THE DRAGON and THE PRINCE

by Unknown · from Folk Tales Every Child Should Know

fairy tale adventure hopeful Ages 8-14 2558 words 12 min read

Adapted Version

CEFR A1 Age 5 509 words 3 min Canon 100/100

Once upon a time, in a faraway land, lived a kind King. He had three sons. One day, a little rabbit ran into a water-mill.

King Arthur's eldest son went hunting. A little rabbit ran. He followed the rabbit. It went into a water-mill. A big dragon was there. The big dragon made him disappear.

King Arthur's middle son went hunting. He saw the same rabbit. He followed the rabbit too. It went into the water-mill. The big dragon made him disappear too.

Prince Leo was King Arthur's youngest son. He went hunting. He saw the same rabbit. He followed it. But he was careful. He did not go inside the mill.

Prince Leo went back to the mill. He found Grandma Elara there. She was an old woman. She told him a secret. The rabbit was not a rabbit. It was the Big Dragon. It made his brothers disappear.

Prince Leo asked Grandma Elara for help. "Please find the dragon's secret power," he said. "Ask the dragon a clever question." Grandma Elara nodded her head. She wanted to help Prince Leo.

Grandma Elara talked to the Big Dragon. She asked about its power. The Big Dragon told her its secret. "My power is in a little bird," it said. "The bird is inside a pig. The pig is inside me."

Prince Leo wore shepherd clothes. He went to another land. King Roland lived there. King Roland was sad. A big dragon lived in a lake. It made King Roland's sheep disappear.

Prince Leo went to the lake. He called the Big Dragon. He fought it for two days. "A kiss from Princess Lily will make me strong," he told the dragon. This made him very strong.

King Roland saw Prince Leo was brave. Prince Leo came back each night. On the third day, King Roland sent Princess Lily. She was a little scared. But she went with Prince Leo.

On the third day, they fought again. Princess Lily gave Prince Leo a kiss. She kissed his face and head. He got very, very strong. He won against the Big Dragon!

The Big Dragon was gone. A little pig came out. Prince Leo's dogs chased the pig. They caught the pig. Then a little bird flew out. Prince Leo's bird caught the little bird.

The little bird told a secret. Prince Leo's brothers were in a hidden room. Many other people were there. The room was behind his father's mill. He needed to tap three magic sticks. This would open the room.

Prince Leo married Princess Lily. He told King Roland his name. He was a real prince! They went home with many friends. Everyone was happy for them.

Prince Leo went to the water-mill. He tapped the magic sticks. The hidden room opened wide. He freed his brothers. He freed many other people. Everyone was very happy!

Prince Leo, his brothers, and Princess Lily went home. They lived in his father's big palace. They were all very happy forever. Prince Leo was brave and clever. He saved everyone!

Original Story 2558 words · 12 min read

THE DRAGON AND THE PRINCE

There was an emperor who had three sons. One day the eldest son went out hunting, and, when he got outside the town, up sprang a hare out of a bush, and he after it, and hither and thither, till the hare fled into a water-mill, and the prince after it. But it was not a hare, but a dragon, and it waited for the prince and devoured him. When several days had elapsed and the prince did not return home, people began to wonder why it was that he was not to be found. Then the middle son went hunting, and as he issued from the town, a hare sprang out of a bush, and the prince after it, and hither and thither, till the hare fled into the water-mill and the prince after it; but it was not a hare, but a dragon, which waited for and devoured him. When some days had elapsed and the princes did not return, either of them, the whole court was in sorrow. Then the third son went hunting, to see whether he could not find his brothers. When he issued from the town, again up sprang a hare out of a bush, and the prince after it, and hither and thither, till the hare fled into the water-mill. But the prince did not choose to follow it, but went to find other game, saying to himself: "When I return I shall find you." After thus he went for a long time up and down the hill, but found nothing, and then returned to the water-mill; but when he got there, there was only an old woman in the mill. The prince invoked God in addressing her: "God help you, old woman!" The old woman replied: "God help you, my son!" Then the prince asked her: "Where, old woman, is my hare?" She replied: "My son, that was not a hare, but a dragon. It kills and throttles many people." Hearing this, the prince was somewhat disturbed, and said to the old woman: "What shall we do now? Doubtless my two brothers also have perished here." The old woman answered: "They have indeed; but there's no help for it. Go home, my son, lest you follow them." Then he said to her: "Dear old woman, do you know what? I know that you will be glad to liberate yourself from that pest." The old woman interrupted him: "How should I not? It captured me, too, in this way, but now I have no means of escape." Then he proceeded: "Listen well to what I am going to say to you. Ask it whither it goes and where its strength is; then kiss all that place where it tells you its strength is, as if from love, till you ascertain it, and afterward tell me when I come." Then the prince went off to the palace, and the old woman remained in the water-mill. When the dragon came in, the old woman began to question it: "Where in God's name have you been? Whither do you go so far? You will never tell me whither you go." The dragon replied: "Well, my dear old woman, I do go far." Then the old woman began to coax it: "And why do you go so far? Tell me where your strength is. If I knew where your strength is, I don't know what I should do for love; I would kiss all that place." Thereupon the dragon smiled and said to her: "Yonder is my strength, in that fireplace." Then the old woman began to fondle and kiss the fireplace, and the dragon on seeing it burst into a laugh and said to her: "Silly old woman, my strength isn't there; my strength is in that tree-fungus in front of the house." Then the old woman began again to fondle and kiss the tree, and the dragon again laughed, and said to her: "Away, old woman! my strength isn't there." Then the old woman inquired: "Where is it?" The dragon began to give an account in detail: "My strength is a long way off, and you cannot go thither. Far in another empire under the emperor's city is a lake, in that lake is a dragon, and in that dragon a boar, and in the boar a pigeon, and in that is my strength." The next morning when the dragon went away from the mill, the prince came to the old woman, and the old woman told him all that she had heard from the dragon. Then he left his home, and disguised himself; he put shepherd's boots to his feet, took a shepherd's staff in his hand, and went into the world. As he went on thus from village to village, and from town to town, at last he came into another empire and into the imperial city, in a lake under which the dragon was. On going into the town he began to inquire who wanted a shepherd. The citizens told him that the emperor did. Then he went straight to the emperor. After he announced himself, the emperor admitted him into his presence, and asked him: "Do you wish to keep sheep?" He replied: "I do, illustrious crown!" Then the emperor engaged him, and began to inform and instruct him: "There is here a lake, and alongside of the lake very beautiful pasture, and when you call the sheep out, they go thither at once, and spread themselves round the lake; but whatever shepherd goes off there, that shepherd returns back no more. Therefore, my son, I tell you, don't let the sheep have their own way and go where they will, but keep them where you will." The prince thanked the emperor, got himself ready, and called out the sheep, taking with him, more-over, two hounds that could catch a boar in the open country, and a falcon that could capture any bird, and carrying also a pair of bagpipes. When he called out the sheep he let them go at once to the lake, and when the sheep arrived at the lake, they immediately spread round it, and the prince placed the falcon on a stump, and the hounds and bagpipes under the stump, then tucked up his hose and sleeves, waded into the lake, and began to shout: "Dragon, dragon! come out to single combat with me to-day that we may measure ourselves together, unless you're a woman."[6] The dragon called out in reply, "I will do so now, prince—now!" Erelong behold the dragon! it is large, it is terrible, it is disgusting! When the dragon came out, it seized him by the waist, and they wrestled a summer day till afternoon. But when the heat of afternoon came on, the dragon said: "Let me go, prince, that I may moisten my parched head in the lake, and toss you to the sky." But the prince replied: "Come, dragon, don't talk nonsense; if I had the emperor's daughter to kiss me on the forehead, I would toss you still higher." Thereupon, the dragon suddenly let him go, and went off into the lake. On the approach of evening, he washed and got himself up nicely, placed the falcon on his arm, the hounds behind him, and the bagpipes under his arm, then drove the sheep and went into the town playing on the bagpipes. When he arrived at the town, the whole town assembled as to see a wondrous sight because he had come, whereas previously no shepherd had been able to come from the lake. The next day the prince got ready again, and went with his sheep straight to the lake. But the emperor sent two grooms after him to go stealthily and see what he did, and they placed themselves on a high hill whence they could have a good view. When the shepherd arrived, he put the hounds and bagpipes under the stump and the falcon upon it, then tucked up his hose and sleeves waded into the lake and shouted: "Dragon, dragon! come out to single combat with me, that we may measure ourselves once more together, unless you are a woman!" The dragon replied: "I will do so, prince, now, now!" Erelong, behold the dragon! it was large, it was terrible, it was disgusting! And it seized him by the waist and wrestled with him a summer's day till afternoon. But when the afternoon heat came on, the dragon said: "Let me go, prince, that I may moisten my parched head in the lake, and may toss you to the sky." The prince replied: "Come, dragon, don't talk nonsense; if I had the emperor's daughter to kiss me on the forehead, I would toss you still higher." Thereupon the dragon suddenly left hold of him, and went off into the lake. When night approached the prince drove the sheep as before, and went home playing the bagpipes When he arrived at the town, the whole town was astir and began to wonder because the shepherd came home every evening, which no one had been able to do before. Those two grooms had already arrived at the palace before the prince, and related to the emperor in order everything that they had heard and seen. Now when the emperor saw that the shepherd returned home, he immediately summoned his daughter into his presence and told her all, what it was and how it was. "But," said he, "to-morrow you must go with the shepherd to the lake and kiss him on the forehead." When she heard this she burst into tears and began to entreat her father. "You have no one but me, and I am your only daughter, and you don't care about me if I perish." Then the emperor began to persuade and encourage her: "Don't fear, my daughter; you see we have had so many changes of shepherds, and of all that went out to the lake not one has returned; but he had been contending with the dragon for two whole days and it has done him no hurt. I assure you, in God's name, that he is able to overcome the dragon, only go to-morrow with him to see whether he will free us from this mischief which has destroyed so many people."

When, on the morrow, the day dawned and the sun came forth, up rose the shepherd, up rose the maiden too, to begin to prepare for going to the lake. The shepherd was cheerful, more cheerful than ever, but the emperor's daughter was sad and shed tears. The shepherd comforted her: "Lady sister, I pray you, do not weep, but do what I tell you. When it is time, run up and kiss me, and fear not." As he went and drove the sheep, the shepherd was thoroughly cheery, and played a merry tune on his bagpipes; but the damsel did nothing but weep as she went beside him, and he several times left off playing and turned toward her: "Weep not, golden one; fear nought." When they arrived at the lake, the sheep immediately spread round it, and the prince placed the falcon on the stump, and the hounds and bagpipes under it, then tucked up his hose and sleeves, waded into the water, and shouted: "Dragon! dragon! Come out to single combat with me; let us measure ourselves once more, unless you're a woman!" The dragon replied: "I will, prince; now, now!" Erelong, there was the dragon! it was huge, it was terrible, it was disgusting! When it came out, they seized each other by the middle, and wrestled a summer's day till afternoon. But when the afternoon heat came on, the dragon said: "Let me go, prince, that I may moisten my parched head in the lake, and toss you to the skies." The prince replied: "Come, dragon, don't talk nonsense; if I had the emperor's daughter to kiss me on the forehead, I would toss you much higher." When he said this, the emperor's daughter ran up and kissed him on the face, on the eye, and on the forehead. Then he swung the dragon, and tossed it high into the air, and when it fell to the ground it burst into pieces. But as it burst into pieces, out of it sprang a wild boar, and started to run away. But the prince shouted to his shepherd dogs: "Hold it! don't let it go!" and the dogs sprang up and after it, caught it, and soon tore it to pieces. But out of the boar flew a pigeon, and the prince loosed the falcon, and the falcon caught the pigeon and brought it into the prince's hands. The prince said to it: "Tell me now, where are my brothers?" The pigeon replied: "I will; only do me no harm. Immediately behind your father's town is a water-mill, and in the water-mill are three wands that have sprouted up. Cut these three wands up from below, and strike with them upon their root; an iron door will immediately open into a large vault. In that vault are many people, old and young, rich and poor, small and great, wives and maidens, so that you could settle a populous empire; there, too, are your brothers." When the pigeon had told him all this, the prince immediately wrung its neck.

The emperor had gone out in person, and posted himself on the hill from which the grooms had viewed the shepherd, and he, too, was a spectator of all that had taken place. After the shepherd had thus obtained the dragon's head, twilight began to approach. He washed himself nicely, took the falcon on his shoulder, the hounds behind him, and the bagpipes under his arm, played as he went, drove the sheep, and proceeded to the emperor's palace, with the damsel at his side still in terror. When they came to the town, all the town assembled as to see a wonder. The emperor, who had seen all his heroism from the hill, called him into his presence, and gave him his daughter, went immediately to church, had them married, and held a wedding festival for a week. After this the prince told him who and whence he was, and the emperor and the whole town rejoiced still more. Then, as the prince was urgent to go to his own home, the emperor gave him a large escort, and equipped him for the journey. When they were in the neighbourhood of the water-mill, the prince halted his attendants, went inside, cut up the three wands, and struck the root with them, and the iron door opened at once. In the vault was a vast multitude of people. The prince ordered them to come out one by one, and go whither each would, and stood himself at the door. They came out thus one after another, and lo! there were his brothers also, whom he embraced and kissed. When the whole multitude had come out, they thanked him for releasing and delivering them, and went each to his own home. But he went to his father's house with his brothers and bride, and there lived and reigned to the end of his days.


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Story DNA

Moral

With courage, cleverness, and perseverance, even the most daunting challenges can be overcome, leading to liberation and reward.

Plot Summary

An emperor's first two sons vanish after chasing a mysterious hare into a water-mill. The third prince, more cautious, learns from an old woman that a dragon devoured his brothers and that its strength is hidden within a nested sequence of creatures. Disguising himself as a shepherd, the prince travels to another kingdom, where he challenges a lake dragon that terrorizes the land. With the help of that emperor's daughter, whose kiss grants him immense strength, he defeats the dragon and its inner forms. The final creature reveals the location of his brothers, whom the prince liberates from a magical vault, marrying the princess and returning home a hero.

Themes

courageperseveranceclevernesssacrifice

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: sparse
Techniques: repetition (of brothers' fate, dragon's challenge)

Narrative Elements

Conflict: person vs supernatural
Ending: happy
Magic: talking animals (hare as dragon, pigeon), dragon (shapeshifting, immense strength, nested life force), magical strength boost (kiss from princess)
the hare (deception, lure)the water-mill (trap, gateway to danger)the nested creatures (dragon, boar, pigeon - representing the dragon's life force)the wands (key to liberation)

Cultural Context

Origin: Serbian (likely, given the footnote reference in the original text to 'Serbian Folk-lore')
Era: timeless fairy tale

Reflects common European folk tale motifs of dragon-slaying, disguised heroes, and nested vulnerabilities, often found in Slavic traditions.

Plot Beats (15)

  1. The eldest prince chases a hare into a water-mill and is devoured by a dragon.
  2. The middle prince follows the same path and is also devoured by the dragon.
  3. The youngest prince chases the same hare but, sensing danger, does not follow it into the mill immediately.
  4. The prince returns to the mill, finds an old woman, and learns the hare is a dragon that killed his brothers.
  5. The prince instructs the old woman to trick the dragon into revealing the source of its strength.
  6. The old woman coaxes the dragon into revealing its strength is in a nested sequence: a dragon in a lake, a boar in the dragon, and a pigeon in the boar.
  7. The prince disguises himself as a shepherd and travels to another empire, where he is hired by an emperor whose sheep are lost to a lake-dwelling dragon.
  8. The prince challenges the lake dragon to combat for two days, using the promise of the emperor's daughter's kiss to gain an advantage.
  9. The emperor, impressed by the shepherd's survival, sends his daughter with him on the third day, despite her fear.
  10. During the third combat, the princess kisses the prince, giving him the strength to defeat the dragon.
  11. From the defeated dragon, a boar emerges, which the prince's hounds kill; then a pigeon emerges from the boar, which his falcon catches.
  12. The pigeon reveals that the prince's brothers and many others are trapped in a vault behind his father's water-mill, accessible by striking three wands.
  13. The prince marries the emperor's daughter, reveals his identity, and returns home with an escort.
  14. At the water-mill, the prince follows the pigeon's instructions, opens the vault, and frees his brothers and all the other captives.
  15. The prince, his brothers, and his new bride return to his father's palace, where they live and reign.

Characters

👤

The Third Prince

human young adult male

Lean and agile build, of average height for a young man from a Balkan or Eastern European royal lineage. He possesses the physical stamina and strength to wrestle a dragon for two days. His movements are purposeful and swift.

Attire: Initially, he wears practical hunting attire suitable for a prince, likely made of sturdy wool or linen in muted colors, perhaps with leather accents. When disguised as a shepherd, he wears simple, worn shepherd's boots, coarse woven trousers, a tunic, and carries a shepherd's staff. He tucks up his hose and sleeves for combat. After the dragon's defeat, he is clean and wears his princely attire again, or at least clean, respectable clothes.

Wants: To find and rescue his lost brothers, and ultimately to free his people and the land from the dragon's terror.

Flaw: His initial overconfidence or perhaps a slight naivety in his youth, though he quickly learns from his brothers' mistakes. He relies on external help (the old woman, the princess's kiss) for crucial moments.

Transforms from a prince seeking his brothers into a hero who liberates many people and marries a princess, eventually revealing his true identity and reigning justly.

His shepherd's disguise, specifically the shepherd's staff and bagpipes, which he carries even into battle.

Cunning, brave, determined, observant, resourceful, and compassionate. He shows great strategic thinking by not immediately following the hare and later by devising a plan with the old woman. He is also persistent and fearless in confronting the dragon.

✦

The Dragon

magical creature ageless non-human

Immense in size, described as 'large, terrible, and disgusting.' Its scales are likely dark and rough, possibly green or brown, with a leathery texture. It possesses great physical strength, capable of seizing a man by the waist and wrestling for days. It has a parched head, suggesting it needs water to maintain its strength.

Attire: None, as it is a creature.

Wants: To maintain its power and terrorize the region, feeding on humans.

Flaw: Its arrogance, which leads it to reveal the true source of its strength. Its physical strength is also tied to a specific external object (the pigeon within the boar within the dragon within the lake).

Remains a static antagonist until its defeat, revealing its true nature and the source of its power before being destroyed.

Its immense, disgusting form emerging from the lake, with its parched head.

Cunning (disguises itself as a hare), cruel (devours people), arrogant (boasts about its strength and ability to toss the prince), and somewhat gullible (falls for the old woman's trick).

👤

The Old Woman

human elderly female

Frail and aged, likely small in stature due to her age. Her body shows the signs of a hard life, possibly hunched from years of labor or fear.

Attire: Simple, worn peasant clothing made of coarse linen or wool, likely in muted, earthy tones. Perhaps a simple headscarf to cover her hair.

Wants: To escape the dragon's captivity and see it defeated.

Flaw: Her physical frailty and her captivity make her vulnerable.

Starts as a captive and a victim, but becomes an active participant in the dragon's downfall by gathering crucial information, leading to her eventual liberation.

Her presence alone in the desolate water-mill, a symbol of the dragon's terror.

Fearful (of the dragon), cunning (when coaxing the dragon), helpful, and wise (provides crucial information). She is desperate for freedom.

👤

The Emperor's Daughter

human young adult female

Likely slender and graceful, as befits a princess. Her appearance is described as 'golden one' by the prince, suggesting fair skin and possibly blonde hair, consistent with a European fairy tale princess. She is delicate in demeanor but capable of a decisive act when needed.

Attire: Initially, fine court attire suitable for a princess, perhaps a gown of silk or brocade in rich colors, though she is later seen preparing to go to the lake, suggesting more practical but still elegant attire. When going to the lake, she might wear a simpler, yet still well-made, dress of fine linen or wool, perhaps in a soft blue or green, with delicate embroidery, but still reflecting her royal status.

Wants: To obey her father and, ultimately, to help defeat the dragon and free her people, despite her fear.

Flaw: Her overwhelming fear of the dragon and the unknown.

Transforms from a terrified, weeping princess into a brave woman who plays a crucial role in the dragon's defeat, eventually marrying the hero.

Her 'golden' hair and tear-streaked face as she reluctantly goes to the lake.

Initially fearful, timid, and distressed. She is obedient to her father but also capable of courage when encouraged, demonstrating a hidden strength.

👤

The Emperor

human adult | elderly male

A man of authority, likely of a dignified and regal bearing. His age is not specified but he is a father to a young adult daughter, suggesting middle-aged to elderly. He carries himself with the weight of his responsibilities.

Attire: Rich, formal imperial robes, likely made of silk or brocade, in deep, regal colors such as crimson or purple, possibly adorned with gold embroidery or jewels. A crown or elaborate headwear would complete his attire.

Wants: To protect his people and his daughter from the dragon, and to find someone capable of defeating it.

Flaw: His inability to defeat the dragon himself, and his desperation which leads him to risk his daughter.

Starts as a desperate ruler, but finds hope and eventually joy as the dragon is defeated and his kingdom is saved, leading to a celebration and a new alliance.

His regal robes and worried expression as he watches from the hill.

Worried (about his people and daughter), desperate (to find a solution to the dragon problem), persuasive (when convincing his daughter), and just (rewards the prince).

Locations

Water-mill

transitional Implied temperate climate, possibly spring or summer due to hunting season.

An old water-mill, likely made of weathered wood and stone, with a water wheel. It serves as a deceptive trap, appearing innocuous but concealing a dangerous dragon. Inside, it's a simple, functional space where an old woman lives.

Mood: Initially deceptive and dangerous, later becomes a place of strategic planning and eventual liberation.

The dragon's lair where the first two princes are devoured; the third prince learns the dragon's weakness from the old woman; later, it's the site of the vault where all the captives, including the brothers, are freed.

water wheel wooden structure stone foundation bush nearby fireplace (inside) tree-fungus (outside) three wands (sprouted inside) iron door (hidden)

Lake with Pasture

outdoor daytime, specifically afternoon heat during combat Summer, hot and sunny during the day.

A large lake with very beautiful, lush pastureland surrounding it. The water is where the dragon resides and emerges from. The pasture is ideal for sheep grazing, but also the arena for the prince's combat.

Mood: Initially serene and beautiful, but quickly becomes a tense and dangerous battleground. Later, it's a place of triumph and relief.

The site of the prince's epic battles with the dragon, where he ultimately defeats it and its nested forms (boar, pigeon). The emperor's daughter kisses the prince here, giving him strength.

large body of water lush green pasture stump (for falcon) sheep grazing dragon emerging from water

Emperor's Palace (Foreign Empire)

indoor Implied temperate climate, likely warm during the summer events.

The grand residence of the foreign emperor, where the prince disguises himself as a shepherd and is employed. It's a place of courtly life, concern over the dragon, and later, celebration.

Mood: Initially formal and somber due to the dragon's threat, later filled with joy and celebration after the dragon's defeat and the wedding.

The prince is hired as a shepherd; the emperor's daughter is persuaded to help the prince; the wedding feast takes place here after the dragon's defeat; the prince reveals his true identity.

throne room imperial chambers courtyard wedding feast hall guards grooms