By Command of the Prince Daniel

by Alexander Afanasyev · from Russian Fairy Tales

fairy tale transformation dark Ages 8-14 1653 words 8 min read
Cover: By Command of the Prince Daniel
Original Story 1653 words · 8 min read

By Command of the Prince Daniel

Once upon a time there was an aged queen who had a son and a daughter,

who were fine, sturdy children. But there was also an evil witch who

could not bear them, and she began to lay plots how she might contrive

their overthrow.

So she went to the old Queen and said: “Dear Gossip, I am giving you a

ring. Put it on your son’s hand, and he will then be rich and generous:

only he must marry the maiden whom this ring fits.”

The mother believed her and was extremely glad, and at her death bade

her son marry only the woman whom the ring fitted.

Time went by and the boy grew up: he became a man and looked at all the

maidens. Very many of them he liked, only as soon as he put the ring on

their finger it was either too broad or too narrow. So he travelled from

village to village and from town to town, and searched out all the fair

damsels, but he could not find his chosen one, and returned home in a

reflective mood.

“What’s the matter, brother?” his sister asked him. So he told her of

his trouble, explained his sorrow. “What a wonderful ring you have!”

said the sister. “Let me try it on.” She tried it on her finger, and the

ring was firmly fixed as if it had been soldered on, as though it had

been made for her.

“Oh, sister! you are my chosen bride, and you must be my wife.”

“What a horrible idea, brother! That would be a sin.”

But the brother would not listen to a word she said. He danced for joy

and told her to make ready for the wedding. She wept bitter tears, went

in front of the house, and sat on the threshold and let her tears flow.

Two old beggars came up, and she gave them to eat and to drink. They

asked what her trouble was, and she needs must tell the two. “Now, weep

no more, but do what we say. Make up four dolls and put them in the four

corners of the room. After your brother calls you in for the betrothal,

go; and if he calls you into the bridal chamber, ask for time, trust in

God, and follow our advice.” And the beggars departed.

The brother and sister were betrothed, and he went into the room and

cried out, “Sister mine, come in!”

“I will come in in a moment, brother; I am only taking off my earrings.”

And the dolls in the four corners began to sing:

               Coo-Coo—Prince Danílo

               Coo-Coo—Govorílo

               Coo-Coo—’Tis a brother

               Coo-Coo—Weds his sister:

               Coo-Coo—Earth must split asunder

               Cooo—And the sister lie hid under.

Then the earth rose up and slowly swallowed the sister.

And the brother cried out again, “Sister mine, come in to the

feather-bed!”

“In a minute, brother. I am undoing my girdle.”

Then the dolls began to sing:

               Coo-Coo—Prince Danílo

               Coo-Coo—Govorílo

               Coo-Coo—’Tis a brother

               Coo-Coo—Weds his sister:

               Coo-Coo—Earth must split asunder;

               Cooo—And the sister lie hid under.

Only she had vanished now, all but her head. And the brother cried out

again: “Come into the feather-bed.”

“In a minute, brother; I am taking off my shoes.”

And the dolls went on cooing, and she vanished under the earth.

And the brother kept crying, and crying, and crying. And when she never

returned, he became angry and ran out to fetch her. He could see nothing

but the dolls, which kept singing. So he knocked off their heads and

threw them into the stove.

The sister went farther under the earth, and she saw a little hut

standing on cocks’ feet and turning round. “Hut!” she cried out, “Stand

as you should with your back to the wood.”

So the hut stopped and the doors opened, and a fair maiden looked out.

She was knitting a cloth with gold and silver thread. She greeted the

guest friendlily and kindly, but sighed and said, “Oh, my darling, my

sister! Oh, I am so glad to see you. I shall be so glad to look after

you and to care for you as long as my mother is not here. But as soon as

she flies in, woe to you and me, for she is a witch.”

When she heard this the maiden was frightened, but could not fly

anywhere. So she sat down and began helping the other maiden at her

work. So they chattered along; and soon, at the right time before the

mother came, the fair maiden turned her guest into a needle, stuck her

into the besom and put it on one side. But scarcely had this been done,

when Bába Yagá came in.

“Now, my fair daughter, my little child, tell me at once, why does the

room smell so of Russian bones?”

“Mother, there have been strange men journeying past who wanted a drink

of water.”

“Why did you not keep them?”

“They were too old, mother; much too tough a snack for your teeth.”

“Henceforth, entice them all into the house and never let them go. I

must now get about again and look out for other booty.”

As soon as ever she had gone, the maidens set to work again knitting,

talking and laughing.

Then the witch came into the room once more. She sniffed about the

house, and said, “Daughter, my sweet daughter, my darling, tell me at

once, why does it so smell of Russian bones?”

“Old men who were just passing by who wanted to warm their hands. I did

my best to keep them, but they would not stay.”

So the witch was angry, scolded her daughter, and flew away. In the

meantime her unknown guest was sitting in the besom.

The maidens once more set to work, sewed, laughed, and thought how they

might escape the evil witch. This time they forgot how the hours were

flying by, and suddenly the witch stood in front of them.

“Darling, tell me, where have the Russian bones crept away?”

“Here, my mother; a fair maiden is waiting for you.”

“Daughter mine, darling, heat the oven quickly; make it very hot.”

So the maiden looked up and was frightened to death. For Bába Yagá with

the wooden legs stood in front of her, and to the ceiling rose her nose.

So the mother and daughter carried firewood in, logs of oak and maple;

made the oven ready till the flames shot up merrily.

Then the witch took her broad shovel and said in a friendly voice: “Go

and sit on my shovel, fair child.”

So the maiden obeyed, and the Bába Yagá was going to shove her into the

oven. But the girl stuck her feet against the wall of the hearth.

“Will you sit still, girl?”

But it was not any good. Bába Yagá could not put the maiden into the

oven. So she became angry, thrust her back and said, “You are simply

wasting time! Just look at me and see how it is done.” Down she sat on

the shovel with her legs nicely trussed together. So the maidens

instantly put her into the oven, shut the oven door, and slammed her in;

took their knitting with them, and their comb and brush, and ran away.

They ran hard away, but when they turned round there was Bába Yagá

running after them. She had set herself free. “Hoo, Hoo, Hoo! there run

the two!” So the maidens, in their need, threw the brush away, and a

thick, dense coppice arose which she could not break through. So she

stretched out her claws, scratched herself a way through, and again ran

after them. Whither should the two poor girls flee? They flung their

comb behind them, and a dark, murky oak forest grew up, so thick, no fly

could ever have flown its way through. Then the witch whetted her teeth

and set to work. And she went on tearing up one tree after another by

the roots, and she made herself a way, and again set out after them, and

almost caught them up.

Now the girls had no strength left to run, so they threw the cloth

behind them, and a broad sea stretched out, deep, wide and fiery. The

old woman rose up, wanted to fly over it, but fell into the fire and was

burned to death.

The poor maidens, poor homeless doves! did not know whither to go. They

sat down in order to rest, and a man came and asked them who they were.

He told his master that two little birds had fluttered on to his estate;

two fairest damsels similar in form and shape, eye for eye and line for

line. One was his sister, but which was it? He could not guess. So the

master went to both of them. One was the sister—which? The servant had

not lied; he did not know them, and she was angry with him and did not

say.

“What shall I do?” asked the master.

“Master, I will pour blood into an ewe-skin, put that under my armpit

and talk to the maiden. In the meantime I will go by and will stab you

in the side with my knife; then blood will flow; then your sister will

betray herself who she is.”

“Very well!”

As soon as it was said it was done. The servant stabbed his master in

the side, and the blood poured forth, and he fell down.

Then his sister flung herself over him and cried out, “Oh, my brother!

my darling!”

Then the brother jumped up again healthy and well. He embraced his

sister, gave her a proper husband, and he married her friend, for the

ring fitted her just as well. So they all lived splendidly and happily.


Story DNA fairy tale · dark

Moral

Incest is an unnatural sin that will be prevented by supernatural forces, and good deeds are rewarded.

Plot Summary

An evil witch tricks a queen into decreeing her son must marry the woman a magical ring fits, intending for him to marry his sister. The ring fits only his sister, who, horrified, escapes underground with the help of magical dolls. She finds refuge in a magical hut with another maiden, where they repeatedly outwit the maiden's witch mother, Baba Yaga. Eventually, they trick Baba Yaga into an oven and escape her pursuit using magical objects, leading to the witch's fiery demise. The brother, now a master, devises a test to find his sister, and both siblings marry suitable partners, living happily ever after.

Themes

incestuous desireescape from evilsisterly bonddivine intervention/justice

Emotional Arc

fear to relief to joy

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: rule of three, repetition (dolls' song), personification (hut)

Narrative Elements

Conflict: person vs supernatural
Ending: moral justice
Magic: magical ring, talking dolls, earth swallowing a person, hut on cocks' feet, transformation (maiden to needle), Baba Yaga's powers, magical objects creating landscapes (brush, comb, cloth)
the ring (symbol of fate/curse)the dolls (symbol of divine/magical intervention)Baba Yaga's hut (liminal space, danger/refuge)the fiery sea (purification, ultimate barrier)

Cultural Context

Origin: Russian (collected by Afanas'ev)
Era: timeless fairy tale

Afanas'ev's collection of Russian fairy tales (Narodnye russkie skazki) is a foundational work for understanding Slavic folklore, often containing darker, more archaic themes than Western European counterparts.

Plot Beats (15)

  1. An evil witch gives an old queen a magical ring, decreeing her son must marry the woman it fits, secretly intending for him to marry his sister.
  2. The son grows up, tries the ring on many maidens, but it fits none.
  3. The sister tries on the ring, and it fits perfectly, leading the brother to declare her his bride.
  4. The sister weeps and is advised by two beggars to make four dolls and follow their instructions to escape.
  5. As the brother calls her to the betrothal and then the bridal chamber, the sister delays, and the dolls sing, causing the earth to swallow her in three stages.
  6. Underground, the sister finds a hut on cocks' feet and is welcomed by a maiden who warns her of her witch mother, Baba Yaga.
  7. The maiden repeatedly hides the sister (as a needle) from Baba Yaga, who smells 'Russian bones' but is deceived by her daughter.
  8. Baba Yaga eventually discovers the sister and orders her daughter to heat the oven to cook her.
  9. The sister feigns inability to sit on the shovel, tricking Baba Yaga into demonstrating, whereupon the maidens shove the witch into the oven and escape.
  10. Baba Yaga escapes the oven and pursues the maidens, who throw a brush to create a coppice and a comb to create a forest, slowing her down.
  11. The maidens throw the knitting cloth, creating a fiery sea that Baba Yaga attempts to fly over but falls into and is burned to death.
  12. The maidens are found by a man who reports them to the brother, who is now a master.
  13. The brother devises a test: his servant pretends to stab him, and his true sister reveals herself by crying out and rushing to his side.
  14. The brother embraces his sister, arranges her marriage to a suitable man, and marries the other maiden (the witch's daughter) as the ring fits her too.
  15. They all live splendidly and happily.

Characters 8 characters

The Aged Queen ○ minor

human elderly female

Not explicitly described, but implied by 'aged'

Attire: Implied royal attire of the period

A regal, elderly woman, perhaps with a crown

Trusting, loving (towards her children)

Image Prompt & Upload
An elderly woman with deep wrinkles, silver hair swept into an elegant updo, and weary, wise eyes. She wears a heavy, dark velvet gown with tarnished gold embroidery and a simple, small crown perched on her head. Her posture is slightly stooped, one hand resting on a gnarled wooden cane, her expression solemn and distant. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Evil Witch ⚔ antagonist

magical creature ageless female

Not explicitly described in her initial appearance, but later revealed as Bába Yagá with wooden legs and a nose that rose to the ceiling.

Attire: Unknown in initial form, later implied to be the traditional attire of Bába Yagá.

Bába Yagá with wooden legs and a nose reaching the ceiling

Malicious, cunning, persistent, cannibalistic

Image Prompt & Upload
Elderly woman with a gaunt, wrinkled face and a long, crooked nose. She has wild, matted grey hair and piercing, malevolent green eyes. She wears a tattered, black hooded robe and a pointed hat, her posture hunched and leaning on a gnarled wooden staff. Her expression is one of cruel, cunning satisfaction, with a thin, sharp-toothed smile. Her bony fingers clutch the staff tightly. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Prince Daniel ★ protagonist

human young adult male

Fine, sturdy, grew into a man

Attire: Implied princely attire of the period

A young prince holding a magical ring

Determined (to find a wife), easily swayed (by the witch's ring), possessive, quick to anger

Image Prompt & Upload
A young prince in his late teens with a kind, determined expression and a strong jawline. He has short, neatly styled dark hair and clear blue eyes. He wears a royal blue doublet with gold embroidery, a crisp white shirt underneath, and matching trousers tucked into polished brown leather boots. A simple silver crown rests on his head. He stands confidently, one hand resting on the pommel of a sheathed sword at his hip, the other holding a rolled parchment. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Sister ★ protagonist

human young adult female

Fine, sturdy, fair

Attire: Implied peasant dress of the period, later perhaps more refined

A young woman weeping on a threshold, wearing a simple dress

Kind, distressed, resourceful, obedient (to the beggars), loving (towards her brother)

Image Prompt & Upload
A young woman in her late teens with a determined expression, standing tall and ready for adventure. She has long, wavy auburn hair partially tied back with a simple ribbon. She wears a practical, earth-toned dress with a fitted corset over a white blouse, and sturdy leather boots. Her posture is strong, leaning slightly forward with one hand resting on her hip. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Beggars ◆ supporting

human elderly unknown

Old

Attire: Rags, typical of beggars

Two old figures in tattered clothes

Wise, helpful, compassionate

Image Prompt & Upload
An elderly man with a long, tangled grey beard and deep wrinkles around his kind eyes. He wears layers of tattered, earth-toned robes patched with mismatched fabrics, a frayed rope belt cinching his waist. His posture is slightly stooped, leaning on a gnarled wooden staff, one weathered hand outstretched in a gesture of humble request. His expression is weary yet patient. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Bába Yagá's Daughter ◆ supporting

magical creature young adult female

Fair

Attire: Implied traditional attire, perhaps with a spindle or knitting

A fair maiden knitting with gold and silver thread

Kind, fearful (of her mother), resourceful, complicit (in her mother's schemes, but helps the sister)

Image Prompt & Upload
A young woman with sharp, angular features and wild, dark hair streaked with grey. She wears layered, tattered woolen shawls over a simple, earth-toned dress, with sturdy leather boots. Her expression is wary and cunning, one hand slightly raised as if holding a hidden charm. She stands in a twilight forest clearing, surrounded by faintly glowing mushrooms and twisted roots. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Servant ◆ supporting

human adult male

Unknown

Attire: Implied servant's attire of the period

A servant with a knife, ready to perform a trick

Loyal, clever, observant

Image Prompt & Upload
A young adult male servant in his early twenties with a humble and attentive demeanor. He has short, neatly combed brown hair and a clean-shaven face. He wears a simple, slightly worn beige tunic with a brown leather belt, dark trousers, and scuffed leather boots. His posture is straight but respectful, holding a polished silver tray with both hands, offering it forward. His expression is focused and dutiful, with a slight, polite smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Friend ○ minor

human young adult female

Fair, similar in form and shape to the sister

Attire: Implied peasant dress of the period

A young woman, indistinguishable from the sister at first glance

Unknown, but implied to be suitable for marriage

Image Prompt & Upload
A young teenager, around thirteen years old, with a friendly smile and warm brown eyes. They have neat, shoulder-length brown hair. Wearing a simple green tunic over brown trousers, with sturdy leather boots. Standing in a relaxed posture with hands casually at their sides. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
No image yet

The Sister's Room/Betrothal Chamber

indoor night implied calm, but tense indoors

A room where the sister places four dolls in the corners. It's where the brother calls her for the betrothal and later the bridal chamber.

Mood: Tense, desperate, magical, claustrophobic

The sister's attempted escape from the incestuous marriage through magical dolls and the earth swallowing her.

four dolls earrings girdle shoes feather-bed (implied) earth splitting
Image Prompt & Upload
A dimly lit, intimate chamber within a fairy tale castle, viewed at the twilight hour. Four antique porcelain dolls, each dressed in faded silks, stand sentinel in the room's corners. The space is dominated by a large, canopied bed draped in deep burgundy velvet and embroidered with silver thread. Ornate tapestries depicting intertwined roses and thorns cover the stone walls. A single, tall arched window allows the last rays of dusky purple and gold light to spill across a polished wooden floor, illuminating dust motes. On a central table, a candelabra with three flickering beeswax candles casts a warm, dancing glow over scattered rose petals and a delicate silver chalice. The atmosphere is hushed, sacred, and charged with quiet anticipation. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Under the Earth / Baba Yaga's Hut

indoor unknown, subterranean/magical realm

A little hut standing on cocks’ feet and turning round, which stops and opens its doors. Inside, a fair maiden is knitting with gold and silver thread. Later, it becomes the scene of Baba Yaga's return and the oven trap.

Mood: Initially welcoming and safe, then increasingly dangerous and eerie with Baba Yaga's presence.

The sister finds refuge, meets another maiden, and together they outwit and defeat Baba Yaga.

hut on cocks' feet knitting with gold and silver thread besom (broom) oven firewood (oak and maple logs) broad shovel Baba Yaga with wooden legs and nose to the ceiling
Image Prompt & Upload
A dark, twisted Slavic forest at dusk, with gnarled trees and tangled roots. In a clearing stands a crooked wooden hut perched on giant, weathered chicken legs, its thatched roof sagging. The hut's single window glows with warm, golden light, casting long shadows. Mist curls around the base of the legs. The atmosphere is eerie and magical, with faint moonlight filtering through the dense canopy. The color palette is deep greens, browns, and shadows, highlighted by the hut's inviting amber glow. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
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The Escape Route / Wilderness

outdoor day varies, but the obstacles are immediate and magical

A series of magically created obstacles: a thick, dense coppice, a dark, murky oak forest, and finally a broad, deep, wide, and fiery sea.

Mood: Desperate, frantic, dangerous, magical

The maidens' desperate flight from Baba Yaga, using magical items to create barriers.

brush (transforms into coppice) comb (transforms into oak forest) cloth (transforms into fiery sea) Baba Yaga chasing torn-up trees
Image Prompt & Upload
A twilight scene where a gnarled, impenetrable thicket of thorny coppice with twisted branches and deep green leaves gives way to a towering, ancient oak forest. The forest is shrouded in a perpetual, misty gloom, with colossal, moss-covered trunks and a canopy so dense it blocks most of the fading purple sky. A narrow, winding dirt path disappears into the shadows. Beyond the last line of dark trees, the landscape abruptly ends at a vast, churning sea. The water is not blue but a blazing, liquid fire, with waves of intense orange, red, and yellow crashing against a rocky shore, casting a warm, flickering glow back onto the dark forest edge. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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The Master's Estate / Resting Place

outdoor day implied pleasant, allowing for rest

An estate where a man finds the two maidens resting. It's where the brother, now the master, attempts to identify his sister.

Mood: Uncertain, testing, ultimately joyful

The brother's test to identify his sister and their eventual reunion.

ewe-skin knife blood two maidens (identical)
Image Prompt & Upload
Late afternoon sun casts long, golden shadows across the secluded estate. A weathered stone manor with tall, arched windows and a slate roof sits nestled within ancient, gnarled oak trees. A still, reflective pond, dotted with water lilies, lies before the house. Wisteria with pale purple blooms cascades over a crumbling garden wall. The air is hazy and warm, filled with the soft hum of insects. The color palette is muted gold, stone grey, and deep garden greens. A sense of quiet, forgotten peace permeates the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration