CONCLUSION
by Violet Jacob · from Stories told by the miller
Adapted Version
One sunny day, the miller said, “Let’s go to town!” He harnessed the horse. Clip-clop, clip-clop. They all sat in the cart. Peter held the reins. He held the whip. He shouted. He was so happy. Janet smiled. She held his coat.
They saw the town. It was big. They looked at the tall, tall steeple. They saw boats at the water. The wind blew. The boats moved. It was a fun day.
Then they went to the sea. The sand was soft and yellow. Peter ran. He jumped. He played. He threw stones. He found shells. Janet and the miller sat and watched.
The miller talked to Janet. “Is your grandma leaving?” he asked. “Yes,” said Janet. “She is going away.” “And you will go too?” he asked. “Yes,” said Janet. “We have no home.”
“Peter will miss his stories,” said the miller. “Yes,” said Janet. “He will be sad.” “I cannot let you go,” said the miller. “I will help you.”
“Janet, will you marry me?” he asked. “Come live with me at the mill. I will make you happy.” Janet looked worried. “But I cannot leave Peter,” she said. “He will be all alone. He will be sad.”
“He can come too!” said the miller. “There is lots of room. Will you say yes if Peter says yes?” “Yes,” said Janet. “I will.”
They drove home. The sun was low. “Peter,” said the miller. “Should I marry Janet? You can live with us. You can learn to be a miller. You can have cake and stories. You can have new blue trousers.”
Peter’s eyes went big and round. “Will I be white with flour?” he asked. “From head to toe!” said the miller. “Hooray! Hooray! Hooray!” shouted Peter. He jumped in the cart. “Careful!” cried Janet. “Hold on!”
“That is a yes!” said the miller. “We will get married next week.” And so they did. The miller, Janet, and Peter became a family. They were very happy together. They got married. They lived happily at the mill.
Original Story
CONCLUSION
It was not long after this that the miller kept his promise. The horse was harnessed and away they drove to the town. He and Janet sat together, with Peter between them; the little boy held the end of the reins in one hand and the whip in the other, shouting and flourishing the lash about and thinking that coachmen were even better people than millers. Janet was happy too. She sat smiling and holding the tail of his coat, for fear he should overbalance himself and fall out into the road.
They left the cart at an inn, and went to see the house with its statue in the niche of the wall and carved gable-ends turned towards the street. It was now inhabited by poor families, whose washing flapped from the upper story like a row of banners over the head of the stone image. They stood on the pavement of the High Street and looked up to the giddy point of the steeple, where the weathercock twirled, more than a hundred feet in the air; they wondered at the quaint houses, with their outside staircases and their little wooden triangles of drying haddocks nailed against the wall. Then they strolled to the docks and stood at the place from which the lovely Nix had dived into the salt water. The tide lapped and gurgled against the quays, and the wind sang in the rigging of the ships alongside, and the fair-haired sailors talked in a foreign tongue, shouting to the fishwives who passed in their blue petticoats and amber necklaces along the cobbled roadway. The lighthouse stood on the promontory and the North Sea rolled and heaved outside the bar. It was a delightful holiday.
When they were tired of that they went out towards the seashore. The gulls were wheeling over the bents and sea-grass, and the sands lay smooth and fine to the edge of the waves. Little Peter rushed off to play, leaping about and throwing stones and gathering shells, while his companions sat upon the sand-dunes watching him.
“Janet,” said the miller, “I hear that your grandmother is going to leave the cottage by the pond and go away to some other place. Is that true, do you think?”
“I’m afraid so,” replied she.
“And you will go too?”
“Oh yes,” said Janet; “we have no other home.”
“But little Peter will miss his stories.”
Janet sighed. “Indeed he will,” she answered, sadly. “There is not much else we have in the way of pleasure.”
“But I can’t let you go,” the miller went on, “and what’s more, I won’t. Janet, if you’ll marry me and come and live with me at the mill-house, I’ll see that you are happy for the rest of your life. Do you think you could like me enough for that?”
“But I can’t leave Peter,” she exclaimed; “I could never be happy to think of him all alone, and perhaps being cruelly used.”
“But suppose he came too?—there’s plenty of room for him. Will you say yes, Janet, or shall we ask him to settle it for us?” said the miller. “Will you promise to marry me if he says yes?”
“I will,” said she.
And so they drove home together when the sun was getting low.
“Peter,” said the miller, “don’t you think it would be a good plan if I married Janet, and you were to come and live with me and learn to be a miller too? You should have cake for tea every other day, and a pair of fine blue trousers, and a whipping-top of your own, and a kite, and I’d tell you a new story every Sunday afternoon.”
Peter’s eyes grew round.
“And should I be all white with flour like your man?”
“From head to foot,” said the miller.
“Hooray! hooray! hooray!” shrieked little Peter, jumping about in the cart.
“Take care, take care,” cried Janet, “or you will make the horse run away.”
“That settles it,” observed the miller. “We’ll be married next week.”
And so they were.
BILLING AND SONS, LIMITED, PRINTERS, GUILDFORD
TRANSCRIBER NOTES
Misspelled words and printer errors have been corrected. Where multiple spellings occur, majority use has been employed.
Punctuation has been maintained except where obvious printer errors occur.
Illustrations have been relocated due to using a non-page layout.
[The end of Stories Told by the Miller by Violet Jacob]
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Story DNA
Moral
True happiness and family can be found in unexpected places, offering security and joy.
Plot Summary
The miller, Janet, and young Peter enjoy a day trip to town and the seashore. During their outing, the miller learns that Janet and Peter will soon be homeless. He proposes marriage to Janet, offering a secure home at his mill for both her and Peter. Janet agrees, contingent on Peter's approval. The miller then charmingly persuades Peter with promises of a miller's life, treats, and stories, leading to Peter's enthusiastic acceptance and their subsequent marriage, forming a new, happy family.
Themes
Emotional Arc
contentment to joy
Writing Style
Narrative Elements
Cultural Context
The story reflects a simpler, pre-modern life where a miller's trade was central to a community and marriage offered security.
Plot Beats (15)
- The miller, Janet, and Peter travel to town for a promised outing, with Peter excitedly pretending to drive.
- They visit the town, observing old houses, the steeple, and the docks where the Nix once dived, enjoying the sights and sounds.
- They then go to the seashore, where Peter plays happily while the miller and Janet sit on the dunes.
- The miller asks Janet if it's true her grandmother is leaving the cottage by the pond.
- Janet confirms it, stating she and Peter will have to leave too as they have no other home.
- The miller expresses concern that Peter will miss his stories and declares he cannot let them go.
- The miller proposes marriage to Janet, promising her happiness and a home at the mill-house.
- Janet hesitates, worried about leaving Peter alone and potentially mistreated.
- The miller reassures her that Peter would come too, suggesting they ask Peter to decide.
- Janet agrees to marry the miller if Peter says yes.
- On the drive home, the miller presents his offer to Peter: marriage to Janet, living at the mill, learning to be a miller, and perks like cake, new clothes, toys, and Sunday stories.
- Peter, wide-eyed, asks if he'll be covered in flour like the miller's man.
- The miller confirms he will be, leading Peter to shriek with joy and jump in the cart.
- Janet warns Peter to be careful, but the miller declares Peter's reaction settles it.
- The miller and Janet are married the following week.
Characters
The Miller ★ protagonist
A man of sturdy build, likely dusted with flour from his profession, suggesting a practical and hardworking nature. His hands would be strong from manual labor.
Attire: Practical, sturdy working clothes typical of a miller in a rural Scottish or English setting of the late 19th or early 20th century. This would include a thick linen or wool shirt, sturdy trousers, and possibly a waistcoat, all likely light-colored or white from flour dust. He would wear practical, well-worn boots.
Wants: To provide a stable and happy home for Janet and Peter, driven by affection and a sense of responsibility.
Flaw: Not explicitly stated, but perhaps a slight shyness or indirectness in expressing his feelings, as he uses Peter to help propose.
He successfully proposes marriage to Janet and offers a home to Peter, solidifying his role as a provider and future husband/father figure.
Kind, generous, thoughtful, practical, and determined. He genuinely cares for Janet and Peter and takes initiative to secure their future.
Image Prompt & Upload
A sturdy adult man standing upright, facing forward, full body visible from head to toe. He has a kind, open face with a slight smile, light brown hair, and warm eyes. He wears a thick, light-colored linen shirt, sturdy dark wool trousers, and a practical waistcoat, all lightly dusted with white flour. His hands are strong and capable. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Janet ★ protagonist
A young woman, likely slender, with a gentle demeanor. Her appearance would reflect her humble background but also her inherent grace.
Attire: Simple, clean, and practical clothing typical of a young woman from a modest background in the late 19th or early 20th century. This would include a long, plain linen or cotton dress, possibly with a simple apron, and sturdy, comfortable shoes. Her clothes, though plain, would be well-maintained.
Wants: To provide a secure and happy life for Peter, and to find a stable home for herself and her grandmother.
Flaw: Her deep attachment to Peter makes her hesitant to accept happiness for herself if it means leaving him behind.
She overcomes her initial hesitation and accepts the miller's proposal, securing a stable and happy future for herself and Peter.
Caring, responsible, gentle, and somewhat reserved. Her primary concern is Peter's well-being and happiness.
Image Prompt & Upload
A young adult woman standing upright, facing forward, full body visible from head to toe. She has a gentle, kind face with soft features and warm eyes. Her light brown hair is neatly braided and pinned up. She wears a long, plain cream-colored linen dress with a simple blue apron tied at the waist, and sturdy brown leather shoes. Her expression is thoughtful and caring. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Peter ◆ supporting
A small, energetic boy, full of youthful exuberance. His movements are quick and playful.
Attire: Simple, practical children's clothing of the late 19th or early 20th century, such as a short-sleeved shirt, knickerbockers or short trousers, and sturdy shoes. He is promised 'fine blue trousers' as part of the miller's offer.
Wants: To play, explore, and experience new and exciting things, especially stories and the idea of being a miller.
Flaw: His youthful impulsiveness and lack of caution, as seen when he almost falls from the cart.
He becomes the catalyst for Janet accepting the miller's proposal, and his future is secured with the promise of a new home and exciting experiences.
Joyful, imaginative, easily excited, and playful. He loves stories and the idea of adventure.
Image Prompt & Upload
A small, energetic boy standing upright, facing forward, full body visible from head to toe. He has a round, innocent face with wide, bright blue eyes and tousled light blonde hair. He wears a simple white linen shirt, dark blue knickerbockers, and sturdy brown leather shoes. He holds a small whip in one hand and the end of a rein in the other. His expression is one of pure joy and excitement, with a wide smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
High Street of the Town
A bustling street in a Scottish coastal town, lined with quaint houses featuring outside staircases and small wooden triangles of drying haddocks nailed against the walls. A tall steeple with a twirling weathercock dominates the skyline. Poor families' washing flaps from upper stories of a house with a statue in a niche and carved gable-ends.
Mood: Lively, curious, bustling
The miller, Janet, and Peter explore the town, observing its unique architecture and the daily life of its inhabitants.
Image Prompt & Upload
A bustling High Street in a historic Scottish coastal town, with quaint, rough-hewn stone houses featuring external wooden staircases and small triangular wooden racks holding drying haddocks nailed to their walls. A tall, slender stone steeple rises in the background, topped with an ornate metal weathercock. Sunlight casts long shadows down the cobblestone street, highlighting the textures of the aged stone and weathered wood. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Docks
A busy harbor with cobbled roadways, where the tide laps and gurgles against stone quays. Ships with singing rigging are moored alongside, and fair-haired sailors converse in foreign tongues. Fishwives in blue petticoats and amber necklaces pass by. A lighthouse stands on a distant promontory, overlooking the North Sea.
Mood: Vibrant, active, salty, a sense of wider world
The group visits the spot where the Nix dived into the sea, observing the maritime activity and feeling the coastal atmosphere.
Image Prompt & Upload
A bustling Scottish fishing harbor at a stone quay, with the tide gently lapping against moss-covered stones. Several wooden sailing ships are moored, their rigging silhouetted against a bright, slightly overcast sky, with a gentle breeze causing the ropes to hum. Fishwives in traditional blue petticoats and amber necklaces walk along the wet, dark cobblestone roadway, conversing with fair-haired sailors. In the distance, a sturdy stone lighthouse stands on a rocky promontory, with the grey-blue North Sea stretching beyond. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Seashore and Sand-dunes
A wide, smooth sandy beach leading to the edge of the waves, backed by rolling sand-dunes covered with bents and sea-grass. Gulls wheel overhead.
Mood: Peaceful, playful, reflective, open
Peter plays on the sand while the miller proposes marriage to Janet, securing their future and Peter's place with them.
Image Prompt & Upload
A wide, expansive Scottish seashore with smooth, golden sands stretching towards gentle, incoming waves under a clear afternoon sky. Behind the beach, rolling sand-dunes are covered in tufts of green bents and sea-grass, catching the soft sunlight. A few white gulls circle lazily overhead against the pale blue. The scene evokes a sense of calm and openness, with the distant horizon line of the sea. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
