FOOTNOTES

by Walter De la Mare · from The Three Mulla-mulgars

fairy tale adventure melancholic Ages 8-14 4446 words 20 min read
Cover: FOOTNOTES

Adapted Version

CEFR A1 Age 5 325 words 2 min Canon 30/100

Three Mulgar brothers lived in a cozy house. They loved their home. Their mother was gone now. They missed her very much. They felt very sad. All things around them made them think of her. Her warm smile was gone. Her soft voice was quiet. They wished she was there. They felt a big ache in their hearts. They had to be brave. They held each other close.

Then strange weather came. A big wind blew. It howled through the trees. It was very strong. Branches swayed and cracked. Lightning flashed in the sky. Thunder boomed loudly. Rain fell hard. It soaked the ground. After that, it got very cold. The air felt still. It bit at their noses. This was a new kind of winter. It was a white winter. A deep chill filled the air.

Nod was clever. He knew how to get food ready. He stored nuts and fruits. He found good hiding spots. His brothers, Thumb and Thimble, helped him. They found much wood. They piled it high. Other creatures did the same. Squirrels ran fast. They buried their nuts. Birds flew to warm nests.

Then, a new thing came. It was hoar-frost. It sparkled like tiny lights. Tishnar's sparkle covered all things. The trees were white. The ground was white. It was a pretty white world.

The brothers tried to get warm. They danced and jumped. The frost touched their fur. It made their fur white. This was the start. This was the White Winter.

Soon, snow came down. It fell softly. It covered the ground deep. The brothers made a big fire. They wanted to stay warm. But it was a mistake. Their little house burned down. Smoke went up to the sky.

The brothers sat in the snow. They were cold. They were very sad. Other Mulgars danced by a fire. Then they went home. The brothers were alone.

Thumb and Thimble looked at Nod. They gently teased

Original Story 4446 words · 20 min read

FOOTNOTES:

[1] Tishnar is a very ancient word in Munza, and means that which cannot be thought about in words, or told, or expressed. So all the wonderful, secret, and quiet world beyond the Mulgars' lives is Tishnar—wind and stars, too, the sea and the endless unknown. But here it is only the Beautiful One of the Mountains that is meant. So beautiful is she that a Mulgar who dreams even of one of her Maidens, and wakes still in the presence of his dream, can no longer be happy in the company of his kind. He hides himself away in some old hole or rocky fastness, lightless, matted, and uncombed, and so thins and pines, or becomes a Wanderer or Môh-mulgar. But it is rare for this to be, for very few Mulgars dream beyond the mere forest, as it were; and fewer still keep the memories of their dreams when the livelong vision of Munza returns to their waking eyes. The Valleys of Tishnar lie on either flank of the Mountains of Arakkaboa, though she herself wanders only in the stillness of the mountain snows. She is shown veiled on the rude pots of Assasimmon and in Mulgar scratch-work, with one slim-fingered hand clasping her robe of palest purple, her head bent a little, as if hearkening to her thoughts; and she is shod with sandals of silver. Of these things the wandering Oomgar-nuggas, or black men, tell. From Tishnar, too, comes the Last Sleep—the sleep of all the World. The last sleep just of their own life only is N[=o=o]manossi—darkness, change, and the unreturning. And Immanâla is she who preys across these shadows, in this valley. So, too, the Mulgars say, "N[=o=o]ma, N[=o=o]ma," when they mean shadow, as "In the sun paces a leopard's N[=o=o]ma at her side." Meermut, which means in part also shadow, is the shadow, as it were, of lesser light lost in Tishnar's radiance, just as moonlight may cast a shadow of a pine-tree across a smouldering fire. There is, too, a faint wind that breathes in the first twilight and starshine of Munza called the Wind of Tishnar. It was, I think, the faint murmur of this wind that echoed in the ear of Mutta-matutta as she lay dying, for in dying one hears, it is said, what in life would carry no more tidings to the mind than light brings to the hand. Nod's bells that he heard, and thought were his father's, must have been the Zevveras' bells of Tishnar's Water-middens, all wandering Meermuts. These Water-middens, or Water-maidens, are like the beauty of the moonlight. The countless voices of fountain, torrent, and cataract are theirs. They, with other of Tishnar's Maidens, come riding on their belled Zevveras, and a strange silence falls where their little invisible horses are tethered; while, perhaps, the Maidens sit feasting in a dell, grey with moonbeams and ghostly flowers. Even the sullen Mullabruk learns somehow of their presence, and turns aside on his fours from the silvery mist of their glades and green alleys, just as in the same wise a cold air seems to curdle his skin when some haunting N[=o=o]ma passes by. All the inward shadows of the creatures of Munza-mulgar are N[=o=o]manossi's; all their phantoms, spirits, or Meermuts are Tishnar's. And so there is a never-ending changeableness and strife in their short lives. The leopard (or Roses, as they call her, for the beauty of her clear black spots) is Meermut to her cubs, N[=o=o]ma to the dodging Skeetoes she lies in wait for, stretched along a bough. Her beauty is Tishnar's; the savagery of her claws is Nōōmanossi's. So Munza's children are dark or bright, lovely or estranging, according as Meermut or Nōōma prevails in their natures. And thus, too, they choose the habitation of their bodies. Yet because dark is but day gone, and cruelty unkindness, therefore even the heart-shattering Nōōmanossi, even Immanâla herself, is only absent Tishnar. But there, as everyone can see, I am only chattering about what I cannot understand.

[2] "Meermut" is shadow, phantom, spectre, or even the pictured remembrance of anything in the mind.

[3] On the right or cudgel side, the Mulgars say, sits Bravery; on the winking, woman, or left side, Craft.

[4] First Sleep is night-sleep; Second Sleep is swoon-sleep; Third Sleep is death, or Nōōmanossi. So, too, the Mulgars say, the first is "Little-go," the second is "Great-go," and the third is "Come-no-more"; as if their bodies were a lodging, and sleep a kind of out-of-doors.


CHAPTER II

At first the three brothers lived so forlorn and solitary together they could scarcely eat. Everything they saw or handled told them only over and over again that their mother was dead. But there was work to be done, and brave hearts must take courage, else sorrow and trouble would be nothing but evil. This, too, was no time for sitting idle and doleful. For a little before the gathering of the rains there began to seem a strangeness in the air. After the great heat had flown up a tempest of wind and lightning of such a brightness that Nod, peering out of his little tangled window-hole, could see beneath the gleaming rods of rain and the huge, bowed, groaning trees no less than three leopards crouching for shelter beneath the Portingal's sturdy little hut. He could hear them, too, in the pauses of the tempest, mewling, spitting, and swearing, and the lash of their angry tails against the wall of the hut. After the tempest, it fell cold and very still, with sometimes a moaning in the air. Strange weather was in the sky at rise and set of sun. And the three brothers, looking out, and seeing the numberless flights of birds winging with cries all in one direction, and hearing this moaning, hardly knew what to be doing. They went out every day to gather great bundles of wood and as many nuts and fruits and roots as they could carry. And they found everywhere wise creatures doing the same—I mean, of course, collecting food—for none beside the Minimuls, the Gungas, and the Mulla-mulgars have fire-sticks, and most of them fear even the sight and smell of flames.

And Nod, having his mother's quick hand, made a great store of Manaka-cake and Sudd-bread. He dried some fruits, pulped others. And some he poured with honey or Ummuz-juice into the Portingal's little earthen pots, many of which were still unbroken, while he who had first used them was but a bony shadow-trap in the corner. And Nod and Thumb made two great gourds of Subbub, very sweet and potent, so that, because of the sweet smell of it, the four-clawed Weddervols came barking about their hut all night. But the Manga-cheese their mother had made melted in the heat of the great fires they burned, and most of it ran down out of the cupboard. They filled the wood-hole with firewood, and stacked it outside, above Nod's shoulder, all against the hut.

And it was about the nineteenth week after Mutta's death that Thumb, as he came stooping to the door one night, saw fires of Tishnar on the ground. Over the swamp stood a shaving of moon, clear as a bow of silver. And all about, on every twig, on every thorn, and leaf, and pebble; all along the nine-foot grasses, on every cushion and touch of bark, even on the walls of their hut, lay this spangling fiery meal of Tishnar—frost. He called his brothers. Their breath stood round them like smoke. They stared and snuffed, they coughed in the cold air. Never, since birds wore feathers—never had hoar-frost glittered on Munza-mulgar before.

These Mullas danced; they crouched down in the dreadful cold, thinking to warm their hands at these uncountable fires. And, lo and behold! in a little while, looking at one another, each was a Mulgar, white and sparkling too. Their very hairs, down-arm and up-arm, every tuft stood stiff and white with frost. Like millers they stood, all blazing in the night.

And that was the beginning of Witzaweelwūlla (the White Winter). For it was only three days after Tishnar's fires were kindled that Nod first saw snow. Now one, two, three, a scatter of flakes, just a few. "Feathers," thought Nod.

But faster, faster; twirling, rustling, hovering. "Butterflies," thought Nod.

And then it seemed the sky, the air, was all aflock. He ran out snuffing and frightened. He clapped his hands; he leapt and frisked and shouted. And there, coming up out of the swamp, were his brothers, laden with rushes, and as woolly with snow as sheep. Because it looked so white and crisp and beautiful Nod even brought out a pot and filled it with snow to cook for their supper. But there, when he lifted the lid, was only a little steaming water.

By-and-by they began to wonder and to fear no more. How glad they were of all the wood they had brought in, and of their great cupboardful of victuals! They made themselves long poles, and would go leaping about to keep themselves warm. They built such roaring fires on the hearth they squatted round that the sparks flew up like fireflies under the black, starry sky. Snug in their hut, the brothers would sit of an evening on their three stools, with their smoking bowls between their legs. And they would open their great mouths and drone and sing the songs their father had taught them, beating to the notes with their flat feet on the earth floor. But, nevertheless, they pined for the cold and the snow to be over and gone, so that they might start on their journey! Every morning broke bleak and sparkling. Often of a night new snow came, till they walked between low white walls on their little path to the forest. But in spite of the cold which made them ache and shiver, and their toes and fingers burn and itch, they went out searching for frozen nuts and fruits every morning, and still fetched in faggots.

Often while they squatted, toasting themselves round their fire, Nod would look up, blinking his eyes, to see the faces of the Forest-mulgars peeping in at the window, envying the Mullas their warmth, though afraid of their fire, and calling softly one to another: "Ho, ho! look at the Mulla-sluggas [lazy princes] sitting round their fire!" And Thumb and Thimble would grin and softly scratch their hairy knees. Thumb, indeed, made up a Mulgar drone, which he used to buzz to himself when the Munza-mulgars came miching and mocking and peeping. (But it was a bad and dull drone, and I will not make it worse by turning it into my poor English from Mulgar-royal.)

Nod often sat watching the Forest-mulgars frisking in the forest, though every morning the light shone through on many perched frozen in the boughs. The Mullabruks and Manquabees made huddles in the snow. But the tiny Squirrel-tails, with their dark, grave, beautiful eyes and silken amber coats, still roosted high where the frost-wind stirred in the dark. Sometimes on a crusted branch of snow Nod would see five—seven—nine of these tiny, frost-powdered Mulgars cuddling together in a row, poor little frozen and empty boxes, their gay lives fled away. And when his brothers were gathering sticks in the forest, he would smuggle out for them two or three handfuls of nuts and pieces of cake and Sudd-bread. All the crusts and husks and morsels he kept in a shallow grass-basket, which his mother had plaited, to feed these pillowy Squirrel-tails, the lean Skeetoes, and the spindle-legged flycatchers.

Birds of all colours and many other odd little beasts came in the snow to Nod to be fed. He summoned them with the clapping of two sticks of ivory together, till his brothers began to wonder how it was their victuals were dwindling so fast. But once, when Thumb and Thimble were away in the forest with their jumping-poles, and he had ventured out on this errand with his basket full of scraps, he forgot to put up the door behind him. When he returned, skipping as fast as his fours would carry him, wild pigs and long-snouted Brackanolls, Weddervols, and hungry birds had come in and eaten more than half their store. The last of their mother's treasured cheese was gone, and all their Ummuz-cane. That night Thumb and Thimble went very sulky to bed. And for the next few days all three brothers sallied out together, with their poles, searching and grubbing after every scrap of victuals they could find with which to fill their larder again.

Some time after this, so hard and sharp grew the cold that Thumb and Thimble were minded to put on their red metal-hooked jackets when they went out stick-gathering. They took their knives and nut-sacks over their shoulders, and muffled and bunched themselves up close, with cotton-leaves wound round their stomachs, and their skin caps pulled low over their round frost-enticing ears. And they told Nod to cook them a smoking hot supper against the dark, for now the snow was so deep it was a hard matter to find and carry sticks, and they meant to look for more before matters worsened yet. So Nod at once set to his cookery.

He made up a great fire on the hearthstone. But in spite of its flames, so louring with gathering snow-clouds was the day that he had to keep the door down to give him clearer light; and, though he kept scuttling about, driving out the thieving Brackanolls and Peekodillies that came nosing into the hut, and scaring away the famished birds that kept hopping in through the window-hole, even then he could not keep himself warm. So at last he went to the lower cupboard, under the dangling Portingal, and took out his sheepskin coat. He put away the dried kingfisher which his mother had wrapped in the fleece to keep it sweet, and buttoned the ivory buttons, and skipped about nimbly over his cooking in that. Then he heaped more wood on—logs and brush and smoulder-wood—higher and higher, till the flames leapt red, gold, and lichen-green out of the chimney-hole. Then he said to himself, flinging yet another armful on: "Now Nod will go down and get some ice to melt for water to make Sudd-bread." So he went down to the water-spring.

And he stood watching the Mulgars frisking at the edge of the forest, vain that they should see him with his pole and basket, standing in his sheep's jacket. He broke up some ice and put in into his basket. Then he plodded over to his mother's grave and cleared away the hardened snow that had fallen during the night on her little heap of stones. "Kara, kara Mutta, Mutta-matutta," he whispered, laying his bony cheek on the stones—"dearest Mutta!" And while he stood there thinking of his mother, and of how he would go and bring down a pot of honeycomb for her death-shadow; and then of his father; and then of the strange journey they were all going to set out on when Tishnar returned to her mountains; and then of his Wonderstone; and then of Assasimmon, Prince of the Valleys, his peacocks and Ummuz-cane, and Ummuz-cane, and Ummuz-cane—while he was thus softly thinking of all these happy things, he suddenly saw the gigantic Ukka-tree above him, lit up marvellously red, and glowing as if with the setting of the sun. He shut his eyes with dread, for he saw all the forest monkeys lit up too, stock-still, staring, staring; and he heard a curious crackle and whs-s-s-ss.

Nod turned his little head and looked back over his shoulder. And against the snowy gloom of the forest he saw not only sparks, but flames, wagging up out of the chimney-hole. The door of the hut was like the frame of a furnace. And a trembling fear came over him, so that for a moment he could neither breathe nor move. Then, throwing down his basket of ice, and calling softly, "Mutta, O Mutta!" he scrambled over the snow as fast as he could and rushed into the hut. But he was too late; before he could jump, spluttering and choking, out of the door again, with just an armful of anything he could see, its walls were ablaze. Dry and tangled, its roof burnt like straw—a huge red fire pouring out smoke and flame, hissing, gushing, crackling, bubbling, roaring. And presently after, while Nod ran snapping his fingers, dancing with horror in the snow, and calling shriller and shriller,

"Thumb, Thimble; Thimble, Thumb,

Leave your sticks and hurry home:

Thicker and thicker the smoke do come!

Thumb, Thimble; Thimble, Thumb!"

he heard above the flames a multitudinous howling and squealing, and he looked over his shoulder, and saw hundreds upon hundreds of faces in the forest staring out between the branches at the fire. By the time that Thimble and Thumb in their red jackets were scampering on all fours, helter-skelter, downhill out of the forest, a numberless horde of the Forest-mulgars were frisking and howling round the blaze, and the flames were floating half as high as Glint's great Ukka-tree. They squealed, "Walla, walla!" (water), grinning and gibbering one to another as they came tumbling along; but they might just as well have called "Moonshine!" for every drop was frozen. Nor would twenty flowing springs and all Assasimmon's slaves have quenched that fire now. And when the Forest-mulgars saw that the Mulla-mulgars had given up hope of putting the fire out, they pelted it with snowballs, and scampered about, gathering up every stick and straw and shred they could find, and did their utmost to keep it in. For at last, in their joy that the little Portingal's bones were in the burning, and in their envy of the Mulla-mulgars, their fear of fire was gone.

And so Night came down, and there they all were, hand-in-hand in a huge monkey-ring, dancing and prancing round the little Portingal's burning hut, and squealing at the top of their voices; while countless beasts of Munza-mulgar, too frightened of fire to draw near, prowled, with flame-emblazoned eyes, staring out of the forest. And this was the Forest-mulgars' dancing-song:

"Bhoor juggub duppa singlee—duppa singlee—duppa singlee;

Bhoor juggub duppa singlee;

Sal rosen ghar Bhōōsh!"

They sing at first in a kind of droning zap-zap, and through their noses, these Munza-mulgar, their yelps gradually gathering in speed and volume, till they lift their spellbound faces in the air and howl aloud. And with such a resounding shout and clamour on the Bhōōsh you would think they were in pain.

For the best part of that night the fire flared and smouldered, while the stars wheeled in the black sky above the forest; and still round and round the Mulgars jigged and danced in the glistening snow. For the frost was so hard and still, not even this great fire could melt it fifteen paces distant from its flames. And Thimble and Thumb in their red jackets, and Nod in his cotton breeches and sheepskin coat, shivered and shook, because they weren't hardened, like the Forest-mulgars, to the icy night-wind that stole fitfully abroad.

When morning broke, the fire had burned down to a smother, and most of the dancing Mulgars had trooped back, tired out and sleepy, to their tree-houses and huddles and caverns and hanging ropes in the forest. But no sleep stole over those Mulla-sluggas, Thumb, Thimble, and Nod, sitting on their stones in the snow, watching their home-smoke drooping down and down. Nod stared and stared at the embers, his teeth chattering, ashamed and nearly heart-broken. But his brothers looked now at the smoke, and now at him, and whenever they looked at Nod they muttered, "Foh! Mulla-jugguba, foh!"—that is to say, "Foh! Royal-Flame-Shining One!" or "Your Highness Firebright!" or "What think you now, Prince of Bonfires?" But they were too sullen and angry, and Nod was too downcast, even to get up to drive away the little mole-skinned Brackanolls and the Peekodillies which came nosing and grunting and scratching in the ashes, in search of the scorched oil-nuts and the charred Sudd and Manaka-cake.

The three Mulla-mulgars sat there until the sun began to be bright on their faces and to make a splendour of the snow; then they did not feel quite so cold and miserable. And when they had nibbled a few nuts and berries which a friendly old Manquabee brought down to them, they began to think and talk over what they had best be doing now—at least, Nod listened, while Thumb and Thimble talked. And at length they decided that, their hut being burnt, and they without refuge from the cold, or any hoard of food, they would wait no longer, but set off at once into the forest on the same long journey as their father Seelem had gone, to seek out their Uncle Assasimmon, Prince of the Valleys of Tishnar.

This once said, Thumb lifted his fat body stiffly from his stone, and took his jumping-pole, and frisked high, leaping to and fro to make himself warm again. Soon he began to tingle, and laughed out to cheer the others when he tumbled head over heels into a snowdrift. And they combed themselves, and stood up to their trouble, and thought stubbornly, as far as their monkey-wits would let them, only of the future (which is easier to manage than the past). Then they searched close in the cooling ashes and embers of the hut, and found a few beads undimmed by the heat, and all the Margarita stones, which, like the Salamander, no flame can change; also, one or two unbroken pots and jars and an old stone kettle or Ghôb. Nod, indeed, found also a piece of gold that had lain hid in the Portingal's rags. But all the little Traveller's bones except his left thumb knuckle-bone were fallen to ashes. Nod gave Thumb the noddle of gold, and himself kept the knuckle-bone. "Sōōtli,"[5] he whispered, touched his nose with it, and put it secretly into his pocket. And glad were they to think that only that morning they had fetched out their red jackets and Nod his wool coat.

When the Forest-mulgars heard that the three brothers were setting out on their long journey, they came trooping down from their leafy villages, carrying presents, two skin water-bags (for the longed-for time when the ice should bestir itself), a rough stone knife, a wild-bee honeycomb, a plaited bag of dried Nanoes and nuts, and so on. But of these Mulgar tribes few, like ants, or bees, or squirrels, make any store, and none uses fire, nor, save one or two solitaries here and there, can any walk upright or carry a cudgel. They munch and frisk and chatter, and scratch and quarrel and mock, having their own ways and wisdom and their own musts and mustn'ts. There are few, too, that cherish not some kindness, if not for all, at least for one another—the leopard to her cubs, the Coccadrillo to her eggs. But back to our Mulla-mulgars.

The forest of Munza-mulgar saw a feast upon its borders that day. The Forest-mulgars sat in a great ring, and ate and drank, and when the sun had ascended into the middle of the sky and the snow-piled branches shone white as Tishnar's lambs, Thumb, Thimble, and Nod, rose up and sang, "Gar Mulgar Dusangee"—the Mulgars' Farewell. While they sang, all the Forest-mulgars, in their companies and tribes, sat solemnly around them, furred and coloured and pouched and tailed. Shave their chops and put them in breeches, they might well be little men. And they waved slowly palm-branches and greenery to the time of the tune; some even moaned and grunted, too.

"Far away in Nanga-noon

Lived an old and grey Baboon,[6]

Ah-mi, Sulâni!

Once a Prince among his kind,

Now forsaken, left behind,

Feeble, lonely, all but blind:

Sulâni, ghar magleer.

"Peaceful Tishnar came by night,

In the moonbeams cold and white;

Ah-mi, Sulâni!

'Far away from Nanga-noon,

Thou old and grey Baboon;

Is a journey for thee soon!'

Sulâni, ghar magleer.

"'Be not frightened, shut thine eye;

Comfort take, nor weep, nor sigh;

Solitary Tishnar's nigh!'

Sulâni, ghar magleer.

"Old Baboon, he gravely did

All that peaceful Tishnar bid;

Ah-mi, Sulâni!

In the darkness cold and grim

Drew his blanket over him;

Closed his old eyes, sad and dim:

Sulâni, ghar magleer."

And here the Mulgars all lay flat, with their faces in the snow, and put the palms of their hands on their heads; while the three Mulla-mulgars paced slowly round, singing the last verse, which, after the doggerel I have made of the others, I despair of putting into English:

"Talaheeti sul magloon

Olgar, ulgar Nanga-noon;

Ah-mi, Sulâni!

Tishnar sōōtli maltmahee,

Ganganareez soongalee,

Manni Mulgar sang suwhee:

Sulâni, ghar magleer."

Then the Mulla-mulgars cut down stout boughs to make cudgels, and, having tied up their few possessions into three bundles and filled their pockets with old nuts, they took palm-leaves and honey-comb and withered scarlet and green berries, with which they canopied as best they could their mother's grave, nor forgot poor gluttonous Glint's. They stood there in the snow, and raised their hands in lamentable salutation. And each took up a stone and jerked it (for they cannot throw as men do) as far as he could towards the forest, as if to say, "Go with us!" Then, with one last sorrowful look at the befrosted ashes of their hut, they took up their bundles and started on their journey.

At first, as I have said, the Mulgar-track is wide, and even in this continually falling snow was beaten clear by hundreds of hand and foot prints. But after a while the lofty branches began to knit themselves above, and to hang thickly over the travellers, and to shut out the light. And the path grew faint and narrow.

One by one their friends waved good-bye and left them, until only Noll and Nunga (Mutta-matutta's only sister's only children) accompanied them. Just before sunset, when the forest seemed like a cage of music with the voices of the birds that now sang, many of them desperately from cold and hunger rather than for delight, Noll, too, and Nunga raised their hands, touched noses, and said good-bye. And the three brothers stood watching them till they had waved their branches for the last time. Then they went on.


Story DNA fairy tale · melancholic

Plot Summary

After the death of their mother, three Mulgar brothers, Nod, Thumb, and Thimble, face an unprecedented and severe winter in Munza. They prepare for the cold, but their hut is accidentally destroyed by a fire they built for warmth, leaving them homeless. With no other recourse, they decide to embark on a long and dangerous journey to find their Uncle Assasimmon. After a farewell feast with other forest creatures, the brothers set off into the vast, cold forest, gradually left alone as their friends depart, facing an uncertain future.

Themes

grief and lossperseverancethe unknownbrotherhood

Emotional Arc

suffering to determination

Writing Style

Voice: third person omniscient
Pacing: slow contemplative
Descriptive: lush
Techniques: extensive footnotes for world-building, poetic descriptions of nature, anthropomorphism

Narrative Elements

Conflict: person vs nature
Ending: open-ended
Magic: anthropomorphic animals (Mulgars, leopards, etc.), personified concepts (Tishnar, Nōōmanossi, Immanâla), magical properties of objects (Margarita stones immune to fire), Water-maidens (Water-middens) and their Zevveras
Tishnar (the beautiful, the unknown, the last sleep)Nōōmanossi (darkness, change, death)the burnt hut (loss of home and security)the knuckle-bone (a tangible link to the past/father)

Cultural Context

Origin: English
Era: timeless fairy tale

Walter De la Mare was an English poet and author, known for his fantastical and often melancholic children's literature, frequently drawing on themes of dreams, nature, and the supernatural. This story is part of his larger 'The Three Mulla-Mulgars' narrative.

Plot Beats (15)

  1. The three Mulgar brothers, Nod, Thumb, and Thimble, are grieving the recent death of their mother, Mutta-matutta.
  2. Strange weather patterns begin, including a fierce tempest and an unusual cold, signaling the onset of an unprecedented winter.
  3. Nod, with his mother's skill, prepares and stores food, while the brothers gather wood, observing other animals doing the same.
  4. Hoar-frost, called 'fires of Tishnar,' appears for the first time in Munza-mulgar, covering everything in a sparkling white.
  5. The brothers, trying to warm themselves, dance in the frost, which covers their fur in white, marking the beginning of Witzaweelwūlla (the White Winter).
  6. Snow falls for the first time, and the brothers build a large fire for warmth, but it accidentally burns down their hut.
  7. The brothers sit in the snow, cold and dejected, while other Mulgars dance around the fire and eventually return to their homes.
  8. Nod's brothers tease him about his 'Royal-Flame-Shining' status, but they are all too miserable to act.
  9. As the sun rises, they feel slightly better and, after eating some nuts brought by a Manquabee, decide to journey to find their Uncle Assasimmon, Prince of the Valleys of Tishnar.
  10. They search the ashes of their burnt hut, recovering a few precious items like Margarita stones, pots, and a piece of gold, and Nod keeps his father's knuckle-bone.
  11. Forest-mulgars gather, bringing gifts and holding a farewell feast for the brothers.
  12. The three brothers sing 'Gar Mulgar Dusangee' (the Mulgars' Farewell), a song about an old baboon's peaceful journey into the 'Last Sleep' of Tishnar.
  13. After the song, they make cudgels, pack their belongings, and canopy their mother's grave.
  14. They throw stones towards the forest as a symbolic gesture and then begin their journey.
  15. Their friends gradually leave them, until only Nod's cousins, Noll and Nunga, remain, who eventually also say goodbye, leaving the three brothers to continue alone into the darkening, narrowing forest.

Characters 8 characters

Tishnar ◆ supporting

deity/spirit ageless female

So beautiful that Mulgars who dream of her maidens can no longer be happy among their kind. She is shown veiled, with one slim-fingered hand clasping her robe. She wanders in the stillness of mountain snows.

Attire: Robe of palest purple, sandals of silver.

Wants: To embody the inexpressible beauty and mystery of the world, and to bring the 'Last Sleep' (death) to all.

Flaw: Her nature is beyond mortal comprehension, making her distant and potentially isolating to those who glimpse her beauty.

Remains a constant, ethereal presence, a force of nature and destiny.

A veiled figure in palest purple robes and silver sandals, with a head bent in contemplation.

Peaceful, beautiful, mysterious, all-encompassing (represents the wonderful, secret, and quiet world beyond the Mulgars' lives).

Image Prompt & Upload
A serene, veiled female figure standing, facing forward, full body visible from head to toe. She wears a flowing robe of palest purple fabric, clasped by one slim-fingered hand. Her head is bent slightly, as if listening intently. She wears simple silver sandals. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Nod ★ protagonist

Mulla-mulgar (monkey-like humanoids) child male

A young Mulla-mulgar, presumably small and agile like his brothers. He has a little tangled window-hole in his hut, suggesting he is small enough to peer out of it. He is one of the three brothers, implying a similar build to his siblings.

Attire: A wool coat, and a red jacket. These are practical garments for cold weather.

Wants: To find his Uncle Assasimmon and a new refuge after his home is destroyed, driven by a sense of duty and survival.

Flaw: His youth and quiet nature might make him less assertive than his brothers.

Begins a journey of survival and discovery with his brothers, learning to cope with loss and face the unknown.

A small Mulla-mulgar child, wearing a wool coat, holding a small knuckle-bone.

Observant (peering out of his window), quiet (listened while others talked), sentimental (kept his mother's knuckle-bone), brave (takes courage in sorrow).

Image Prompt & Upload
A young Mulla-mulgar child, standing upright, facing forward, full body visible from head to toe. He has a monkey-like face with dark eyes and furred cheeks. He wears a thick, dark grey wool coat over a red jacket. His hands are in his pockets, one of which secretly holds a small, smooth knuckle-bone. He has a solemn, determined expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Thumb ★ protagonist

Mulla-mulgar (monkey-like humanoids) child male

A Mulla-mulgar child, described as having a 'fat body'. He is one of the three brothers, suggesting a similar overall appearance to his siblings, but with a more robust build.

Attire: A red jacket. Practical for cold weather.

Wants: To find his Uncle Assasimmon and a new refuge, driven by the need for survival and a desire to overcome their current hardships.

Flaw: Perhaps a bit impulsive or prone to silliness, as seen when he tumbles into a snowdrift.

Embarks on a journey of survival and discovery, using his energy and spirit to face challenges.

A robust Mulla-mulgar child, wearing a red jacket, with a jumping-pole, mid-frisk.

Energetic, playful (tumbled into a snowdrift), talkative, resilient (cheers others up), takes initiative (lifts his body stiffly to begin the journey).

Image Prompt & Upload
A young, slightly plump Mulla-mulgar child, standing upright, facing forward, full body visible from head to toe. He has a monkey-like face with bright, curious eyes and furred cheeks. He wears a vibrant red jacket. He holds a long, sturdy wooden jumping-pole in one hand, and has a cheerful, energetic expression, as if about to leap. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Thimble ★ protagonist

Mulla-mulgar (monkey-like humanoids) child male

A Mulla-mulgar child, one of the three brothers, implying a similar build to his siblings.

Attire: A red jacket. Practical for cold weather.

Wants: To find his Uncle Assasimmon and a new refuge, driven by the need for survival and a desire to overcome their current hardships.

Flaw: Not explicitly stated, but perhaps less physically active than Thumb, or less quietly observant than Nod.

Embarks on a journey of survival and discovery, contributing his thoughts and voice to the group's decisions.

A Mulla-mulgar child, wearing a red jacket, with a thoughtful expression.

Talkative, thoughtful (talked over what to do), resilient (stands up to trouble), practical (helps decide what to do).

Image Prompt & Upload
A young Mulla-mulgar child, standing upright, facing forward, full body visible from head to toe. He has a monkey-like face with intelligent eyes and furred cheeks. He wears a bright red jacket. He has a thoughtful, slightly serious expression, as if contemplating a problem. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Mutta-matutta ○ minor

Mulla-mulgar (monkey-like humanoids) adult female

Not explicitly described, but as a Mulla-mulgar, she would have a monkey-like appearance. Her grave is canopied with palm-leaves and berries, suggesting a natural burial.

Attire: Not described, but likely simple, natural attire befitting a Mulla-mulgar.

Wants: To care for her children.

Flaw: Mortality, succumbing to death.

Her death is the inciting incident for the protagonists' journey.

Her grave, canopied with palm-leaves and scarlet and green berries.

Loving (her sons mourn her deeply), central to her family's life.

Image Prompt & Upload
A simple, natural grave mound, covered with large green palm leaves and scattered with withered scarlet and green berries. The setting is a snowy forest. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Old Baboon ○ minor

Baboon elderly male

Old and grey, feeble, lonely, all but blind. As a baboon, he would have a distinctive muzzle, strong limbs, and a tail.

Attire: Drew a blanket over himself, suggesting a simple covering.

Wants: To find peace in his old age and accept the journey to the afterlife.

Flaw: Feebleness, loneliness, blindness due to old age.

Accepts his impending death and the journey to Tishnar.

An old, grey baboon, drawing a blanket over himself, with sad, dim eyes.

Peaceful, obedient, resigned, accepting of his fate.

Image Prompt & Upload
An elderly baboon, sitting, facing forward, full body visible from head to toe. He has a long, grey muzzle and thick, grizzled fur. His eyes are dim and sad. He is drawing a simple, rough-spun blanket over his body. He has a resigned, peaceful expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Noll ○ minor

Mulla-mulgar (monkey-like humanoids) child unknown

A Mulla-mulgar child, one of Mutta-matutta's sister's children. Implied to be similar in appearance to the three brothers.

Attire: Not described, but likely simple, natural attire befitting a Mulla-mulgar.

Wants: To support their cousins for part of their journey.

Flaw: Not specified.

Accompanies the protagonists for a portion of their journey before returning to their own path.

A Mulla-mulgar child, raising a hand to say goodbye.

Supportive (accompanies the brothers), affectionate (says goodbye with a touch of noses).

Image Prompt & Upload
A young Mulla-mulgar child, standing upright, facing forward, full body visible from head to toe. They have a monkey-like face with dark eyes and furred cheeks. They wear simple, earthy-toned garments. One hand is raised in a gesture of farewell. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Nunga ○ minor

Mulla-mulgar (monkey-like humanoids) child unknown

A Mulla-mulgar child, one of Mutta-matutta's sister's children. Implied to be similar in appearance to the three brothers.

Attire: Not described, but likely simple, natural attire befitting a Mulla-mulgar.

Wants: To support their cousins for part of their journey.

Flaw: Not specified.

Accompanies the protagonists for a portion of their journey before returning to their own path.

A Mulla-mulgar child, raising a hand to say goodbye.

Supportive (accompanies the brothers), affectionate (says goodbye with a touch of noses).

Image Prompt & Upload
A young Mulla-mulgar child, standing upright, facing forward, full body visible from head to toe. They have a monkey-like face with dark eyes and furred cheeks. They wear simple, earthy-toned garments. One hand is raised in a gesture of farewell. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 2 locations
No image yet

The Mulgar Hut and Surrounding Clearing

transitional morning Winter, with heavy, continually falling snow and cold temperatures. The sun is ascending, making the snow-piled branches shine white.

A small, sturdy hut, likely made of local wood and materials, now reduced to frosted ashes and embers after a fire. It is situated in a clearing at the edge of a dense forest, currently covered in continually falling snow. Nearby, a grave is canopied with palm-leaves and withered scarlet and green berries.

Mood: Sorrowful, desolate, yet resolute. A sense of departure and the lingering presence of loss.

The three Mulla-mulgar brothers prepare for their journey after their hut burns down, gathering their few possessions, bidding farewell to their mother's grave, and receiving gifts from other Mulgar tribes.

Frosted ashes and embers of a hut Snow-covered ground Canopied grave with palm-leaves and berries Stout boughs for cudgels Forest border with snow-piled branches
Image Prompt & Upload
A desolate clearing at the edge of a dense, snow-laden forest. In the foreground, the frosted ashes and embers of a small, sturdy wooden hut are visible, with a few unbroken pots and jars scattered nearby. A small, freshly canopied grave, adorned with palm-leaves and withered scarlet and green berries, stands beside the ruins. Heavy, continually falling snow blankets the ground and the gnarled branches of the surrounding trees, which are thick with white snow. The morning sun, though obscured by the falling snow, casts a soft, diffused light, making the snow-piled branches glow faintly. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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The Mulgar-track through the Forest of Munza-mulgar

outdoor afternoon to just before sunset Winter, with continually falling snow. The air is cold, and the forest is filled with the sounds of birds, some in distress.

Initially a wide path, beaten clear by countless hand and foot prints, but gradually narrowing and becoming faint. Lofty tree branches knit thickly overhead, shutting out much of the light. The forest is dense, with birds singing, some desperately from cold and hunger.

Mood: Somber, isolating, and increasingly foreboding as the path narrows and light diminishes. A sense of journey and separation.

The Mulla-mulgar brothers begin their long journey into the forest, gradually being left by their companions as the path becomes more challenging and the light fades.

Wide, beaten snow-covered track Narrowing, faint path Lofty, thickly knit tree branches overhead Snow-laden forest floor Birds in the canopy
Image Prompt & Upload
A winding, snow-covered path through a dense, ancient forest. Initially wide and well-trodden, the path gradually narrows into a faint track. Lofty, gnarled tree branches, heavy with snow, interlace thickly overhead, creating a dim, filtered light. The forest floor is blanketed in fresh, continually falling snow, with only the faint impressions of footprints visible. The air is cold and still, with the distant, melancholic chirping of unseen birds echoing through the boughs. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.