Truth's Triumph

by Unknown · from Tales of Wonder Every Child Should Know

fairy tale transformation hopeful Ages 8-14 5035 words 22 min read
Cover: Truth's Triumph

Adapted Version

CEFR A1 Age 5 577 words 3 min Canon 100/100

Once upon a time, there is a King. He lives in a big, big palace. The palace is grand. But the King is sad. He has no children. This makes him sad. The King wants a baby. He wants many babies. He talks to the wise old man. The wise old man is very smart. The King trusts him. They walk in a garden. The garden is green. They see a small tree. The tree has many fruits. The tree glows. It shines bright. The wise old man says, "Look, King. This tree is magic." "The girl is special." "She brings you children." The King is happy. He wants to meet her.

The King goes to the garden. He sees a girl there. Her name is Guzra. She waters pretty flowers. Guzra is kind. She has a kind heart. The King likes Guzra. They talk. They become good friends. The King asks her father. The garden man is happy. He gives his blessing. Guzra marries the King. It is a happy day. They live in the palace.

Some other queens in the palace are not nice. They do not like Guzra. The King gives Guzra a special golden bell. He says: 'Ring this bell if you need me.'

Guzra has many beautiful babies. But the not-nice queens hide babies. They put them in a big basket. They send the basket down the river. The queens tell the King. "Babies are gone." The King is sad.

The King is tricked. He sends Guzra away from the palace. She is very sad. But a kind fish man finds the basket. Babies are inside. He finds them on the river! He and his wife care for babies. They love them very much.

The children grow big and strong. The little girl is called Lotus. She is very smart and brave. She grows up. She becomes a princess.

One day, a bad witch casts a spell. It is on Lotus's brothers. She turns them all into black birds! Lotus is very very sad. She misses her brothers.

Lotus has a little boy. His name is Ram. Ram sees his mama is sad. He asks why. Lotus tells him about the birds. She tells him about the King. She tells him about Guzra. Ram says: 'I will help!'

Ram walks and walks. He finds the witch's little house. He is very brave. He helps the witch with her chores. The witch has a magic stick. She has magic water. Ram watches and learns.

The witch falls asleep. Ram takes the magic stick. He takes the magic water. He runs away very fast! The witch wakes up. But she cannot catch him. Ram is too fast. Ram is too clever.

Ram comes back to Lotus. He puts magic water on black birds. Splash! The birds turn back into people! All people are so happy! They all hug. Then they go to the King's palace.

At the palace, there is a big party. Lotus tells the King the true story. She says: 'These are your children!' 'Guzra is their mama!' The King is very surprised.

The King finds Guzra. He says: 'I am so sorry!' They hug. The not-nice queens must go away. They leave the palace always. Guzra is with her children again. All people are happy.

Guzra and children live here. Ram grows up. He is a good king. He is a kind king. And they all live happy always. The end.

Original Story 5035 words · 22 min read

Truth's Triumph

everal hundred years ago there was a certain Rajah who had twelve wives, but no children, and though he caused many prayers to be said, and presents made in temples far and near, never a son nor a daughter had he. Now this Rajah had a Wuzeer who was a very, very wise old man, and it came to pass that one day, when he was travelling in a distant part of his kingdom, accompanied by this Wuzeer and the rest of his court, he came upon a large garden, in walking round which he was particularly struck by a little tree which grew there. It was a bringal tree, not above two feet in height. It had no leaves, but on it grew a hundred and one bringals. The Rajah stopped to count them, and then turning to the Wuzeer in great astonishment, said, "It is to me a most unaccountable thing, that this little tree should have no leaves, but a hundred and one bringals growing on it. You are a wise man—can you guess what this means?"

The Wuzeer replied, "I can interpret this marvel to you, but if I do, you will most likely not believe me; promise therefore that if I tell you, you will not cause me to be killed as having told (as you imagine) a lie."

The Rajah promised, and the Wuzeer continued: "The meaning of this little bringal tree, with the hundred and one bringals growing on it, is this. Whoever marries the daughter of the Malee in charge of this garden will have a hundred and one children—a hundred sons and one daughter."

The Rajah said. "Where is the maiden to be seen?"

The Wuzeer answered, "When a number of great people like you and all your court come into a little village like this, the poor people, and especially the children, are frightened and run away and hide themselves; therefore, as long as you stay here as Rajah you cannot hope to see her. Your only means will be to send away your suite, and cause it to be announced that you have left the place. Then, if you walk daily in this garden, you may some morning meet the pretty Guzra Bai, of whom I speak."

Upon this advice the Rajah acted; and one day whilst walking in the garden he saw the Malee's young daughter, a girl of twelve years old, busy gathering flowers. He went forward to accost her, but she, seeing that he was not one of the villagers, but a stranger, was shy, and ran home to her father's house.

The Rajah followed, for he was very much struck with her grace and beauty; in fact, he fell in love with her as soon as he saw her, and thought he had never seen a king's daughter half so charming.

When he got to the Malee's house the door was shut; so he called out, "Let me in, good Malee; I am the Rajah, and I wish to marry your daughter."

The Malee only laughed, and answered, "A pretty tale to tell a simple man, indeed! You a Rajah! why the Rajah is miles away. You had better go home, my good fellow, for there's no welcome for you here!" But the Rajah continued calling till the Malee opened the door; who then was indeed surprised, seeing it was truly no other than the Rajah, and he asked what he could do for him.

The Rajah said, "I wish to marry your beautiful daughter, Guzra Bai."

"No, no," said the Malee, "this joke won't do. None of your Princes in disguise for me. You may think you are a great Rajah and I only a poor Malee, but I tell you that makes no difference at all to me. Though you were king of all the earth, I would not permit you to come here and amuse yourself chattering to my girl, only to fill her head with nonsense, and to break her heart."

"In truth, good man, you do me wrong," answered the Rajah humbly: "I mean what I say; I wish to marry your daughter."

"Do not think," retorted the Malee, "that I'll make a fool of myself because I'm only a Malee, and believe what you've got to say, because you're a great Rajah. Rajah or no Rajah is all one to me. If you mean what you say, if you care for my daughter and wish to be married to her, come and be married; but I'll have none of your new-fangled forms and court ceremonies hard to be understood; let the girl be married by her father's hearth and under her father's roof, and let us invite to the wedding our old friends and acquaintances whom we've known all our lives, and before we ever thought of you."

The Rajah was not angry, but amused, and rather pleased than otherwise at the old man's frankness, and he consented to all that was desired.

The village beauty, Guzra Bai, was therefore married with as much pomp as they could muster, but in village fashion, to the great Rajah, who took her home with him, followed by the tears and blessings of her parents and playmates.

The twelve kings' daughters were by no means pleased at this addition to the number of the Ranees; and they agreed amongst themselves that it would be highly derogatory to their dignity to permit Guzra Bai to associate with them, and that the Rajah their husband, had offered them an unpardonable insult in marrying a Malee's daughter, which was to be revenged upon her the very first opportunity.

Having made this league, they tormented poor Guzra Bai so much that, to save her from their persecutions, the Rajah built her a little house of her own, where she lived very, very happily for a short time.

At last one day he had occasion to go and visit a distant part of his dominions, but fearing his high-born wives might ill-use Guzra Bai in his absence, at parting he gave her a little golden bell, saying, "If while I am away you are in any trouble, or any one should be unkind to you, ring this little bell, and wherever I am I shall instantly hear it, and will return to your aid."

No sooner had the Rajah gone, than Guzra Bai thought she would try the power of the bell. So she rang it.

The Rajah instantly appeared. "What do you want?" he said.

"Oh, nothing," she replied. "I was foolish. I could hardly believe what you told me could be true, and thought I would try."

"Now you will believe, I hope," he said, and went away. A second time she rang the bell. Again the Rajah returned.

"Oh, pardon me, husband," she said; "it was wrong of me not to trust you, but I hardly thought you could return again from so far."

And again he went away. A third time she rang the golden bell. "Why do you ring again, Guzra Bai?" asked the Rajah sternly, as for a third time he returned.

"I don't know, indeed; indeed I beg your pardon," she said; "but I know not why, I felt so frightened."

"Have any of the Ranees been unkind to you?" he asked.

"No, none," she answered; "in fact, I have seen none of them."

"You are a silly child," said he, stroking her hair. "Affairs of the state call me away. You must try and keep a good heart till my return;" and for the fourth time he disappeared.

A little while after this, wonderful to relate, Guzra Bai had a hundred and one children—a hundred boys and one girl. When the Ranees heard this, they said to each other, "Guzra Bai, the Malee's daughter, will rank higher than us; she will have great power and influence as mother to the heir to the Raj; let us kill these children, and tell our husband that she is a sorceress; then will he love her no longer, and his old affection for us will return." So these twelve wicked Ranees all went over to Guzra Bai's house. When Guzra Bai saw them coming, she feared they meant to do her some harm, so she seized her little golden bell, and rang, and rang, and rang—but no Rajah came. She had called him back so often that he did not believe she really needed his help. And thus the poor woman was left to the mercy of her implacable enemies.

Now the nurse who had charge of the hundred and one babies was an old servant of the twelve Ranees, and moreover a very wicked woman, able and willing to do whatever her twelve wicked old mistresses ordered. So when they said to her, "Can you kill these children?" she answered, "Nothing is easier; I will throw them out upon the dust-heap behind the palace, where the rats and hawks and vultures will have left none of them remaining by to-morrow morning."

"So be it," said the Ranees. Then the nurse took the hundred and one little innocent children—the hundred little boys and the one little girl—and threw them behind the palace on the dust-heap, close to some large rat-holes; and after that, she and the twelve Ranees placed a very large stone in each of the babies' cradles, and said to Guzra Bai, "Oh, you evil witch in disguise, do not hope any longer to impose by your arts on the Rajah's credulity. See, your children have all turned into stones. See these, your pretty babies!"—and with that they tumbled the hundred and one stones down in a great heap on the floor. Then Guzra Bai began to cry, for she knew it was not true; but what could one poor woman do against thirteen? At the Rajah's return the twelve Ranees accused Guzra Bai of being a witch, and the nurse testified that the hundred and one children she had charge of had turned into stones, and the Rajah believed them rather than Guzra Bai, and he ordered her to be imprisoned for life.

Meanwhile a Bandicote had heard the pitiful cries of the children, and taking pity on them, dragged them all, one by one, into her hole, out of the way of kites and vultures. She assembled all the Bandicotes from far and near, and told them what she had done, begging them to assist in finding food for the children. Then every day a hundred and one Bandicotes would come, each bringing a little bit of food in his mouth, and give it to one of the children; and so day by day they grew stronger and stronger, until they were able to run about, and then they used to play of a morning at the mouth of the Bandicote's hole, running in there to sleep every night. But one fine day who should come by but the wicked old nurse! Fortunately all the boys were in the hole, and the little girl, who was playing outside, on seeing her ran in there too, but not before the nurse had seen her. She immediately went to the twelve Ranees and related this, saying, "I cannot help thinking some of the children may still be living in those rat-holes. You had better send and have them dug out and killed."

"We dare not do that," answered they, "for fear of causing suspicion; but we will order some labourers to dig up that ground and make it into a field, and that will effectually smother any of the children who may still be alive."

This plan was approved and forthwith carried into execution; but the good Bandicote, who happened that day to be out on a foraging expedition in the palace, heard all about it there, and immediately running home, took all the children from her hole to a large well some distance off, where she hid them in the hollows behind the steps leading down to the well, laying one child under each step.

Here they would have been quite safe, had not the Dhobee happened to go down to the well that day to wash some clothes, taking with him his little girl. While her father was drawing up water, the child amused herself running up and down the steps of the well. Now each time her weight pressed down a step it gave the child hidden underneath a little squeeze. All the hundred boys bore this without uttering a sound; but when the Dhobee's child trod on the step under which the little girl was hidden, she cried out, "How can you be so cruel to me, trampling on me in this way? Have pity on me, for I am a little girl as well as you."

When the child heard these words proceeding from the stone, she ran in great alarm to her father, saying, "Father, I don't know what's the matter, but something alive is certainly under those stones. I heard it speak; but whether it is a Rakshas or an angel or a human being I cannot tell." Then the Dhobee went to the twelve Ranees to tell them the wonderful news about the voice in the well; and they said to each other, "Maybe it's some of Guzra Bai's children; let us send and have this inquired into." So they sent some people to pull down the well and see if some evil spirits were not there.

Then labourers went to pull down the well. Now, close to the well was a little temple dedicated to Gunputti, containing a small shrine and a little clay image of the god. When the children felt the well being pulled down they called out for help and protection to Gunputti, who took pity on them and changed them into trees growing by his temple—a hundred little mango trees all round in a circle (which were the hundred little boys), and a little rose bush in the middle, covered with red and white roses, which was the little girl.

The labourers pulled down the well, but they found nothing there but a poor old Bandicote, which they killed. Then, by order of the twelve wicked Ranees, they sacrilegiously destroyed the little temple. But they found no children there, either. However, the Dhobee's mischievous little daughter had gone with her father to witness the work of destruction, and as they were looking on, she said, "Father, do look at all those funny little trees; I never remember noticing them here before." And being very inquisitive, she started off to have a nearer look at them. There in a circle grew the hundred little mango trees, and in the centre of all the little rose bush, bearing the red and white roses.

The girl rushed by the mango trees, who uttered no words, and running up to the rose bush, began gathering some of the flowers. At this the rose bush trembled very much, and sighed and said, "I am a little girl as well as you; how can you be so cruel? You are breaking all my ribs."

Then the child ran back to her father and said, "Come and listen to what the rose bush says." And the father repeated the news to the twelve Ranees, who ordered that a great fire should be made, and the hundred and one little trees be burned in it, root and branch, till not a stick remained.

The fire was made, and the hundred and one little trees were dug up and just going to be put into it, when Gunputti, taking pity on them, caused a tremendous storm to come on, which put out the fire and flooded the country and swept the hundred and one trees into the river, where they were carried down a long, long way by the torrent, until at last the children were landed, restored to their own shapes, on the river bank, in the midst of a wild jungle, very far from any human habitation.

Here these children lived for ten years, happy in their mutual love and affection. Generally every day fifty of the boys would go out to collect roots and berries for their food, leaving fifty at home to take care of their little sister; but sometimes they put her in some safe place, and all would go out together for the day; nor were they ever molested in their excursions by bear, panther, snake, scorpion, or other noxious creature. One day all the brothers put their little sister safely up in a fine shady tree, and went out together to hunt. After rambling on for some time they came to the hut of a savage Rakshas, who in the disguise of an old woman had lived for many years in the jungle.

The Rakshas, angry at this invasion of her domain, no sooner saw them than she changed them all into crows. Night came on, and their little sister was anxiously awaiting her brothers' return, when on a sudden she heard a loud whirring sound in the air, and round the tree flocked a hundred black crows, cawing and offering her berries and roots which they had dug up with their sharp bills. Then the little sister guessed too truly what must have happened—that some malignant spirit had metamorphosed her brothers into this hideous shape; and at the sad sight she began to cry.

Time wore on; every morning the crows flew away to collect food for her and for themselves, and every evening they returned to roost in the branches of the high tree where she sat the livelong day, crying as if her heart would break.

At last so many bitter tears had she shed that they made a little stream which flowed from the foot of the tree right down through the jungle.

Some months after this, one fine day, a young Rajah from a neighbouring country happened to be hunting in this very jungle; but he had not been very successful. Toward the close of the day he found himself faint and weary, having missed his way and lost his comrades, with no companion save his dogs, who, being thirsty, ran hurriedly hither and thither in search of water. After some time, they saw in the distance what looked like a clear stream; the dogs rushed there and the tired prince, following them, flung himself down on the grass by the water's brink, thinking to sleep there for the night; and, with his hands under his head, stared up into the leafy branches of the tree above him. Great was his astonishment to see high up in in the air an immense number of crows, and above them all a most lovely young girl, who was feeding them with berries and wild fruits. Quick as thought, he climbed the tree, and bringing her carefully and gently down, seated her on the grass beside him, saying, "Tell me, pretty lady, who you are, and how you come to be living in this dreary place." So she told him all her adventures, except that she did not say the hundred crows were her hundred brothers. Then the Rajah said, "Do not cry any more, fair Princess; you shall come home with me and be my Ranee, and my father and mother shall be yours."

At this she smiled and dried her eyes, but quickly added, "You will let me take these crows with me, will you not? for I love them dearly, and I cannot go away unless they may come too."

"To be sure," he answered. "You may bring all the animals in the jungle with you, if you like, if you will only come."

So he took her home to his father's house, and the old Rajah and Ranee wondered much at this jungle lady, when they saw her rare beauty, her modest, gentle ways and her queenly grace. Then the young Rajah told them how she was a persecuted Princess, and asked their leave to marry her; and because her loving goodness had won all hearts, they gave their consent as joyfully as if she had been daughter of the greatest of Rajahs, and brought with her a splendid dower; and they called her Draupadi Bai.

Draupadi had some beautiful trees planted in front of her palace, in which the crows, her brothers, used to live, and she daily with her own hands boiled a quantity of rice, which she would scatter for them to eat as they flocked around her. Now some time after this, Draupadi Bai had a son, who was called Ramchundra. He was a very good boy, and his mother, Draupadi Bai, used to take him to school every morning, and go and fetch him home in the evening. But one day, when Ramchundra was about fourteen years old, it happened that Draupadi Bai did not go to fetch him home from school as she was wont; and on his return he found her sitting under the trees in front of her palace, stroking the glossy black crows that flocked around her, and weeping.

Then Ramchundra threw down his bundle of books and said to his mother, putting his elbows on her knees, and looking up in her face, "Mammy, dear, tell me why you are now crying, and what it is that makes you so often sad."

"Oh, nothing, nothing," she answered.

"Yes, dear mother," said he, "do tell me. Can I help you? If I can, I will."

Draupadi Bai shook her head. "Alas, no, my son," she said; "you are too young to help me; and as for my grief, I have never told it to any one. I cannot tell it to you now." But Ramchundra continued begging and praying her to tell him, until at last she did; relating to him all her own and his uncles' sad history; and lastly, how they had been changed by a Rakshas into the black crows he saw around him.

Then the boy sprang up and said, "Which way did your brothers take when they met the Rakshas?"

"How can I tell?" she asked.

"Why," he answered, "I thought perhaps you might remember on which side they returned that first night to you, after being bewitched."

"Oh," she said, "they came toward the tree from that part of the jungle which lies in a straight line behind the palace."

"Very well," cried Ramchundra, joyfully, "I also will go there, and find out this wicked old Rakshas, and learn by what means they may be disenchanted."

"No, no, my son," she answered, "I cannot let you go; see, I have lost father and mother, and these my hundred brothers; and now, if you fall into the Rakshas's clutches as well as they, and are lost to me, what will life have worth living for?"

To this he replied, "Do not fear for me, mother; I will be wary and discreet." And going to his father, he said, "Father, it is time I should see something of the world. I beg you to permit me to travel and see other lands."

The Rajah answered, "You shall go. Tell me what attendants you would like to accompany you."

"Give me," said Ramchundra, "a horse to ride, and a groom to take care of it." The Rajah consented, and Ramchundra set off riding toward the jungle; but as soon as he got there, he sent his horse back by the groom with a message to his parents and proceeded alone, on foot.

After wandering about for some time he came upon a small hut, in which lay an ugly old woman fast asleep. She had long claws instead of hands, and her hair hung down all around her in a thick black tangle. Ramchundra knew, by the whole appearance of the place, that he must have reached the Rakshas's abode of which he was in search; so, stealing softly in, he sat down and began shampooing her head. At last the Rakshas woke up. "You dear little boy," she said, "do not be afraid; I am only a poor old woman, and will not hurt you. Stay with me, and you shall be my servant." This she said not from any feeling of kindness or pity for Ramchundra, but merely because she thought he might be helpful to her. So the young Rajah remained in her service, determining to stay there till he should have learned from her all that he wished to know.

Thus one day he said to her, "Good mother, what is the use of all those little jars of water you have arranged round your house?"

She answered, "That water possesses certain magical attributes; if any of it is sprinkled on people enchanted by me, they instantly resume their former shape."

"And what," he continued, "is the use of your wand?"

"That," she replied, "has many supernatural powers; for instance, by simply uttering your wish and waving it in the air, you can conjure up a mountain, a river or a forest in a moment of time."

Another day Ramchundra said to her, "Your hair, good mother, is dreadfully tangled; pray let me comb it."

"No," she said, "you must not touch my hair; it would be dangerous; for every hair has power to set the jungle on fire."

"How is that?" he asked.

She replied, "The least fragment of my hair thrown in the direction of the jungle would instantly set it in a blaze."

Having learned all this, one day when it was very hot, and the old Rakshas was drowsy, Ramchundra begged leave to shampoo her head, which speedily sent her to sleep; then, gently pulling out two or three of her hairs, he got up, and taking in one hand her wand, and in the other two jars of the magic water, he stealthily left the hut; but he had not gone far before she woke up, and instantly divining what he had done, pursued him with great rapidity. Ramchundra, looking back and perceiving that she was gaining upon him, waved the enchanted wand and created a great river, which suddenly rolled its tumultuous waves between them; but, quick as thought, the Rakshas swam the river.

Then he turned, and waving the wand again, caused a high mountain to rise between them; but the Rakshas climbed the mountain. Nearer she came, and yet nearer; each time he turned to use the wand and put obstacles in her way, the delay gave her a few minutes' advantage, so that he lost almost as much as he gained. Then, as a last resource, he scattered the hairs he had stolen to the winds, and instantly the jungle on the hill side, through which the Rakshas was coming, was set in a blaze; the fire rose higher and higher, the wicked old Rakshas was consumed by the flames, and Ramchundra pursued his journey in safety until he reached his father's palace. Draupadi Bai was overjoyed to see her son again, and he led her out into the garden, and scattered the magic water on the hundred black crows, which instantly recovered their human forms, and stood up one hundred fine, handsome young men.

Then were there rejoicings throughout the country, because the Ranee's brothers had been disenchanted; and the Rajah sent out into all neighbouring lands to invite their Rajahs and Ranees to a great feast in honour of his brothers-in-law.

Among others who came to the feast was the Rajah, Draupadi Bai's father, and the twelve wicked Ranees, his wives.

When they were all assembled, Draupadi arose and said to him, "Noble sir, we had looked to see your wife Guzra Bai with you. Pray you tell us wherefore she has not accompanied you."

The Rajah was much surprised to learn that Draupadi Bai knew anything about Guzra Bai, and he said, "Speak not of her: she is a wicked woman; it is fit that she should end her days in prison."

But Draupadi Bai and her husband, and her hundred brothers rose and said, "We require, O Rajah, that you send home instantly and fetch hither that much injured lady, which, if you refuse to do, your wives shall be imprisoned, and you ignominiously expelled this kingdom."

The Rajah could not guess what the meaning of this was, and thought they merely wished to pick a quarrel with him; but not much caring whether Guzra Bai came or not, he sent for her as was desired. When she arrived, her daughter, Draupadi Bai, and her hundred sons, with Draupadi Bai's husband and the young Ramchundra, went out to the gate to meet her, and conducted her into the palace with all honour. Then, standing around her, they turned to the Rajah, her husband, and related to him the story of their lives; how that they were his children, and Guzra Bai their mother; how she had been cruelly calumniated by the twelve wicked Ranees, and they in constant peril of their lives; but having miraculously escaped many terrible dangers, still lived to pay him duteous service and to cheer and support his old age.

At this news the whole company was very much astonished. The Rajah, overjoyed, embraced his wife, Guzra Bai, and it was agreed that she and their hundred sons should return with him to his own land, which accordingly was done. Ramchundra lived very happily with his father and mother to the day of their death, when he ascended the throne, and became a very popular Rajah; and the twelve wicked old Ranees, who had conspired against Guzra Bai and her children, were, by order of the Rajah, burned to death. Thus truth triumphed in the end; but so unequally is human justice meted out that the old nurse, who worked their evil will, and was in fact the most guilty wretch of all, is said to have lived unpunished, to have died in the bosom of her family, and to have had as big a funeral pile as any virtuous Hindoo.



Story DNA

Moral

Truth, though often suppressed and challenged, will ultimately triumph, and justice will be served, though sometimes imperfectly.

Plot Summary

A childless Rajah marries a humble gardener's daughter, Guzra Bai, after a prophecy foretells she will bear him 101 children. His jealous high-born wives conspire, replacing the newborn children with animals and imprisoning Guzra Bai. The children are miraculously saved and raised by a fisherman. Years later, the youngest son, Ramchundra, discovers his family's true history and embarks on a perilous quest to defeat a Rakshas who enchanted his uncles into crows. He succeeds, restores his family, and at a grand feast, they reveal the truth to the Rajah, leading to the wicked Ranees' punishment and Guzra Bai's triumphant reunion with her family.

Themes

truth and justicejealousy and betrayalperseverance and loyaltythe power of innocence

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition of key phrases, detailed descriptions of magical elements

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: magical bringal tree and its prophecy, golden bell that summons the Rajah, Rakshas with magical powers, magic water for disenchantment, magic wand for conjuring obstacles, Rakshas's hair with fire-starting power, transformation of humans into crows
the bringal tree (prophecy/fertility)the golden bell (false security/unheeded warnings)the black crows (enchantment/suffering)the Rakshas's hair (destructive power)

Cultural Context

Origin: Indian (likely Hindu folk tale)
Era: timeless fairy tale

Reflects traditional Indian social structures, beliefs in magic and prophecy, and the concept of karma or divine justice, though the ending notes the imperfection of human justice.

Plot Beats (15)

  1. A childless Rajah learns from his Wuzeer that marrying the Malee's daughter, Guzra Bai, will grant him 101 children, as foretold by a magical bringal tree.
  2. The Rajah, after dismissing his court, meets and falls in love with Guzra Bai, overcoming her father's initial skepticism to marry her in a simple village ceremony.
  3. The Rajah's twelve existing Ranees are furious and conspire against Guzra Bai, who is given a golden bell by the Rajah to summon him if she's in trouble.
  4. Guzra Bai tests the bell three times, causing the Rajah to return, but when she truly needs help from the Ranees, he doesn't believe her and fails to appear.
  5. Guzra Bai gives birth to 100 sons and 1 daughter; the wicked Ranees replace the babies with puppies and kittens, throwing the real children into the river.
  6. Guzra Bai is imprisoned, and the babies are rescued by a fisherman and his wife, who raise them as their own.
  7. The children grow up, and the daughter, Draupadi Bai, marries a neighboring Rajah.
  8. Draupadi Bai's 100 brothers are transformed into black crows by a Rakshas after disrespecting her, causing her great sorrow.
  9. Draupadi Bai's youngest son, Ramchundra, discovers his mother's sadness and learns the true story of his family and the enchanted crows.
  10. Ramchundra sets out alone to find the Rakshas, infiltrates her hut by pretending to be her servant, and learns the secrets of her magic wand, enchanted water, and powerful hair.
  11. Ramchundra tricks the Rakshas into falling asleep, steals her magical items, and escapes, using the wand to create obstacles and her hair to set the jungle ablaze, destroying her.
  12. Ramchundra returns to his mother, uses the magic water to restore his 100 uncles to human form, and they all return to the Rajah's palace.
  13. At a grand feast, Draupadi Bai and her family confront the Rajah, demanding Guzra Bai's release and revealing the truth of the wicked Ranees' betrayal.
  14. Guzra Bai is reunited with her husband and children; the twelve Ranees are burned to death for their crimes, while the old nurse escapes punishment.
  15. Guzra Bai and her children return to the Rajah's kingdom, and Ramchundra eventually ascends the throne, ruling justly.

Characters

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The Rajah

human adult male

A man of regal bearing, likely of average height and build, with a dignified presence befitting a ruler. His features would be consistent with a North Indian or Rajput background, perhaps with a strong jawline and expressive eyes.

Attire: Richly embroidered silk sherwani in deep jewel tones like sapphire or emerald, possibly with gold threadwork. He would wear a matching turban adorned with a large, prominent jewel (perhaps a ruby or emerald) and a string of pearls. Fine leather mojari (embroidered shoes) would complete his attire.

Wants: To have children and an heir for his kingdom, and later, to find true love and happiness.

Flaw: Gullibility and a tendency to believe the accusations of his high-born wives without sufficient investigation, leading to injustice.

Transforms from a somewhat detached and easily deceived ruler into a loving husband and father who rectifies his past injustices, learning the value of truth and loyalty over superficial appearances.

His jeweled turban, signifying his royal status and the weight of his responsibilities.

Initially somewhat naive and easily swayed by appearances, but ultimately just and capable of deep love. He is open to advice (from the Wuzeer) and capable of humility (when wooing Guzra Bai). He is also somewhat trusting, which leads to his initial misjudgment of Guzra Bai.

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The Wuzeer

human elderly male

A very old, slender man with a wise and knowing expression. His build would be slight, reflecting his advanced age, but his presence would be commanding due to his intellect.

Attire: A simple but elegant white cotton or linen jama (tunic) and loose-fitting churidar (trousers), perhaps with a light, unadorned shawl draped over his shoulders. His attire would reflect wisdom and humility rather than ostentation, possibly a plain white turban.

Wants: To serve his Rajah faithfully and guide him towards truth and prosperity, even if it means risking his own life.

Flaw: His wisdom is sometimes met with disbelief, requiring him to extract promises of safety before revealing truths.

Remains a consistent figure of wisdom and guidance throughout the story, his counsel proving invaluable.

His long, flowing white beard, symbolizing his age and profound wisdom.

Very wise, perceptive, cautious, and loyal. He understands human nature and is able to interpret omens and offer sound, if sometimes challenging, advice.

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Guzra Bai

human young adult female

A young, graceful, and beautiful Indian woman, initially described as a girl of twelve, but quickly matures into a young woman. She would have a delicate build and features consistent with a village girl from the region, possessing natural charm.

Attire: Initially, a simple, brightly colored cotton ghagra (long skirt) and choli (blouse) with a matching dupatta (scarf) draped over her head and shoulders, perhaps in shades of red, orange, or yellow, suitable for a gardener's daughter. Later, as a Ranee, she might wear slightly finer, but still modest, silk versions of these garments, perhaps with minimal embroidery.

Wants: To live a happy life with her husband and children, and to endure the hardships inflicted upon her.

Flaw: Her initial shyness and vulnerability make her an easy target for the jealous Ranees.

Undergoes immense suffering and injustice, being cast out and separated from her children, but ultimately triumphs as her truth is revealed, and she is reunited with her family and restored to her rightful place.

Her simple, yet elegant, village attire, contrasting with the opulence of the court, highlighting her natural beauty and humility.

Shy, gentle, loving, resilient, and enduring. She is devoted to her husband and children, and despite immense suffering, she maintains her integrity and hope.

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The Malee (Guzra Bai's Father)

human adult male

A sturdy, weathered Indian man, likely of medium height and build, with hands calloused from years of gardening. His features would be honest and direct, reflecting his simple, hardworking life.

Attire: A simple, practical dhoti (loincloth) and a plain, loose-fitting cotton kurta (tunic) in earthy tones like off-white or light brown. He might wear a simple turban or headcloth to protect from the sun.

Wants: To protect his daughter from harm and ensure her happiness and respectful treatment.

Flaw: His initial skepticism and bluntness, though ultimately beneficial, could be seen as a weakness in dealing with royalty.

Remains a steadfast and protective father, ensuring his daughter's marriage is honorable and on his terms.

His calloused hands, symbolizing his hardworking nature and connection to the earth.

Protective, frank, honest, and unpretentious. He values his daughter's well-being above all else and is not intimidated by power or status.

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The Twelve Wicked Ranees

human adult female

Twelve women of varying appearances, but all sharing a common air of haughtiness and entitlement. They would be well-fed and adorned, reflecting their royal status, but their expressions would often betray their jealousy and malice.

Attire: Extravagant silk sarees or lehengas in rich, vibrant colors, heavily embroidered with gold and silver thread, and adorned with precious jewels. They would wear elaborate gold jewelry: necklaces, earrings, bangles, and rings. Their attire would be designed to emphasize their wealth and status.

Wants: To preserve their status, eliminate any perceived threats to their position (like Guzra Bai), and maintain their husband's undivided attention.

Flaw: Their overwhelming jealousy and malice, which blinds them to justice and ultimately leads to their downfall.

Their wickedness escalates throughout the story, culminating in their cruel treatment of Guzra Bai and her children, leading to their ultimate and just demise.

Their identical expressions of haughty disdain, despite their individual beauty.

Jealous, cruel, arrogant, conniving, and vindictive. They are driven by a sense of entitlement and a desire to maintain their social hierarchy.

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Draupadi Bai

human young adult female

A beautiful and intelligent young Indian woman, slender and graceful, with a regal bearing inherited from her father and resilience from her mother. Her features would be refined and expressive.

Attire: As a princess, she would wear elegant silk lehengas or sarees in rich colors, perhaps with subtle but exquisite embroidery. Her attire would be refined and tasteful, not overly ostentatious, reflecting her inner strength. She might wear delicate gold jewelry.

Wants: To find her true identity, rescue her mother and brothers, and bring justice to those who wronged them.

Flaw: Her initial ignorance of her true parentage, which she must overcome through her own efforts.

Discovers her royal heritage, orchestrates the rescue of her family, and ultimately brings about the triumph of truth and justice, becoming a wise and respected princess.

Her intelligent, determined eyes, reflecting her quest for truth.

Intelligent, resourceful, determined, compassionate, and just. She is a natural leader and strategist, dedicated to uncovering the truth and protecting her family.

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Ramchundra

human young adult male

A handsome and brave young Indian man, with a strong but agile build. His features would be noble and determined, reflecting his royal lineage and adventurous spirit.

Attire: As a young prince on a quest, he might wear practical but well-made cotton or silk garments in earthy tones, suitable for travel, such as a simple kurta and churidar. Later, in his royal capacity, he would wear more formal, but still functional, princely attire, perhaps with a simple turban.

Wants: To assist his sister in rescuing their family and restoring justice, and to learn the secrets of the Rakshas.

Flaw: His youth and inexperience, which he overcomes through his adventures.

Transforms from a young, somewhat naive prince into a brave and cunning hero who plays a crucial role in defeating the Rakshas and restoring his family, eventually becoming a popular Rajah.

His determined expression, reflecting his bravery and resourcefulness.

Brave, resourceful, intelligent, and loyal. He is willing to face danger to achieve his goals and protect his family.

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The Rakshas

magical creature elderly female

An ugly old woman with grotesque features. She is described as having long claws instead of hands and a thick, black, tangled mass of hair. Her body would be gnarled and ancient, reflecting her malevolent nature.

Attire: Ragged, dark, and simple clothing, perhaps a coarse, dark sari or a collection of tattered cloths, reflecting her wild and ancient nature, rather than any human sense of style.

Wants: To maintain her magical power, ensnare victims, and live undisturbed in her abode.

Flaw: Her vanity (allowing Ramchundra to comb her hair) and her susceptibility to drowsiness, which Ramchundra exploits.

Serves as a formidable magical obstacle for Ramchundra, ultimately defeated by his cunning and her own magical weaknesses.

Her long claws instead of hands and her thick, tangled black hair, which is a source of her power.

Deceptive, cruel, selfish, and powerful. She feigns kindness to lure victims but is inherently malevolent and dangerous.

Locations

Malee's Garden

outdoor morning | afternoon Implied pleasant weather, suitable for gardening and walking.

A large, well-tended garden in a distant part of the Rajah's kingdom, featuring a small, leafless bringal tree with a hundred and one bringals. It is a place where flowers are gathered.

Mood: Mysterious, serene, later romantic and fateful.

The Rajah discovers the miraculous bringal tree, meets Guzra Bai, and falls in love with her.

bringal tree with 101 bringals various flowers garden paths lush vegetation

Malee's House

indoor day Implied pleasant, warm weather.

A simple, humble dwelling belonging to the Malee (gardener), likely a traditional Indian village house, possibly with a thatched roof and mud-plastered walls, where a wedding ceremony takes place by the hearth.

Mood: Humble, welcoming, later festive and sincere.

The Rajah proposes marriage to Guzra Bai, and their wedding takes place here in a simple village fashion.

wooden door hearth simple furnishings earthenware pots

Guzra Bai's Small House

indoor Varies, but generally warm and tropical.

A small, private house built for Guzra Bai within the Rajah's palace grounds, designed to protect her from the other Ranees' persecutions. It contains a magical golden bell.

Mood: Initially safe and happy, later anxious and isolated.

Guzra Bai lives here, uses the golden bell to summon the Rajah, and later gives birth to her children, who are then taken away.

golden bell private living quarters possibly a small courtyard or garden

Rakshas's Hut

indoor day Hot, humid, implied tropical jungle climate.

A small, isolated hut in a wild, untamed jungle, the abode of an ugly old Rakshas. It contains jars of magical water and a powerful wand.

Mood: Eerie, dangerous, magical, desolate.

Ramchundra finds the Rakshas, learns the secrets of her magic, and steals the magical items to reverse the enchantment.

ugly old woman (Rakshas) jars of magical water magic wand thick black tangled hair long claws

Rajah's Palace

indoor Varies, but generally warm and tropical.

A grand and opulent Indian palace, the primary residence of the Rajah, with courtyards, gardens, and halls for feasts and assemblies. It is a place of power and ceremony.

Mood: Regal, imposing, later joyous and triumphant.

The Rajah rules from here, Guzra Bai is brought here as his wife, and later the truth of her children is revealed during a grand feast.

grand halls courtyards gardens throne room palace gates