Tattercoats

by Unknown · from The Fairy Ring

fairy tale transformation hopeful Ages 8-14 1319 words 6 min read
Cover: Tattercoats

Adapted Version

CEFR A1 Age 5 360 words 2 min Canon 100/100

Once, Tattercoats lived in a castle. Her Old Lord was very sad. He did not play with baby Tattercoats. He stayed in his room. He looked out the window.

Tattercoats wore old, simple clothes. The servants were often busy. They did not play with her. Only a kind Old Nurse was her friend. The Gooseherd was her friend too.

The Gooseherd played his little pipe. The music was very happy. Tattercoats forgot her troubles. She danced with the geese. She felt very joyful.

One day, news came to the castle. The King would have a big ball. The Prince would choose a wife there. The Old Lord got a note.

The Old Nurse asked The Old Lord. "Let Tattercoats go," she said. But he said no. The servants did not help.

Tattercoats was sad she could not go. She told The Gooseherd. "We can go to town," he said. "We will see the King."

So Tattercoats and The Gooseherd went. His geese followed them. The Gooseherd played his pipe. They danced down the road. They went to the town.

A handsome young man rode up. He was the Prince. He asked for help. Then he walked with them. He was very kind.

The Gooseherd played his pipe. The Prince liked Tattercoats very much. She wore old clothes. But he saw her kind heart.

Tattercoats said no. Her old clothes were not good. "Come to the ball," the Prince said. "Come in your old clothes. Come with your friends. Come at midnight."

Midnight came. Tattercoats entered the ball. The Gooseherd and his geese came too. All looked surprised. They stared at Tattercoats.

The Prince stood up. He walked to Tattercoats. He took her hand. He told the King, "I love her."

The Gooseherd played his pipe. Magic filled the room. Tattercoats' old clothes changed. They became shining robes. A gold crown was on her head. The geese became small pages.

The King welcomed Tattercoats. She was a new Princess. The Gooseherd went away. The Old Lord stayed alone. He was still sad. He did not see Tattercoats again. The Prince loved Tattercoats for her kind heart. He loved her true self.

Original Story 1319 words · 6 min read

Tattercoats

IN a great palace by the sea there once dwelt a very rich old lord who had neither wife nor children living, only one little granddaughter, whose face he had never seen in all her life. He hated her bitterly, because at her birth his favorite daughter died; and when the old nurse brought him the baby he swore that it might live or die as it liked, but he would never look on its face as long as it lived.

So he turned his back and sat by his window looking out over the sea, and weeping great tears for his lost daughter, till his white hair and beard grew down over his shoulders and twined round his chair and crept into the chinks of the floor, and his tears, dropping on to the window ledge, wore a channel through the stone and ran away in a little river to the great sea. And meanwhile his granddaughter grew up with no one to care for her or clothe her; only the old nurse, when no one was by, would sometimes give her a dish of scraps from the kitchen or a torn petticoat from the rag bag; while the other servants of the palace would drive her from the house with blows and mocking words, calling her "Tattercoats," and pointing at her bare feet and shoulders, till she ran away crying, to hide among the bushes.

And so she grew up, with little to eat or wear, spending her days in the fields and lanes, with only the gooseherd for a companion, who would play to her so merrily on his little pipe when she was hungry or cold or tired that she forgot all her troubles, and fell to dancing, with his flock of noisy geese for partners.

But one day people told each other that the King was traveling through the land, and in the town near by was to give a great ball to all the lords and ladies of the country, when the Prince, his only son, was to choose a wife.

One of the royal invitations was brought to the palace by the sea, and the servants carried it up to the old lord who still sat by his window, wrapped in his long white hair and weeping into the little river that was fed by his tears.

But when he heard the King's command he dried his eyes and bade them bring shears to cut him loose, for his hair had bound him a fast prisoner and he could not move. And then he sent them for rich clothes and jewels, which he put on; and he ordered them to saddle the white horse with gold and silk that he might ride to meet the King.

Meanwhile Tattercoats had heard of the great doings in the town, and she sat by the kitchen door weeping because she could not go to see them. And when the old nurse heard her crying she went to the lord of the palace, and begged him to take his granddaughter with him to the King's ball.

But he only frowned and told her to be silent, while the servants laughed and said: "Tattercoats is happy in her rags, playing with the gooseherd; let her be—it is all she is fit for."

TATTERCOATS FORGOT ALL HER TROUBLES AND FELL TO DANCING

A second, and then a third time, the old nurse begged him to let the girl go with him, but she was answered only by black looks and fierce words, till she was driven from the room by the jeering servants with blows and mocking words.

Weeping over her ill success, the old nurse went to look for Tattercoats; but the girl had been turned from the door by the cook, and had run away to tell her friend the gooseherd how unhappy she was because she could not go to the King's ball.

But when the gooseherd had listened to her story he bade her cheer up, and proposed that they should go together into the town to see the King and all the fine things; and when she looked sorrowfully down at her rags and bare feet he played a note or two upon his pipe, so gay and merry that she forgot all about her tears and her troubles, and, before she well knew, the herdboy had taken her by the hand, and she and he, and the geese before them, were dancing down the road toward the town.

Before they had gone very far a handsome young man, splendidly dressed, rode up and stopped to ask the way to the castle where the King was staying; and when he found that they too were going thither, he got off his horse and walked beside them along the road.

The herdboy pulled out his pipe and played a low, sweet tune, and the stranger looked again and again at Tattercoats' lovely face, till he fell deeply in love with her and begged her to marry him.

But she only laughed and shook her golden head.

"You would be finely put to shame if you had a goosegirl for your wife!" said she; "go and ask one of the great ladies you will see to-night at the King's ball, and do not flout poor Tattercoats."

But the more she refused him the sweeter the pipe played and the deeper the young man fell in love, till at last he begged her, as a proof of his sincerity, to come that night at twelve to the King's ball, just as she was, with the herdboy and his geese, and in her torn petticoat and bare feet, and he would dance with her before the King and the lords and ladies, and present her to them all as his dear and honored bride.

So when night came, and the hall in the castle was full of light and music, and the lords and ladies were dancing before the King, just as the clock struck twelve, Tattercoats and the herdboy, followed by his flock of noisy geese, entered at the great doors and walked straight up the ballroom, while on either side the ladies whispered, the lords laughed, and the King, seated at the far end, stared in amazement.

But as they came in front of the throne Tattercoats' lover rose from beside the King and came to meet her. Taking her by the hand, he kissed her thrice before them all, and turned to the King.

"Father," he said, for it was the Prince himself, "I have made my choice, and here is my bride, the loveliest girl in all the land, and the sweetest as well!"

Before he had finished speaking the herdboy put his pipe to his lips and played a few low notes that sounded like a bird singing far off in the woods; and as he played, Tattercoats' rags were changed to shining robes sewn with glittering jewels, a golden crown lay upon her golden hair, and the flock of geese behind her became a crowd of dainty pages bearing her long train.

And, as the King rose to greet her as his daughter, the trumpets sounded loudly in honor of the new Princess, and the people outside in the street said to each other:

"Ah, now the Prince has chosen for his wife the loveliest girl in all the land!"

But the gooseherd was never seen again, and no one knew what became of him; while the old lord went home once more to his palace by the sea, for he could not stay at court when he had sworn never to look on his granddaughter's face.

So there he still sits by his window, if you could only see him, as you some day may, weeping more bitterly than ever, as he looks out over the sea.



Story DNA

Moral

True love and worth are not determined by outward appearance or social status.

Plot Summary

An old lord, consumed by grief, disowns his granddaughter, Tattercoats, who grows up neglected and in rags, befriended only by an old nurse and a magical gooseherd. When the Prince announces he will choose a bride at a royal ball, Tattercoats longs to go but is forbidden. The gooseherd encourages her, and on their way to town, they meet the Prince, who falls in love with her despite her appearance and invites her to the ball. At midnight, Tattercoats arrives in her rags, and as the Prince declares his love, the gooseherd's pipe transforms her into a beautiful princess, while her grandfather remains in his self-imposed sorrow.

Themes

inner worth vs. outer appearancelove and acceptanceperseveranceforgiveness and redemption (or lack thereof)

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three (nurse's pleas), symbolic imagery (lord's tears, gooseherd's pipe)

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: magical transformation of rags to riches, talking animals (implied through the gooseherd's connection, though geese don't speak), magical pipe music
Tattercoats' rags (symbol of neglect and hidden worth)the gooseherd's pipe (symbol of magic, comfort, and transformation)the old lord's tears (symbol of his unyielding grief and bitterness)

Cultural Context

Origin: English
Era: timeless fairy tale

This tale is a variant of the 'Cinderella' archetype, often found in European folklore, highlighting themes of hidden nobility and transformation through love.

Plot Beats (15)

  1. An old lord, grieving his daughter's death, disowns his newborn granddaughter, Tattercoats, vowing never to see her face.
  2. Tattercoats grows up neglected and in rags, mocked by servants, with only an old nurse and a gooseherd for companions.
  3. The gooseherd plays his pipe, making Tattercoats forget her troubles and dance with the geese.
  4. News spreads of a royal ball where the Prince will choose a wife, and the lord receives an invitation.
  5. The lord, after being cut free from his hair, prepares to attend the ball in finery.
  6. The old nurse pleads with the lord three times to take Tattercoats, but is harshly refused and mocked by servants.
  7. Tattercoats, sad she cannot go, tells the gooseherd, who suggests they go to town to see the King.
  8. Tattercoats, the gooseherd, and his geese dance down the road towards town.
  9. They encounter a handsome stranger (the Prince) who asks directions and then walks with them.
  10. The Prince falls in love with Tattercoats, despite her rags, as the gooseherd plays his pipe.
  11. Tattercoats initially refuses the Prince, believing her appearance would shame him, but he insists she come to the ball at midnight, just as she is.
  12. At midnight, Tattercoats, the gooseherd, and the geese enter the royal ballroom, causing whispers and laughter.
  13. The Prince rises, kisses Tattercoats, and declares her his chosen bride to the King.
  14. The gooseherd plays his pipe, transforming Tattercoats' rags into royal robes and the geese into pages.
  15. Tattercoats is welcomed as the new Princess; the gooseherd disappears, and the old lord remains in his palace, weeping, unable to break his vow.

Characters

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Tattercoats

human young adult female

Slender and graceful, with a natural beauty that shines through her impoverished state. She is described as having a 'lovely face' and 'golden head,' implying fair skin and light hair. Her bare feet and shoulders suggest a lean, unburdened physique from a life spent outdoors.

Attire: Initially, she wears torn petticoats and rags, leaving her feet and shoulders bare. These are simple, worn-out garments, likely made of coarse linen or wool in muted, undyed colors. Upon transformation, her rags become 'shining robes sewn with glittering jewels,' implying a regal gown of rich fabric like silk or satin, adorned with precious stones, and a 'golden crown' on her hair.

Wants: To find happiness and acceptance, to escape her lonely and neglected existence, and to experience the world beyond her palace grounds.

Flaw: Her low self-esteem due to her upbringing and appearance, which makes her doubt her worthiness of love and status.

Transforms from a neglected, ragged girl with low self-esteem into a beloved princess, gaining confidence, acceptance, and a royal identity. She learns her true worth.

Her golden hair and the contrast between her initial rags and her eventual glittering robes.

Resilient, kind-hearted, playful, and initially self-deprecating. She finds joy in simple pleasures like the gooseherd's music and dancing, despite her hardships. She is also humble, initially refusing the Prince due to her appearance.

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The Gooseherd

human child male

A young boy, likely small and nimble from his outdoor life. His appearance is not detailed, but he is a common 'herdboy,' suggesting a rustic, unkempt look consistent with his profession.

Attire: Simple, practical peasant clothing suitable for a herdboy, likely made of coarse wool or linen in earthy tones, possibly worn and patched.

Wants: To bring joy to Tattercoats and help her overcome her sadness. His deeper motivations are tied to his magical purpose.

Flaw: His mysterious nature means he is not fully understood or integrated into the human world, leading to his eventual disappearance.

Acts as a catalyst for Tattercoats' transformation. He appears to fulfill his purpose and then vanishes, leaving Tattercoats to her new life.

His little pipe and his flock of geese.

Kind, loyal, cheerful, and possesses a hidden magical ability. He is a true friend, always ready to lift Tattercoats' spirits.

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The Old Lord

human elderly male

An old man, described with 'white hair and beard' that grew so long they twined around his chair and crept into the floor chinks. His tears wore a channel through stone, indicating a long period of immobility and profound grief. He is likely gaunt from his self-imposed isolation.

Attire: Initially, he is described as being 'wrapped in his long white hair.' When he prepares to meet the King, he puts on 'rich clothes and jewels,' implying formal, opulent attire befitting a lord, likely dark velvet or brocade with gold embroidery and precious stones.

Wants: To mourn his lost daughter and to avoid anything that reminds him of her death, which includes his granddaughter.

Flaw: His overwhelming grief and stubborn bitterness, which blind him to the needs of others and prevent him from finding new happiness.

Remains unchanged throughout the story, continuing his bitter weeping. He represents the unchanging nature of deep-seated grief and prejudice.

His incredibly long, white hair and beard that bind him to his chair.

Bitter, grief-stricken, stubborn, and cruel in his neglect. His immense sorrow for his daughter overrides any compassion for his granddaughter.

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The Old Nurse

human elderly female

An old woman, likely frail but with a resilient spirit. Her appearance is not detailed, but her role suggests a kind, maternal figure.

Attire: Simple, practical servant's attire, likely made of sturdy linen or wool in muted colors, possibly with an apron.

Wants: To protect and care for Tattercoats, to alleviate her suffering, and to see her treated with the dignity she deserves.

Flaw: Her lack of power or influence within the household, making her efforts to help Tattercoats largely ineffective against the lord's will and the servants' cruelty.

Remains a steadfast source of comfort and advocacy for Tattercoats, but ultimately her direct efforts fail, highlighting the need for a magical intervention.

Her kind, worried expression and her simple, worn apron.

Kind, compassionate, loyal, and persistent. She is the only one who shows Tattercoats any affection or care.

👤

The Prince

human young adult male

A handsome young man, described as 'splendidly dressed.' He is likely tall and noble in bearing, befitting his royal status.

Attire: Initially 'splendidly dressed,' implying rich fabrics like silk or velvet, possibly embroidered, in vibrant colors, with fine tailoring. At the ball, he would wear formal court attire, perhaps a doublet and hose with a cape, adorned with jewels or insignia.

Wants: To find a true love and a worthy bride, driven by genuine affection rather than superficial appearances.

Flaw: His initial naivety about the social implications of choosing a 'goosegirl' as his bride, though his love quickly overcomes this.

From a prince seeking a bride, he becomes a devoted husband-to-be, demonstrating his ability to choose love over societal pressure.

His splendid attire and his earnest expression when proposing to Tattercoats.

Romantic, sincere, determined, and perceptive. He sees beyond Tattercoats' rags to her true beauty and character.

Locations

Palace by the Sea

indoor Implied temperate coastal climate; the lord's tears are a constant 'river'.

A grand, ancient palace situated directly by the sea. The old lord's chamber features a window overlooking the ocean, where his tears have worn a channel into the stone ledge, forming a small river. The interior is generally neglected in areas Tattercoats inhabits, with servants' quarters and a kitchen from which she receives scraps.

Mood: Melancholy, neglected, oppressive for Tattercoats, but grand and imposing for the lord.

Tattercoats grows up here, neglected and mistreated. The old lord remains a recluse, weeping by his window.

Lord's window with sea view Stone window ledge with tear-worn channel Small river flowing from the window to the sea Kitchen door Bushes outside for hiding

Fields and Lanes

outdoor day Implied pleasant weather, suitable for outdoor play.

Open countryside with fields, winding lanes, and bushes, where Tattercoats spends her days with the gooseherd and his flock. It is a place of freedom and simple joy for her.

Mood: Carefree, simple, natural, a refuge from the palace's harshness.

Tattercoats finds companionship and happiness here with the gooseherd. She dances to his pipe music.

Grassy fields Winding dirt lanes Bushes Flock of geese

Road to the Town

transitional day Clear, pleasant weather for travel.

A road leading from the countryside towards the town where the King's ball is held. It is here that Tattercoats, the gooseherd, and the geese encounter the Prince.

Mood: Hopeful, adventurous, leading to destiny.

Tattercoats meets the Prince, who falls in love with her despite her rags.

Dirt road Surrounding fields/trees Flock of geese

King's Ballroom

indoor night Indoors, so weather is not a factor. Festive atmosphere.

A grand hall within the King's castle, brightly lit and filled with music, where the royal ball is held. It is adorned for a significant event, with lords and ladies dancing.

Mood: Grand, festive, expectant, then shocked and finally triumphant.

Tattercoats makes her dramatic entrance, is transformed, and is presented as the Prince's bride.

Large hall Throne at one end Lights and music Dancing lords and ladies Great doors