THE THREE CITRONS

by Parker Fillmore · from Czechoslovak Fairy Tales

fairy tale transformation hopeful Ages 8-14 4244 words 19 min read
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Adapted Version

CEFR A1 Age 5 2170 words 10 min Canon 82/100

A kind old king lived. He had a good son, Prince Leo.

King Father was old. His hair was white. He wanted Prince Leo to wed. He said, "Wed now, son." Leo thought for a while. He wanted to please his father. But he knew no girl. So he felt a bit sad.

Prince Leo sat in the garden. A Wise Woman came near. She spoke in a low voice. "Go find the magic hill," she said. "Pick three magic fruits there. Your wife waits in them." Then she went away. Prince Leo rose at once. He told King Father the news. King Father gave his blessing. He kissed Leo's head.

Prince Leo walked very far. He walked for many days. He walked for many nights. At last he saw a big house. First Big Man's Mother stood there. She looked hard at Leo. But she was kind too. "Hide now," she said fast. "My son comes home soon." Leo hid by the door. The house shook a bit. First Big Man came in. He was tall and wide. His steps were loud and slow. Prince Leo came out then. He bowed and told his wish. "I seek the magic hill," said Leo. First Big Man did not know. He thought and rubbed his head. Then he said, "Go to my brother." Leo thanked them and left.

Prince Leo walked on still. The road was long and dry. The sun was hot above. The moon was cold at night. At last he saw a next house. Second Big Man's Mother stood there. She saw the tired prince. She gave him a seat. "Hide now," she said fast. "My son comes home soon." Leo hid by the wall. Soon the ground gave a thump. Second Big Man came in. He was tall and wide. He was big like his brother. Prince Leo stepped out slow. He bowed and told his wish. "I seek the magic hill," said Leo. Second Big Man did not know. He thought and rubbed his chin. Then he said, "Go to my brother." Leo thanked them and left.

Prince Leo walked on still. He crossed deep woods. He crossed wet fields. He crossed a dark stream. At last he saw one more house. Third Big Man's Mother stood there. She looked stern at first. Then she gave him bread. "Hide now," she said fast. "My son comes home soon." Leo hid near the fire. Soon the roof gave a creak. Third Big Man came in. He was the biggest man. His hands were like shovels. But his eyes were kind. Prince Leo stepped out slow. He bowed and told his wish. "I seek the magic hill," said Leo.

Third Big Man knew the way. He nodded one big nod. "You are near it now," he said. "Go east at first light. You will see the hill." Prince Leo looked glad then. But Third Big Man raised one hand. "Hear me well," he said. "The hill is smooth and bright. Hold tight and climb on." "At the top," he said, "take three fruits." "Do not open them too soon." "Wait till food is near." "Wait till drink is near." "Wait till soft clothes are near." "If not, she will fade." Prince Leo heard each word. He said, "I will do so." Third Big Man gave him boots. Third Big Man gave him rope. Then Leo slept there well.

At first light, Leo rose. He thanked the house with joy. Then he went east fast. Soon he saw the hill. It shone in the sun. It looked like clear ice. It looked smooth as glass. Prince Leo touched the side. It was cold and slick. He tried to climb. He slid back down. He tried once more. He slid back still. Then he took the rope. He took the strong boots. He climbed with hands and feet. Up he went slowly. Up he went bravely. At last he reached the top.

Three magic fruits lay there. They were round and gold. They gave off a sweet smell. Prince Leo smiled at them. He picked the first fruit. He picked the next fruit. He picked the last fruit. Then he held them close. He thanked the sky above. He climbed back down slow. This time he did not fall. Soon he stood on grass. Then he turned for home.

Prince Leo walked for long days. The sun grew hot again. His bread was all gone. His water was all gone. He felt weak and faint. He sat near a stone. He held the first fruit. He had not reached home. But hunger hurt him much. "I will look now," he said. He broke the fruit wide.

A fair young girl came out. Her face was sweet and kind. Her dress was light and soft. She looked at Leo and said, "I need food now." She said, "I need drink now." She said, "I need warm clothes." Prince Leo hung his head. He had no food there. He had no drink there. He had no clothes there. "I am sorry," he said. The girl gave a sad look. Then she faded like mist. Prince Leo cried a bit. He shut his eyes tight. "I was not wise," he said.

Prince Leo walked on still. The road was hard now. The wind blew dust high. His feet felt sore and slow. Soon hunger came back strong. He sat under a tree. He held the next fruit. "I hope for good," he said. Then he broke it wide.

A fairer young girl came out. Her face shone like dawn. Her hair was soft and long. She looked at Leo and said, "I need food now." She said, "I need drink now." She said, "I need warm clothes." Prince Leo hung his head. He had no food there. He had no drink there. He had no clothes there. "I am sorry," he said. The girl gave a sad look. Then she faded like mist. Prince Leo wept again. "I must wait now," he said. "I will not fail once more."

Prince Leo held the last fruit. He wrapped it in cloth. He kept it near his heart. He would not open it. Not by day. Not by night. Not in sun. Not in rain. He walked and walked on. At last he saw home. King Father's house stood bright. Flags moved in the wind. Bells rang from the gate. The guards ran to him. The cooks ran to him. The maids ran to him. All were glad there. King Father held his son. He kissed Leo's head. "You are home at last," said he.

Prince Leo said, "Make a feast." "Set bread on the board." "Set meat on the board." "Set fruit on the board." "Set cool drink near." "Set soft clothes near." King Father asked no more. He gave the word at once. Soon the hall looked rich. Bread lay high in piles. Meat gave off warm steam. Sweet drink shone in cups. Soft clothes lay on chairs. Prince Leo took the last fruit. He stood by the long board. King Father stood near him. The whole hall was still. Then Leo broke it wide.

Out came the loveliest young girl. Her face was warm and bright. Her hair fell like gold grain. She looked at Leo and said, "I need food now." Prince Leo gave her bread. "I need drink now." Prince Leo gave her sweet drink. "I need warm clothes." Prince Leo gave soft clothes. The young girl smiled then. Color came to her cheeks. She looked at Leo with love. King Father smiled with joy. "What is your name?" asked Leo. "I am Lily," she said softly.

Prince Leo loved Queen Lily at once. Queen Lily loved Leo too. Soon they had a glad wedding. Bells rang through the town. Flowers lay on the path. King Father wore his best cloak. The cooks made fine food. The singers sang sweet songs. Leo and Lily held hands. They said kind vows aloud. All were glad that day. King Father wept with joy. He said, "My wish came true."

Days passed in peace. Then King Father grew weak. He lay in his bed. He called Prince Leo near. He called Lily near too. "Be kind," he said softly. "Rule with true hearts." Then he shut his eyes. Soon the old king died. Prince Leo was king now. Queen Lily sat by him. They were sad for him. But they ruled with care. The land was calm and glad.

One day King Leo had to go. He had to help far towns. A flood had hit them hard. He would not stay long. But he had to leave. He kissed Queen Lily's hands. "Wait here till I come," said he. He set her in a high room. The room was safe and bright. Maids served her with love. Then King Leo rode away.

Near the town lived ill hearts. One was the Mean Old Woman. She was not the Wise Woman. She liked tricks and spite. She had seen the rich feast. She had seen Queen Lily smile. She felt hard hate then. She called a Tricky Woman near. The Tricky Woman liked lies. The Mean Old Woman said, "Help me now." "We will steal her place." The Tricky Woman gave a sly grin.

The next day they came. The Mean Old Woman stayed below. The Tricky Woman went up. She wore a sweet false smile. "Dear Queen, let me in," said she. "I bring a fine comb." Queen Lily was kind and mild. She let the woman in. The Tricky Woman bowed low. She spoke soft, sweet words. "Sit here," she said. "I will comb your hair." Queen Lily sat down then. The comb moved slow and soft. Queen Lily grew sleepy. Her eyes shut soon. Then the Tricky Woman took a pin. She pushed it in Lily's head.

At once strange magic worked. Queen Lily turned to a white dove. Her soft arms were wings. Her lips were now a beak. She woke with fear. She beat her white wings fast. She flew to the window. Then she flew far off. The Tricky Woman clapped once. She took the queen's fine place. She wore the queen's good dress. She sat in the high seat. But she was not like Lily. Her face looked hard and mean. Her eyes were cold and sly. No dress could hide that.

Soon King Leo came back. He ran up the steps. He longed to see Lily. But when he reached the room, he stopped and stared. The woman there looked wrong. Her face was not the same. Her voice was thin and sharp. King Leo felt deep pain. "Why have you changed so much?" he asked. The Tricky Woman looked down. "I am tired," she said. "The sun was too hot." King Leo said no more. But his heart felt dark. He went out very sad.

Each day he grew more sad. He walked in the yard alone. He missed Queen Lily's smile. He missed her soft voice. One day a white dove came. It sat near the well. It looked at Leo long. Its small eyes seemed wet. King Leo held out bread. The dove came near him. He stroked its white head. Then his hand touched metal. A small pin hid there. King Leo looked in awe. "What is this thing?" said he. He pulled the pin out.

At once the magic broke. The white dove was gone. Queen Lily stood there instead. She wore white feathers still. Then they fell to dust. King Leo gave a glad cry. Queen Lily fell in his arms. He held her very close. Both wept with great joy. "My dear Lily," he said. "My dear Leo," she said. Then she told all things. She told of the trick. She told of the pin. She told of the Mean Old Woman. She told of the Tricky Woman.

King Leo's face grew stern. He called his guards at once. "Bring those two here now," said he. The guards ran up fast. They found the false queen first. She tried to hide away. But they took her down. They found the Mean Old Woman too. She shook with fear then. King Leo stood by Lily. Queen Lily stood tall too. King Leo said, "You did wrong." "You hurt a good queen." "You used dark magic." "You will stay far away." He sent them from the land. They could hurt no one there. No one saw them again.

Peace came back at last. King Leo and Queen Lily ruled well. They fed poor folk. They heard true words. They gave fair laws. The towns grew full of song. The fields grew green and deep. The halls were warm with light. All loved their king and queen. They spoke with kind hearts. They lived long and glad.

It is good to be kind and true. Good always wins in the end.

Original Story 4244 words · 19 min read

THE THREE CITRONS

THE STORY OF A PRINCE WHO CLIMBED THE GLASS HILL

57]

THE THREE CITRONS

ONCE upon a time there was an aged king who had an only son. One day he called the prince to him and said: “My son, you see that my head is white. Soon I shall be closing my eyes and you are not yet settled in life. Marry, my son, marry at once so that I can bless you before I die.”

The prince made no answer but he took the king’s words to heart and pondered them. He would gladly have done as his father wished but there was no young girl upon whom his affections were set.

One day when he was sitting in the garden, wondering what to do, an old woman suddenly appeared before him.

“Go,” she said, “to the top of the Glass Hill, pluck the Three Citrons, and you will get a wife in whom your heart will delight.” With that she disappeared as mysteriously as she had come.

Her words went through the prince’s soul like a bright dart. Instantly he determined, come what 58] might, to find the Glass Hill and to pluck the Three Citrons. He told his father his intention and the old king fitted him out for the journey and gave him his blessing.

For a long time the prince wandered over wooded mountains and desert plains without seeing or even hearing anything of the Glass Hill and the Three Citrons. One day, worn out with his long journey, he threw himself down in the shade of a wide-spreading linden tree. As his father’s sword, which he wore at his side, clanked on the ground, twelve ravens began cawing from the top of the tree. Frightened by the clanking of the sword, they raised their wings and flew off.

The prince jumped to his feet. “Those are the first living creatures I have seen for many a day. I’ll go in the direction they have taken,” he said to himself, “and perhaps I’ll have better luck.”

So he traveled on and after three days and three nights a high castle came in view.

“Thank God!” he exclaimed, pushing joyfully ahead. “I shall soon have human companionship once more.”

The castle was built entirely of lead. The twelve ravens circled above it and in front of it stood an old 59] woman leaning on a long leaden staff. She was a Yezibaba. Now you must know that a Yezibaba is an ugly old witch with a hooked nose, a bristly face, and long scrawny hands. She’s a bad old thing usually, but sometimes, if you take her fancy, she’s kind.

This time when she looked the prince over she shook her head at him in a friendly way.

“Yi, yi, my boy, how did you get here? Why, not even a little bird or a tiny butterfly comes here, much less a human being! You’d better escape if life is dear to you, or my son, when he comes home, will eat you!”

“No, no, old mother, don’t make me go,” begged the prince. “I have come to you for advice to know whether you can tell me anything about the Glass Hill and the Three Citrons.”

“No, I have never heard a word about the Glass Hill,” Yezibaba said. “But wait until my son comes. He may be able to tell you something. Yes, yes, I’ll manage to save you somehow. Go hide under the besom and stay there until I call you.”

The mountains rumbled and the castle trembled and Yezibaba whispered to the prince that her son was coming.

“Phew! Phew! I smell human meat! I’ll eat it!” shouted Yezibaba’s son while he was still in the 60] doorway. He struck the ground with his leaden club and the whole castle shook.

“No, no, my son, don’t talk that way. It’s true there is a pretty youth here, but he’s come to ask you about something.”

“Well, if he wants to ask me something, let him come out and ask.”

“Yes, my son, he will, but only when you promise me that you will do nothing to him.”

“Well, I won’t do anything to him. Now let him come out.”

The prince hidden under the besom was shaking like an aspen leaf, for when he peeped through the twigs he saw an ogre so huge that he himself would reach up only to his knees. Happily the ogre had guaranteed his life before Yezibaba ordered him out.

“Well, well, well, you little June bug!” shouted the ogre. “What are you afraid of? Where have you been? What do you want?”

“What do I want?” repeated the prince. “I have been wandering in these mountains a long time and I can’t find what I’m seeking. So I’ve come to you to ask whether you can tell me something about the Glass Hill and the Three Citrons.”

Yezibaba’s son wrinkled his forehead. He thought 61] for a moment and then, lowering his voice a little, he said: “I’ve never heard of any Glass Hill around here. But I tell you what you do: go on to my brother in arms who lives in the Silver Castle and ask him. Maybe he’ll be able to tell you. But I can’t let you go away hungry. That would never do! Hi, mother, bring out the dumplings!”

Old Yezibaba placed a large dish on the table and her giant son sat down.

“Well, come on! Eat!” he shouted to the prince.

When the prince took the first dumpling and bit into it, he almost broke two of his teeth, for the dumpling was made of lead.

“Well,” shouted Yezibaba’s son, “why don’t you eat? Doesn’t the dumpling taste good?”

“Oh, yes, very good,” said the prince, politely, “but just now I’m not hungry.”

“Well, if you’re not hungry now you will be later. Put a few in your pocket and eat them on your journey.”

So, whether he wanted them or not, the prince had to put some leaden dumplings into his pocket. Then he took his leave of Yezibaba and her son and traveled on.

He went on and on for three days and three nights. 62] The farther he went, the more inhospitable became the country. Before him stretched a waste of mountains, behind him a waste of mountains with no living creature in sight.

Wearied with his long journey, he threw himself on the ground. His silver sword clanked sharply and at its sound twenty-four ravens circled above him, cawed in fright, and flew away.

“A good sign!” cried the prince. “I’ll follow the ravens again!”

So on he went as fast as his legs could carry him until he came in sight of a tall castle. It was still far away, but even at that distance it shone and flashed, for it was built of pure silver.

In front of the castle stood an old woman, bent with age, and leaning on a long silver staff. This was the second Yezibaba.

“Yi, yi, my boy!” she cried. “How did you get here? Why, not even a little bird or a tiny butterfly comes here, much less a human being. You’d better escape if life is dear to you, or my son, when he comes home, will eat you!”

“No, no, old mother, he won’t eat me. I bring greetings from his brother of the Leaden Castle.”

“Well, if you bring greetings from the Leaden 63] Castle you are safe enough. Come in, my boy, and tell me your business.”

“My business? For a long time, old mother, I’ve been looking for the Glass Hill and the Three Citrons, but I can’t find them. So I’ve come to ask you whether you could tell me something about them.”

“No, my boy, I don’t know anything about the Glass Hill. But wait until my son comes. Perhaps he can help you. In the meantime hide yourself under the bed and don’t come out until I call you.”

The mountains rumbled and the castle trembled and the prince knew that Yezibaba’s son was coming home.

“Phew! Phew! I smell human meat! I’ll eat it!” bellowed the mighty fellow. He stood in the doorway and banged the ground with his silver club until the whole castle shook.

“No, no, my son,” said Yezibaba, “don’t talk that way! A pretty little chap has come bringing you greetings from your brother of the Leaden Castle.”

“Well, if he’s been at the Leaden Castle and came to no harm, he’ll have nothing to fear from me either. Where is he?”

The prince slipped out from under the bed and stood before the ogre. Looking up at him was like looking at the top of the tallest pine tree.

64] “Well, little June bug, so you’ve been at my brother’s, eh?”

“Yes,” said the prince. “See, I still have the dumplings he gave me for the journey.”

“I believe you. Well, what do you want?”

“What do I want? I came to ask you whether you could tell me something about the Glass Hill and the Three Citrons.”

“H’m, it seems to me I used to hear something about them, but I forget. I tell you what you do: go to my brother of the Golden Castle and ask him. But wait! I can’t let you go away hungry. Hi, mother, bring out the dumplings!”

Yezibaba brought the dumplings on a large silver dish and put them on the table.

“Eat!” shouted her son.

The prince saw they were silver dumplings, so he said he wasn’t hungry just then, but he’d like to take some with him for the journey.

“Take as many as you want,” shouted the ogre. “And give my greetings to my brother and my aunt.”

So the prince took some silver dumplings, made suitable thanks, and departed.

He journeyed on from the Silver Castle three days and three nights, through dense forests and over rough 65] mountains, not knowing where he was nor which way to turn. At last all worn out he threw himself down in the shade of a beech tree to rest. As the sword clanked on the ground, its silver voice rang out and a flock of thirty-six ravens circled over his head.

“Caw! Caw!” they croaked. Then, frightened by the sound of the sword, they flew away.

“Praise God!” cried the prince. “The Golden Castle can’t be far!”

He jumped up and started eagerly off in the direction the ravens had taken. As he left a valley and climbed a little hill he saw before him a beautiful wide meadow in the midst of which stood the Golden Castle shining like the sun. Before the gate of the castle stood a bent old Yezibaba leaning on a golden staff.

“Yi, yi, my boy,” she cried to the prince, “how did you get here? Why, not even a little bird or a tiny butterfly comes here, much less a human being! You’d better escape if life is dear to you, or my son, when he comes home, will eat you!”

“No, no, old mother, he won’t eat me, for I bring him greetings from his brother of the Silver Castle!”

“Well, if you bring greetings from the Silver Castle you are safe enough. Come in, my boy, and tell me your business.”

66] “My business, old mother? For a long time I’ve been wandering over these wild mountains in search of the Glass Hill and the Three Citrons. At the Silver Castle they sent me to you because they thought you might know something about them.”

“The Glass Hill? No, I don’t know where it is. But wait until my son comes. He will advise you where to go and what to do. Hide under the table and stay there till I call you.”

The mountains rumbled and the castle trembled and Yezibaba’s son came home.

“Phew! Phew! I smell human meat! I’ll eat it!” he roared. He stood in the doorway and pounded the ground with his golden club until the whole castle shook.

“No, no, my son,” said Yezibaba, “don’t talk that way! A pretty little fellow has come bringing you greetings from your brother of the Silver Castle. If you won’t harm him, I’ll call him out.”

“Well, if my brother didn’t do anything to him, I won’t either.”

So the prince crawled out from under the table and stood before the giant. It was like standing beneath a high tower. He showed the ogre the silver dumplings as proof that he had been at the Silver Castle.

67] “Well, well, well, my little June bug,” shouted the monstrous fellow, “tell me what it is you want! I’ll advise you if I can! Don’t be afraid!”

So the prince told him the purpose of his journey and asked him how to get to the Glass Hill and pluck the Three Citrons.

“Do you see that blackish lump over yonder?” the ogre said, pointing with his golden club. “That is the Glass Hill. On that hill stands a tree. From that tree hang the Three Citrons which send out fragrance for seven miles around. You will climb the Glass Hill, kneel beneath the tree, and reach up your hands. If the citrons are destined for you they will fall into your hands of their own accord. If they are not destined for you, you will not be able to pluck them no matter what you do. As you return, if you are hungry or thirsty, cut open one of the citrons and you will have food and drink in plenty. Go now with God’s blessing. But wait! I can’t let you go away hungry! Hi, mother, bring out the dumplings!”

Yezibaba set a large golden dish on the table.

“Eat!” her son shouted. “Or, if you are not hungry just now, put some in your pocket and eat them on the way.”

The prince said that he was not hungry but that 68] he would be glad to take some of the golden dumplings with him and eat them later. Then he thanked the ogre most courteously for his hospitality and advice and took his leave.

He trudged quickly on from hill to dale, from dale to hill again, and never stopped until he reached the Glass Hill itself. Then he stood still as if turned into stone. The hill was high and steep and smooth with not so much as a scratch on its surface. Over its top spread out the branches of the magic tree upon which hung the Three Citrons. Their fragrance was so powerful that the prince almost fainted.

“Let it be as God wills!” he thought to himself. “But however the adventure is to come out, now that I’m here I must at least make the attempt.”

So he began to claw his way up the smooth glass, but he hadn’t gone many yards before his foot slipped and down he went so hard that he didn’t know where he was or what had happened to him until he found himself sitting on the ground.

In his vexation he began to throw away the dumplings, thinking that perhaps their weight had dragged him down. He took one and threw it straight at the hill. Imagine his surprise to see it fix itself firmly in the glass. He threw a second and a third and there he 69] had three steps on which he was able to stand with safety!

The prince was overjoyed. He threw dumpling after dumpling and each one of them became a step. First he threw the leaden ones, then the silver ones, and last of all the golden ones. On the steps made in this way he climbed higher and higher until he had reached the very summit of the hill. Then he knelt under the magic tree, lifted up his hands, and into them the Three Citrons dropped of their own accord!

Instantly the tree disappeared, the Glass Hill sank until it was lost, and when the prince came to himself there was neither tree nor hill to be seen, but only a wide plain.

Delighted with the outcome of his adventure, the prince turned homewards. At first he was too happy even to eat or drink. By the third day his stomach began to protest and he discovered that he was so hungry that he would have fallen ravenously upon a leaden dumpling if he had had one in his pocket. But his pocket, alas, was empty, and the country all about was as bare as the palm of his hand.

Then he remembered what the ogre of the Golden Castle had told him and he took out one of the Three Citrons. He cut it open, and what do you suppose 70] happened? Out jumped a beautiful maiden fresh from the hand of God, who bowed low before him and exclaimed:

“Have you food ready for me? Have you drink ready for me? Have you pretty clothes ready for me?”

“Alas, beautiful creature,” the prince sighed, “I have not. I have nothing for you to eat or to drink or to put on.”

The lovely maiden clapped her hands three times, bowed before him, and disappeared.

“Ah,” said the prince, “now I know what kind of citrons you are! I’ll think twice before opening one of you again!”

Of the one he had opened he ate and drank his fill, and so refreshed, went on. He traveled three days and three nights and by that time he began to feel three times hungrier than before.

“God help me!” thought he. “I must eat something! There are still two citrons and if I cut open one there would still be one left.”

So he took out the second citron, cut it in two, and lo, a maiden twice as beautiful as the first stood before him. She bowed low and said:

“Have you food ready for me? Have you drink 71] ready for me? Have you pretty clothes ready for me?”

“No, lovely creature, I haven’t! I haven’t!”

The maiden clapped her hands thrice, bowed before him, and disappeared.

Now there was only one citron left. The prince took it in his hand, looked at it, and said: “I won’t cut you open until I’m safe at home in my father’s house.”

He took up his journey again and on the third day he came to his native town and his father’s castle. He had been gone a long time and how he ever got back he didn’t know himself.

Tears of joy rained down the old king’s cheeks.

“Welcome home, my son, welcome a hundred times!” he cried, falling on the prince’s neck.

The prince related the adventures of his journey and they at home told him how anxiously they had awaited his return.

On the next day a great feast was prepared. All the nobles in the land were invited. The tables were spread with food and drink the most expensive in the world and many rich dresses embroidered in gold and studded with pearls were laid out.

The guests assembled, seated themselves at the 72] tables, and waited. Music played and when all was ready, the prince took the last citron and cut it in two. Out jumped a beautiful creature, three times lovelier than the others.

“Have you food ready for me?” she cried. “Have you drink ready for me? Have you pretty clothes ready for me?”

“I have indeed, dear heart!” the prince answered. “I have everything ready for you!”

He led her to the gorgeous clothes and she dressed herself in them and every one present marveled at her great beauty.

Soon the betrothal took place and after the betrothal a magnificent wedding.

So now the old king’s wish was fulfilled. He blessed his son, gave over the kingdom to him, and not long afterwards he died.

The first thing that faced the young king after his father’s death was a war which a neighboring king stirred up against him. So the young king had to bid farewell to the bride whom he had won so dearly and lead his men to battle. In order that nothing happen to the queen in his absence, he built a golden throne for her in the garden beside the lake. This throne was as high as a tower and no one could ascend 73] it except those to whom the queen let down a silken cord.

Music Played

Not far from the king’s castle lived the old woman who, in the first place, had told him about the Three Citrons. She knew well enough how the young king had won his bride and she was deeply incensed that he had not invited her to the wedding and in fact had not even thanked her for her good advice.

Now this old woman had a gipsy for servant whom she used to send to the lake for water. One day when this gipsy was filling her pitcher, she saw in the lake a beautiful reflection. She supposed it was a reflection of herself.

“Is it right,” she cried out, “that so lovely a creature as I should carry water for that old witch?”

In a fury she threw the pitcher on the ground and broke it into a hundred pieces. Then she looked up and discovered that it wasn’t her own reflection she had seen in the water but that of the beautiful queen.

Ashamed of herself, she picked up the broken pitcher and went home. The old woman, who knew beforehand what had happened, went out to meet her with a new pitcher.

“It’s no matter about the pitcher,” the old woman said. “Go back to the lake and beg the lovely lady 74] to let down the silken cord and pull you up. Tell her you will comb her hair. When she pulls you up, comb her hair until she falls asleep. Then stick this pin into her head. After that you can dress yourself up in her clothes and sit there like a queen.”

It was easy enough to persuade the gipsy. She took the pitcher and the pin and returned to the lake.

As she drew water she gazed at the lovely queen.

“Oh, how beautiful you are!” she whined, leering up at the queen with an evil eye. “How beautiful you are! Aye, but you’d be a hundred times more beautiful if you but let me comb out your lovely hair! Indeed, I would so twine those golden tresses that your lord would be delighted!”

With words like these she beguiled and coaxed the queen until she let down the silken cord and drew the gipsy up. Once on the throne, the wicked gipsy combed out the golden tresses and plaited them and arranged them until the queen fell sound asleep. Then the gipsy took the pin and stuck it into the queen’s head. Instantly a beautiful white dove flew off the golden throne and not a trace was left of the lovely queen except her rich clothing. The gipsy dressed herself in this, sat in the queen’s place, and gazed down into the lake. But in the lake no lovely reflection showed 75] itself, for even in the queen’s clothes the gipsy remained a gipsy.

The young king waged a successful war against his enemies and made peace. Scarcely had he got home when he hurried to the garden to see whether anything had happened to his heart’s delight. Who can express in words his astonishment and horror when instead of his beautiful wife he saw the evil gipsy!

“Ah, my dearest one, how you have changed!” he murmured and tears flowed down his cheeks.

“Yes, my dear, I have changed, I know I have,” the gipsy answered. “It was grief for you that has broken me.”

She tried to fall on his neck but the king turned quickly away and left her.

From that time forth he had no peace but day and night he mourned the lost beauty of his wife and nothing consoled him.

Grieving in this way and thinking always the same sad thoughts, he was walking one day in the garden when suddenly a beautiful white dove flew down from a high tree and alighted on his hand. She looked up at him with eyes as mournful as his own.

“Ah, my poor dove,” the king said, “why are you so sad? Has your mate also changed?”

76] As he spoke he stroked the dove gently on the back and on the head. On the head he felt a little lump. He blew aside the feathers and discovered the head of a pin. He pulled out the pin and instantly the sad dove changed into his own beautiful wife.

She told him what had happened to her, how the gipsy had deceived her and stuck the pin into her head. The king had the gipsy and the old witch caught at once and burnt at the stake.

From that time on nothing happened to mar the king’s happiness, neither the plots of his enemies nor the spite of evil people. He lived in love and peace with his beautiful wife and he ruled his kingdom wisely. In fact he’s ruling it still if he hasn’t died.



Story DNA fairy tale · hopeful

Moral

True love and inner beauty will always prevail over deceit and outward appearances.

Plot Summary

An aging king sends his son, the prince, on a quest to find a wife by plucking the Three Citrons from the Glass Hill. Guided by three formidable Yezibabas and their giant sons, the prince endures a perilous journey, eventually acquiring the magical fruit. He mistakenly opens the first two citrons without provisions, causing the maidens within to vanish, but learns to wait for the third. Upon returning home, he opens the final citron at a grand feast, revealing a beautiful maiden who becomes his queen. While the king is away at war, a jealous old woman and her gypsy servant trick the queen, transforming her into a dove with a magical pin and replacing her with the gypsy. The grieving king later discovers the dove, removes the pin, restores his true queen, and punishes the deceitful pair, leading to a happy and wise reign.

Themes

perseverancetrue beauty vs. superficialitydeception and betrayalthe power of love

Emotional Arc

anxiety to joy, then joy to sorrow, and finally sorrow to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three, repetition of phrases

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: old woman's sudden appearance/disappearance, Glass Hill, Three Citrons (magical fruit that contain maidens), Yezibaba (witch), ogres/giant sons, transformation (maiden to dove, dove to maiden), magical pin
The Three Citrons (representing potential, beauty, and the need for preparation)The Glass Hill (representing an impossible task, perseverance)The pin (representing enchantment and deception)The white dove (representing the queen's true form and purity)

Cultural Context

Origin: Slavic (specifically Bohemian, as Parker Fillmore collected and retold Slavic fairy tales)
Era: timeless fairy tale

Parker Fillmore was an American author who collected and retold fairy tales from various European cultures, particularly Slavic ones, in the early 20th century. This story reflects common motifs found across many European folk traditions.

Plot Beats (19)

  1. An old king asks his son, the prince, to marry.
  2. An old woman advises the prince to find the Glass Hill and pluck the Three Citrons to find his wife.
  3. The prince embarks on a long journey, following ravens to a lead castle where a Yezibaba and her giant son direct him to a silver castle.
  4. At the silver castle, another Yezibaba and her son direct him to a golden castle.
  5. At the golden castle, the third Yezibaba and her son finally tell him how to reach and climb the Glass Hill and warn him about opening the citrons without provisions.
  6. The prince successfully climbs the Glass Hill, retrieves the Three Citrons, and begins his journey home.
  7. Hungry, he opens the first citron, and a maiden appears, but he has no food, drink, or clothes, so she disappears.
  8. Even hungrier, he opens the second citron, and a more beautiful maiden appears, but again, he has no provisions, and she disappears.
  9. He resolves to wait until he is home to open the last citron.
  10. Upon returning to his father's castle, a grand feast is prepared with food, drink, and clothes.
  11. The prince opens the third citron, and the most beautiful maiden appears; he provides for her, and they are married.
  12. The young king goes to war, leaving his queen on a high golden throne for safety.
  13. The old woman who gave the initial advice, feeling slighted, conspires with her gypsy servant to replace the queen.
  14. The gypsy tricks the queen into letting her up, combs her hair until she sleeps, and sticks a pin into her head, transforming her into a white dove.
  15. The gypsy takes the queen's place, but her reflection remains ugly.
  16. The king returns from war, is horrified by his 'changed' wife, and mourns her lost beauty.
  17. The king encounters a sad white dove, strokes it, finds a pin in its head, and removes it, restoring his queen.
  18. The queen explains the deception; the king orders the gypsy and the old witch to be burned at the stake.
  19. The king and queen live happily ever after, ruling wisely.

Characters 8 characters

The Prince ★ protagonist

human young adult male

Lean and agile from his long journeys, but otherwise not explicitly described. Implied to be of noble bearing.

Attire: Initially, he is fitted out for a journey by his father, suggesting practical but well-made traveling clothes. Later, as king, he would wear royal attire appropriate for a European monarch of a fairy tale setting, likely including tunics, breeches, and a cloak, made of fine wool or silk.

Wants: Initially, to find a wife to please his aging father. Later, to protect his wife and restore her to her true form.

Flaw: His politeness can make him vulnerable (accepting leaden dumplings). He is also initially unaware of the true nature of evil, making him susceptible to deception.

Transforms from a somewhat passive prince seeking a wife out of duty to a determined adventurer, then a loving husband, and finally a wise and just king who overcomes evil through his persistence and love.

His silver sword, which clanks to summon ravens, guiding his journey.

Determined, polite, brave, persistent, loving, and somewhat naive (initially). He is driven by duty to his father and later by love for his wife.

Image Prompt & Upload
A young man with a lean build and determined expression, facing forward, full body visible from head to toe. He has fair skin and short, neatly combed brown hair. He wears a practical, dark green tunic made of sturdy wool, brown leather breeches, and tall, worn leather boots. A silver sword with a simple hilt is sheathed at his left hip. He stands with a slight forward lean, as if ready for a journey. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old King ◆ supporting

human elderly male

Aged, with a white head (hair and beard). Implied to be frail due to his age, but still possessing authority.

Attire: Royal robes of a European monarch, likely made of rich fabrics like velvet or brocade, possibly in deep reds or blues, with gold embroidery. A simple golden crown or circlet.

Wants: To see his son married and settled before his own death, ensuring the continuation of his lineage and kingdom.

Flaw: His advanced age and impending death create urgency and pressure on his son.

His wish is fulfilled, and he dies peacefully after blessing his son and handing over the kingdom.

His white hair and beard, signifying his age and wisdom.

Loving, concerned for his son's future, wise (in his advice), and deeply emotional (sheds tears of joy).

Image Prompt & Upload
An elderly man with a kind, wrinkled face and long, flowing white hair and beard. He has a gentle expression. He wears a deep crimson velvet robe with gold trim and a simple golden circlet on his head. He stands with a slight stoop, holding a hand to his chest. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old Woman (initial advisor) ○ minor

human elderly female

An old woman who appears and disappears mysteriously. No further physical details are given.

Attire: Not specified, but implied to be simple and unassuming, allowing her to appear and disappear without drawing attention.

Wants: To guide the prince towards his destiny, possibly a benevolent fairy or spirit.

Flaw: None shown, as she is a brief, guiding figure.

Appears once to give crucial advice and then vanishes.

Her sudden appearance and disappearance.

Mysterious, helpful, direct, and somewhat magical.

Image Prompt & Upload
An elderly woman with a kind, wise face, her features softened by age. She has grey hair pulled back in a simple bun. She wears a plain, dark grey hooded cloak made of rough wool, obscuring her form. She stands with her hands clasped in front of her, a serene expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Yezibaba (Lead Castle) ◆ supporting

witch elderly female

Ugly old witch with a hooked nose, a bristly face, and long scrawny hands. She leans on a long leaden staff.

Attire: Likely dark, tattered, and practical clothing, possibly a rough, dark cloak or dress made of coarse fabric, suitable for a witch living in a lead castle.

Wants: To protect her son and herself, and sometimes to help those who appeal to her, especially if they pique her interest.

Flaw: Her fear of her son and her general ugliness.

Serves as a temporary guide and protector for the prince, helping him on his journey by directing him to her brother-in-arms.

Her hooked nose, bristly face, and long leaden staff.

Initially threatening but can be kind if taken by fancy. Cunning, protective of her son, and somewhat subservient to him.

Image Prompt & Upload
An ugly, elderly woman with a prominent hooked nose, a bristly, sallow face, and long, bony fingers. Her eyes are small and beady. Her hair is sparse, grey, and wild. She wears a dark, tattered, shapeless dress made of coarse, dark grey fabric, and a dark, patched shawl. She leans heavily on a tall, gnarled leaden staff. Her posture is hunched and suspicious. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Yezibaba's Son (Ogre) ◆ supporting

ogre adult male

A huge ogre, so tall that the prince would only reach his knees. He strikes the ground with a leaden club.

Attire: Not explicitly described, but likely simple, rugged, and oversized clothing, perhaps made of animal hides or rough cloth, suitable for a giant ogre.

Wants: To eat human meat, but also to help those who seek his advice, especially if his mother vouches for them.

Flaw: His impulsiveness and lack of subtlety.

Serves as a temporary obstacle and then a guide for the prince, directing him to his brother-in-arms.

His immense size and leaden club.

Boisterous, initially threatening (smells human meat), but can be reasoned with and is surprisingly hospitable (offers leaden dumplings). Impatient.

Image Prompt & Upload
A colossal male ogre, towering over the viewer, with a broad, muscular build. His skin is rough and greenish-grey. He has a wide, brutish face with a prominent brow and small, deep-set eyes. His hair is dark, coarse, and shaggy. He wears a simple, oversized tunic made of rough, dark brown hide, cinched with a thick leather belt. He holds a massive, heavy leaden club in one hand, resting it on the ground. His expression is a mix of gruffness and curiosity. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Queen (from the Citron) ◆ supporting

magical creature (initially) / human young adult female

Exquisitely beautiful, described as 'three times lovelier than the others' (referring to the previous citron maidens). She has golden tresses.

Attire: When she emerges, she asks for 'pretty clothes'. The prince provides 'gorgeous clothes' and 'rich dresses embroidered in gold and studded with pearls'. These would be elaborate, flowing gowns of silk or brocade, in vibrant colors, befitting a queen of a European fairy tale setting.

Wants: To be loved and cared for by her prince, and to live happily as his queen.

Flaw: Her trusting nature makes her vulnerable to the gypsy's trickery. Her magical origin makes her susceptible to transformation by a magical pin.

Emerges from the citron, becomes the prince's beloved queen, is magically transformed into a dove by a pin, and is eventually restored to her human form by the king, leading to a happy reign.

Her long, golden tresses and her transformation into a white dove.

Initially demanding (asking for food, drink, clothes), but quickly becomes loving and devoted to the prince. Innocent, trusting, and vulnerable to deception.

Image Prompt & Upload
A young woman of breathtaking beauty, with a serene expression, facing forward, full body visible from head to toe. She has long, flowing golden hair that reaches her waist, large, expressive blue eyes, and fair, luminous skin. She wears a magnificent gown of shimmering sky-blue silk, intricately embroidered with silver threads and adorned with small pearls, with wide, flowing sleeves. She stands gracefully, her hands gently clasped in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old Woman (antagonist) ⚔ antagonist

witch elderly female

An old woman, not explicitly described beyond her age, but implied to be malevolent.

Attire: Not specified, but likely simple, dark, and unassuming clothing, perhaps a plain, dark dress or cloak, allowing her to blend in or observe unnoticed.

Wants: Revenge for not being invited to the wedding and not being thanked for her advice. She wants to cause misery for the king and queen.

Flaw: Her own spite and desire for revenge ultimately lead to her downfall.

Transforms from a benevolent advisor to a vengeful antagonist, orchestrating the queen's transformation, and is ultimately caught and burned at the stake.

Her incensed expression and her role in providing the magical pin.

Incensed, spiteful, cunning, and manipulative. She holds grudges.

Image Prompt & Upload
An elderly woman with a sharp, angular face and a malevolent glint in her eyes. Her thin, grey hair is pulled back tightly. She wears a dark, plain, and worn dress made of coarse, dark brown fabric, and a simple, dark shawl. She holds a small, ornate golden pin in her g gnarled hand, a sly, wicked smile playing on her lips. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Gypsy ⚔ antagonist

human young adult female

Not explicitly described beyond being a 'gipsy'. Implied to be less beautiful than the queen, as her reflection doesn't show in the lake even in the queen's clothes.

Attire: Initially, likely simple, practical clothing of a servant, perhaps a colorful but worn skirt and blouse. Later, she wears the 'rich clothing' of the queen, which would be elaborate silk or brocade gowns.

Wants: To gain beauty and status, spurred by the old woman's manipulation and her own envy.

Flaw: Her vanity and susceptibility to manipulation, which lead her to commit evil deeds.

Transforms from a servant to a temporary false queen through deception, and is ultimately caught and burned at the stake for her wickedness.

Her attempt to mimic the queen's beauty, but failing to reflect beautifully in the lake.

Vain, easily persuaded, envious, deceitful, and wicked. She is driven by a desire for beauty and status.

Image Prompt & Upload
A young woman with dark, curly hair and dark, cunning eyes. Her skin is olive-toned. She wears a vibrant, multi-layered skirt of red and purple linen, a white blouse with wide sleeves, and a colorful headscarf. She holds a broken clay pitcher in one hand, a sly, envious expression on her face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
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King's Palace Garden

outdoor Implied pleasant weather, suitable for sitting outdoors.

A pleasant garden within the palace grounds where the prince often sits and ponders. Later, it features a lake and a golden throne as high as a tower.

Mood: Initially pensive, later becomes a place of joy, then sorrow, and finally reunion.

The prince first receives the quest from the old woman; the queen is transformed into a dove here; the king discovers the pin and restores his wife.

wide-spreading linden tree (implied, as the prince sits under one) lake golden throne (as high as a tower) silken cord high tree (where the dove alights)
Image Prompt & Upload
A serene palace garden, lush with mature linden trees and flowering shrubs, leading to a calm, reflective lake. On the lake's edge, a towering, ornate golden throne, intricately carved with mythical beasts and geometric patterns, stands majestically. Soft afternoon sunlight filters through the leaves, dappling the polished gold and the still water. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Yezibaba's Lead Castle

indoor Implied harsh, desolate conditions outside.

A high castle built entirely of lead, located in a waste of wooded mountains and desert plains. It trembles when Yezibaba's son arrives.

Mood: Eerie, foreboding, but with a surprising undercurrent of reluctant hospitality.

The prince seeks information about the Glass Hill and the Three Citrons from Yezibaba and her giant son.

castle built entirely of lead twelve ravens circling above old woman (Yezibaba) leaning on a long leaden staff besom (broom) for hiding leaden club (Yezibaba's son's weapon) large dish leaden dumplings
Image Prompt & Upload
A desolate, rugged landscape with jagged, dark mountains under a stormy, bruised sky. In the foreground, a tall, imposing castle constructed entirely from dark, weathered lead, its surfaces dull and heavy. Twelve black ravens circle ominously above its turrets. The ground around it is barren, with sparse, tough scrub. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Glass Hill

outdoor Implied clear, possibly sunny conditions to highlight the glass.

A towering hill made entirely of glass, incredibly steep and difficult to climb. It is the source of the Three Citrons.

Mood: Challenging, magical, the culmination of the prince's quest.

The prince climbs the hill to retrieve the magical citrons.

hill made entirely of glass three citrons (at the top) steep, slippery surface
Image Prompt & Upload
A colossal, perfectly smooth hill, shimmering and translucent, appearing as if sculpted from a single piece of clear, polished glass. Its slopes are incredibly steep, reflecting the bright, clear sky above and the distant, hazy horizon. No vegetation or discernible path mars its pristine, reflective surface. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.