Tattercoats
by Unknown · from More English Fairy Tales
Adapted Version
There was a girl, Tattercoats. She lived in a big house. She was often sad.
The Old Lord was her grandpa. He was very sad. His daughter died. He did not want to see Tattercoats. He stayed in his room.
Tattercoats grew up. Servants were not kind to her. She wore old, torn clothes. The Old Nurse was her friend. The Gooseherd was her friend.
The Gooseherd played his pipe. He played happy music. Tattercoats danced with the geese. She forgot her sadness then.
The King planned a big party. The Prince would find a wife. The Old Lord got ready. He would go to the party.
The Old Nurse asked the Old Lord. 'Please take Tattercoats,' she said. He said no. She asked again. He said no. She asked a third time. He was cross.
Tattercoats was very sad. 'I cannot go,' she told the Gooseherd. 'Let's go to town,' he said. 'We can see the King there.'
On the road, they met a young man. He was kind. He saw Tattercoats. He liked her very much. She wore old clothes.
The young man loved Tattercoats. 'Marry me,' he asked her. Tattercoats laughed. 'I wear rags,' she said. 'I cannot marry you.'
'Come to the party,' he said. 'Come at midnight. Wear your rags. Bring your geese. Bring the Gooseherd. This shows my love is true.'
At midnight, Tattercoats walked in. The Gooseherd was with her. The geese were with her. People looked at them. Some whispered. Some laughed.
The Prince walked to Tattercoats. He gave her a kiss. 'She is my wife!' he told all. The King smiled. He was happy.
The Gooseherd played his pipe. Poof! Tattercoats' rags became a nice dress. It was shining. The geese turned into little helpers. They looked nice.
The King said, 'Welcome, Princess!' Trumpets played music. All cheered. Tattercoats was a happy princess. She smiled.
The Gooseherd smiled. He went away. The Old Lord went home. He was still sad. He never saw his happy grandchild.
Original Story
Tattercoats
In a great Palace by the sea there once dwelt a very rich old lord, who had neither wife nor children living, only one little granddaughter, whose face he had never seen in all her life. He hated her bitterly, because at her birth his favourite daughter died; and when the old nurse brought him the baby, he swore, that it might live or die as it liked, but he would never look on its face as long as it lived.
So he turned his back, and sat by his window looking out over the sea, and weeping great tears for his lost daughter, till his white hair and beard grew down over his shoulders and twined round his chair and crept into the chinks of the floor, and his tears, dropping on to the window-ledge, wore a channel through the stone, and ran away in a little river to the great sea. And, meanwhile, his granddaughter grew up with no one to care for her, or clothe her; only the old nurse, when no one was by, would sometimes give her a dish of scraps from the kitchen, or a torn petticoat from the rag-bag; while the other servants of the Palace would drive her from the house with blows and mocking words, calling her "Tattercoats," and pointing at her bare feet and shoulders, till she ran away crying, to hide among the bushes.
And so she grew up, with little to eat or wear, spending her days in the fields and lanes, with only the gooseherd for a companion, who would play to her so merrily on his little pipe, when she was hungry, or cold, or tired, that she forgot all her troubles, and fell to dancing, with his flock of noisy geese for partners.
But, one day, people told each other that the King was travelling through the land, and in the town near by was to give a great ball, to all the lords and ladies of the country, when the Prince, his only son, was to choose a wife.
One of the royal invitations was brought to the Palace by the sea, and the servants carried it up to the old lord who still sat by his window, wrapped in his long white hair and weeping into the little river that was fed by his tears.
But when he heard the King's command, he dried his eyes and bade them bring shears to cut him loose, for his hair had bound him a fast prisoner and he could not move. And then he sent them for rich clothes, and jewels, which he put on; and he ordered them to saddle the white horse, with gold and silk, that he might ride to meet the King.
Meanwhile Tattercoats had heard of the great doings in the town, and she sat by the kitchen-door weeping because she could not go to see them. And when the old nurse heard her crying she went to the Lord of the Palace, and begged him to take his granddaughter with him to the King's ball.
But he only frowned and told her to be silent, while the servants laughed and said: "Tattercoats is happy in her rags, playing with the gooseherd, let her be—it is all she is fit for."
A second, and then a third time, the old nurse begged him to let the girl go with him, but she was answered only by black looks and fierce words, till she was driven from the room by the jeering servants, with blows and mocking words.
Weeping over her ill-success, the old nurse went to look for Tattercoats; but the girl had been turned from the door by the cook, and had run away to tell her friend the gooseherd, how unhappy she was because she could not go to the King's ball.
But when the gooseherd had listened to her story, he bade her cheer up, and proposed that they should go together into the town to see the King, and all the fine things; and when she looked sorrowfully down at her rags and bare feet, he played a note or two upon his pipe, so gay and merry, that she forgot all about her tears and her troubles, and before she well knew, the herdboy had taken her by the hand, and she, and he, and the geese before them, were dancing down the road towards the town.
Before they had gone very far, a handsome young man, splendidly dressed, rode up and stopped to ask the way to the castle where the King was staying; and when he found that they too were going thither, he got off his horse and walked beside them along the road.
The herdboy pulled out his pipe and played a low sweet tune, and the stranger looked again and again at Tattercoats' lovely face till he fell deeply in love with her, and begged her to marry him.
But she only laughed, and shook her golden head.
"You would be finely put to shame if you had a goosegirl for your wife!" said she; "go and ask one of the great ladies you will see to-night at the King's ball, and do not flout poor Tattercoats."
But the more she refused him the sweeter the pipe played, and the deeper the young man fell in love; till at last he begged her, as a proof of his sincerity, to come that night at twelve to the King's ball, just as she was, with the herdboy and his geese, and in her torn petticoat and bare feet, and he would dance with her before the King and the lords and ladies, and present her to them all, as his dear and honoured bride.
So when night came, and the hall in the castle was full of light and music, and the lords and ladies were dancing before the King, just as the clock struck twelve, Tattercoats and the herdboy, followed by his flock of noisy geese, entered at the great doors, and walked straight up the ball-room, while on either side the ladies whispered, the lords laughed, and the King seated at the far end stared in amazement.
But as they came in front of the throne, Tattercoats' lover rose from beside the King, and came to meet her. Taking her by the hand, he kissed her thrice before them all, and turned to the King.
TATTERCOATS.
"Father!" he said, for it was the Prince himself, "I have made my choice, and here is my bride, the loveliest girl in all the land, and the sweetest as well!"
Before he had finished speaking, the herdboy put his pipe to his lips and played a few low notes that sounded like a bird singing far off in the woods; and as he played, Tattercoats' rags were changed to shining robes sewn with glittering jewels, a golden crown lay upon her golden hair, and the flock of geese behind her, became a crowd of dainty pages, bearing her long train.
And as the King rose to greet her as his daughter, the trumpets sounded loudly in honour of the new Princess, and the people outside in the street said to each other:
"Ah! now the Prince has chosen for his wife the loveliest girl in all the land!"
But the gooseherd was never seen again, and no one knew what became of him; while the old lord went home once more to his Palace by the sea, for he could not stay at Court, when he had sworn never to look on his granddaughter's face.
So there he still sits by his window, if you could only see him, as you some day may, weeping more bitterly than ever, as he looks out over the sea.
Story DNA
Moral
True love and worth are not determined by outward appearance or social status.
Plot Summary
Tattercoats, a neglected granddaughter, is shunned by her wealthy grandfather who blames her for his daughter's death. She finds solace only with a gooseherd and his magical pipe. When the Prince announces a ball to choose a bride, Tattercoats longs to go, but is refused. The gooseherd encourages her, and on their way to town, they meet the Prince, who falls in love with her despite her rags and asks her to come to the ball at midnight. At the ball, the Prince declares her his bride, and the gooseherd's pipe transforms her into a princess, while the grandfather remains in his sorrow, never seeing her face.
Themes
Emotional Arc
suffering to triumph
Writing Style
Narrative Elements
Cultural Context
This tale is a variant of the 'Cinderella' archetype, often found in European folklore, emphasizing inner virtue over outward appearance.
Plot Beats (14)
- An old lord hates his granddaughter, Tattercoats, blaming her for his daughter's death, and refuses to ever see her face.
- Tattercoats grows up neglected and abused by servants, wearing rags, with only an old nurse and a gooseherd as friends.
- The gooseherd plays his pipe, making Tattercoats forget her troubles and dance with the geese.
- News spreads of a royal ball where the Prince will choose a wife, and the old lord prepares to attend.
- The old nurse tries three times to convince the lord to take Tattercoats to the ball, but is met with scorn and refusal.
- Tattercoats, sad she cannot go, tells the gooseherd, who suggests they go to town together to see the King.
- On the road, they encounter a handsome young man (the Prince in disguise) who is captivated by Tattercoats.
- The Prince falls in love and proposes marriage, but Tattercoats, feeling unworthy in her rags, laughs and refuses.
- The Prince insists, asking her to come to the ball at midnight, in her rags, with the gooseherd and geese, as proof of his love.
- At midnight, Tattercoats, the gooseherd, and the geese enter the grand ball, causing whispers and laughter.
- The Prince steps forward, kisses Tattercoats, and declares her his chosen bride to the King and court.
- As the gooseherd plays his pipe, Tattercoats' rags transform into splendid robes, and the geese become pages.
- The King accepts Tattercoats as his daughter, trumpets sound, and she is celebrated as the new Princess.
- The gooseherd disappears, and the old lord returns to his palace, continuing his bitter weeping, never having seen his granddaughter's face.
Characters
Tattercoats
Slender and graceful, with a naturally lovely face despite her neglected appearance. Her bare feet and shoulders are often mentioned, indicating a lack of proper clothing and a life spent outdoors.
Attire: Initially, she wears torn petticoats and rags, described as being from a 'rag-bag,' indicating patched and worn fabric. Her feet are bare. After transformation, she wears 'shining robes sewn with glittering jewels,' implying a gown of rich, possibly silk or satin, fabric in a radiant color, adorned with precious stones.
Wants: To find happiness and acceptance, to escape her lonely and neglected life, and to experience the world beyond her isolated existence.
Flaw: Her low self-esteem due to her upbringing and appearance, which makes her doubt her worthiness of love and status.
Transforms from a neglected, ragged girl with low self-esteem into a confident, beloved princess, accepting her true worth and finding love and acceptance.
Resilient, kind-hearted, playful, humble, and initially self-deprecating. She is quick to laugh and dance despite her troubles, but also sensitive to her circumstances.
The Gooseherd
Likely of a humble build, perhaps lean from his outdoor life. His appearance is not explicitly described beyond his role, suggesting a simple, unadorned look consistent with his profession.
Attire: Simple, practical peasant clothing suitable for tending geese in fields and lanes. This would likely include a rough linen tunic, trousers, and possibly a simple cloak or vest, all in earthy, muted tones, well-worn from his duties.
Wants: To bring joy and comfort to Tattercoats, to be her companion, and to help her overcome her sadness.
Flaw: His humble status limits his ability to directly change Tattercoats' circumstances, relying on his music and companionship.
Remains a steadfast friend and magical helper, ultimately facilitating Tattercoats' transformation and ascension. He disappears after her transformation, suggesting he was a magical being or a guardian figure.
Kind, loyal, cheerful, resourceful, and deeply empathetic. He is Tattercoats' only true friend and consistently lifts her spirits.
The Old Lord
Very rich and old, initially described as sitting by his window, weeping. His most striking feature is his extremely long, unkempt white hair and beard, which have grown so long they twine around his chair and into the floor, binding him.
Attire: Initially, his clothing is not described, as he is obscured by his hair. When he prepares to meet the King, he puts on 'rich clothes, and jewels,' implying velvet or silk robes in deep, somber colors, adorned with heavy gold and precious stones, befitting a wealthy lord.
Wants: To mourn his lost daughter and to punish Tattercoats, whom he blames for her death. He is driven by deep, unresolved grief.
Flaw: His overwhelming grief and bitterness, which blind him to the innocence of his granddaughter and prevent him from finding any joy or peace.
Remains unchanged throughout the story, continuing his cycle of grief and bitterness, unable to overcome his prejudice even after Tattercoats becomes a princess.
Bitter, grief-stricken, unforgiving, and self-absorbed. His sorrow has consumed him, making him cruel and neglectful towards his granddaughter.
The Old Nurse
Likely a small, perhaps stooped figure, with the weariness of age and service. Her hands would be gnarled from work.
Attire: Practical, modest servant's attire appropriate for a palace nurse. This would include a long, dark wool or linen dress, a white apron, and a simple white cap covering her hair.
Wants: To protect and care for Tattercoats, to alleviate her suffering, and to ensure she has a chance at a better life.
Flaw: Her limited power and influence within the palace, which often renders her efforts futile against the lord and other servants.
Remains a steadfast figure of kindness and support, her actions driven by her love for Tattercoats. She does not change significantly but serves as a moral compass.
Kind, compassionate, loyal, persistent, and brave. She is the only one who consistently shows Tattercoats affection and tries to advocate for her.
The Prince
Handsome and splendidly dressed, indicating a noble bearing and well-maintained physique. He is described as riding a horse, suggesting an athletic build.
Attire: Initially 'splendidly dressed' for travel, implying fine riding attire of rich fabrics like velvet or brocade, possibly in deep blues or greens, with silver or gold accents. For the ball, he would wear even more elaborate court attire, such as a doublet and hose of silk and velvet, adorned with jewels and embroidery, with a fine cloak.
Wants: To find a true love and a worthy bride, one who possesses inner beauty and character, not just outward status.
Flaw: His initial surprise or confusion at Tattercoats' appearance at the ball, though quickly overcome by his love.
Discovers true love in an unexpected place, demonstrating his wisdom and character by choosing Tattercoats despite her rags, and proudly presenting her as his bride.
Kind, discerning, persistent, and genuinely loving. He sees beyond Tattercoats' appearance to her true worth and is determined to marry her despite her humble status.
Locations
The Old Lord's Palace by the Sea
A grand, yet neglected, palace situated directly by the sea. One specific window is notable, where the old lord sits, his white hair and beard grown so long they twine around his chair and creep into floor chinks. His tears have worn a channel through the stone window-ledge, forming a small river flowing to the sea. The interior is implied to have a kitchen and other servant areas where Tattercoats is mistreated.
Mood: Melancholy, neglect, sorrow, isolation, oppressive for Tattercoats.
Tattercoats grows up here, neglected and abused. The old lord remains imprisoned by his grief. The royal invitation arrives here.
Fields and Lanes
Open fields and winding country lanes where Tattercoats spends her days. The gooseherd plays his pipe here, and his flock of noisy geese are present.
Mood: Simple, carefree, natural, a refuge for Tattercoats.
Tattercoats finds companionship and joy here with the gooseherd. They decide to travel to the town for the King's ball.
Road to Town
The road leading from the fields towards the town where the King is staying. It's wide enough for a horse and for Tattercoats, the gooseherd, and their geese to dance along.
Mood: Hopeful, romantic, journey-like.
Tattercoats and the gooseherd encounter the Prince here, who falls in love with her.
The King's Castle Ball-room
A grand hall within the King's castle, filled with light and music. It's where the King, lords, and ladies are gathered for the ball. It has large doors and a throne at one end.
Mood: Festive, opulent, initially mocking, then awe-struck and celebratory.
Tattercoats arrives in her rags, is transformed into a princess, and is presented as the Prince's bride.