Little Surya Bai

by Unknown · from Tales of Wonder Every Child Should Know

fairy tale transformation hopeful Ages 8-14 4806 words 21 min read
Cover: Little Surya Bai

Adapted Version

CEFR A1 Age 5 590 words 3 min Canon 98/100

A kind milk lady went to town. She took her baby, Surya, with her. Two big eagles flew above. One eagle took baby Surya. The eagles flew far away. They flew high in the sky. They built a big nest. It was strong and made of iron. The nest was safe. They loved Surya very much. They brought her nice things to eat. Surya was happy in her iron nest. She felt safe inside.

One day, Father Eagle spoke. "Surya needs a magic ring." Mother Eagle agreed. "We must go far." The eagles flew away. They flew for a long time. Surya stayed in the nest. She had food and toys. She waited for them. But the fire went out. Surya was sad. It was cold. She saw smoke far away. She climbed down the tree. It was a very tall tree. She walked to find fire. She walked a long way.

Surya found a small hut. It looked old. A scary old woman lived there. "Who are you?" asked the woman. Her voice was rough. Surya said, "I need fire." The woman smiled. It was a strange smile. "Pound this rice." Surya pounded rice. Then she said, "Clean this house." Surya cleaned it fast. "Wash these clothes." Surya washed them all. The old woman tried to stop her. "Stay here, little girl!" But Surya was quick. She ran out the door. She ran back to her nest.

The scary old woman had a son. He was a scary man. He followed Surya. He found her iron nest. He put a bad spell. It was on her door. Surya opened her door. She fell into a very deep sleep. She looked like she was gone.

The eagles came back. They had a magic ring. They saw Surya sleeping. They were very sad. They put the magic ring on her hand. Then they flew away.

A King rode by. He was hunting. He saw the iron nest. He saw the sleeping girl. She was so pretty. He took her to his palace. The magic ring shone bright. Surya woke up. The King was very happy. He asked Surya to marry him. Surya said yes. They got married.

But the King had a Queen. She was a bad Queen. She was very jealous. She pushed Surya into a big pond. Surya did not drown. She changed into a yellow flower.

The bad Queen saw the flower. "Throw that flower!" Helpers threw it away. But Surya changed again. She became a mango tree.

The bad Queen saw the tree. "Cut that tree down!" Helpers cut it down. A mango fruit fell. It rolled into a milk lady's can. The milk lady took it home. The mango changed. Surya was a girl again! The milk lady was Surya's real mother.

Surya lived with her mother. No one knew who she was. The King looked for Surya. He looked all around. He came to Surya's mother's house. But her people did not let him in.

Surya had a loyal friend. The bad Queen sent her away. The friend came back. She saw Surya at the milk lady's house. She knew it was Surya!

Surya told her mother and friend all things. She told them about the eagles. She told about the scary woman. She told about the King. She told about all her magic changes.

The loyal friend told the King. The King was so happy! He found Surya. The bad Queen was sent away. All people were happy. Surya's mother got many good things.

Original Story 4806 words · 21 min read

Little Surya Bai

 poor Milkwoman was once going into the town with cans full of milk to sell. She took with her her little daughter (a baby of about a year old), having no one in whose charge to leave her at home. Being tired, she sat down by the roadside, placing the child and the cans full of milk beside her; when, on a sudden, two large eagles flew overhead; and one, swooping down, seized the child, and flew away with her out of the mother's sight.

Very far, far away the eagles carried the little baby, even beyond the borders of her native land, until they reached their home in a lofty tree. There the old eagles had built a great nest; it was made of iron and wood, and was as big as a little house; there was iron all round, and to get in and out you had to go through seven iron doors.

In this stronghold they placed the little baby, and because she was like a young eaglet they called her Surya Bai (the Sun Lady). The eagles both loved the child; and daily they flew into distant countries to bring her rich and precious things—clothes that had been made for princesses, precious jewels, wonderful playthings, all that was most costly and rare.

One day, when Surya Bai was twelve years old, the old husband Eagle said to his wife, "Wife, our daughter has no diamond ring on her little finger, such as princesses wear; let us go and fetch her one." "Yes," said the other old Eagle; "but to fetch it we must go very far." "True," rejoined he, "such a ring is not to be got nearer than the Red Sea, and that is a twelve-month's journey from here; nevertheless we will go." So the Eagles started off, leaving Surya Bai in the strong nest, with twelve months' provisions (that she might not be hungry whilst they were away), and a little dog and cat to take care of her.

Not long after they were gone, one day the naughty little cat stole some food from the store, for doing which Surya Bai punished her. The cat did not like being whipped, and she was still more annoyed at having been caught stealing; so, in revenge, she ran to the fireplace (they were obliged to keep a fire always burning in the Eagle's nest, as Surya never went down from the tree, and would not otherwise have been able to cook her dinner), and put out the fire. When the little girl saw this she was much vexed, for the cat had eaten their last cooked provisions, and she did not know what they were to do for food. For three whole days Surya Bai puzzled over the difficulty, and for three whole days she and the dog and the cat had nothing to eat. At last she thought she would climb to the edge of the nest, and see if she could see any fire in the country below; and, if so, she would go down and ask the people who lighted it to give her a little with which to cook her dinner. So she climbed to the edge of the nest. Then, very far away on the horizon, she saw a thin curl of blue smoke. So she let herself down from the tree, and all day long she walked in the direction whence the smoke came. Toward evening she reached the place, and found it rose from a small hut in which sat an old woman warming her hands over a fire. Now, though Surya Bai did not know it, she had reached the Rakshas's country, and this old woman was none other than a wicked old Rakshas, who lived with her son in the little hut. The young Rakshas, however, had gone out for the day. When the old Rakshas saw Surya Bai, she was much astonished, for the girl was beautiful as the sun, and her rich dress resplendent with jewels; and she said to herself, "How lovely this child is; what a dainty morsel she would be! Oh, if my son were only here we would kill her, and boil her, and eat her. I will try and detain her till his return."

Then, turning to Surya Bai, she said, "Who are you, and what do you want?"

Surya Bai answered, "I am the daughter of the great Eagles, but they have gone a far journey, to fetch me a diamond ring, and the fire has died out in the nest. Give me, I pray you, a little from your hearth."

The Rakshas replied, "You shall certainly have some, only first pound this rice for me, for I am old, and have no daughter to help me."

Then Surya Bai pounded the rice, but the young Rakshas had not returned by the time she had finished; so the old Rakshas said to her, "If you are kind, grind this corn for me, for it is hard work for my old hands."

Then she ground the corn, but still the young Rakshas came not; and the old Rakshas said to her, "Sweep the house for me first, and then I will give you the fire."

So Surya Bai swept the house; but still the young Rakshas did not come.

Then his mother said to Surya Bai, "Why should you be in such a hurry to go home? Fetch me some water from the well, and then you shall have the fire."

And she fetched the water. When she had done so, Surya Bai said, "I have done all your bidding, now give me the fire, or I will go elsewhere and seek it."

The old Rakshas was grieved because her son had not returned home; but she saw she could detain Surya Bai no longer, so she said, "Take the fire and go in peace; take also some parched corn, and scatter it along the road as you go, so as to make a pretty little pathway from our house to yours"—and so saying, she gave Surya Bai several handfuls of parched corn. The girl took them, fearing no evil, and as she went she scattered the grains on the road. Then she climbed back into the nest and shut the seven iron doors, and lighted the fire, and cooked the food, and gave the dog and the cat some dinner, and took some herself, and went to sleep.

No sooner had Surya Bai left the Rakshas's hut, than the young Rakshas returned, and his mother said to him, "Alas, alas, my son, why did not you come sooner? Such a sweet little lamb has been here, and now we have lost her." Then she told him all about Surya Bai.

"Which way did she go?" asked the young Rakshas; "only tell me that, and I'll have her before morning."

His mother told him how she had given Surya Bai the parched corn to scatter on the road; and when he heard that, he followed up the track, and ran, and ran, and ran, till he came to the foot of the tree.

There, looking up, he saw the nest high in the branches above them.

Quick as thought, up he climbed, and reached the great outer door; and he shook it, and shook it, but he could not get in, for Surya Bai had bolted it. Then he said, "Let me in, my child, let me in; I'm the great Eagle, and I have come from very far, and brought you many beautiful jewels; and here is a splendid diamond ring to fit your little finger." But Surya Bai did not hear him—she was fast asleep.

He next tried to force open the door again, but it was too strong for him. In his efforts, however, he had broken off one of his finger nails (now the nail of a Rakshas is most poisonous), which he left sticking in the crack of the door when he went away.

Next morning Surya Bai opened all the doors, in order to look down on the world below; but when she came to the seventh door a sharp thing, which was sticking in it, ran into her hand, and immediately she fell down dead.

At that same moment the two poor Eagles returned from their long, wearisome journey, bringing a beautiful diamond ring, which they had fetched for their little favourite from the Red Sea.

There she lay on the threshold of the nest, beautiful as ever but cold and dead.

The Eagles could not bear the sight; so they placed the ring on her finger, and then, with loud cries, flew off to return no more.

But a little while after there chanced to come by a great Rajah, who was out on a hunting expedition. He came with hawks, and hounds, and attendants, and horses, and pitched his camp under the tree in which the Eagles' nest was built. Then looking up, he saw, amongst the topmost branches, what appeared like a queer little house; and he sent some of his attendants to see what it was. They soon returned, and told the Rajah that up in the tree was a curious thing like a cage, having seven iron doors, and that on the threshold of the first door lay a fair maiden, richly dressed; that she was dead, and that beside her stood a little dog and a little cat.

At this the Rajah commanded that they should be fetched down, and when he saw Surya Bai he felt very sad to think that she was dead. And he took her hand to feel if it were already stiff; but all her limbs were supple, nor had she become cold, as the dead are cold; and, looking again at her hand, the Rajah saw that a sharp thing, like a long thorn, had run into the tender palm, almost far enough to pierce through to the back of her hand.

He pulled it out, and no sooner had he done so than Surya Bai opened her eyes, and stood up, crying, "Where am I? and who are you? Is it a dream, or true?"

The Rajah answered, "It is all true, beautiful lady. I am the Rajah of a neighbouring land; pray tell me who are you."

She replied, "I am the Eagles' child."

But he laughed. "Nay," he said, "that cannot be; you are some great Princess."

"No," she answered, "I am no royal lady; what I say is true. I have lived all my life in this tree. I am only the Eagles' child."

Then the Rajah said, "If you are not a Princess born, I will make you one; say only you will be my Queen."

Surya Bai consented, and the Rajah took her to his kingdom and made her his Queen. But Surya Bai was not his only wife, and the first Ranee, his other wife, was both envious and jealous of her.

The Rajah gave Surya Bai many trustworthy attendants to guard her and be with her; and one old woman loved Surya Bai more than all the rest, and used to say to her, "Don't be too intimate with the first Ranee, dear lady, for she wishes you no good, and she has power to do you harm. Some day she may poison or otherwise injure you." But Surya Bai would answer her, "Nonsense! what is there to be alarmed about? Why cannot we both live happily together like two sisters?" Then the old woman would rejoin, "Ah, dear lady, may you never live to rue your confidence! I pray my fears may prove folly." So Surya Bai went often to see the first Ranee, and the first Ranee also came often to see her.

One day they were standing in the palace courtyard, near a tank, where the Rajah's people used to bathe, and the first Ranee said to Surya Bai, "What pretty jewels you have, sister; let me try them on for a minute, and see how I look in them."

The old woman was standing beside Surya Bai, and she whispered to her, "Do not lend her your jewels."

"Hush, you silly old woman," answered she. "What harm will it do?" and she gave the Ranee her jewels.

Then the Ranee said, "How pretty all your things are! Do you not think they look well even on me! Let us come down to the tank; it is as clear as glass, and we can see ourselves reflected in it, and how these jewels will shine in the clear water!"

The old woman, hearing this, was much alarmed, and begged Surya Bai not to venture near the tank, but she said, "I bid you be silent; I will not distrust my sister." And she went down to the tank. Then, when no one was near, and they were both leaning over, looking at their reflections in the water, the first Ranee pushed Surya Bai into the tank, who, sinking under the water, was drowned; and from the place where her body fell there sprang up a bright golden sunflower.

The Rajah shortly afterward inquired where Surya Bai was, but nowhere could she be found. Then, very angry, he came to the first Ranee and said, "Tell me where the child is. You have made away with her."

But she answered, "You do me wrong; I know nothing of her. Doubtless that old woman whom you allowed to be always with her, has done her some harm." So the Rajah ordered the poor old woman to be thrown into prison.

He tried to forget Surya Bai and all her pretty ways, but it was no good. Wherever he went he saw her face. Whatever he heard, he still listened for her voice. Every day he grew more miserable; he would not eat or drink; and as for the other Ranee, he could not bear to speak to her. All his people said, "He will surely die."

When matters were in this state, the Rajah one day wandered to the edge of the tank, and bending over the parapet, looked into the water. Then he was surprised to see, growing out of the tank close beside him a stately golden flower; and as he watched it, the sunflower gently bent its head and leaned down toward him. The Rajah's heart was softened, and he kissed its leaves and murmured, "This flower reminds me of my lost wife. I love it, it is fair and gentle as she used to be." And every day he would go down to the tank and sit and watch the flower. When the Ranee heard this, she ordered her servants to go and dig the sunflower up, and to take it far into the jungle and burn it. Next time the Rajah went to the tank he found his flower gone, and he was much grieved, but none dared say who had done it.

Then, in the jungle, from the place where the ashes of the sunflower had been thrown, there sprang up a young mango tree, tall and straight, that grew so quickly, and became such a beautiful tree, that it was the wonder of all the country round. At last, on its topmost bough, came one fair blossom; and the blossom fell, and the little mango grew rosier and rosier, and larger and larger, till so wonderful was it both for size and shape that people flocked from far and near only to look at it.

But none ventured to gather it, for it was to be kept for the Rajah himself.

Now one day, the poor Milkwoman, Surya Bai's mother, was returning homeward after her day's work with the empty milk cans, and being very tired with her long walk to the bazaar, she lay down under the mango tree and fell asleep. Then, right into her largest milk can, fell the wonderful mango! When the poor woman awoke and saw what had happened, she was dreadfully frightened, and thought to herself, "If any one sees me with this wonderful fruit, that all the Rajah's people have been watching for so many, many weeks, they will never believe that I did not steal it, and I shall be put in prison. Yet it is no good leaving it here; besides, it fell off of itself into my milk can. I will therefore take it home as secretly as possible, and share it with my children."

So the Milkwoman covered up the can in which the mango was, and took it quickly to her home, where she placed it in the corner of the room, and put over it a dozen other milk cans, piled one above another. Then, as soon as it was dark, she called her husband and eldest son (for she had six or seven children), and said to them, "What good fortune do you think has befallen me to-day?"

"We cannot guess," they said. "Nothing less," she went on, "than the wonderful, wonderful mango falling into one of my milk cans while I slept! I have brought it home with me; it is in that lowest can. Go, husband, call all the children to have a slice; and you, my son, take down that pile of cans and fetch me the mango." "Mother," he said, when he got to the lowest can, "you were joking, I suppose, when you told us there was a mango here."

"No, not at all," she answered; "there is a mango there. I put it there myself an hour ago."

"Well, there's something quite different now," replied the son. "Come and see."

The Milkwoman ran to the place, and there, in the lowest can, she saw, not the mango, but a little tiny wee lady, richly dressed in red and gold, and no bigger than a mango! On her head shone a bright jewel like a little sun.

"This is very odd," said the mother. "I never heard of such a thing in my life! But since she has been sent to us, I will take care of her, as if she were my own child."

Every day the little lady grew taller and taller, until she was the size of an ordinary woman; she was gentle and lovable, but always sad and quiet, and she said her name was "Surya Bai."

The children were all very curious to know her history, but the Milkwoman and her husband would not let her be teased to tell who she was, and said to the children, "Let us wait. By and by, when she knows us better, she will most likely tell us her story of her own accord."

Now it came to pass that once, when Surya Bai was taking water from the well for the old Milkwoman, the Rajah rode by, and as he saw her walking along, he cried, "That is my wife," and rode after her as fast as possible. Surya Bai hearing a great clatter of horses' hoofs, was frightened, and ran home as fast as possible, and hid herself; and when the Rajah reached the place there was only the old Milkwoman to be seen standing at the door of her hut.

Then the Rajah said to her, "Give her up, old woman, you have no right to keep her; she is mine, she is mine!"

But the old woman answered, "Are you mad? I don't know what you mean."

The Rajah replied, "Do not attempt to deceive me. I saw my wife go in at your door; she must be in the house."

"Your wife?" screamed the old woman—"your wife? you mean my daughter, who lately returned from the well! Do you think I am going to give my child up at your command? You are Rajah in your palace, but I am Rajah in my own house; and I won't give up my little daughter for any bidding of yours. Be off with you, or I'll pull out your beard." And so saying, she seized a long stick and attacked the Rajah, calling out loudly to her husband and sons, who came running to her aid.

The Rajah, seeing matters were against him, and having outridden his attendants (and not being quite certain moreover whether he had seen Surya Bai, or whether she might not have been really the poor Milkwoman's daughter), rode off and returned to his palace.

However, he determined to sift the matter. As a first step he went to see Surya Bai's old attendant, who was still in prison. From her he learned enough to make him believe she was not only entirely innocent of Surya Bai's death, but gravely to suspect the first Ranee of having caused it. He therefore ordered the old woman to be set at liberty, still keeping a watchful eye on her, and bade her prove her devotion to her long-lost mistress by going to the Milkwoman's house, and bringing him as much information as possible about the family, and more particularly about the girl he had seen returning from the well.

So the attendant went to the Milkwoman's house, and made friends with her, and bought some milk, and afterward she stayed and talked to her.

After a few days the Milkwoman ceased to be suspicious of her, and became quite cordial.

Surya Bai's attendant then told how she had been the late Ranee's waiting-woman, and how the Rajah had thrown her into prison on her mistress's death; in return for which intelligence the old Milkwoman imparted to her how the wonderful mango had tumbled into her can as she slept under the tree, and how it had miraculously changed in the course of an hour into a beautiful little lady. "I wonder why she should have chosen my poor house to live in, instead of any one else's," said the old woman.

Then Surya Bai's attendant said, "Have you ever asked her her history? Perhaps she would not mind telling it to you now."

So the Milkwoman called the girl, and as soon as the old attendant saw her, she knew it was none other than Surya Bai, and her heart jumped for joy; but she remained silent, wondering much, for she knew her mistress had been drowned in the tank.

The old Milkwoman turned to Surya Bai and said, "My child, you have lived long with us, and been a good daughter to me; but I have never asked you your history, because I thought it must be a sad one; but if you do not fear to tell it to me now, I should like to hear it."

Surya Bai answered, "Mother, you speak true; my story is sad. I believe my real mother was a poor Milkwoman like you, and that she took me with her one day when I was quite a little baby, as she was going to sell milk in the bazaar. But being tired with the long walk, she sat down to rest, and placed me also on the ground, when suddenly a great Eagle flew down and carried me away. But all the father and mother I ever knew were the two great Eagles."

"Ah, my child! my child!" cried the Milkwoman, "I was that poor woman; the Eagles flew away with my eldest girl when she was only a year old. Have I found you after these many years?"

And she ran and called all her children, and her husband, to tell them the wonderful news.

And there was great rejoicing among them all.

When they were a little calmer, her mother said to Surya Bai, "Tell us, dear daughter, how your life has been spent since first we lost you." And Surya Bai went on:

"The old Eagles took me away to their home, and there I lived happily many years. They loved to bring me all the beautiful things they could find, and at last one day they both went to fetch me a diamond ring from the Red Sea; but while they were gone the fire went out in the nest: so I went to an old woman's hut, and got her to give me some fire; and next day (I don't know how it was), as I was opening the outer door of the cage, a sharp thing, that was sticking in it, ran into my hand and I fell down senseless.

"I don't know how long I lay there, but when I came to myself, I found the Eagles must have come back, and thought me dead, and gone away, for the diamond ring was on my little finger; a great many people were watching over me, and amongst them was a Rajah, who asked me to go home with him and be his wife, and he brought me to this place, and I was his Ranee.

"But his other wife, the first Ranee, hated me (for she was jealous), and desired to kill me; and one day she accomplished her purpose by pushing me into the tank, for I was young and foolish, and disregarded the warnings of my faithful old attendant, who begged me not to go near the place. Ah! if I had only listened to her words I might have been happy still."

At these words the old attendant, who had been sitting in the background, rushed forward and kissed Surya Bai's feet, crying; "Ah, my lady! my lady! have I found you at last!" and, without staying to hear more, she ran back to the palace to tell the Rajah the glad news.

Then Surya Bai told her parents how she had not wholly died in the tank, but become a sunflower; and how the first Ranee; seeing how fond the Rajah was of the plant, had caused it to be thrown away; and then how she had risen from the ashes of the sunflower, in the form of a mango tree; and how when the tree blossomed all her spirit went into the little mango flower, and she ended by saying: "And when the flower became fruit, I know not by what irresistible impulse I was induced to throw myself into your milk can. Mother—it was my destiny, and as soon as you took me into your house, I began to recover my human form."

"Why, then," asked her brothers and sisters, "why do you not tell the Rajah that you are living, and that you are the Ranee Surya Bai?"

"Alas," she answered, "I could not do that. Who knows but that he may be influenced by the first Ranee, and also desire my death. Let me rather be poor like you, but safe from danger."

Then her mother cried, "Oh, what a stupid woman I am! The Rajah one day came seeking you here, but I and your father and brothers drove him away, for we did not know you were indeed the lost Ranee."

As she spoke these words a sound of horses' hoofs was heard in the distance, and the Rajah himself appeared, having heard the good news of Surya Bai's return from her old attendant.

It is impossible to tell the joy of the Rajah at finding his long-lost wife, but it was not greater than Surya Bai's at being restored to her husband.

Then the Rajah turned to the old Milkwoman, and said "Old woman, you did not tell me true, for it was indeed my wife who was in your hut."

"Yes, Protector of the Poor," answered the old Milkwoman, "but it was also my daughter." Then they told him how Surya Bai was the Milkwoman's child.

At hearing this the Rajah commanded them all to return with him to the palace. He gave Surya Bai's father a village and, ennobled the family; and he said to Surya Bai's old attendant, "For the good service you have done you shall be palace housekeeper," and he gave her great riches; adding, "I can never repay the debt I owe you, nor make you sufficient recompense for having caused you to be unjustly cast into prison." But she replied, "Sire, even in your anger you were temperate; if you had caused me to be put to death, as some would have done, none of this good might have come upon you; it is yourself you have to thank."

The wicked first Ranee was cast, for the rest of her life, into the prison in which the old attendant had been thrown; but Surya Bai lived happily with her husband the rest of her days; and in memory of her adventures, he planted round their palace a hedge of sunflowers and a grove of mango trees.



Story DNA

Moral

Goodness and truth will ultimately triumph over evil and deceit, and destiny will find its way.

Plot Summary

A baby girl, Surya Bai, is abducted by eagles and raised in a fortified nest. When her eagle parents leave, she seeks fire from a Rakshas, barely escaping, but is later killed by a poisonous Rakshas nail. A Rajah discovers and revives her, marrying her, but his jealous first Ranee repeatedly tries to kill her, leading to Surya Bai's transformations into a sunflower and then a mango tree. After being discarded, she transforms back into a human girl in her birth mother's home. Eventually, her loyal attendant helps the Rajah find and reunite with Surya Bai, leading to the punishment of the wicked Ranee and a happy ending for Surya Bai and her families.

Themes

perseverancejealousydestinyresilience

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition, rule of three

Narrative Elements

Conflict: person vs person
Ending: happy
Magic: talking animals (cat and dog), eagles raising a human child, poisonous Rakshas fingernail, resurrection by a magic ring, human to plant transformation (sunflower, mango tree), plant to human transformation, destiny/fate
the diamond ring (life, identity)the iron nest (protection, isolation)sunflower and mango tree (transformation, resilience)

Cultural Context

Origin: Indian
Era: timeless fairy tale

Reflects common motifs in Indian folklore, including magical transformations, jealous co-wives, and the triumph of virtue.

Plot Beats (13)

  1. A milkwoman's baby is carried off by eagles and raised as Surya Bai in an iron nest.
  2. The eagles leave to find a diamond ring, and Surya Bai's fire goes out, forcing her to seek fire from a Rakshas.
  3. The Rakshas woman tries to detain Surya Bai for her son to eat, but Surya Bai escapes after completing chores.
  4. The Rakshas son tracks Surya Bai, leaves a poisonous fingernail in her nest door, which kills her when she opens it.
  5. The eagles return, find Surya Bai dead, place the ring on her finger, and leave her.
  6. A Rajah on a hunting expedition discovers Surya Bai's body, revives her with the diamond ring, and marries her.
  7. The Rajah's first Ranee, consumed by jealousy, pushes Surya Bai into a tank, where she drowns and transforms into a sunflower.
  8. The jealous Ranee has the sunflower thrown away, and Surya Bai transforms into a mango tree.
  9. The Ranee has the mango tree cut down, but a mango fruit falls into the milkwoman's can, and Surya Bai transforms back into a human girl.
  10. The milkwoman raises Surya Bai, unaware of her true identity, and the Rajah, searching for his lost Ranee, is driven away by the milkwoman's family.
  11. Surya Bai's loyal attendant, released from prison, investigates and recognizes Surya Bai at the milkwoman's house.
  12. Surya Bai reveals her full story and transformations to her birth mother and the attendant.
  13. The attendant informs the Rajah, who joyfully reunites with Surya Bai, punishes the first Ranee, and rewards Surya Bai's family and the attendant.

Characters

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Surya Bai

human child (1 year), young adult (12 years), adult (Ranee) female

Exquisitely beautiful, described as 'beautiful as the sun' and a 'sweet little lamb'. Her form is so captivating that even as a flower or a tree, she draws attention and affection. She has a delicate build, befitting a princess.

Attire: When living with the eagles, she wears 'clothes that had been made for princesses' and is 'resplendent with jewels'. This implies rich silks, brocades, and fine cottons, likely in vibrant colors with gold or silver embroidery, adorned with precious stones. As a Ranee, she would wear elaborate Indian royal attire, such as a heavily embroidered silk lehenga or sari, adorned with intricate gold jewelry, including a diamond ring on her little finger.

Wants: To survive, to find safety, and eventually, to be reunited with her true family and husband.

Flaw: Naivety and trust (initially, leading her to the Rakshas's hut and the tank), a tendency to disregard warnings.

Transforms from an innocent, sheltered girl into a wise, resilient woman who endures multiple deaths and rebirths, ultimately reclaiming her identity and rightful place as a Ranee, and reuniting with both her birth family and her husband.

Her radiant beauty, often adorned with a diamond ring and rich, jewel-encrusted Indian princess attire.

Resilient, kind, obedient (initially), resourceful, forgiving, humble, cautious (after her ordeal).

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The Milkwoman

human adult | elderly female

A hardworking Indian woman, likely of a sturdy build from years of carrying milk cans. Her skin would be tanned from working outdoors, and her hands would show the signs of labor.

Attire: Simple, practical Indian peasant clothing, such as a cotton sari or a ghagra-choli made of coarse fabric, in muted or earthy tones. She would wear minimal or no jewelry.

Wants: To provide for her family, to find her lost daughter, and to care for those in need.

Flaw: Her poverty and initial inability to protect her child. Her initial ignorance of Surya Bai's true identity.

Initially a grieving mother, she unknowingly adopts her own lost daughter. She transforms into a joyful mother reunited with her child and is elevated in status due to Surya Bai's return.

Her simple, worn cotton sari and the milk cans she carries.

Loving, hardworking, grieving (for her lost child), kind, hospitable, initially cautious and protective (of her adopted daughter).

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The Old Eagle (Husband)

eagle ageless non-human

A very large, powerful eagle with a formidable wingspan, sharp talons, and a strong, hooked beak. Its feathers would be a mix of dark browns and greys, indicating age and wisdom.

Attire: N/A (natural feathers)

Wants: To provide for and protect Surya Bai, whom he considers his daughter, and to bring her all the luxuries of a princess.

Flaw: His long absence, which leaves Surya Bai vulnerable.

Remains consistent in his role as a doting, protective father figure. His fate after Surya Bai's perceived death is not explicitly stated, but he is presumed to have left, believing her dead.

Its immense size and powerful, dark wings, often carrying precious items.

Protective, doting (towards Surya Bai), resourceful, determined, adventurous.

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The Old Eagle (Wife)

eagle ageless non-human

A very large, powerful eagle, similar to her mate, with a formidable wingspan and sharp features. Her feathers would also be dark and strong.

Attire: N/A (natural feathers)

Wants: To nurture and care for Surya Bai, ensuring her comfort and happiness.

Flaw: Her long absence, which leaves Surya Bai vulnerable.

Remains consistent in her role as a doting, protective mother figure. Her fate after Surya Bai's perceived death is not explicitly stated, but she is presumed to have left, believing her dead.

Her watchful, maternal gaze and the way she tends to the vast iron nest.

Maternal, doting, protective, resourceful, agreeable (to her husband's plans).

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The Old Rakshas Woman

magical creature (Rakshas) elderly female

An old, withered woman, but with an underlying sinister strength. Her skin might be greenish or purplish-grey, typical of Rakshasas, with sharp, bony features. She might have long, claw-like fingers.

Attire: Simple, tattered, dark-colored Indian peasant clothing, like a coarse, dirty sari, but with an unsettling quality, perhaps made of rough, dark fabric.

Wants: To capture and eat Surya Bai, and to assist her son in doing the same.

Flaw: Her impatience and her son's delayed return, which allows Surya Bai to escape.

Remains consistently evil, serving as a direct threat to Surya Bai. Her fate is not explicitly stated, but her son is thwarted.

Her withered, deceptively kind face with cunning, hungry eyes.

Cunning, deceptive, cruel, cannibalistic, impatient (for her son's return).

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The Young Rakshas

magical creature (Rakshas) adult male

A powerful and fearsome Rakshas, likely tall and muscular, with a menacing presence. His skin might be dark, perhaps a deep grey or blue, with sharp features and possibly fangs.

Attire: Minimal, rough clothing, perhaps a loincloth or a simple, dark dhoti made of coarse fabric, indicating his wild and predatory nature.

Wants: To hunt and consume Surya Bai.

Flaw: His reliance on his mother's information and the distraction of the parched corn.

Remains consistently evil, serving as a direct threat to Surya Bai. He is ultimately thwarted by the parched corn and does not succeed in his goal.

His powerful, menacing form, often in pursuit.

Violent, predatory, impatient, determined (to catch Surya Bai), cannibalistic.

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The Rajah

human adult male

A noble and handsome Indian king, likely of a commanding height and regal bearing. His build would be strong and dignified, reflecting his authority.

Attire: Opulent Indian royal attire, such as a richly embroidered silk sherwani or achkan, adorned with precious jewels, a jeweled turban, and fine fabrics like brocade or velvet. He would wear elaborate gold jewelry.

Wants: To find his lost wife, Surya Bai, and to ensure justice and happiness for his kingdom and loved ones.

Flaw: Initially influenced by his first Ranee's jealousy, leading to Surya Bai's perceived death and the attendant's imprisonment.

Initially a grieving husband, he becomes determined to find his lost wife, eventually reuniting with her and rectifying past injustices, becoming a more just and enlightened ruler.

His regal attire and jeweled turban, reflecting his royal status.

Loving (towards Surya Bai), just, determined (to find his lost wife), remorseful (for his actions against the attendant), generous.

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The First Ranee

human adult female

A beautiful but cold and cruel Indian queen. Her beauty would be striking but lacking warmth, perhaps with sharp features.

Attire: Luxurious and elaborate Indian royal attire, similar to Surya Bai's, but perhaps in darker or more severe colors, reflecting her personality. Heavily jeweled, but with a sense of ostentation rather than grace.

Wants: To eliminate Surya Bai, whom she sees as a rival for the Rajah's affection and power, and to maintain her position as the sole Ranee.

Flaw: Her overwhelming jealousy and inability to control her cruel impulses, which ultimately lead to her downfall.

Remains consistently evil, driven by jealousy. Her actions lead to Surya Bai's transformations and the attendant's imprisonment. She is ultimately punished by being cast into prison for life.

Her beautiful but cold face, often with a hint of cruel satisfaction.

Jealous, cruel, manipulative, vengeful, ruthless.

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The Old Attendant

human elderly female

An old, loyal Indian woman, likely small and frail but with a resilient spirit. Her body would show the signs of a lifetime of service.

Attire: Simple, clean, and respectable Indian servant's attire, such as a plain cotton sari in muted colors, perhaps with a shawl draped over her shoulders.

Wants: To protect and serve Surya Bai, and to ensure her well-being and justice.

Flaw: Her inability to directly prevent the First Ranee's actions, leading to her own imprisonment.

Initially a loyal protector, she suffers imprisonment for her devotion. She is eventually vindicated and rewarded, becoming the palace housekeeper, and her loyalty is recognized.

Her kind, wrinkled face and her posture of humble devotion.

Loyal, wise, protective, observant, resilient, devoted.

Locations

Roadside near town

outdoor morning Warm, sunny day

A dusty roadside leading into a town, likely in a warm, possibly arid or semi-arid region of India, with sparse vegetation where a milkwoman might rest. The ground would be dry earth or packed dirt.

Mood: Ordinary, mundane, then suddenly terrifying and tragic

Surya Bai is abducted by eagles as a baby.

Dusty roadside Cans full of milk Milkwoman Baby Surya Bai Two large eagles

Eagles' Iron Nest

indoor Varies, but the nest is a protected, enclosed environment

A colossal nest built high in a lofty tree, constructed from iron and wood, as large as a small house. It is fortified with seven iron doors, suggesting a formidable, almost prison-like structure, yet filled with treasures. The interior would be dark, metallic, and woody, with a constant fire burning for warmth and cooking.

Mood: Secure, isolated, opulent, then lonely and desperate

Surya Bai grows up here, isolated from humanity. She later leaves to find fire.

Lofty tree Iron and wood nest Seven iron doors Fireplace with burning fire Provisions Little dog Cat Princess clothes Jewels Playthings

Rakshas's Hut

indoor evening Cooling evening air after a long day's walk

A small, humble hut, likely made of mud and thatch, typical of rural Indian dwellings, with a simple hearth where an old woman warms her hands. The interior would be sparse, perhaps a bit disheveled, reflecting the Rakshas's nature, located in a remote, possibly wild or desolate area.

Mood: Deceptive, dangerous, outwardly humble but inwardly sinister

Surya Bai seeks fire and narrowly escapes being eaten by the Rakshas.

Small hut Hearth with fire Old Rakshas woman Rice pounding equipment Corn grinding stone Well outside

Milkwoman's Hut/House

indoor Varies, but generally warm and pleasant

A modest, rural Indian home, likely a simple hut or small house made of local materials like mud, thatch, or rough timber, with a humble interior. It would be a warm, family-oriented space, reflecting the milkwoman's simple life, surrounded by a farmyard and possibly a river.

Mood: Humble, loving, safe, eventually joyful

Surya Bai, in various forms, finds refuge here and is eventually reunited with her birth family.

Simple hut/house Farmyard Milk can Family members (husband, children) Burdock leaves (implied near river)

Rajah's Palace and Gardens

transitional Warm, tropical or sub-tropical climate

A grand Indian palace, likely of a regional style (e.g., Rajput, Mughal-influenced), with courtyards, ornate architecture, and extensive gardens. The palace would feature intricate carvings, perhaps marble or sandstone, and vibrant colors. The gardens would include a tank (water reservoir) and, later, a hedge of sunflowers and a grove of mango trees planted in memory of Surya Bai.

Mood: Opulent, initially dangerous due to jealousy, ultimately joyful and commemorative

Surya Bai lives here as Ranee, faces jealousy, is transformed, and eventually returns to rule happily.

Grand palace architecture (e.g., sandstone, marble, intricate carvings) Courtyards Extensive gardens Tank (water reservoir) Hedge of sunflowers Grove of mango trees Prison