WITH the ORIGINAL
by Unknown · from The Sleeping Beauty Picture Book
Adapted Version
Once upon a time, a King and Queen wished for a child. A baby girl came. She was Princess Lily. They were very happy. They had a big party. They asked seven good fairies.
One old fairy was not asked. She was The Angry Fairy. She came to the party. She was very mad. She felt forgotten.
The good fairies gave gifts. Princess Lily got beauty. She got a sweet voice. She got kindness. She got smart thoughts.
The Angry Fairy was still mad. She said a bad spell. Princess Lily would prick her finger. She would fall into a deep, deep sleep forever.
Then The Good Fairy spoke. She made the spell softer. Princess Lily would sleep. She would sleep for one hundred years. A King's son would wake her.
The King was very scared. He broke all spinning wheels. He hid all spindles. He wanted Princess Lily safe.
Princess Lily grew up. She was a young lady. She found a tall tower. An old woman was inside. The Old Spinner made thread.
Princess Lily tried to spin. She pricked her finger. The spell came true. She fell into a deep, deep sleep. Her eyes closed.
The whole palace slept too. The King slept. The Queen slept. All the people slept. All was quiet.
Thick thorns grew around the palace. No one could go in. One hundred years passed. The palace was hidden. The wood was dark.
One hundred years went by. Prince Arthur rode by. He heard old stories. He heard of a sleeping Princess Lily. He heard of a magic palace.
Prince Arthur was brave. He went to the thorns. The thorns moved for him. He walked right through. He was not afraid.
He saw sleeping guards. He saw sleeping horses. He found Princess Lily. She was on a soft bed. She was very beautiful.
Prince Arthur kissed Princess Lily. She opened her eyes. Everyone else woke up. The King woke. The Queen woke. All were awake.
Prince Arthur and Princess Lily married. They had a big party. Everyone was very happy. True love can break even the strongest magic.
Original Story
WITH THE ORIGINAL
COLOURED DESIGNS BY
WALTER CRANE
DODD, MEAD AND COMPANY
NEW YORK
THE SLEEPING BEAUTY.
Long, long ago, in ancient times, there lived a King and Queen,
And for the blessing of a child their longing sore had been:
At last, a little daughter fair, to their great joy, was given,
And to the christening feast they made, they bade the Fairies seven—
The Fairies seven, who loved the land—that they the child might bless,
Yet one old Fairy they left out, in pure forgetfulness.
And at the feast, the dishes fair were of the reddest gold;
But when the Fairy came, not one for her, so bad and old,
Angry was she, because her place and dish had been forgot,
And angry things she muttered long, and kept her anger hot.
Until the Fairy godmothers their gifts and wishes gave:
She waited long to spoil the gifts, and her revenge to have.
One gave the Princess goodness, and one gave her beauty rare;
One gave her sweetest singing voice; one, gracious mien and air;
One, skill in dancing; one, all cleverness; and then the crone
Came forth, and muttered, angry still, and good gift gave she none;
But said, that in the future years the Princess young should die,
By pricking of a spindle-point—ah, woeful prophecy!
But now, a kind young Fairy, who had waited to the last,
Stepped forth, and said, “No, she shall sleep till a hundred years are past;
And then she shall be wakened by a King's son—truth I tell—
And he will take her for his wife, and all will yet be well.”
In vain in all her father's Court the spinning-wheel's forbid
In vain in all the country-side the spindles sharp are hid;
For in a lonely turret high, and up a winding stair,
There lives an ancient woman who still turns her wheel with care.
The Princess found her out one day, and tried to learn to spin;
Alas! the spindle pricked her hand—the charm had entered in!
And down she falls in death-like sleep: they lay her on her bed,
And all around her sink to rest—a palace of the dead!
A hundred years pass—still they sleep, and all around the place
A wood of thorns has risen up—no path a man can trace.
At last, a King's son, in the hunt, asked how long it had stood,
And what old towers were those he saw above the ancient wood.
An aged peasant told of an enchanted palace, where
A sleeping King and Court lay hid, and sleeping Princess fair.
Through the thick wood, that gave him way, and past the thorns that drew
Their sharpest points another way, the King's son presses through.
He reached the guard, the court, the hall,—and there, where'er he stept,
He saw the sentinels, and grooms, and courtiers as they slept.
Ladies in act to smile, and pages in attendance wait;
The horses slept within their stalls, the dogs about the gate.
The King's son presses on, into an inner chamber fair,
And sees, laid on a silken bed, a lovely lady there;
So sweet a face, so fair—was never beauty such as this;
He stands—he stoops to gaze—he kneels—he wakes her with a kiss.
He leads her forth: the magic sleep of all the Court is o'er,—
They wake, they move, they talk, they laugh, just as they did of yore
A hundred years ago. The King and Queen awake, and tell
How all has happed, rejoicing much that all has ended well.
They hold the wedding that same day, with mirth and feasting good—
The wedding of the Prince and Sleeping Beauty in the Wood.
Story DNA
Moral
Even the darkest curses can be overcome by true love and destiny.
Plot Summary
A King and Queen's long-awaited daughter is cursed by an offended fairy to die by a spindle prick. A good fairy lessens the curse to a hundred-year sleep, to be broken by a King's son. Despite the King's efforts, the Princess pricks her finger and falls asleep, along with the entire court, as a thorny wood grows around the palace. A century later, a brave King's son penetrates the thorns, finds the beautiful sleeping Princess, and awakens her with a kiss, breaking the spell and leading to their marriage and the awakening of the whole kingdom.
Themes
Emotional Arc
fear to relief | suffering to triumph
Writing Style
Narrative Elements
Cultural Context
This version, while attributed to 'Unknown' and illustrated by Walter Crane, is a poetic retelling of Charles Perrault's 'La Belle au bois dormant' (1697), which itself drew from earlier folk tales. The 'forgotten fairy' motif is common in such tales.
Plot Beats (15)
- A King and Queen, after long waiting, have a beautiful daughter and invite seven fairies to her christening.
- One old fairy is forgotten and arrives uninvited, angry at the slight.
- Six good fairies bestow gifts of goodness, beauty, voice, grace, skill, and cleverness upon the Princess.
- The angry old fairy curses the Princess to die by pricking her finger on a spindle.
- A kind young fairy, who had waited, modifies the curse so the Princess will only sleep for a hundred years until a King's son awakens her.
- The King bans all spinning wheels and spindles in the kingdom to protect his daughter.
- Years later, the Princess discovers an old woman spinning in a hidden tower.
- The Princess pricks her finger on the spindle, fulfilling the curse, and falls into a deep, death-like sleep.
- The entire palace, including the King, Queen, and all courtiers, falls into a magical sleep around her.
- A dense, impenetrable wood of thorns grows around the palace, hiding it from the world for a century.
- After a hundred years, a King's son hears tales of the enchanted palace and the sleeping Princess.
- He bravely forces his way through the thorny wood, which parts for him.
- He finds the sleeping court and eventually the beautiful Princess in an inner chamber.
- He kisses the Princess, waking her and simultaneously awakening the entire court.
- The Prince and Princess are married immediately, and everyone celebrates the end of the enchantment.
Characters
The Princess
Of fair complexion and delicate build, possessing an ethereal beauty that captivates all who behold her. Her skin is unblemished, and her features are perfectly symmetrical, giving her a serene and timeless appearance even in sleep.
Attire: When found, she is laid upon a silken bed, suggesting she was dressed in fine, perhaps embroidered, nightwear or a light gown of silk or damask in soft, regal colors like ivory, pale gold, or rose, adorned with delicate lace or ribbons, typical of European royalty in a pre-industrial era.
Wants: Initially, to live a happy life as a princess. Later, her motivation is simply to awaken and resume her life.
Flaw: Vulnerable to the curse due to her innocence and curiosity, leading her to the forbidden spinning wheel.
From an innocent, blessed child, she falls into a cursed sleep, only to be awakened by true love, fulfilling the prophecy and becoming a queen.
Good, beautiful, sweet-voiced, gracious, skilled in dancing, clever. She is also curious, as evidenced by her seeking out the old woman and trying to spin.
The Old Fairy
Described as 'bad and old,' suggesting a wizened, perhaps hunched figure with a stern or perpetually displeased countenance. Her skin would be wrinkled, and her overall appearance would convey a sense of ancient bitterness.
Attire: Likely dark, simple, and perhaps tattered or outdated robes, reflecting her forgotten status and malevolent nature. Perhaps a dark cloak or shawl, made of coarse wool or linen, in muted colors like deep grey, brown, or black, without embellishment.
Wants: Revenge for being forgotten and disrespected at the christening feast.
Flaw: Her overwhelming anger and pride, which blinds her to the consequences of her actions and prevents her from finding peace.
Remains unchanged, a force of malevolence whose curse sets the story in motion.
Angry, vengeful, bitter, unforgiving, malevolent. Her actions are driven by a perceived slight.
The Kind Young Fairy
Implied to be youthful and benevolent, contrasting with the 'bad and old' fairy. She would possess a gentle and radiant aura.
Attire: Light, flowing garments, perhaps made of shimmering silk or gossamer fabric, in soft, ethereal colors like pale blue, silver, or white, adorned with delicate natural motifs or starlight patterns, typical of benevolent magical beings.
Wants: To lessen the impact of the old fairy's curse and ensure the Princess's ultimate happiness.
Flaw: Not explicitly stated, but perhaps limited in her ability to completely undo another fairy's powerful curse.
Acts as a catalyst for the Princess's long sleep and eventual awakening, fulfilling her role as a benevolent protector.
Kind, compassionate, wise, hopeful, quick-thinking. She seeks to mitigate harm and bring about a positive outcome.
The King's Son
A strong and courageous young man, likely of athletic build from his hunting pursuits. His appearance would be noble and commanding, befitting a prince.
Attire: Hunting attire appropriate for a prince of ancient times: sturdy tunic and breeches made of fine wool or leather, perhaps a cloak, and riding boots. Colors would be rich but practical, such as forest green, deep blue, or earthy browns, possibly with subtle embroidery or a crest. He would carry a hunting horn or a short sword.
Wants: Curiosity about the ancient towers and the legend of the sleeping palace, leading to his desire to explore and ultimately, to awaken the Princess.
Flaw: Not explicitly stated, but perhaps a touch of naivety or overconfidence in his youth, though it serves him well here.
From a curious hunter, he becomes the destined hero who breaks a century-long curse and finds his future queen.
Brave, curious, determined, romantic, compassionate. He is not deterred by danger or mystery.
The Old Woman
An ancient woman, likely frail and wizened from age, living in isolation. Her hands would be gnarled from years of spinning.
Attire: Simple, worn peasant clothing, likely a plain, dark linen dress or smock, possibly with a shawl, reflecting her isolated and humble existence. Colors would be muted, like grey, brown, or faded blue.
Wants: To continue her daily task of spinning.
Flaw: Her isolation and adherence to an old craft make her an unwitting tool for the curse.
Serves as the unwitting trigger for the curse, then falls into the century-long sleep with the rest of the court.
Diligent, isolated, perhaps oblivious to the royal decree forbidding spinning. She is a passive instrument of the curse.
Locations
Royal Palace Great Hall
A grand hall within the royal palace, set for a christening feast. The dishes are made of the reddest gold, indicating immense wealth and importance.
Mood: Initially joyous and celebratory, then tense and ominous due to the uninvited fairy's anger.
The christening feast where the Princess receives her gifts and the curse is pronounced.
Lonely Turret Room
A high, isolated room in a palace turret, reached by a winding stair. It contains an ancient woman and her spinning wheel.
Mood: Quiet, forgotten, and ultimately fateful.
The Princess discovers the spinning wheel, pricks her finger, and falls into a deep sleep.
Princess's Inner Chamber
A beautiful, inner chamber within the sleeping palace where the Princess lies on a silken bed.
Mood: Serene, timeless, and expectant, with an air of preserved beauty.
The Prince finds the sleeping Princess and wakes her with a kiss.
Thorn Wood surrounding the Palace
A dense, impenetrable wood of thorns that has grown up around the enchanted palace, making it impossible to trace a path through.
Mood: Mysterious, dangerous, and forbidding, yet holding a hidden secret.
The Prince navigates through the magical thorn wood to reach the sleeping palace.