CLASSIFICATION of IRISH FAIRIES
by Unknown · from Irish Fairy Tales
Adapted Version
Do you know about magical fairies? Let's learn about the fairies of Ireland! Fairies live in Ireland. There are two big groups of fairies. Some fairies are sociable. They are often kind. Some fairies are solitary. They are sometimes tricky. They are not always kind.
Sociable fairies like to be with friends. Sheoques are land fairies. They live on the land. Merrows are water fairies. They live in the water. These are sociable fairies.
Sheoques live near green hills. These hills are called raths. They also like thorn bushes. Sheoques play lovely music. People hear their fairy music. The music is very sweet. It makes people happy. Some people become great music players. Sheoques are special land fairies. They are often good. They live in their own world. They are kind fairies.
Merrows are water fairies. They live in the sea. They can change their shape. Sometimes they look like cows. These cows have no horns. Sometimes they look like people. They have fish tails. Merrows wear a red cap. This cap is special. Female Merrows are very pretty. They are very beautiful.
Some fairies are solitary. They are sometimes tricky. They are not always kind. Let's meet some solitary fairies.
One solitary fairy is the Leprechaun. He is a little man. He wears red clothes. He makes shoes. He has a pot of gold. He hides his gold. You can try to catch him. But he can vanish! He disappears very fast.
Another solitary fairy is the Pooka. The Pooka can change shape. It can be a horse. It can be a goat. It can be a bull. The Pooka likes wild rides. It gives fast rides. Hold on tight!
The Banshee is also a solitary fairy. She is a fairy woman. She sings a sad song. She sings for families. Her song is very soft. It sounds far away.
There are other solitary fairies too. Some live in houses. Some live in water. They are all special fairies.
So many kinds of fairies live in Ireland. Some are kind. Some are tricky. All fairies are special. It is fun to learn about them. Now you know about many special Irish fairies! They are all around us.
Original Story
CLASSIFICATION OF IRISH FAIRIES
rish Fairies divide themselves into two great classes: the sociable and the solitary. The first are in the main kindly, and the second full of all uncharitableness.
The Sociable Fairies
These creatures, who go about in troops, and quarrel, and make love, much as men and women do, are divided into land fairies or Sheoques (Ir. Sidheog, 'a little fairy,') and water fairies or Merrows (Ir. Moruadh, 'a sea maid'; the masculine is unknown). At the same time I am inclined to think that the term Sheoque may be applied to both upon occasion, for I have heard of a whole village turning out to hear two red-capped water fairies, who were very 'little fairies' indeed, play upon the bagpipes.
1. The Sheoques.—The Sheoques proper, however, are the spirits that haunt the sacred thorn bushes and the green raths. All over Ireland are little fields circled by ditches, and supposed to be ancient fortifications and sheep-folds. These are the raths, or forts, or 'royalties,' as they are variously called. Here, marrying and giving in marriage, live the land fairies. Many a mortal they are said to have enticed down into their dim world. Many more have listened to their fairy music, till all human cares and joys drifted from their hearts and they became great peasant seers or 'Fairy Doctors,' or great peasant musicians or poets like Carolan, who gathered his tunes while sleeping on a fairy rath; or else they died in a year and a day, to live ever after among the fairies. These Sheoques are on the whole good; but one most malicious habit have they—a habit worthy of a witch. They steal children and leave a withered fairy, a thousand or maybe two thousand years old, instead. Three or four years ago a man wrote to one of the Irish papers, telling of a case in his own village, and how the parish priest made the fairies deliver the stolen child up again. At times full-grown men and women have been taken. Near the village of Coloney, Sligo, I have been told, lives an old woman who was taken in her youth. When she came home at the end of seven years she had no toes, for she had danced them off. Now and then one hears of some real injury being done a person by the land fairies, but then it is nearly always deserved. They are said to have killed two people in the last six months in the County Down district where I am now staying. But then these persons had torn up thorn bushes belonging to the Sheoques.
2. The Merrows.—These water fairies are said to be common. I asked a peasant woman once whether the fishermen of her village had ever seen one. 'Indeed, they don't like to see them at all,' she answered, 'for they always bring bad weather.' Sometimes the Merrows come out of the sea in the shape of little hornless cows. When in their own shape, they have fishes' tails and wear a red cap called in Irish cohuleen driuth (p. 79). The men among them have, according to Croker, green teeth, green hair, pigs' eyes, and red noses; but their women are beautiful, and sometimes prefer handsome fishermen to their green-haired lovers. Near Bantry, in the last century, lived a woman covered with scales like a fish, who was descended, as the story goes, from such a marriage. I have myself never heard tell of this grotesque appearance of the male Merrows, and think it probably a merely local Munster tradition.
The Solitary Fairies
These are nearly all gloomy and terrible in some way. There are, however, some among them who have light hearts and brave attire.
1. The Lepricaun (Ir. Leith bhrogan, i.e. the one shoe maker).—This creature is seen sitting under a hedge mending a shoe, and one who catches him can make him deliver up his crocks of gold, for he is a miser of great wealth; but if you take your eyes off him the creature vanishes like smoke. He is said to be the child of an evil spirit and a debased fairy, and wears, according to McAnally, a red coat with seven buttons in each row, and a cocked-hat, on the point of which he sometimes spins like a top. In Donegal he goes clad in a great frieze coat.
2. The Cluricaun (Ir. Clobhair-cean in O'Kearney).—Some writers consider this to be another name for the Lepricaun, given him when he has laid aside his shoe-making at night and goes on the spree. The Cluricauns' occupations are robbing wine-cellars and riding sheep and shepherds' dogs for a livelong night, until the morning finds them panting and mud-covered.
3. The Gonconer or Ganconagh (Ir. Gean-canogh, i.e. love-talker).—This is a creature of the Lepricaun type, but, unlike him, is a great idler. He appears in lonely valleys, always with a pipe in his mouth, and spends his time in making love to shepherdesses and milkmaids.
4. The Far Darrig (Ir. Fear Dearg, i.e. red man).—This is the practical joker of the other world. The wild Sligo story I give of 'A Fairy Enchantment' was probably his work. Of these solitary and mainly evil fairies there is no more lubberly wretch than this same Far Darrig. Like the next phantom, he presides over evil dreams.
5. The Pooka (Ir. Púca, a word derived by some from poc, a he-goat).—The Pooka seems of the family of the nightmare. He has most likely never appeared in human form, the one or two recorded instances being probably mistakes, he being mixed up with the Far Darrig. His shape is usually that of a horse, a bull, a goat, eagle, or ass. His delight is to get a rider, whom he rushes with through ditches and rivers and over mountains, and shakes off in the gray of the morning. Especially does he love to plague a drunkard: a drunkard's sleep is his kingdom. At times he takes more unexpected forms than those of beast or bird. The one that haunts the Dun of Coch-na-Phuca in Kilkenny takes the form of a fleece of wool, and at night rolls out into the surrounding fields, making a buzzing noise that so terrifies the cattle that unbroken colts will run to the nearest man and lay their heads upon his shoulder for protection.
6. The Dullahan.—This is a most gruesome thing. He has no head, or carries it under his arm. Often he is seen driving a black coach called coach-a-bower (Ir. Coite-bodhar), drawn by headless horses. It rumbles to your door, and if you open it a basin of blood is thrown in your face. It is an omen of death to the houses where it pauses. Such a coach not very long ago went through Sligo in the gray of the morning, as was told me by a sailor who believed he saw it. In one village I know its rumbling is said to be heard many times in the year.
7. The Leanhaun Shee (Ir. Leanhaun sidhe, i.e. fairy mistress).—This spirit seeks the love of men. If they refuse, she is their slave; if they consent, they are hers, and can only escape by finding one to take their place. Her lovers waste away, for she lives on their life. Most of the Gaelic poets, down to quite recent times, have had a Leanhaun Shee, for she gives inspiration to her slaves and is indeed the Gaelic muse—this malignant fairy. Her lovers, the Gaelic poets, died young. She grew restless, and carried them away to other worlds, for death does not destroy her power.
8. The Far Gorta (man of hunger).—This is an emaciated fairy that goes through the land in famine time, begging and bringing good luck to the giver.
9. The Banshee (Ir. Bean-sidhe, i.e. fairy woman).—This fairy, like the Fear Gorta, differs from the general run of solitary fairies by its generally good disposition. She is perhaps not really one of them at all, but a sociable fairy grown solitary through much sorrow. The name corresponds to the less common Far Shee (Ir. Fear Sidhe), a man fairy. She wails, as most people know, over the death of a member of some old Irish family. Sometimes she is an enemy of the house and screams with triumph, but more often a friend. When more than one Banshee comes to cry, the man or woman who is dying must have been very holy or very brave. Occasionally she is most undoubtedly one of the sociable fairies. Cleena, once an Irish princess and then a Munster goddess, and now a Sheoque, is thus mentioned by the greatest of Irish antiquarians.
O'Donovan, writing in 1849 to a friend, who quotes his words in the Dublin University Magazine, says: 'When my grandfather died in Leinster in 1798, Cleena came all the way from Ton Cleena to lament him; but she has not been heard ever since lamenting any of our race, though I believe she still weeps in the mountains of Drumaleaque in her own country, where so many of the race of Eoghan More are dying of starvation.' The Banshee on the other hand who cries with triumph is often believed to be no fairy but a ghost of one wronged by an ancestor of the dying. Some say wrongly that she never goes beyond the seas, but dwells always in her own country. Upon the other hand, a distinguished writer on anthropology assures me that he has heard her on 1st December 1867, in Pital, near Libertad, Central America, as he rode through a deep forest. She was dressed in pale yellow, and raised a cry like the cry of a bat. She came to announce the death of his father. This is her cry, written down by him with the help of a Frenchman and a violin.
He saw and heard her again on 5th February 1871, at 16 Devonshire Street, Queen's Square, London. She came this time to announce the death of his eldest child; and in 1884 he again saw and heard her at 28 East Street, Queen's Square, the death of his mother being the cause.
The Banshee is called badh or bowa in East Munster, and is named Bachuntha by Banim in one of his novels.
Other Fairies and Spirits.—Besides the foregoing, we have other solitary fairies, of which too little definite is known to give them each a separate mention. They are the House Spirits, of whom 'Teigue of the Lee' is probably an instance; the Water Sherie, a kind of will-o'-the-wisp; the Sowlth, a formless luminous creature; the Pastha (Piast-bestia), the lake dragon, a guardian of hidden treasure; and the Bo men fairies, who live in the marshes of County Down and destroy the unwary. They may be driven away by a blow from a particular kind of sea-weed. I suspect them of being Scotch fairies imported by Scotch settlers. Then there is the great tribe of ghosts called Thivishes in some parts.
These are all the fairies and spirits I have come across in Irish folklore. There are probably many others undiscovered.
W. B. YEATS.
Co. Down, June 1891.
Story DNA
Plot Summary
This text classifies Irish fairies into two main groups: sociable (Sheoques and Merrows) and solitary (Lepricaun, Pooka, Banshee, etc.). It details the characteristics, behaviors, and interactions of each fairy type with humans, drawing on folklore and anecdotal evidence. Sociable fairies are generally kind but can be mischievous or harmful, while solitary fairies are mostly gloomy and dangerous. The author, W.B. Yeats, provides a comprehensive overview of these supernatural beings, highlighting their cultural significance and the fear or respect they commanded in Irish society.
Themes
Emotional Arc
curiosity to understanding
Writing Style
Narrative Elements
Cultural Context
This text is a compilation of Irish folklore by W.B. Yeats, reflecting late 19th-century beliefs and oral traditions. It serves as an anthropological record of supernatural beings in Ireland before widespread modernization.
Plot Beats (15)
- Irish fairies are categorized into two main groups: sociable (generally kind) and solitary (generally malevolent).
- Sociable fairies include Sheoques (land fairies) and Merrows (water fairies).
- Sheoques haunt raths and thorn bushes, entice mortals with music, steal children, and sometimes cause harm if provoked.
- Merrows are water fairies, often appearing as hornless cows or fish-tailed beings with red caps; male Merrows are grotesque, females beautiful, and they can intermarry with humans.
- Solitary fairies are mostly gloomy and terrible, but some have light hearts.
- The Lepricaun is a shoemaker who guards crocks of gold; he can be caught but vanishes if eyes are averted.
- The Cluricaun is possibly a Lepricaun on a spree, known for robbing wine cellars and riding animals at night.
- The Gonconer is an idle, love-talking fairy who seduces shepherdesses and milkmaids.
- The Far Darrig is a red-clad practical joker who presides over evil dreams.
- The Pooka takes animal forms (horse, bull, goat) to give terrifying rides, especially to drunkards, and can also appear as a fleece of wool.
- The Dullahan is a headless rider in a black coach (coach-a-bower) that brings omens of death.
- The Leanhaun Shee is a fairy mistress who inspires poets but drains their life, making them her slaves.
- The Far Gorta is an emaciated fairy of famine times who brings good luck to givers.
- The Banshee is a fairy woman who wails over deaths in old Irish families, sometimes as a friend, sometimes as an enemy, and her cry can be heard across seas.
- Other less-defined solitary fairies include House Spirits, Water Sherie, Sowlth, Pastha (lake dragon), and Bo men fairies.
Characters
Sheoques
Generally described as 'little fairies', though specific height and build are not given. They are ancient beings, with some withered fairies being 'a thousand or maybe two thousand years old'.
Attire: Not explicitly described, but implied to be distinct from human attire.
Wants: To live their lives in their dim world, protect their sacred places, and sometimes interact with or influence mortals, either for good (inspiring artists) or ill (stealing children, punishing trespassers).
Flaw: Can be compelled by parish priests to return stolen children. Their sacred thorn bushes are vulnerable to human destruction.
They remain consistent throughout the narrative as ancient, powerful, and somewhat unpredictable beings.
On the whole good, but with a malicious habit of stealing children and leaving withered changelings. They are protective of their sacred thorn bushes and raths, becoming vengeful if disturbed. They are sociable among themselves, quarreling and making love.
Merrows
When in their own shape, they have fishes' tails. They can also transform into little hornless cows. Male Merrows are described as having green teeth, green hair, pigs' eyes, and red noses, while female Merrows are beautiful.
Attire: They wear a red cap called a *cohuleen driuth*.
Wants: To live in the sea, sometimes interacting with the human world, particularly female Merrows seeking human lovers.
Flaw: Their appearance brings bad weather, making them disliked by fishermen. The red cap (*cohuleen driuth*) is a key item, implying it might be important to their power or ability to return to the sea.
They remain consistent as mysterious sea creatures.
Bring bad weather when seen by fishermen. Female Merrows are known to prefer handsome fishermen over their own kind.
Lepricaun
Small, often described as a 'little old man'. He is the child of an evil spirit and a debased fairy.
Attire: A red coat with seven buttons in each row, and a cocked-hat. In Donegal, he wears a great frieze coat. The cocked-hat is sometimes used for spinning like a top.
Wants: To guard his crocks of gold and continue his shoemaking undisturbed.
Flaw: Can be caught and compelled to reveal his gold, but only if one keeps their eyes on him.
Remains a consistent figure, focused on his gold and craft.
Miserly, wealthy, elusive, and focused on his craft (shoemaking).
Cluricaun
Likely similar in size and general appearance to the Lepricaun, as some consider him another name for the Lepricaun.
Attire: Not explicitly described, but implied to be less formal than the Lepricaun's shoemaking attire, possibly a frieze coat as mentioned for the Lepricaun in Donegal.
Wants: To indulge in nocturnal mischief, particularly robbing wine-cellars and riding animals.
Flaw: Can be found exhausted and mud-covered in the morning.
Remains a consistent figure of nocturnal revelry.
Mischievous, revelrous, fond of wine, and enjoys riding animals.
Gonconer or Ganconagh
A creature of the Lepricaun type, implying a small stature.
Attire: Not explicitly described, but implied to be suitable for an idler in lonely valleys.
Wants: To spend his time making love to shepherdesses and milkmaids.
Flaw: His idleness might be a weakness, as he doesn't seem to have a practical purpose.
Remains a consistent figure of romantic idleness.
Idler, charming, flirtatious, enjoys conversation.
Far Darrig
Referred to as the 'red man' and a 'lubberly wretch'.
Attire: Implied to wear red, given his name 'red man'.
Wants: To play practical jokes and inflict evil dreams upon mortals.
Flaw: Not explicitly stated, but his 'lubberly' nature might imply some clumsiness or predictability.
Remains a consistent figure of malevolent mischief.
Mischievous, a practical joker, and presides over evil dreams. He is described as a 'lubberly wretch' and 'mainly evil'.
Pooka
Usually takes the shape of a horse, bull, goat, eagle, or ass. Can also appear as a fleece of wool. Never appears in human form.
Attire: None, as it is an animal or formless creature.
Wants: To cause terror and mischief, particularly to drunkards and those who encounter it.
Flaw: Not explicitly stated, but its delight in wild rides suggests it might be outwitted by a clever rider.
Remains a consistent figure of fear and mischief.
Mischievous, terrifying, delights in getting riders and taking them on wild rides, especially plagues drunkards. Can also terrify cattle.
Dullahan
A gruesome figure with no head, or carrying its head under its arm. Drives a black coach drawn by headless horses.
Attire: Not explicitly described, but implied to be dark and ominous, fitting its gruesome nature.
Wants: To announce death and instill terror.
Flaw: Not explicitly stated, but its appearance is a warning, not a direct attack, suggesting it might be avoided.
Remains a consistent figure of dread.
Grim, terrifying, an omen of death.
Leanhaun Shee
A spirit that seeks the love of men. Implied to be beautiful and alluring to attract poets.
Attire: Not explicitly described, but implied to be alluring and perhaps ethereal.
Wants: To seek the love of men, gain inspiration from them, and live on their life force.
Flaw: If men refuse her, she becomes their slave. She needs to find a replacement lover to escape her current one.
Remains a consistent figure of dangerous inspiration and possessive love.
Malignant, possessive, inspiring, but ultimately destructive to her lovers. She is the Gaelic muse.
Far Gorta
An emaciated fairy, implying a gaunt and thin build.
Attire: Not explicitly described, but likely simple and worn, reflecting his association with famine.
Wants: To beg for sustenance during famine times and, in doing so, bring good luck to those who give to him.
Flaw: His emaciated state and need to beg.
Remains a consistent figure of benevolent hunger.
Generally good-dispositioned, brings good luck to givers.
Banshee
Wails over the death of members of old Irish families. Can appear in pale yellow dress. Sometimes described as a ghost of one wronged.
Attire: Often dressed in pale yellow, as seen in Central America. Otherwise, not explicitly described, but implied to be ethereal or traditional Irish attire.
Wants: To lament the death of members of old Irish families, or occasionally to triumph over the death of an enemy.
Flaw: Her sorrow is tied to the deaths of specific families.
Remains a consistent figure of death announcement.
Generally good-dispositioned, wailing in sorrow for the dying. Can sometimes be an enemy, screaming with triumph. Can be very holy or brave.
Locations
Fairy Rath (Fort/Royalties)
Little fields circled by ditches, appearing as ancient fortifications or sheep-folds, covered in green grass, often with sacred thorn bushes. These are places where the land fairies (Sheoques) live, marry, and hold their gatherings.
Mood: ancient, mystical, enchanting, sometimes dangerous
The primary dwelling place of the sociable land fairies (Sheoques), where they entice mortals with music, steal children, and where poets like Carolan gather tunes while sleeping.
Irish Coastline/Sea
The interface between land and sea, where water fairies (Merrows) emerge. The sea itself is often rough, bringing bad weather, and the coastline might feature rocky shores or fishing villages.
Mood: mysterious, foreboding, wild, untamed
The domain of the Merrows, who emerge from the sea, sometimes in the shape of cows, and are associated with bad weather. A woman covered in scales, descended from a Merrow marriage, lived near Bantry.
Under a Hedge (Leprechaun's spot)
A secluded spot beneath a dense, tangled hedgerow, likely in a rural Irish landscape, where a Leprechaun might be found mending a shoe.
Mood: secretive, quaint, potentially mischievous
The typical sighting place of the Leprechaun, where he is caught mending a shoe and can be compelled to reveal his hidden gold.
Lonely Valleys
Secluded, quiet valleys, likely pastoral, where the Ganconagh (love-talker) appears to shepherdesses and milkmaids.
Mood: peaceful, romantic, solitary
The haunt of the Ganconagh, who spends his time making love to shepherdesses and milkmaids.