My Own Self

by Unknown · from More English Fairy Tales

fairy tale cautionary tale cautionary Ages 8-14 989 words 5 min read
Cover: My Own Self

Adapted Version

CEFR A1 Age 5 397 words 2 min Canon 100/100

Once there was a boy named Leo. He lived with Mama in a small house. The house was cozy and warm. Outside, it was wild and quiet. Leo liked to play a lot.

Mama went to bed early. She wanted Leo to sleep. But Leo liked to play. He did not want to sleep. He played by the warm fire.

One cold night, Mama spoke to Leo. "Go to bed now," she said. "Little folk like quiet children. They like sleeping children. They come out at night." Leo did not want to go. He still wanted to play.

Leo thought that was funny. "I want to play with one!" he said. Mama felt a little sad. She went to her bed. Leo stayed by the fire. He played alone.

Soon, a little sound came. A tiny Little Fairy came down. She came from the chimney. She was very small. Her hair was like silver. Her eyes were green. "What is your name?" Leo asked. "My own self," she said softly.

"My own self too!" Leo said. They started to play. They played with the warm firelight. The Little Fairy made shapes. The shapes danced in the air. Leo liked the game very much. They played for a long time. It was fun.

Leo held a warm stick. He poked the fire. A small bit flew out. It touched the Little Fairy's foot. "Ouchie!" she cried. It was a little ouchie. It hurt her.

The Little Fairy cried out loud. A voice came from the chimney. It was the Fairy Mama. "What is wrong?" she asked. "Who did this?" she asked again. Her voice was firm.

"My own self!" cried the Little Fairy. "My foot has an ouchie." She pointed. It was red.

The Fairy Mama understood. "If 'My own self' did it," she said. "Then 'My own self' must go home." She took the Little Fairy. She went up the chimney. They were gone.

Leo was very surprised. He felt a little scared. He thought about the game. He thought about the ouchie. He thought about the Fairy Mama. It was a strange night.

The next night came. Mama asked Leo to sleep. Leo went to his bed. He listened to his Mama. It was good to listen. He was a good boy. After that night, Leo listened to Mama. He went to bed when she asked.

Original Story 989 words · 5 min read

My Own Self

In a tiny house in the North Countrie, far away from any town or village, there lived not long ago, a poor widow all alone with her little son, a six-year-old boy.

The house-door opened straight on to the hill-side and all round about were moorlands and huge stones, and swampy hollows; never a house nor a sign of life wherever you might look, for their nearest neighbours were the "ferlies" in the glen below, and the "will-o'-the-wisps" in the long grass along the pathside.

And many a tale she could tell of the "good folk" calling to each other in the oak-trees, and the twinkling lights hopping on to the very window sill, on dark nights; but in spite of the loneliness, she lived on from year to year in the little house, perhaps because she was never asked to pay any rent for it.

But she did not care to sit up late, when the fire burnt low, and no one knew what might be about; so, when they had had their supper she would make up a good fire and go off to bed, so that if anything terrible did happen, she could always hide her head under the bed-clothes.

This, however, was far too early to please her little son; so when she called him to bed, he would go on playing beside the fire, as if he did not hear her.

He had always been bad to do with since the day he was born, and his mother did not often care to cross him; indeed, the more she tried to make him obey her, the less heed he paid to anything she said, so it usually ended by his taking his own way.

But one night, just at the fore-end of winter, the widow could not make up her mind to go off to bed, and leave him playing by the fireside; for the wind was tugging at the door, and rattling the window-panes, and well she knew that on such a night, fairies and such like were bound to be out and about, and bent on mischief. So she tried to coax the boy into going at once to bed:

"The safest bed to bide in, such a night as this!" she said: but no, he wouldn't.

Then she threatened to "give him the stick," but it was no use.

The more she begged and scolded, the more he shook his head; and when at last she lost patience and cried that the fairies would surely come and fetch him away, he only laughed and said he wished they would, for he would like one to play with.

At that his mother burst into tears, and went off to bed in despair, certain that after such words something dreadful would happen; while her naughty little son sat on his stool by the fire, not at all put out by her crying.

But he had not long been sitting there alone, when he heard a fluttering sound near him in the chimney and presently down by his side dropped the tiniest wee girl you could think of; she was not a span high, and had hair like spun silver, eyes as green as grass, and cheeks red as June roses. The little boy looked at her with surprise.

"Oh!" said he; "what do they call ye?"

"My own self," she said in a shrill but sweet little voice, and she looked at him too. "And what do they call ye?"

"Just my own self too!" he answered cautiously; and with that they began to play together.

She certainly showed him some fine games. She made animals out of the ashes that looked and moved like life; and trees with green leaves waving over tiny houses, with men and women an inch high in them, who, when she breathed on them, fell to walking and talking quite properly.

But the fire was getting low, and the light dim, and presently the little boy stirred the coals with a stick to make them blaze; when out jumped a red-hot cinder, and where should it fall, but on the fairy child's tiny foot.

Thereupon she set up such a squeal, that the boy dropped the stick, and clapped his hands to his ears but it grew to so shrill a screech, that it was like all the wind in the world whistling through one tiny keyhole.

There was a sound in the chimney again, but this time the little boy did not wait to see what it was, but bolted off to bed, where he hid under the blankets and listened in fear and trembling to what went on.

A voice came from the chimney speaking sharply:

"Who's there, and what's wrong?" it said.

"It's my own self," sobbed the fairy-child; "and my foot's burnt sore. O-o-h!"

"Who did it?" said the voice angrily; this time it sounded nearer, and the boy, peeping from under the clothes, could see a white face looking out from the chimney-opening.

"Just my own self too!" said the fairy-child again.

"Then if ye did it your own self," cried the elf-mother shrilly, "what's the use o' making all this fash about it?"—and with that she stretched out a long thin arm, and caught the creature by its ear, and, shaking it roughly, pulled it after her, out of sight up the chimney.

The little boy lay awake a long time, listening, in case the fairy-mother should come back after all; and next evening after supper, his mother was surprised to find that he was willing to go to bed whenever she liked.

"He's taking a turn for the better at last!" she said to herself; but he was thinking just then that, when next a fairy came to play with him, he might not get off quite so easily as he had done this time.



Story DNA

Moral

Disobedience can lead to unexpected and frightening consequences, and sometimes the best protection is to heed warnings.

Plot Summary

A disobedient boy living with his widowed mother in a remote house ignores her warnings about fairies and wishes for one to play with. A tiny fairy child appears from the chimney, and they play magical games until the boy accidentally burns her foot. When the fairy mother appears, the injured child explains 'my own self' caused it, leading the mother to dismiss the complaint and punish her daughter. Terrified by the encounter, the boy becomes obedient, having learned a harsh lesson about the consequences of his defiance.

Themes

obedienceconsequencessupernatural encounterschildhood mischief

Emotional Arc

defiance to fear to compliance

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three

Narrative Elements

Conflict: person vs supernatural
Ending: moral justice
Magic: fairies, magical creations from ashes, talking animals/figures
the fire (source of comfort and danger)the chimney (portal to the fairy world)

Cultural Context

Origin: English
Era: timeless fairy tale

Reflects common folk beliefs in the British Isles regarding fairies and the dangers of the wilderness, particularly at night. The 'my own self' trope is a common motif in folklore to avoid direct accusation.

Plot Beats (12)

  1. A widow and her disobedient young son live in a remote house in the North Countrie, surrounded by moorlands and supernatural 'ferlies'.
  2. The mother is wary of the supernatural and goes to bed early, but her son often refuses to follow her.
  3. One winter night, the mother tries to coax, threaten, and scold her son into going to bed, warning him about fairies.
  4. The boy defiantly wishes for a fairy to play with, causing his mother to go to bed in despair.
  5. A tiny fairy child with silver hair and green eyes appears from the chimney and introduces herself as 'My own self'.
  6. The boy, also claiming to be 'my own self', begins to play with the fairy, who creates magical figures from ashes.
  7. The boy accidentally burns the fairy child's foot with a hot cinder while stirring the fire.
  8. The fairy child screams, and her mother's voice demands to know what is wrong.
  9. The fairy child explains that 'my own self' caused the injury.
  10. The fairy mother, angered by the ambiguous answer, dismisses the complaint and drags her daughter up the chimney.
  11. The boy, terrified, hides under his blankets and is deeply affected by the incident.
  12. The next evening, the boy willingly goes to bed when his mother asks, having learned a lesson about the consequences of his actions and defiance.

Characters

👤

The Little Son

human child male

A six-year-old boy, likely small for his age given his mother's ability to physically threaten him. His build is typical of a young child, not specifically described as robust or frail.

Attire: Simple, practical clothing suitable for a child in a poor household in the North Countrie, likely made of wool or coarse linen in muted, natural colors to withstand the cold and wear. Perhaps a tunic and breeches.

Wants: To play and entertain himself, to defy his mother's rules, to satisfy his curiosity about the 'ferlies'.

Flaw: His stubbornness and defiance, which put him in a dangerous situation. His naiveté about the true nature of fairies.

Starts as a defiant and disobedient child who scoffs at his mother's warnings about fairies. After a terrifying encounter with a fairy and its mother, he becomes compliant and fearful of staying up late, learning a valuable lesson about obedience and the dangers of the unknown.

A small boy, sitting defiantly by a dying fire, stirring coals with a stick.

Disobedient, stubborn, curious, playful, mischievous, easily frightened when faced with real danger.

👤

The Widow

human adult female

A poor widow, likely thin from hardship, living in a remote area. Her exact height and build are not specified, but her actions suggest she is a typical human woman, not particularly strong or frail.

Attire: Simple, worn clothing typical of a poor woman in the North Countrie. Likely a long, dark, practical dress made of coarse wool or linen, possibly with a shawl for warmth. Colors would be muted and natural.

Wants: To keep herself and her son safe from the dangers of the moorlands and the 'ferlies', to get her son to obey her, to find peace and rest.

Flaw: Her inability to control her son, her fearfulness, and her tendency to give up when faced with his defiance.

Remains largely static, continuing her struggle with her son's disobedience. Her despair at his defiance is a key moment, but she is ultimately relieved by his sudden change in behavior, though unaware of the true cause.

A weary woman, wringing her hands in despair, looking at her defiant son by the fire.

Worried, fearful, resigned, loving (towards her son despite his disobedience), somewhat superstitious, easily despairing.

✦

The Fairy Child

magical creature child female

Tiny, not a span high (approximately 9 inches or 23 cm). Delicate and ethereal in appearance.

Attire: No specific clothing is mentioned, implying she might be dressed in natural elements or simply appear as if she is part of the magical world, perhaps with shimmering, leaf-like garments or simply a glow.

Wants: To play and cause mischief, to interact with the human child.

Flaw: Vulnerable to human elements like fire, prone to exaggerated reactions.

Appears, plays, gets injured, and is then taken away by her mother, serving as the catalyst for the human boy's change.

A tiny creature with hair like spun silver and eyes as green as grass, sitting on a hearth.

Playful, imaginative, easily hurt, prone to dramatic reactions when in pain, somewhat evasive about her identity.

✦

The Elf-Mother

magical creature ageless female

A white face looking out from the chimney-opening, later described as having a long, thin arm. Implies a gaunt, possibly spectral appearance, consistent with a creature of the 'ferlies'.

Attire: No specific clothing is mentioned, but her appearance from the chimney suggests she is not wearing human attire. Her form might be shadowy or indistinct, or she might be clad in something organic or elemental.

Wants: To understand and address the disturbance caused by her child, to enforce the rules of her kind, to prevent unnecessary 'fash' (trouble).

Flaw: Her quick temper and harshness.

Appears briefly to resolve the conflict caused by her child, reinforcing the lesson for the human boy.

A white, angry face peering out of a dark chimney opening, with a long, thin arm reaching out.

Angry, sharp, impatient, pragmatic (in her own way), protective of her kind's rules.

Locations

Widow's Tiny House

indoor night fore-end of winter, windy and rattling

A small, isolated dwelling in the North Countrie, far from any town or village. The house-door opens directly onto the hillside. Inside, it features a hearth with a fire, a stool, and a bed. The windows rattle in the wind.

Mood: Cozy but isolated, with an underlying sense of unease and vulnerability to the supernatural.

The primary setting for the entire story, where the boy plays by the fire, encounters the fairy child, and learns a lesson.

small, isolated house hearth with burning fire stool by the fire rattling window-panes chimney opening bed with blankets

North Countrie Moorlands

outdoor night fore-end of winter, windy

Vast, open moorlands surrounding the tiny house, characterized by huge stones, swampy hollows, and long grass. No other signs of human life are visible.

Mood: Desolate, wild, eerie, and potentially magical, as it is home to 'ferlies' and 'will-o'-the-wisps'.

The general environment that establishes the isolation and the presence of supernatural beings, influencing the mother's fear.

vast moorlands huge standing stones swampy hollows long grass oak-trees (implied for 'good folk') wind-swept terrain

The Chimney

transitional night winter, windy

A dark, vertical passage within the house's hearth, serving as a portal for the fairy child and her mother. It is a source of fluttering sounds and voices.

Mood: Mysterious, a threshold between the human world and the fairy realm, initially playful, then menacing.

The entry and exit point for the fairy child and her mother, where the climax of the fairy encounter occurs.

dark chimney opening soot-stained interior source of fluttering sounds portal for fairy beings