visible from head to toe. He has a noble, serene expression with clear, steady eyes. His dark hair is neatly styled. He wears a simple, worn tunic of forest green linen, brown breeches, and sturdy leather boots. He holds a wooden lute in his left hand, resting against his side. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Waiting-Woman ◆ supporting
A gentle and unassuming young woman, likely of average height and build, with a quiet grace. Her features would be soft, reflecting her compassionate nature.
Attire: Modest, practical clothing typical of a servant or lady-in-waiting in a medieval European court. This would include a simple linen or wool gown in muted colors like grey, brown, or pale blue, possibly with a plain apron and a coif or headscarf covering her hair.
Wants: To express her love for the disguised White King (the minstrel) and later to mourn and nurture the statue, hoping for his return.
Flaw: Her overwhelming grief and vulnerability to the Queen's cruelty. Her quiet nature makes her easily overlooked.
Begins as a quiet, unrequited lover, becomes a devoted mourner, and through her persistent love, brings the White King back to life, ultimately marrying him and becoming his queen.
Loving, loyal, compassionate, persistent, and deeply sorrowful. She embodies true, selfless love.
Image Prompt & Upload
A young adult woman standing upright, facing forward, full body visible from head to toe. She has a gentle, sorrowful expression, with soft, kind eyes. Her light brown hair is pulled back in a simple braid, partially covered by a plain white linen headscarf. She wears a modest, pale blue linen gown with a simple, unadorned apron over it. Her hands are clasped gently in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Fairy ○ minor
A powerful magical being, likely ethereal and graceful, with an otherworldly beauty. Her form might shimmer or glow faintly.
Attire: Flowing, translucent robes made of shimmering, iridescent fabric, perhaps in shades of silver, white, or pale blue, adorned with subtle natural elements like dewdrops or stardust. Her attire would be magical and not bound by human fashion.
Wants: To fulfill her magical duties and perhaps to maintain the balance of nature or fate, though her direct motivations are not deeply explored.
Flaw: Bound by the strictures of magic; she cannot create a heart from stone, only facilitate its growth.
A static character who provides a magical solution but does not undergo personal change.
Wise, powerful, enigmatic, and bound by the laws of magic. She offers aid but emphasizes the limits of her power and the role of fate.
Image Prompt & Upload
An ageless female magical creature standing upright, facing forward, full body visible from head to toe. She has a delicate, wise expression with large, luminous eyes. Her long, flowing silver hair shimmers faintly. She wears flowing, translucent robes made of iridescent fabric in shades of pale blue and silver, appearing to float slightly above the ground. Her hands are held gracefully, palms slightly open. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Deadly Nightshade ○ minor
A plant with dark, creeping vines, deep green leaves, and small, dark purple or black berries. Its flowers are described as 'sad blossoms' and 'pale amethyst and gold,' suggesting a deceptive beauty.
Attire: N/A (plant)
Wants: To draw life from the buried heart and to ensnare those who touch it, particularly the Queen.
Flaw: N/A (plant)
Grows from a small plant to a powerful, deadly entity that ultimately kills the Queen.
Insidious, possessive, and ultimately deadly. It embodies the Queen's dark intentions and consumes her.
Image Prompt & Upload
A large, dark green plant with creeping vines and small, bell-shaped flowers in shades of pale amethyst and gold. It has dark, glossy berries. The plant is shown winding around a stone pedestal, with some vines reaching upwards as if to grasp. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Queen's Palace
A grand, opulent palace, likely of a European style given the story's origin, with vast rooms and courtyards. The Queen's personal chambers or a prominent hall where the statue was initially displayed would be richly decorated, reflecting her immense wealth and power.
Mood: Initially triumphant and powerful, later shifting to one of bitter triumph, longing, and grief for the Queen.
The Queen receives the White King's statue, declares war, and later mourns his loss within its walls.
Image Prompt & Upload
An opulent European Baroque palace interior, with high vaulted ceilings adorned with frescoes and gilded stucco. Sunlight streams through tall arched windows, illuminating polished marble floors and heavy velvet drapes. Ornate wooden furniture and large tapestries depicting historical scenes line the walls. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Green Glade in the Palace Gardens
A secluded, verdant clearing within the extensive palace gardens. It is a lonely, private spot, initially chosen for the Queen's grief. Later, it is enclosed by gates and barriers, but with a loose pale allowing secret entry. A stone pedestal stands at its center, where the White King's statue is placed, and eventually, the deadly nightshade grows around it.
Mood: Initially mournful and private, becoming increasingly eerie and magical as the statue awakens and the nightshade grows. It holds a sense of forbidden love and tragic consequence.
The Queen places the statue here, the minstrel is killed and buried, the statue awakens, and the Queen is ultimately consumed by the nightshade.
Image Prompt & Upload
A secluded, overgrown glade in a temperate European garden, dappled sunlight filtering through the dense canopy of ancient oak and beech trees. The ground is covered in thick, emerald-green grass, with wild bluebells and ferns growing in clusters. In the center, a weathered stone pedestal supports a pristine white marble statue of a cloaked king. A dark, leafy deadly nightshade plant with purple berries and bell-shaped flowers entwines itself around the pedestal. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
White King's Kingdom (Desolated Lands)
Once a quiet and prosperous land, now laid waste by war. Villages are burnt, fields are desolate, and strongholds are taken. It is a land of ruin and defeat, a stark contrast to its former peace.
Mood: Desolate, sorrowful, ruined, reflecting the tragedy of war and loss.
The White King's kingdom is conquered and destroyed by the Queen's armies and her allies.
Image Prompt & Upload
A vast, desolate European countryside under a grey, somber sky. In the foreground, the charred remains of a half-timbered village, with smoke still curling from collapsed thatched roofs. Beyond, fields lie barren and scarred, stretching towards the ruins of a stone stronghold on a distant hill. The ground is a mix of scorched earth and trampled mud. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.