The Clever Prince

by Unknown · from The Fairy Ring

fairy tale transformation hopeful Ages 8-14 2148 words 10 min read
Cover: The Clever Prince

Adapted Version

CEFR A1 Age 5 469 words 3 min Canon 100/100

Once upon a time, there was a prince. His name was Leo. He was very smart and very handsome. He had kind eyes. Prince Leo made a promise. He wanted a smart wife. She must be pretty too. He looked in his land. He looked for a long time. He found no one.

Prince Leo went to other lands. He traveled all alone. He rode his horse far. He looked for his wife. He wanted to find her. He met many people.

He found no one there. He rode back home. The sun went down. He got lost in a big wood. The trees were dark. He saw a small house. He needed help. He felt very tired.

An Old Man lived there. An Old Woman lived there. They had warm smiles. They let Prince Leo stay. They gave him food. The food was simple. He got a straw bed. It was soft and warm.

Morning came. The birds sang. Prince Leo heard a song. It was a sweet sound. He heard a spinning sound. It came from upstairs. The old people said no one was there. They looked very worried.

Prince Leo asked again. He was very curious. The old people told him. Their daughter Lily was there. She was very shy. Prince Leo wanted to see her. They brought Lily downstairs. She came down slowly.

Lily was very pretty. Her eyes were bright. Prince Leo was surprised. He saw her simple clothes. She wore a plain dress. She was not a princess. He thought she was not smart enough. He thought she could not be his wife. He felt a little sad.

Prince Leo rode home. He thought of Lily. Her face stayed with him. She was very pretty. But he thought she was not smart. He still thought this. He felt confused.

Prince Leo could not forget Lily. He wanted to test her. He sent her silk threads. The threads were fine. He asked her to weave. He wanted curtains for his bed. The curtains must be grand.

Lily was very smart. She knew what to do. She sent back wood pieces. The pieces were small. She asked for a loom. A loom makes cloth. Then she could weave. She was very clever.

Prince Leo knew now. Lily was very smart. She was also very pretty. She was the right girl. He kept his promise. He felt very happy.

Prince Leo went back. Many people went with him. They rode in fine carriages. He asked Lily to marry him. He knelt before her. Lily said yes. She smiled brightly.

Lily wore pretty clothes. She wore a beautiful gown. She became a princess. They had a big wedding. Everyone was happy. They danced and sang. They lived happily ever after. Smartness and kindness are the best gifts.

Original Story 2148 words · 10 min read

The Clever Prince

ONCE upon a time there was a youthful Prince who was so wonderfully handsome that no one had ever seen his like; and he knew this, and was very glad of it. And everybody said that he was as clever as he was handsome, and that no one could be compared to him. Of this he was quite convinced, and he made a solemn vow that he would never take any woman to wife unless she was as handsome and nearly as clever as he was himself. If he could find such a paragon he would marry her. There were many beautiful maidens in the land, but they were not the cleverest. There were also many maidens who were clever enough, but they were not the fairest. This much is certain, the Prince found no girl who combined in her person half enough good looks and wit to suit him. He was now of an age when he and his father the King, and their faithful subjects, were all of opinion that he ought to get married; but, as we have seen, because of the vow he had made, there was not a maiden in the land to whom he could pay his addresses.

So he determined to journey to other countries, and to travel incognito and unattended. He wanted to see things for himself, and to have no one with him who could reveal anything about him. He traveled far and wide, from one land to another, but it fared with him abroad as it had fared with him at home; he could find no girl beautiful or clever enough for him, much less could he find one who could lay claim to the possession of both these attributes. So once more he felt his quest for a worthy bride had proved vain, and turned his face homeward.

One day he was riding through a wood. He rode and rode, still he could not get to the end of the forest. Noonday came, and the evening came, and still he was in the wood, and still could see no way out of it. He had completely lost his way; he had no idea where he was, nor where he was going, nor where he should find shelter for the night and food and rest for himself and his horse. And they were both tired out. At last he saw a small cloud of blue smoke rising amid the green trees, and riding toward it he soon came to a little cottage, very poor and mean-looking. But he was glad enough, for here at least he should find somebody. He got off his horse and knocked at the door. A poor old man opened it, and a poor old woman also came forward. They appeared very much astonished to see such a fine, handsome young knight. The Prince, after wishing them good evening, said that he had lost his way, and that he had been riding through the wood all day long without coming to a dwelling of any kind, and now he begged them to give him shelter for the night. At first they said they were not the sort of people to receive such grand gentlefolk. It was easy to see they wanted to get rid of him; but when he told them that neither he nor his horse could hold out any longer, so greatly did they need rest and a night's lodging, the old couple had not the heart to refuse, so they agreed to take him in if he would put up with what they could offer him. His first care was for his horse. Stable there was none, but there was a bit of a shed for the old people's cow. As it was summer time the cow was out to grass, so the Prince put his horse up in the shed, and gave him a drink of water and a bundle of hay, to the great content of the poor, tired beast. Then he went into the cottage, which consisted of one little room, which was both dark and low. He sat down on a wooden bench and began to talk to the old people. Did they live here all alone in the wild wood? Yes, the old folk said, they did. There was nobody else in the house, and there was no other house for miles and miles around. They got on as best they could, and managed to make a living out of their goat and their cow.

Then the Prince had his supper, the best the house could afford—a crust of dry bread and a bowl of milk. The old folk then fetched a wisp of straw and spread it out on the floor, intending to lie upon it—they had but one bed, and they meant to give it up to their grand guest. But the Prince would not hear of such a thing; they should sleep in their own bed, and he would lie on the bundle of straw that was spread upon the floor. So it was arranged as he wished, and they all three retired to rest. It was quite a different sort of couch from the one he was accustomed to, but he was thoroughly tired out, so he soon fell asleep, and he dreamt of all the beautiful maidens who were not clever enough, and of all the clever maidens who were not beautiful enough, and so he slept sweetly till the day began to dawn.

Then he awoke, and stiff enough he was in all his limbs from lying on so hard a bed; twist and turn as he might, he could not get to sleep again. Presently he heard something stirring in the little loft overhead. It might be rats or mice, or perhaps a cat. Yes, it was certainly a cat. But a little while after he heard a whirring sound, exactly like a spinning wheel. Then he heard singing. That could not be the cat, nor was it the song of the birds out in the wood; no, it was a woman's sweet voice keeping time with the whirring of the wheel. So sweet a song he had never heard before. He sprang to his feet, rubbed his eyes, pricked up his ears, and at the same moment the old folk got up too. The Prince at once asked them who it was up there in the loft that had begun spinning and singing at break of day. All was quite quiet again overhead now, and the old people persisted, as they had done the previous night, that there was no one in the house but themselves.

"Nay," said the Prince, "it is no use trying to make me believe that. I prefer believing what I have heard with my own ears. And you may as well tell me the plain truth, for I am determined to learn it, one way or another."

So then the old man made a clean breast of it. The Prince was quite right, there was somebody else in the house—it was their daughter, in her little room up in the loft. They were so afraid lest some one should see her and want to take her away from them; for, indeed, they would miss her sadly, old and feeble as they were; she earned a few pence by her spinning and weaving. Who else was there to take care of them? Soon they would be no longer able to look after themselves.

Well, the Prince said he had heard her, and now he wanted to see her. He was no man-eater, nor woman-eater either, so far as he knew; therefore they might surely let him see the maiden. So the old man had to go and call her, and she came running down, tripping along, clad in mean attire, so blithe and fresh and fair. When she saw the handsome young man, she blushed rosy red, and the Prince was thunderstruck as he looked on her. Never had he seen anything half so lovely as she was! He was utterly at a loss what to say or do. In all his travels he had seen no one to be compared with her. This poor peasant's daughter was far more beautiful than all the princesses and grand ladies he had ever met at home or abroad. He could not picture to himself anything more lovely. But a poor beggar-maid, such as she was, he might not even dream of making his wife. So he turned resolutely away, and at once bestirred himself, getting his horse ready to start, and would not so much as allow himself to look at her again. But when he was in the saddle, just setting off, as he nodded good-by to the old folk, to whom he had given a broad gold piece for his night's lodging, and who now were bowing and scraping before him, he could not help giving a side glance to where she stood gazing at him with lovely, wondering eyes. And now, of course, he was obliged to lift his hat and bow "farewell"; and as she returned his greeting with downcast eyes, and bowed and blushing face, the Prince felt as if his heart were in his mouth. The lovely eyes looked up once more as he galloped off, and they followed him till he was out of sight. And not only did they follow him thus far, but long after he had left both house and wood far behind those beautiful eyes still haunted him. And as he rode along he said to himself:

"Yes, she is beautiful, and more than beautiful enough for me; but I also vowed that she whom I marry must be as clever, or nearly as clever, as I am, and that, of course, she cannot be."

He marked well where the little cottage stood, and soon he reached a road he knew well, for the wild wood lay on the very border of his own land. He rode straight home to his father's castle, and told him he had not yet found anyone who could be considered his equal.

The old King was much vexed on hearing this, but he was so certain of his son's exceeding cleverness that he had no doubt matters were exactly as the Prince represented. He had but one wish, to see his son married before closing his eyes forever, and he had such faith in his son that he knew the Prince's choice of a wife would be a wise one.

So now the Prince was at home once more, surrounded by all the good things imaginable, and yet he knew not one moment's content. Dainty food failed to tempt his appetite, no sweet sleep came to him on his downy couch. His thoughts were always with the fair young maiden who dwelt in the wild wood. He thought of her early and late, and whether he would or not.

At last he said to himself: "There must be an end of this."

He called to mind his vow that the loveliest and cleverest girl should be his bride, and so in order to be rid of all thought of her he determined to convince himself that although the peasant's daughter might be beautiful enough, yet she was far from being clever enough for him. So he wrote a letter to her, enclosing two skeins of silk, and bidding her weave for him with them a pair of bed curtains. He sent off a royal courier at once, bidding him bring back an immediate answer. The messenger returned the same evening with a letter from the woodland maiden, and in the letter lay two tiny splinters of wood. The maiden had written that if out of these bits of wood he would make her a loom she would weave him the curtains he had ordered.

After this the Prince could no longer doubt that she was quite as clever as he was, and now he felt bound to perform the vow that he had made, which was just what he most wished to do. So he rode forth with all his royal train to the cottage in the wild wood; and he told the old people that he had come to woo their daughter for his bride—if she were willing. And she was willing. The old folk were very down-hearted at parting from their child, but they did not wish to stand in the way of her happiness, so they gave their consent. Then the court ladies clad the bride in scarlet and silk attire, and adorned her with gold and jewels. And she had ladies-in-waiting and coaches and carriages and all sorts of splendor, and the wedding was celebrated with joy and great magnificence.



Story DNA

Moral

True cleverness and worth can be found in unexpected places, and superficial judgments can blind one to genuine qualities.

Plot Summary

A handsome and clever prince vows to marry only a woman as beautiful and intelligent as himself, but finds no one suitable. Frustrated, he travels incognito and gets lost in a forest, finding shelter with a poor old couple. He discovers their hidden daughter, who is incredibly beautiful, but dismisses her due to her peasant status. Unable to forget her, he sends her a challenge: to weave bed curtains from two skeins of silk. The maiden cleverly responds by sending back two splinters of wood, asking him to make her a loom first, proving her wit. Realizing she meets both his criteria, the prince returns to marry her, and they celebrate a grand wedding.

Themes

beauty and intelligenceself-discoverytrue worthhumility

Emotional Arc

pride to humility

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition of the prince's vow, contrast between appearance and reality

Narrative Elements

Conflict: person vs self
Ending: happy
the two skeins of silkthe two splinters of wood

Cultural Context

Origin: Unknown (common European fairy tale tropes)
Era: timeless fairy tale

Reflects societal class divisions and the importance of a suitable marriage for royalty in historical contexts.

Plot Beats (13)

  1. A handsome and clever prince makes a vow to marry only a woman as beautiful and clever as himself, but finds no suitable bride in his kingdom.
  2. He decides to travel incognito to other lands to find his ideal wife.
  3. After failing to find anyone abroad, he gets lost in a wild wood on his way home and seeks shelter in a poor, mean-looking cottage.
  4. The old couple living there reluctantly takes him in, offering him a humble meal and a straw bed.
  5. The next morning, the prince hears a beautiful woman's voice singing and spinning from a loft, which the old couple initially deny.
  6. The old couple eventually admit it's their daughter, whom they hide to protect, and the prince insists on seeing her.
  7. The prince is thunderstruck by the maiden's unparalleled beauty, but dismisses her as a potential wife due to her humble status.
  8. He rides home, still haunted by her beauty but convinced she cannot be clever enough for him.
  9. Unable to forget her, the prince decides to test her cleverness by sending her two skeins of silk and demanding she weave him bed curtains.
  10. The maiden cleverly responds by sending back two tiny splinters of wood, asking him to make her a loom first.
  11. The prince realizes she is as clever as she is beautiful, fulfilling his vow.
  12. He returns to the cottage with his royal entourage, proposes to the maiden, and she accepts.
  13. The maiden is adorned in finery, and they have a magnificent wedding, with the old couple reluctantly consenting to their daughter's happiness.

Characters

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The Prince

human young adult male

Wonderfully handsome, with an athletic build befitting a knight who travels extensively. His height is likely above average, and his complexion is fair, indicative of his royal status and possibly European heritage.

Attire: Initially, he travels *incognito* as a 'fine, handsome young knight,' suggesting practical but high-quality riding attire, possibly dark wool or leather with subtle embroidery, a sturdy cloak, and well-made boots. Upon his return with his royal train, he would wear more elaborate court attire, such as a velvet tunic, silk breeches, and a jeweled belt.

Wants: To find a wife who is as beautiful and nearly as clever as he is, fulfilling a vow he made to himself. Later, his motivation shifts to marrying the peasant girl he loves.

Flaw: His initial arrogance and rigid adherence to his self-imposed vow, which almost prevents him from recognizing true worth beyond superficial qualities and social status.

He begins as an arrogant prince convinced of his superiority, travels the world in vain, and eventually learns to look beyond social status and initial judgments, realizing that true worth can be found in unexpected places. He overcomes his vanity and rigid criteria to marry for love and genuine compatibility.

His strikingly handsome face, often with a thoughtful or slightly arrogant expression, framed by well-kept hair.

Vain, intelligent, determined, initially arrogant, but ultimately open-minded and loving. He is proud of his looks and wit.

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The Woodland Maiden

human young adult female

Exceedingly beautiful, described as 'blithe and fresh and fair,' far surpassing princesses. She has a delicate build, likely slender, with a rosy complexion from her outdoor life.

Attire: Initially, 'mean attire,' suggesting simple, homespun peasant clothes: a plain linen shift, perhaps a coarse wool skirt or apron, in muted, natural colors like undyed linen or faded blue/brown. After her betrothal, she is clad in 'scarlet and silk attire,' adorned with 'gold and jewels,' indicating a rich, flowing gown of the era, possibly a kirtle and overgown, with an embroidered bodice and a jeweled headpiece.

Wants: To care for her aging parents and make a living through her spinning and weaving. Later, to accept the Prince's proposal and find happiness.

Flaw: Her humble origins and shyness initially make her seem unsuitable for a prince, and she is vulnerable to being overlooked or dismissed.

She begins as a hidden, humble peasant girl, overlooked by the world. Through her innate beauty and cleverness, she is discovered by the Prince and rises to become a princess, marrying for love and proving her worth.

Her 'lovely, wondering eyes' and the blush that spreads across her face when she first sees the Prince.

Shy, industrious, intelligent, humble, and observant. She is resourceful and quick-witted, as shown by her response to the Prince's challenge.

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The Old Man

human elderly male

Poor and feeble, with the stooped posture and worn hands of a man who has lived a hard life in the woods. His height is likely average but diminished by age.

Attire: Mean-looking, simple peasant clothes: a coarse, patched tunic of brown or grey homespun fabric, worn breeches, and simple leather or cloth shoes. His clothes would show signs of age and repair.

Wants: To protect his daughter and ensure their survival in their old age.

Flaw: His feebleness and fear for his daughter's future make him initially hesitant and secretive.

Remains largely static, but his initial fear gives way to acceptance and joy at his daughter's good fortune.

His stooped posture and worn, kind face, often with a look of worry or deference.

Humble, fearful (of losing his daughter), kind-hearted (eventually takes in the Prince), and honest (when pressed).

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The Old Woman

human elderly female

Poor and feeble, likely with a small, bent frame from years of hard work. Her hands would be rough from labor.

Attire: Mean-looking, simple peasant clothes: a long, dark, patched homespun dress, a plain apron, and a kerchief covering her head. Her clothes would be practical and well-worn.

Wants: To protect her daughter and ensure their family's well-being in their old age.

Flaw: Her feebleness and fear for her daughter's future, making her initially secretive.

Remains largely static, but her initial fear gives way to acceptance and joy at her daughter's good fortune.

Her kind, wrinkled face framed by a simple kerchief, often with a worried or gentle expression.

Humble, fearful (of losing her daughter), kind-hearted (eventually takes in the Prince), and supportive of her husband.

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The King

human elderly male

An old king, likely with a dignified but perhaps slightly weary bearing. His build would be consistent with a man of his age and status, possibly a bit portly or still robust.

Attire: Royal attire: rich, flowing robes of velvet or silk, possibly in deep blues or reds, with gold embroidery. A simple but regal crown or circlet. Fine leather shoes.

Wants: To see his son married before he dies and to ensure the kingdom's future.

Flaw: His complete faith in his son's judgment, which could potentially lead to overlooking issues.

Remains static, serving as a supportive figure for the Prince.

His wise, aged face framed by a grey beard, wearing a modest but regal crown.

Wise, patient, trusting (of his son), and eager for his son's happiness and the continuation of the royal line.

Locations

The Wild Wood

outdoor noon to evening, then dawn Summer, implied warm and green

A dense, extensive forest, so vast that the Prince rides through it all day and evening without finding an exit. It is green and wild, with trees thick enough to obscure the sky and paths, leading to a sense of being lost.

Mood: Lost, disorienting, then hopeful upon seeing smoke, later a place of discovery and longing.

The Prince gets lost, discovers the cottage, and later returns with his royal train to propose.

dense green trees winding, unmarked paths blue smoke rising forest floor border of the Prince's land

Peasant's Cottage

indoor evening, night, and dawn Summer, implied mild

A very poor and mean-looking small cottage, consisting of one dark and low room. It has a small loft overhead. The exterior is humble, with blue smoke rising from a chimney. There is a shed nearby for a cow.

Mood: Humble, rustic, initially unwelcoming but becomes a place of unexpected discovery and warmth.

The Prince finds shelter, sleeps on straw, and discovers the clever peasant maiden in the loft.

small, mean-looking cottage blue smoke from chimney one dark, low room wooden bench wisp of straw on floor small loft overhead spinning wheel (implied) cow shed

Prince's Castle

indoor

The Prince's home, a grand royal castle, implied to be luxurious with 'all the good things imaginable,' including a 'downy couch.' It is a place of comfort and power, contrasting sharply with the peasant's cottage.

Mood: Luxurious, but initially restless and discontent for the Prince, later a place of joy and celebration.

The Prince returns home after his travels, struggles with his vow, and eventually sends a riddle to the maiden from here. Later, the wedding is celebrated here.

grand castle architecture downy couch royal train court ladies coaches and carriages scarlet and silk attire gold and jewels