The Pranks of Robin Goodfellow
by Walter Jerrold · from The reign of King Oberon
Adapted Version
Hi! I am Robin. I play at night! The night is dark and fun. I laugh and play! Ho, ho, ho!
I fly fast! I see all in the dark. My eyes are sharp! Ho, ho, ho!
I meet people walking home. I play fun tricks. I lead them in circles. We play games! It is so silly! Ho, ho, ho!
I can change into a critter. I hop like a bunny. I fly like a bird. I can be any shape! It is so fun! Ho, ho, ho!
I go to parties. I am hidden. I take a cookie. I tickle a friend. They laugh and smile! Ho, ho, ho!
I help with chores. I spin the wool. I grind the grain. I am a good helper. I work at night! Ho, ho, ho!
At times a room is messy. I make a funny noise. I wake all up. "Time to tidy!" I say. They clean up fast! Ho, ho, ho!
I lend things to friends. If they forget, I giggle near them. It is a silly surprise! They remember next time! Ho, ho, ho!
I know fun secrets. I tell who ate the pie. All laugh as one. We share the fun! Ho, ho, ho!
I help critters. I open traps. The mouse runs free. I am a good friend. I love all critters! Ho, ho, ho!
We dance in rings at night. We leave a tiny elf toy. A baby gets a new friend! The baby smiles! Ho, ho, ho!
See us dance, stay quiet, get a coin. It is a thank you! You get a shiny coin! Ho, ho, ho!
I have played for a long, long time. All the fairies know me. I am Robin! I am famous! Ho, ho, ho!
Then, poof! I vanish with a loud laugh. Ho, ho, ho! I am gone!
A Swedish Troll sits on the stool. "Now," he says, "a story for you!" He smiles big.
Original Story
The pranks of Robin Goodfellow
From Oberon in fairy-land
The king of ghosts and shadows there,
Mad Robin I, at his command
Am sent to view the night sports here;
What revel rout
Is kept about,
In every corner where I go,
I will o’er see,
And merry be,
And make good sport with ho, ho, ho.
More swift than lightning can I fly
About this airy welkin soon,
And, in a minute’s space, descry
Each thing that’s done below the moon:
There’s not a hag
Or ghost shall wag,
Or cry, ware goblins, where I go;
But Robin I
Their feats will spy,
And send them home with ho, ho, ho.
Whene’er such wanderers I meet,
As from their night-sports they trudge home,
With counterfeiting voice I greet
And call them on, with me to roam
Thro’ woods, thro’ lakes,
Thro’ bogs, thro’ brakes;
Or else, unseen, with them I go,
All in the nick
To play some trick
And frolic it with ho, ho, ho.
Sometimes I meet them like a man,
Sometimes an ox, sometimes a hound;
And to a horse I turn me can,
To trip and trot about them round
But if to ride,
My back they stride,
More swift than wind away I go;
O’er hedge and lands
Thro’ pools and ponds,
I whirry, laughing ho, ho, ho.
When lads and lassies merry be,
With possets and with junkets fine,
Unseen of all the company,
I eat their cakes and sip their wine;
And to make sport,
I sneeze and snort,
And out the candles I do blow;
The maids I kiss;
They shriek—who’s this?
I answer nought but ho, ho, ho.
Yet now and then, the maids to please,
At midnight I card up their wool;
And while they sleep and take their ease,
With wheel to threads their flax I pull.
I grind at mill
Their malt up still;
I dress their hemp, I spin their tow.
If any wake,
And would me take,
I wend me laughing ho, ho, ho!
When house or hearth doth sluttish lie,
I pinch the maidens black and blue;
The bed clothes from the bed pull I,
And lay them naked all to view;
’Twixt sleep and wake
I do them take,
And on the key-cold floor them throw;
If out they cry
Then forth I fly
And loudly laugh I, ho, ho, ho!
When any need to borrow aught
We lend them what they do require,
And for the use demand we naught
Our own is all we do desire.
If to repay
They do delay
Abroad amongst them then I go
And night by night
I them affright
With pinchings, dreams, and ho, ho, ho!
When lazy queans have nought to do,
But study how to cog and lie;
To make debate and mischief too,
’Twixt one another secretly;
I mark their gloze,
And it disclose
To them whom they have wronged so;
When I have done,
I get me gone,
And leave them scolding, ho, ho, ho!
When men do traps and engines set
In loop holes where the vermin creep,
Who from their folds and houses get
Their ducks and geese, and lambs and sheep,
I spy the gin,
And enter in,
And seem a vermin taken so;
But when they there
Approach me near,
I leap out laughing ho, ho, ho!
By wells and rills, in meadows green,
We nightly dance our hey-day guise;
And to our fairy King and Queen
We chant our moonlight minstrelsies.
When larks ’gin sing,
Away we fling,
And babes new born steal as we go,
And elf in bed
We leave instead
And wend us, laughing, ho, ho, ho!
Whereas my fellow-elves and I
In circled ring do trip around;
If that our sports by any eye
Do happen to be seen or found;
If that they
No words do say,
But mum continue as they go,
Each night I do
Put groat in shoe,
And wind out laughing, ho, ho, ho!
From hag-bred Merlin’s time have I
Thus nightly revelled to and fro;
And for my pranks men call me by
The name of Robin Goodfellow.
Fiends, ghosts, and sprites
Who haunt the nights,
The hags and goblins do me know;
And beldames old
My feats have told,
So Vale, Vale, ho, ho, ho!
With the last line of his song Robin Goodfellow disappeared off the stool so quickly that even his fellow-fairies were unable to see where he went, and at one moment heard him singing his farewell “Vale, Vale,” from the furthermost part of the fairy ring, and in the next instant, his laughing “ho, ho, ho!” came from the back of King Oberon’s throne. The whole fairy realm took up this laughing “ho, ho, ho!” and when it quieted down, there on the stool was sitting a Swedish troll who, without any preface, began telling a story of
Story DNA
Plot Summary
Robin Goodfellow, a mischievous fairy, introduces himself as King Oberon's agent, tasked with observing and participating in human night sports. He boasts of his swiftness and ability to transform into various forms to play pranks, such as leading travelers astray, stealing food from feasts, and tricking riders. He also performs helpful deeds like carding wool for diligent maids, but punishes lazy ones. Robin reveals secrets, thwarts traps, and describes nightly fairy dances where human babies are sometimes swapped for elves. He concludes by affirming his identity and long history of pranks before vanishing, leaving a Swedish troll in his place.
Themes
Emotional Arc
amusement and lightheartedness throughout
Writing Style
Narrative Elements
Cultural Context
Robin Goodfellow, also known as Puck, is a prominent figure in English folklore, often associated with mischievous spirits or hobgoblins. This poem reflects traditional beliefs about his dual nature as both helpful and troublesome.
Plot Beats (14)
- Robin Goodfellow introduces himself as Oberon's messenger, sent to oversee and partake in night sports.
- He boasts of his swiftness and ability to spy on all creatures of the night, promising to send them home with laughter.
- He describes how he greets wanderers with a counterfeiting voice, leading them through difficult terrain or playing tricks on them unseen.
- He transforms into various animals (man, ox, hound, horse) to trick people, especially those who try to ride him.
- He attends human gatherings, unseen, eating their food, blowing out candles, and kissing maids.
- He sometimes helps maids by carding wool, spinning flax, and grinding malt while they sleep.
- He punishes sluttish maids by pinching them black and blue, pulling off their bedclothes, and throwing them on the cold floor.
- He lends items to those in need but affrights debtors with pinches and dreams if they delay repayment.
- He exposes lazy, lying, and mischief-making women by revealing their secrets to those they wronged.
- He thwarts human traps set for vermin, pretending to be caught before leaping out laughing.
- He describes nightly fairy dances and the practice of stealing newborn human babes, replacing them with elves.
- He explains that mortals who see fairies dancing and keep silent are rewarded with a groat in their shoe.
- He concludes by reiterating his long history as Robin Goodfellow, known to all supernatural beings and old beldames.
- Robin Goodfellow vanishes swiftly, his laughter echoing, and a Swedish troll appears in his place.
Characters
Robin Goodfellow ★ protagonist
Robin Goodfellow is a small, agile, and mischievous creature, capable of changing his form at will. When appearing in a human-like form, he is likely slender and quick, with an impish grin. His true form is ethereal and difficult to perceive, often described as a shadow or a fleeting glimpse. He is not bound by typical human physicality, able to fly and move with supernatural speed.
Attire: Robin Goodfellow does not wear fixed clothing, as he constantly shifts forms. However, when he manifests in a more stable, human-like form, he might appear in simple, rustic attire befitting a forest sprite – perhaps a tunic and breeches made of natural, earthy tones like moss green or bark brown, possibly adorned with leaves or twigs. His clothing would be practical for his pranks and quick movements.
Wants: To cause mischief and merriment, to observe human folly, to assist his fairy king, and to maintain a balance by punishing laziness and rewarding diligence.
Flaw: His love for pranks can sometimes lead to excessive mischief, and his elusive nature means he rarely forms deep connections.
Robin Goodfellow does not undergo a significant character arc in this particular piece, as it is a descriptive monologue of his established nature and activities. He remains the eternal trickster.
Mischievous, playful, industrious, observant, and sometimes punitive. He enjoys pranks and revelry but also helps those in need and punishes the lazy or deceitful.
Image Prompt & Upload
A small, slender, agile male sprite with pointed ears and a mischievous grin, his eyes sparkling with humor. He has dark, unruly hair that seems to defy gravity. He wears a tunic and breeches made of moss-green linen, adorned with small, delicate leaves stitched into the fabric. His bare feet are light, as if ready to spring away. He is caught mid-leap, one hand raised in a playful gesture, a faint, translucent shimmer around his form suggesting his magical nature. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Oberon ◆ supporting
As the King of Fairies, Oberon would possess an ethereal and regal presence, likely appearing as a figure of noble bearing, perhaps with a subtle glow or aura. He is likely of average human height but carries himself with immense authority.
Attire: Regal attire befitting a fairy king, likely made of shimmering, iridescent fabrics that seem to shift color, perhaps in shades of deep forest green, midnight blue, or silver. His robes would be flowing and elegant, possibly embroidered with celestial or natural motifs. A delicate, intricate crown of woven vines or moonlight might adorn his head.
Wants: To rule his fairy kingdom, maintain order (or a specific kind of chaos), and observe the world.
Flaw: Not explicitly stated, but perhaps a certain detachment from the mortal world due to his ageless nature.
No arc in this story, as he is a static figure of authority.
Authoritative, wise, and somewhat amused by the antics of his subjects. He commands respect and oversees the activities of the fairy realm.
Image Prompt & Upload
A regal male fairy king standing upright, facing forward, full body visible from head to toe. He has a noble, wise face with sharp, intelligent eyes and a calm expression. His hair is long, flowing silver, adorned with a delicate crown of interwoven glowing vines and small, luminous moonstones. He wears flowing robes of iridescent midnight blue silk, embroidered with subtle silver star and crescent moon patterns, cinched at the waist with a wide, silver-leaf patterned belt. He holds a slender scepter of polished crystal in his right hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Swedish Troll ○ minor
A stout, earthy creature, likely with a stocky build and a somewhat rough, perhaps mossy or stony texture to its skin. It would be shorter than a human, but broad and strong.
Attire: Simple, rustic clothing made of coarse wool or animal hides, in muted earth tones. Perhaps a rough tunic and trousers, possibly adorned with natural elements like leaves or pebbles.
Wants: To tell a story, continuing the tradition of sharing tales.
Flaw: Not applicable; it only appears briefly to begin a new story.
No arc; it serves as a narrative transition.
Unassuming, direct, and a storyteller. It appears without fanfare.
Image Prompt & Upload
A short, stocky Swedish troll with a broad, sturdy build, sitting on a wooden stool, facing forward, full body visible from head to toe. Its skin is mottled grey-green, resembling moss-covered stone, with a craggy, weathered face, deep-set dark eyes, and a broad nose. Its hair is coarse, dark brown, and unkempt, like tangled roots. It wears a simple, rough tunic of dark brown wool and coarse grey trousers, with no adornments. Its expression is stoic and ready to speak. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
The Airy Welkin (Sky)
The vast, open sky, traversed swiftly by Robin Goodfellow, allowing him to observe everything below the moon.
Mood: expansive, watchful, magical, mischievous
Robin Goodfellow's vantage point for surveying the human world and its night activities.
Image Prompt & Upload
A vast, deep indigo night sky, filled with countless twinkling stars and a luminous full moon casting a soft, ethereal glow. Wisps of translucent clouds drift lazily, catching the moonlight. The perspective is high above the world, looking down upon a distant, indistinct landscape shrouded in darkness. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
English Countryside (Woods, Lakes, Bogs, Brakes, Fields)
A varied natural landscape of woods, lakes, bogs, and thickets, through which Robin leads wanderers astray, often transforming into animals. It also includes open fields and hedgerows.
Mood: mysterious, wild, enchanting, disorienting
Robin's playground for leading travelers astray and performing animal transformations.
Image Prompt & Upload
A moonlit, winding path through a dense, ancient English woodland. Gnarled oak and beech trees with moss-covered trunks cast long, distorted shadows. Patches of mist cling to the ground, obscuring a dark, still pond reflecting the moonlight. Beyond the trees, glimpses of open, rolling fields with hedgerows are visible under the vast night sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Rural English Cottage Interior
The interior of a humble, lived-in cottage, featuring a hearth, a bed, and areas for domestic work like spinning wool and grinding malt. It can be either tidy or 'sluttish'.
Mood: cozy (when tidy), chaotic (when sluttish), intimate, vulnerable to pranks
Robin's domain for household pranks: blowing out candles, stealing food, pinching maids, tidying wool, or pulling bedclothes off sleepers.
Image Prompt & Upload
A rustic, dimly lit interior of a 16th-century English cottage at night. A large stone hearth with glowing embers casts flickering light on rough-hewn timber walls and a low, beamed ceiling. A simple wooden bed with rumpled linen sits in one corner, while a spinning wheel and a wooden table with earthenware pots are near the hearth. Moonlight streams faintly through a small, leaded window, illuminating dust motes in the air. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Fairy Ring in a Green Meadow
A verdant meadow, likely with a natural spring or stream, where Robin and his fellow fairies dance in a circular ring under the moonlight.
Mood: magical, ethereal, joyful, secretive
The fairies' gathering place for dancing, singing, and performing their 'hey-day guise' rituals, including the stealing of human babies.
Image Prompt & Upload
A wide, lush green meadow bathed in brilliant moonlight. A perfect circular ring of darker, taller grass or mushrooms marks the fairy ring. Dew glistens on the blades of grass and scattered wildflowers. In the distance, a small, clear stream (rill) winds its way through the meadow, reflecting the moon. The sky above is a deep, star-studded blue. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.