UNA and the LION

by Unknown · from The Red Romance Book

fairy tale quest solemn Ages 8-14 2761 words 13 min read

Adapted Version

CEFR A1 Age 5 649 words 3 min Canon 100/100

Una lived in a castle. Her mom and dad lived there too. They were very happy. A big dragon came one night. It took Una's mom and dad away. Una was very sad. Her heart felt heavy. She cried many tears. Una knew she must be brave. She would find help for them.

Una had a white donkey. She put a saddle on it. Una rode her white donkey. She looked for a brave knight. She heard about the Red Knight. He was very strong. Una wanted his help. Her journey began.

Una found the Red Knight. He was resting. Una told him her sad story. He said he would help. Una was happy. They started their journey. A little Dwarf walked with them. He carried the knight's spear. Una had a small white lamb. The lamb walked by her side.

They rode into a dark forest. The trees were big and thick. It was hard to see. A big, scary monster was there. It had a long tail. It had big eyes. It looked at Una. It looked at the Red Knight. The monster was very loud. It made a scary sound. Una held her breath. The Red Knight held his sword.

The Red Knight was brave. He stood tall. Una said, 'Be brave!' He swung his sword. The monster did not like it. It cried out. It ran away fast. The forest was quiet again. Una was happy. The Red Knight was strong.

They walked out of the forest. They saw a small house. An old man lived there. He looked kind. He said, 'Come in.' He was tricky. Una did not know this. The Red Knight did not know this.

That night, the tricky wizard made a spell. He made the Red Knight dream. It was a bad dream. The dream made Una look bad. The Red Knight thought Una was not good. He felt sad. He felt confused.

The Red Knight woke up. He believed the bad dream. He thought Una was not good. He left Una alone. He rode away fast. The little Dwarf went with him. Una woke up. She saw they were gone. Una was very, very sad.

The Red Knight rode on. He met another knight. This knight was mean. The Red Knight fought him. The Red Knight was strong. He made the mean knight go away. The Red Knight got a shiny shield. He felt brave.

Una was alone. She was very sad. A big, wild lion came. It looked at Una. Una was not scared. The lion saw Una's kind heart. It felt gentle. The lion became Una's friend. It walked by her side. The lion kept Una safe.

Una and the lion walked on. They found a small house. A kind old woman lived there. Her daughter was with her. They let Una stay. One night, a bad man came. He tried to take things. The lion roared loudly. The bad man ran away. The lion kept Una safe.

Una walked with her lion. She saw someone. It looked like the Red Knight. Una was happy. But it was not him. It was the tricky wizard. He looked like the Red Knight. He tried to trick Una. Una did not know.

Then a mean knight came. He saw the tricky wizard. He thought it was the Red Knight. The mean knight fought him. The tricky wizard ran away fast. Una saw him run. She saw it was not the Red Knight. She knew it was the wizard.

The mean knight looked at Una. He wanted to take her. The brave lion stood in front. The mean knight was tricky. He made the lion run away. The lion was sad. The mean knight took Una. He put her on his horse. He rode away fast. Una was sad. But Una was still brave. She knew someone would help her.

Original Story 2761 words · 13 min read

UNA AND THE LION

Once upon a time there lived a king and queen who had only one child, a little girl, whom they named Una, and they all lived happily at home for many years till Una had grown into a woman.

It seemed as if they were some of the fortunate people to whom nothing ever happens, when suddenly, just as everything appeared going well and peacefully with them, a fearful dragon, larger and more horrible than any dragon which had yet been heard of, arrived one night, seized the king and queen as they were walking in the garden after the heat of the day, and carried them prisoners to a strong castle. Luckily, Una was at that moment sitting among her maidens on the top of a high tower embroidering a kirtle, or she would have shared the same fate.

When the princess learnt what had befallen her parents, she was struck dumb with grief, but she had been taught that no misfortune was ever mended by tears, so she soon dried her eyes, and began to think what was best to do, and to whom she could turn for help. She ran quickly over in her mind the knights who thronged her father’s court, but there was not one amongst them to whose hands their rescue could be entrusted. One spent his days in writing pretty verses to the ladies who were about the queen, another passed his time in putting on suits more brilliant than any worn by his friends, a third loved hawking, but did not welcome the rough life and hard living of real warfare; no, she must seek a champion out of her own country if her parents were to be delivered out of the power of the dragon. Then all at once she remembered a certain Red Cross Knight whose fame had spread even to her distant land, and, ordering her white ass to be saddled, she set forth in quest of him.

It were long to tell the adventures Una met with on the way, but at last she found the knight resting after a hard-won fight, and told him her tale.

Sudden DEPARTURE of UNA’S PARENTS

‘Right willingly will I help you, princess,’ said he, ‘only you must ride with me and guide me to the castle, for I know nothing of the countries that lie beyond the sea;’ and Una heard his words with joy, and called softly to her ass, who was cropping the short green grass beside her.

‘Let us go forth at once,’ she cried gaily, and sprang into her saddle. The knight hastily fastened on his armour, and, placing a blood-red cross upon his breast, swung himself on to his horse’s back. And so they rode over the plain, a trusty dwarf following far behind, and a snow-white lamb, held by a golden cord, trotting by Una’s side.

After some hours they left the plain and entered a forest, where the trees and bushes grew so thick that no path could they see. At first, in their eagerness to escape the storm which was sweeping up the plain behind them, they hardly took heed where they were going; and besides, the beauty of the flowers and the sweet scent of the fruit caused them to forget the trouble they would have to find the road again. But when the sound of the thunder ceased, and the lightning no longer darted through the leaves, they were startled to perceive they had wandered they knew not whither. No sun could they see to show them which was east and which west, neither was there any man to tell them what they fain would know. At length they stopped, for before them lay a cave stretching far away into the darkness.

‘We can rest there this night,’ said the Red Cross Knight, leaping to the ground, and handing his spear to the dwarf; ‘and first, you, lady, shall remain, here, while I enter and make sure that no fierce or loathsome beasts lurk in the corners.’ But Una turned pale as she listened.

‘The perils of this place I better know than you,’ she answered gravely. ‘In this den dwells a vile monster, hated by God and man.’ And the voice of the dwarf cried also, ‘Fly, fly! this is no place for living men.’ They might have spared their warnings; when did youth ever heed them? The knight looked into the cave, and

Forth into the darksome hole he went.

His glistening armour made a little glooming light,

By which he saw the ugly monster plain,

Half like a serpent horribly displayed,

The other half did woman’s shape retain.

It was too late to turn back, even had he wished it; but indeed it was the monster who looked round, as if to find a way to flee. Before her stood the knight, his sword drawn, waiting for a fair chance to plunge it into her throat. Escape there was none, and she prepared for battle.

The knight fought valiantly, but never had he met a foe like this. The monster was so large and so scaly that he could not get round her, while his sword glanced, blunted, from off her skin. Blow after blow he struck, but they only served to increase her fury, till, gathering all her strength together, she wound her great tail about his body, pressing him close against her horny bosom.

‘Strangle her, else she sure will strangle thee,’ cried Una, who had been watching the combat as well as the darkness would let her; and the knight heard, and seized the monster by the throat, till she was forced to let go her hold on him. Then, grasping his sword, he cut her head clean from her body.

Fain would they now leave the dreadful wood which had been the nurse of such an evil creature, and by following a track where the leaves grew less thickly, they at last found themselves on the other side of the plain, just as the sun was sinking to rest. They pushed on fast, hoping to find a shelter for the night, but none could they spy. The plain seemed bare, save for one old man in the guise of a hermit who was approaching them.

Him the Red Cross Knight stopped and asked if he knew of any adventures which might await him in that place. The old man, who was in truth the magician Archimago, the professor of lore which could read the secrets of men’s hearts, answered that the hour was late for the undertaking of such things, and bade them rest for the night in his cell hard by. So saying, he led them into a little dell amidst a group of trees, in which stood a chapel and the dwelling of the hermit.

THE RED CROSS KNIGHT ENTERS THE MONSTER’S CAVE

It was but a short space before both knight and lady were sleeping soundly on the beds of fern which the hermit told them he had always at hand for the entertainment of guests. But, for himself, he crept unseen to a little cave inside a rock, and taking out his magic books he sought therein for mighty charms to trouble sleepy minds!

He soon found what he wanted, and repeated some strange words aloud. In an instant there fluttered round him a crowd of little sprites awaiting his bidding, but he motioned all aside except two—one of whom he kept with him and the other he sent on a message to the house of Morpheus, the god of sleep.

‘I come from Archimago the wizard,’ said the sprite when he reached his journey’s end. ‘Give me, I pray you, as swiftly as may be, a bad dream, that I may carry it back to him.’

Slowly the god rose up, and, going to his storehouse, where lay dreams of all sorts—dreams to make people happy, dreams to make people miserable, dreams to stir people to good, and dreams to move them to every kind of wickedness—he took from the shelf a small but very black little dream, which the sprite tied round his neck, and hurried to the cave of Archimago.

The wizard took the dream in silence, and, going into the den where the knight was sleeping, laid it softly on his forehead. In a moment his face clouded over; evil thoughts of Una sprang into his mind, till at length, unable to bear any longer the grief of mistrusting her he so loved and honoured, the knight called to the dwarf to bring him his horse, and together they rode away. But when Una woke and found both of her companions departed she wept sorely. Then, mounting her milk-white ass, she set out to follow them.

Meanwhile the Red Cross Knight was wandering he knew not whither, so deep were the wounds in his heart. He rode on with his bridle hanging loosely on his horse’s neck, till a bend in the path brought him face to face with a mighty Saracen, bearing on his arm a shield with the words ‘Sans foy’ written across it. By his side, mounted on a palfrey hung with golden bells, was a lady clad in scarlet robes embroidered with jewels, who chattered merrily as they passed along.

IN ARCHIMAGO’S CELL. The evil dream.

It was she who first perceived the approach of an enemy, and, turning to Sansfoy, bade him begin the attack. He, nothing loth, dashed forward to meet the knight, who had barely time to steady himself to receive the blow, which caused him to reel in his saddle. The blow was indeed so hard that it would have pierced the knight’s armour had it not been for the cross upon his breast; which, when the Saracen saw, he cursed the power of the holy emblem, and prepared himself for a fresh attack.

But either the Christian knight was the more skilful swordsman, or the cross lent new strength to his arm, for the fight was not a long one. Only a few strokes had passed between them, when the boastful Sansfoy fell from his horse, and rolled heavily to the ground. The lady hardly waited for the issue of the combat, and galloped off lest she too should be in danger. But the knight did not wage war on ladies, and, calling to the dwarf to bring the Saracen’s shield as a trophy, he spurred quickly after her.

He did not take long to come up with her for, in truth, she intended to be overtaken, and turned a woeful countenance to the young knight, who listened, believing, to the false tale she told. Pitying her from his heart, he assured her of his care and protection, and while they are faring through the woods together, let us see what had become of Una.

The maiden was herself wandering distraught, seated on her ‘unhastie beast,’ when with a fearful roar a lion rushed out from a thicket with eyes glaring and teeth gleaming, seeking to devour his prey. But at the sight of Una’s tender beauty he stopped suddenly, and, stooping down, he kissed her feet and licked her hands.

At this kindness on the part of the great creature, Una bent her head and wept grievously. ‘He, my lion and my noble lord, how does he find it in his cruel heart to hate her that him loved?’ she moaned sadly, and the lion again looked pityingly at her, and at last the maiden checked her sobs and bade her ass go on, the lion walking by her side during the day, and sleeping at her feet by night.

They had travelled far and for many days, through a wilderness untrodden by either man or beast, when at the foot of a mountain they spied a damsel bearing on her shoulder a pot of water. At sight of the lion she flung down the pitcher, and ran to the hut where she dwelt, without once looking behind her. In the cottage sat her blind mother, not knowing what could be the meaning of the shrieks and cries uttered by her daughter, who shut the door quickly after her, and caught trembling hold of her mother’s hands.

It was the first lion the girl had ever seen, or she would have known that if he was determined to enter, it was not a wicket-gate that would prevent him. As neither mother nor daughter replied to Una’s gentle prayer for a night’s lodging, her ‘unruly page’ put his paw on the little door, which opened with a crash. The maiden then stepped softly over the threshold, begging afresh that she might pass the night in one corner, and receiving no answer—for the women were still too terrified to speak—she curled herself up on the earthen floor with the lion beside her.

About midnight there arrived at the door, which Una had refastened, a thief laden with spoils of churches, and whatever else he had managed to pick up by stealth. To spend the night in thieving was his custom, and hither he brought his spoils, as he thought none would suspect a blind woman and her daughter of harbouring stolen goods.

Many times he called, but the two women were in grievous dread of the lion, and durst not move from the corner where they were crouching; at last the man grew angry, and burst the door asunder, as the lion had done before him. He entered the hut, and straightway beheld the dreadful beast, with glaring eyes and gleaming teeth, as Una had first beheld him. But Kirkrapine (such was his name) had neither beauty nor goodness to still the lion’s rage, and in another moment his body was rent in a thousand pieces.

At the sight of the Lion, she flung down the pitcher

The sun had scarce sent his first beams above the horizon when Una left the hut, mounted on her ass, and, followed by the lion, again began her quest of the Red Cross Knight. But, alas! though she found him not, she met her ancient foe, the magician Archimago, who had taken on himself the form of him whom she sought. Too true and unsuspecting was she, to dream of guile in others, and the welcome she gave him was from her whole heart. In the guise of the knight, Archimago greeted her fondly, and bade her tell him the story of her woes, and how came she to take the lion for her companion. And so they journeyed, the flowers seeming sweeter and the skies brighter to Una, as they went, when suddenly they beheld

One pricking towards them with hasty heat;

Full strongly armed, and on a courser free.

On his shield the words ‘Sans loy’ could be read, written in letters of blood.

Now, though Archimago had clad himself in the outward shape of the Red Cross Knight, he lacked his courage and his skill in war; and his heart was faint from fear, when the Saracen reined back his horse and prepared for battle. In the shock of the rush the wizard was borne backwards, and the blood from his side dyed the ground.

‘The life that from Sansfoy thou tookest, Sansloy shall from thee take,’ cried the Paynim, and was unlacing the vizor of the fallen man to deal him his death-stroke when a cry from Una stayed his hand for a moment, though it was not her prayers for mercy that would have kept him from drawing his sword, but the sight of the hoary head beneath the helmet, which startled him.

‘Archimago!’ he stammered, ‘what mishap is this?’ And still Archimago lay on the ground stunned, and answered nothing.

For a moment Una gazed in amazement at the strange sight before her, and wondered what was the meaning of these things. Then she turned to fly, but, quick as thought, the Saracen plucked at her robe to stop her.

Now when the lion, her fierce servant, saw that Paynim knight lay hands on his sovereign lady, he sprang on him with gaping jaws, and almost tore the shield from his arm. But the knight leapt swiftly back, and swinging his sword plunged it into the heart of the faithful creature, who rolled over and died amidst the tears of his mistress.

After which the knight set Una on his steed before him and bore her away.

[Spenser’s Faerie Queene.]



Story DNA

Moral

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Plot Summary

Princess Una embarks on a quest to find the Red Cross Knight after her parents are abducted by a dragon. Together, they overcome a monstrous foe, but the knight is soon deceived by the evil magician Archimago and abandons Una. Alone and vulnerable, Una finds an unexpected protector in a lion, who becomes her loyal companion. However, Archimago, disguised as the knight, is attacked by the Saracen Sansloy, who then kills Una's lion and abducts her, leaving her fate uncertain.

Themes

perseveranceloyaltydeceptioncourage

Emotional Arc

grief to renewed hope to despair

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: archaic language, allegory

Narrative Elements

Conflict: person vs person
Ending: tragic
Magic: dragon, magician (Archimago), sprites, evil dreams, talking animals (lion's understanding), monsters (Errour)
Una (truth/beauty/church)Red Cross Knight (holiness/England)Lion (natural law/protection)Dragon (evil/sin)Archimago (deception/hypocrisy)Sansfoy/Sansloy (faithlessness/lawlessness)

Cultural Context

Origin: English
Era: timeless fairy tale

This story is an adaptation of a section from Edmund Spenser's epic poem *The Faerie Queene*, which is a highly allegorical work reflecting Elizabethan England's Protestant values and political landscape. The characters and events often symbolize moral or religious concepts.

Plot Beats (14)

  1. Princess Una's parents are abducted by a fearsome dragon, prompting her to seek help.
  2. Una sets out on her white ass to find the renowned Red Cross Knight.
  3. Una finds the Red Cross Knight, who agrees to help her, and they begin their journey with a dwarf and a lamb.
  4. They enter a dark, confusing forest and encounter a monstrous, half-serpent, half-woman creature.
  5. The Red Cross Knight, with Una's guidance, bravely fights and slays the monster.
  6. They seek shelter with an old man, who is secretly the evil magician Archimago.
  7. Archimago casts a spell, sending a deceptive dream to the Red Cross Knight, making him mistrust Una.
  8. The Red Cross Knight, believing Una to be evil, abandons her and rides away with the dwarf.
  9. The Red Cross Knight encounters and defeats the Saracen Sansfoy, taking his shield.
  10. Una, distraught, is approached by a fierce lion, who is tamed by her beauty and becomes her protector.
  11. Una and the lion find shelter with a blind woman and her daughter, where the lion kills a thief named Kirkrapine.
  12. Una encounters Archimago again, disguised as the Red Cross Knight, and is deceived by him.
  13. The true Saracen, Sansloy, attacks Archimago (disguised as the knight), revealing his true identity.
  14. Sansloy kills Una's loyal lion and then abducts Una, carrying her away on his horse.

Characters

👤

Una

human young adult female

Of tender beauty, she possesses a delicate and graceful build, with an ethereal quality that inspires awe and pity. Her movements are soft and gentle.

Attire: A kirtle, which is a long gown, likely made of fine linen or wool, suitable for embroidery. Her attire would be modest and practical for travel, yet still indicative of her royal status, perhaps in subdued colors like white or cream, to emphasize her purity.

Wants: To rescue her parents from the dragon's castle and restore her family's peace.

Flaw: Her trusting and unsuspecting nature makes her vulnerable to guile and deception, particularly from those disguised as allies.

Una begins as a sheltered princess, struck by misfortune. She embarks on a quest, facing dangers and deceptions, and learns the harsh realities of the world, though her core innocence remains. She inspires loyalty and witnesses both heroism and treachery.

Her tender beauty and the snow-white lamb she holds by a golden cord, symbolizing her purity and innocence.

Grief-stricken but resilient, determined, innocent, unsuspecting, compassionate, and true-hearted. She is not easily swayed by fear but is vulnerable to deception due to her trusting nature.

👤

Red Cross Knight

human young adult male

A strong and valiant knight, capable of fighting fierce monsters. His build is muscular and powerful, suited for heavy armor and combat.

Attire: Full glistening armor, likely polished steel, with a blood-red cross emblazoned upon his breastplate. This cross is his most distinctive feature.

Wants: To help Una rescue her parents and undertake heroic adventures.

Flaw: His lack of knowledge about foreign lands and potential overconfidence in his own strength (initially underestimating the monster in the cave).

He begins as a renowned hero, but his journey with Una exposes him to new dangers and deceptions, testing his valor and perhaps teaching him humility and caution.

His glistening armor with the prominent blood-red cross on his breast.

Valiant, courageous, willing to help, somewhat naive about foreign lands, and a skilled swordsman. He is honorable and does not wage war on ladies.

🐾

Lion

animal adult non-human

A large, powerful lion with glaring eyes and gleaming teeth, typical of a wild beast, but capable of gentle actions. Its mane would be full and impressive.

Attire: None, as it is a wild animal.

Wants: Initially driven by instinct to devour prey, but then motivated by an inexplicable bond and loyalty to Una, becoming her protector.

Flaw: Its loyalty to Una ultimately leads to its death when defending her.

Transforms from a wild beast into a loyal and gentle protector of Una, sacrificing its life for her.

A majestic lion, stooping to kiss Una's feet, symbolizing its unexpected gentleness and loyalty.

Fierce and predatory by nature, but capable of profound kindness, loyalty, and pity, especially towards Una. It is a protective and faithful companion.

👤

Archimago

human elderly male

An old man, initially appearing as a hermit. His true form is that of a magician, suggesting a gaunt or wizened appearance beneath his disguises.

Attire: Initially disguised in the guise of a hermit, suggesting simple, coarse robes. When impersonating the Red Cross Knight, he wears similar armor, but it is implied to be a magical illusion, not truly his own.

Wants: To sow discord, deceive, and cause harm, particularly to Una and the Red Cross Knight.

Flaw: His inherent cowardice and lack of true martial skill, which are exposed when he faces real danger.

He remains a consistent antagonist, using his powers of deception to mislead the protagonists, but his disguises are eventually revealed, and his cowardice exposed.

His hoary head revealed beneath a knight's helmet, symbolizing his deceptive nature and the unmasking of his disguise.

Deceptive, cunning, malicious, cowardly, and a master of illusion. He is a professor of dark lore.

👤

Dwarf

human adult male

A small, trusty figure, following behind the knight and Una. His stature is notably short, as implied by 'dwarf'.

Attire: Simple, practical clothing suitable for travel and servitude, likely in earthy tones.

Wants: To serve and assist the Red Cross Knight and Una.

Flaw: His small stature might limit his physical capabilities in direct combat.

Remains a consistent, loyal companion throughout his appearances.

A small figure carrying a large spear, following faithfully behind the main characters.

Trusty, loyal, and observant, as he warns Una and the knight about the monster's den.

👤

Sansloy

human adult male

A strong, fully armed Saracen knight, riding a courser. His appearance is formidable and aggressive.

Attire: Full armor, likely of a distinct Saracen style, possibly with intricate patterns or dark metals. His shield bears the words 'Sans loy' in letters of blood.

Wants: To avenge his brother Sansfoy and to capture Una.

Flaw: His rage and lack of mercy make him predictable in his attacks.

Appears as a new threat, successfully defeating Archimago (in disguise) and killing Una's lion, then abducting Una.

His shield emblazoned with 'Sans loy' in letters of blood.

Aggressive, vengeful, and without law or mercy. He is a formidable warrior.

Locations

Una's Royal Garden and High Tower

transitional dusk | night Warm, clear evening, followed by a sudden, fearful night event.

A royal garden, likely formal and well-tended, where the king and queen were walking after the heat of the day. Adjacent to it is a high tower, possibly part of a castle or palace, where Una was embroidering with her maidens.

Mood: Initially peaceful and serene, abruptly turning to terror and sorrow.

The king and queen are abducted by a dragon, and Una narrowly escapes, setting the stage for her quest.

Formal garden paths Flowering plants High stone tower Embroidering maidens Dragon's sudden appearance

The Dark Forest and Monster's Cave

outdoor afternoon | night Stormy, with thunder and lightning, followed by a still, dark night.

A dense, ancient forest where trees and bushes grow so thick that no path is visible. The air is heavy and humid, and the ground is likely uneven and covered with fallen leaves and undergrowth. Deep within this forest lies a dark, sprawling cave entrance.

Mood: Foreboding, disorienting, and dangerous, with a sense of unknown perils lurking.

Una and the Red Cross Knight get lost, seek shelter in a cave, and the knight battles a monstrous serpent-woman.

Thick, gnarled trees Dense undergrowth Wildflowers and sweet-scented fruit (initially) Dark, cavernous cave entrance Glistening armor reflecting dim light Serpent-woman monster

Hermit's Cell / Archimago's Hut

indoor night Cool night after sunset.

A simple, secluded cell or hut, likely made of rough timber or wattle and daub, nestled in a remote, bare part of the plain. It is a humble dwelling, suggesting a hermit's austere life, but secretly serves as the lair of the magician Archimago.

Mood: Deceptively peaceful and safe, masking underlying deception and danger.

Una and the Red Cross Knight are tricked into staying the night by Archimago, leading to the knight's subsequent deception.

Small, rustic hut/cell Simple furnishings (implied) Old man (Archimago) in hermit's guise Remote, open plain surroundings

Blind Woman's Cottage in the Wilderness

indoor day | night Varies, but implies a generally wild and untamed environment.

A humble, rustic cottage, likely made of local materials like rough timber, wattle and daub, or mud brick, with a small wicket-gate. It is situated at the foot of a mountain in a wilderness, suggesting a remote and isolated existence. The interior has an earthen floor.

Mood: Initially fearful and unwelcoming, then becoming a scene of violent protection and sorrow.

Una and the lion seek shelter, encounter a fearful mother and daughter, and the lion defends them from a thief, ultimately sacrificing himself.

Small, simple cottage Wicket-gate Earthen floor Blind mother and fearful daughter Mountain foot setting Lion's protective presence Thief (Kirkrapine)