The Little Glass Shoe

by Walter Jerrold · from The reign of King Oberon

folk tale cautionary tale solemn Ages 8-14 1488 words 7 min read
Cover: The Little Glass Shoe

Adapted Version

CEFR A1 Age 5 300 words 2 min Canon 100/100

Once, there was a man named John Wilde. He found a magic glass shoe. It was on a green hill. He put it in his pocket. He knew it was special.

John told everyone about his shoe. He shouted, "I have a glass shoe! Who wants to buy it?" He was cunning.

A little man came to his door. He was polite. "I want to see the shoe," he said. "I will give you money."

John did not want money. "I want a magic promise," he said. "I want a gold coin for every dig."

The little man was sad. He needed his shoe. "I promise," he said. "You will find a gold coin with each dig."

John gave him the shoe. The little man went away. John ran to his garden. He dug with his spade. A shiny gold coin came up! He dug again. Another gold coin! He was very happy.

John wanted more gold. He dug all day. He dug all night. He dug when it was hot. He dug when it was cold. He worked very hard.

He worked alone. He did not play. He did not talk to his family. He looked tired and thin.

His wife was sad. "John is always working," she said. "He looks so tired." His children missed him. They wished he would stop.

John worked and worked. One day, he was too tired to move. He lay down in his garden. He fell asleep and did not wake up.

His family found many gold chests. They were full of coins. They had lots of money. But they were very sad. John was gone. He never played or laughed with them.

Being too greedy can make you very tired and unhappy. It is better to be happy with what you have.

Original Story 1488 words · 7 min read

The Little Glass Shoe

A peasant, named John Wilde, found one time a glass shoe on one of the hills where the little people used to dance. He clapped it instantly into his pocket and ran away with it, keeping his hand as close on his pocket as if he had a dove in it, for he knew that he had found a treasure which the underground people must redeem at any price.

Others say that John Wilde lay in ambush one night for the underground people, and gained an opportunity of pulling off one of their shoes, by stretching himself there with a brandy-bottle beside him, and acting like one that was dead drunk; for he was a very cunning man, not over scrupulous in his morals, and had taken in many a one by his craftiness, and, on this account, his name was in no good repute among his neighbours, who, to say the truth, were willing to have as little to do with him as possible. Many hold, too, that he was acquainted with forbidden arts, and used to carry on an intercourse with the fiends and old women that raised storms, and such like.

However, be this as it may, when John had gotten the shoe, he lost no time in letting the folk that dwell under the ground know that he had it. So at midnight he went to the Nine-hills, and cried with all his might, “John Wilde of Rodenkirchen has got a beautiful glass shoe. Who will buy it, who will buy it?” For he knew that the little one who had lost the shoe must go barefoot till he got it again, and that is no trifle, for the little people have generally to walk upon very hard and stony ground.

John’s advertisement was speedily attended to. The little fellow who had lost the shoe made no delay in setting about redeeming it. The first free day he got, that he might come out into the daylight, he came as a respectable merchant, and knocked at John Wilde’s door, and asked if John had not a glass shoe to sell. “For,” says he, “they are an article now in great demand, and are sought for in every market.” John replied that it was true he had a very little little, nice, pretty little glass shoe, but it was so small that even a dwarf’s foot would be squeezed in it, and that God Almighty must make people on purpose for it before it could be of any use, but that, for all that, it was an extraordinary shoe and a valuable shoe, and a dear shoe, and it was not every merchant that could afford to pay for it.

The merchant asked to see it, and when he had examined it, “Glass shoes” said he, “are not by any means such rare articles, my good friend, as you think here in Rodenkirchen, because you do not happen to go much into the world. However,” said he, after hemming a little, “I will give you a good price for it, because I happen to have the very fellow of it.” And he bid the countryman a thousand dollars for it.

“A thousand dollars are money, my father used to say when he drove fat oxen to market,” replied John Wilde, in a mocking tone; “but it will not leave my hands for that shabby price, and, for my own part, it may ornament the foot of my daughter’s doll. Harkye, friend; I have heard a sort of little song sung about the glass shoe, and it is not for a parcel of dirt that it will go out of my hands. Tell me now, my good fellow, should you happen to know the knack of it, that in every furrow I make when I am ploughing I should find a ducat. If not, the shoe is still mine, and you may inquire for glass shoes at those other markets.”

The merchant made still a great many attempts, and twisted and turned in every direction to get the shoe, but when he found the farmer inflexible he agreed to what John desired, and swore to the performance of it.

Cunning John believed in him, and gave him up the glass shoe, for he knew right well with whom he had to do. So the business being ended, away went the merchant with his glass shoe.

Without a moment’s delay, John repaired to his stable, got ready his horses and his plough, and drove out to the field. He selected a piece of ground where he would have the shortest turns possible, and began to plough. Hardly had the plough turned up the first sod, when up sprang a ducat out of the ground, and it was the same with every fresh furrow he made. There was now no end of his ploughing, and John Wilde soon bought eight new horses, and put them into the stable to the eight he already had—and their mangers were never without plenty of oats in them—that he might be able every two hours to yoke two fresh horses, and so be enabled to drive them the faster.

John was now insatiable in ploughing, every morning he was out before sunrise, and many a time he ploughed on till after midnight. Summer and winter it was plough, plough with him evermore, except when the ground was frozen as hard as a stone. But he always ploughed by himself, and never suffered any one to go out with him, or to come to him when he was at work, for John understood too well the nature of his crop to let people see what it was he ploughed so constantly for.

But it fared far worse with himself than with his horses, who ate good oats and were regularly changed and relieved, while he grew pale and meagre by reason of his continual working and toiling. His wife and children had no longer any comfort of him, he never went to the ale-house or the club, he withdrew himself from every one, and scarcely ever spoke a single word, but went about silent and wrapped up in his own thoughts. All the day long he toiled for his ducats, and at night he had to count them and to plan and meditate how he might find out a still swifter kind of plough.

His wife and the neighbours lamented over his strange conduct, his dulness and melancholy, and began to think that he was grown foolish. Everybody pitied his wife and children, for they imagined that the numerous horses that he kept in his stable, and the preposterous mode of agriculture that he pursued, with his unnecessary and superfluous ploughing, must soon leave him without house or land.

But their anticipations were not fulfilled. True it is, the poor man never enjoyed a happy or contented hour since he began to plough the ducats up out of the ground. The old saying held good in his case, that he who gives himself up to the pursuit of gold is half way in the claws of the evil one. Flesh and blood cannot bear perpetual labour, and John Wilde did not long hold out against this running through the furrows day and night. He got through the first spring, but one day, in the second, he dropped down at the tail of the plough like an exhausted November fly. Out of the pure thirst after gold he was wasted away and dried up to nothing whereas he had been a very strong and hearty man the day the shoe of the little underground man fell into his hands.

His wife, however, found after him a considerable treasure, two great nailed up chests full of good new ducats, and his sons purchased large estates for themselves, and became lords and noblemen. But what good did all that do poor John Wilde.


“And now,” said the King, “we come to our last story, and I think it shall be told us by the fairy who comes from the furthest North.”

Several dwarfs and Elves started up at this word, but the King signalled them back to their places; “No,” he said, “none of you is the one from farthest North.” Then slowly up the middle of the circle came a quaint little figure all in white with long white hair and beard—looking, only of course the idea is ridiculous, like an old fairy. He had come from the land of perpetual winter, where everything is white as the everlasting snow, but though he looked old he was lively and youthful as the most frolicsome of the flower fairies there. He skipped briskly on to the stool, then passing his hand down his long white beard—strange guest where all was so brilliantly coloured—he began a story which he named



Story DNA folk tale · solemn

Moral

Unchecked greed can consume a person, leading to their downfall and preventing them from enjoying the fruits of their labor.

Plot Summary

A cunning peasant named John Wilde acquires a magical glass shoe from the underground people. He leverages this possession to demand a magical boon: a ducat for every furrow he ploughs. Consumed by insatiable greed, John dedicates himself entirely to ploughing, working day and night, neglecting his family, health, and social life. Despite accumulating vast wealth, his relentless toil leads to his physical deterioration, and he ultimately dies of exhaustion in his field. His family inherits his fortune, but John himself never finds happiness or enjoys his riches.

Themes

greedconsequences of desirelabor and rewardhuman nature

Emotional Arc

cunning to obsession to demise

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: digressions on character reputation, direct address to reader

Narrative Elements

Conflict: person vs self
Ending: tragic
Magic: glass shoe belonging to little people, little people (underground folk), magical ability to produce ducats from ploughed furrows
the glass shoe (symbol of opportunity/temptation)the ducats (symbol of wealth/greed)

Cultural Context

Origin: German
Era: pre-industrial

This story reflects common European folklore motifs of interaction between humans and magical beings, often involving trickery and the consequences of human greed. The mention of 'forbidden arts' and 'fiends' suggests a pre-Enlightenment worldview where magic and superstition were intertwined with daily life.

Plot Beats (11)

  1. John Wilde, a cunning peasant, obtains a magical glass shoe from the underground people, either by finding it or by trickery.
  2. John publicly announces his possession of the shoe, knowing the owner will seek to redeem it.
  3. A little person, disguised as a merchant, visits John to buy the shoe, initially offering a large sum.
  4. John, aware of the shoe's magical significance, demands a specific magical boon: a ducat in every furrow he ploughs.
  5. The merchant, after much negotiation, agrees to John's terms and swears to fulfill them.
  6. John returns the shoe and immediately begins ploughing, discovering a ducat with every furrow.
  7. Driven by insatiable greed, John buys more horses and ploughs relentlessly, day and night, summer and winter.
  8. He keeps his magical farming a secret, working alone and becoming increasingly isolated and gaunt.
  9. John's family and neighbors worry about his strange, obsessive behavior and declining health.
  10. After a year of continuous toil, John Wilde collapses and dies in his field from sheer exhaustion, wasted away by his greed.
  11. His wife and sons inherit two chests full of ducats, becoming wealthy landowners, but John himself found no happiness in his riches.

Characters 3 characters

John Wilde ★ protagonist

human adult male

Initially a strong and hearty man, he becomes pale and meager due to incessant labor. His build would have been robust, typical of a peasant farmer, but he wastes away to nothing by the end of the story.

Attire: Simple, practical peasant clothing suitable for farming in a German-speaking region. Likely consists of sturdy linen or wool trousers, a rough tunic or shirt, and a waistcoat, all in earthy, muted tones. Wears heavy, durable boots for fieldwork.

Wants: To accumulate as much gold (ducats) as possible, believing it will bring him prosperity and status.

Flaw: Insatiable greed and obsession with gold, which leads to his physical and mental deterioration and ultimately his death.

Transforms from a cunning but healthy peasant into a gaunt, obsessive, and solitary figure consumed by greed, ultimately dying from overwork and the 'thirst after gold'.

A gaunt, pale man, hunched over a plough, relentlessly turning up ducats from the earth.

Cunning, greedy, insatiable, solitary, unscrupulous, obsessive. He is driven by a relentless pursuit of wealth.

Image Prompt & Upload
A gaunt, pale adult man with a weathered face, his eyes wide and obsessive. He has short, unkempt brown hair and a scraggly beard. He wears a patched, dark brown linen tunic, worn grey wool trousers, and heavy, mud-caked leather boots. His body is thin and hunched, as if perpetually bent over. He grips the handles of a wooden plough, his expression one of desperate toil. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Little Fellow ◆ supporting

magical creature ageless male

Small in stature, consistent with 'little people' or 'underground people'. When appearing to John, he takes the form of a 'respectable merchant', implying a well-dressed, perhaps slightly older, human-like appearance to blend in.

Attire: As a 'respectable merchant', he would wear fine, dark, period-appropriate German merchant attire: a tailored wool doublet, breeches, a cloak, and a wide-brimmed hat, all in rich, dark colors like deep blue or forest green. His shoes would be well-made leather, with one foot notably missing its shoe.

Wants: To retrieve his lost glass shoe, as he cannot walk comfortably without it.

Flaw: Vulnerable to human cunning; his need for his shoe makes him susceptible to John's demands.

Appears to retrieve his shoe, fulfills his magical promise, and then disappears from the narrative, having achieved his goal.

A small, impeccably dressed merchant with one foot noticeably bare or wearing only one shoe.

Persistent, shrewd, honorable (in fulfilling his oath), pragmatic. He is determined to reclaim what is his.

Image Prompt & Upload
A small, well-dressed adult male figure, appearing as a respectable German merchant. He wears a dark blue wool doublet with silver buttons, matching breeches, and a dark green cloak draped over one shoulder. He has a neatly trimmed dark beard and a composed, slightly shrewd expression. His left foot is bare, while his right foot wears a polished black leather shoe. He holds a wide-brimmed black hat in his hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Fairy from the Farthest North ○ minor

fairy ageless male

A quaint little figure, entirely in white. Despite looking old, he is lively and youthful. He is small, like other fairies and elves.

Attire: Completely dressed in white, suggesting garments made of snow or ice-like material, perhaps shimmering. This contrasts with the 'brilliantly coloured' setting of the King's court.

Wants: To tell his story as requested by the King.

Flaw: Not applicable; he is a framing device character.

Introduced as the storyteller for 'The Little Glass Shoe', serving as a framing device. No personal arc within the story.

A small figure entirely in white, with a long white beard and hair, contrasting sharply with a colorful background.

Lively, youthful, perhaps a bit whimsical, as he is a fairy. He is a storyteller.

Image Prompt & Upload
A small, elderly-looking male fairy, but with a sprightly and youthful demeanor. He has a long, flowing white beard and long white hair that reaches his waist. He is dressed entirely in shimmering white garments, resembling snow or ice, with delicate, translucent white wings on his back. His eyes are bright and lively. He stands with a light, almost skipping posture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

Nine-hills

outdoor midnight Implied to be clear enough for outdoor gatherings, possibly cool given the midnight hour.

A specific hilly area, likely with sparse vegetation or rocky outcrops, known as a gathering place for the 'little people'. The ground is described as 'hard and stony'.

Mood: Mysterious, ancient, a liminal space between the human and 'underground' worlds.

John Wilde publicly announces his possession of the glass shoe to the underground people.

hills stony ground open sky
Image Prompt & Upload
A series of low, rolling hills under a clear, star-filled midnight sky. The ground is a mix of short, tough grass and exposed, weathered grey stones. A faint, ethereal glow emanates from the hollows between the hills, suggesting unseen activity. The air is still and cool. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

John Wilde's House (Rodenkirchen)

indoor daylight Unspecified, but suitable for a merchant to travel and conduct business.

A peasant's dwelling, likely a simple, functional home in the German countryside. It has a door where a merchant would knock.

Mood: Ordinary, domestic, but becomes a place of negotiation and cunning.

The underground merchant visits John Wilde to negotiate for the glass shoe.

wooden door simple interior
Image Prompt & Upload
The front of a modest, half-timbered Fachwerk house in a German village, with a sturdy, dark wooden door and small, leaded-pane windows. The walls are whitewashed plaster between exposed dark timber beams. A small, well-trodden dirt path leads to the door, and a few hardy wildflowers grow in a patch beside the house. Soft daylight illuminates the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

John Wilde's Field

outdoor before sunrise to after midnight (varies) Varies from summer to winter, with the ground sometimes frozen hard as stone. Implies sun, rain, and snow.

An agricultural field, initially ordinary, but transformed into a magical source of wealth. It is ploughed constantly, in all seasons except when frozen solid. The ground yields ducats with every furrow.

Mood: Obsessive, relentless, solitary, eventually desolate due to John's toil.

John Wilde continuously ploughs the field, unearthing ducats, leading to his physical and mental decline.

ploughed furrows sod ducats (gold coins) plough horses
Image Prompt & Upload
A vast, open agricultural field at dawn, with long, straight furrows stretching into the misty distance. The rich, dark earth of the freshly turned sod contrasts with patches of stubble from the previous harvest. A single, weathered wooden plough is visible in the foreground, with faint golden glints of ducats scattered within the newly turned soil. The sky is a soft blend of pre-sunrise blues and purples, with the first hint of orange on the horizon. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.