CXXII NUIT

by Unknown · from Les mille et une nuits - Tome premier

fairy tale adventure tense Ages all ages 610 words 3 min read
Cover: CXXII NUIT

Adapted Version

CEFR A1 Age 5 331 words 2 min Canon 95/100

Listen! Scheherazade has a new story for us. It is about a man in a box. She tells the story now. It is a very old story.

The Merchant was inside a big chest. He was very scared. His heart beat fast. A big Guard stopped The Lady. He was angry. He wanted to open all the boxes. The Merchant felt much fear.

The Lady did not give the key. She stood very tall. She said, "No!" This chest has gifts. They are for the Queen. It has special water. The Queen will be very angry.

The Guard was scared of the Queen. He did not want trouble. He let the chests go. They went into the big house. He did not look inside.

Then, the King came. He came very fast. He saw the chests. He wanted to see inside them. "What is in these boxes?" he asked. His voice was loud.

The Lady tried to stop the King. She spoke softly. She did not want him to look. She said, "These are clothes for ladies. They are for the Queen." But the King said, "No! Open them!"

The King told The Lady to open them. He gave a strong order. He said, "The Queen will not be angry. I promise you this. Do not worry."

The Lady opened the chests. She opened them one by one. She took her time. She moved very slowly. She talked about each pretty dress. The King watched her. He waited for her.

Only one chest was left. It was The Merchant's chest. It sat on the floor. The King looked at it. He said, "Open that one now! What is inside?"

The Merchant was very, very scared. He was inside the chest. He could hear the King. He thought, "Oh no! This is the end!" His heart beat fast.

But then, the sun came up! The morning light filled the room. Scheherazade smiled. More tomorrow night! she said. She would tell them more.

Original Story 610 words · 3 min read

CXXII NUIT.

Quelques moments avant le jour, la sultane des Indes s'étant réveillée, poursuivit de cette manière l'histoire du marchand de Bagdad: «L'officier des eunuques, continua-t-il, fâché de ce qu'on avait interrompu son sommeil, querella fort la favorite de ce qu'elle revenait si tard. «Vous n'en serez pas quitte à si bon marché que vous vous l'imaginez, lui dit-il; pas un de ces coffres ne passera que je ne l'aie fait ouvrir et que je ne l'aie exactement visité.» En même temps, il commanda aux eunuques de les apporter devant lui l'un après l'autre, et de les ouvrir. Ils commencèrent par celui où j'étais enfermé: ils le prirent et le portèrent. Alors je fus saisi d'une frayeur que je ne puis exprimer: je me crus au dernier moment de ma vie.

«La favorite, qui avait la clef, protesta qu'elle ne la donnerait pas et ne souffrirait jamais qu'on ouvrit ce coffre-là. «Vous savez bien, dit-elle, que je ne fais rien venir qui ne soit pour le service de Zobéide, votre maîtresse et la mienne. Ce coffre particulièrement est rempli de marchandises précieuses, que des marchands nouvellement arrivés m'ont confiées. Il y a de plus un nombre de bouteilles d'eau de la fontaine de Zemzem, envoyées de la Mecque. Si quelqu'une venait à se casser, les marchandises en seraient gâtées et vous en répondriez: la femme du commandeur des croyants, saurait bien se venger de votre insolence. Enfin elle parla avec tant de fermeté, que l'officier n'eut pas la hardiesse de s'opiniâtrer à vouloir faire la visite ni du coffre où j'étais ni des autres. «Passez donc, dit-il en colère, marchez!» On ouvrit l'appartement des dames, et l'on y porta tous les coffres.

«À peine y furent-ils que j'entendis crier tout à coup: «Voilà le calife! voilà le calife!» Ces paroles augmentèrent ma frayeur à un point, que je ne sais comment je n'en mourus pas sur-le-champ. C'était effectivement le calife. «Qu'apportez-vous dans ces coffres? dit-il à la favorite. - Commandeur des croyants, répondit-elle, ce sont des étoffes nouvellement arrivées, que l'épouse de votre majesté a souhaité qu'on lui montrât. - Ouvrez, ouvrez, reprit le calife, je les veux voir aussi.» Elle voulut s'en excuser, en lui représentant que ces étoffes n'étaient propres que pour des dames, et que ce serait ôter à son épouse le plaisir qu'elle se faisait de les voir la première. «Ouvrez, vous dis-je, répliqua-t-il, je vous l'ordonne.» Elle lui remontra encore que sa majesté, en l'obligeant à manquer de fidélité à sa maîtresse, l'exposait à sa colère. «Non, non, repartit-il, je vous promets qu'elle ne vous en fera aucun reproche: ouvrez, seulement, et ne me faites pas attendre plus longtemps.»

«Il fallut obéir, et je sentis alors de si vives alarmes, que j'en frémis encore toutes les fois que j'y pense. Le calife s'assit, et la favorite fit porter devant lui tous les coffres l'un après l'autre et les ouvrit. Pour tirer les choses en longueur, elle lui faisait remarquer toutes les beautés de chaque étoffe en particulier: elle voulait mettre sa patience à bout, mais elle n'y réussit pas. Comme elle n'était pas moins intéressée que moi à ne pas ouvrir le coffre où j'étais, elle ne s'empressait pas de le faire apporter, et il ne restait plus que celui-là à visiter. «Achevons, dit le calife, voyons encore ce qu'il y a dans ce coffre.» Je ne puis dire si j'étais vif ou mort en ce moment; mais je ne croyais pas échapper d'un si grand danger.»

Scheherazade, à ces derniers mots, vit paraître le jour. Elle interrompit sa narration; mais elle la continua de cette sorte sur la fin de la nuit suivante:


Story DNA

Plot Summary

A merchant, hidden in a chest, faces imminent discovery as he is smuggled into the women's quarters. First, the officer of the eunuchs demands to inspect all chests, but the Caliph's favorite cleverly deters him with threats of Zobeide's wrath. However, the Caliph himself then appears and insists on seeing the contents of every chest. The favorite desperately tries to delay him by showing other items, but as only the merchant's chest remains, his fate hangs in the balance, with the story ending on a cliffhanger as day breaks.

Themes

dangerresourcefulnesssecrecyloyalty

Emotional Arc

fear to temporary relief

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: nested stories

Narrative Elements

Conflict: person vs person
Ending: ambiguous
the chest (symbol of hidden secrets and danger)

Cultural Context

Origin: Arabian
Era: timeless fairy tale

This is an excerpt from One Thousand and One Nights (Arabian Nights), a collection of Middle Eastern and South Asian stories and folk tales compiled during the Islamic Golden Age. The framing device of Scheherazade telling stories to delay her execution is central to the collection.

Plot Beats (11)

  1. The story begins with the Sultana of the Indies continuing the tale of the merchant of Baghdad.
  2. The merchant, hidden in a chest, recounts how the officer of the eunuchs stops the favorite, demanding to inspect all chests.
  3. The favorite refuses to give up the key to the merchant's chest, claiming it holds precious goods for Zobeide and sacred water, threatening the officer with Zobeide's revenge.
  4. The officer, intimidated, allows the chests to pass into the women's apartment without inspection.
  5. Upon entering the apartment, the Caliph suddenly arrives and demands to see what is in the chests.
  6. The favorite attempts to deter the Caliph, stating the contents are fabrics only for ladies and meant for his wife, but he insists on seeing them.
  7. The Caliph orders the favorite to open the chests, promising no repercussions from Zobeide.
  8. The favorite reluctantly obeys, opening chests one by one, trying to prolong the process by describing each fabric's beauty.
  9. Only the merchant's chest remains, and the Caliph demands it be opened next.
  10. The merchant is in extreme fear, believing his life is at an end.
  11. Scheherazade interrupts the story as day breaks, promising to continue the next night.

Characters

👤

The Merchant of Baghdad

human adult male

Of average height and build for a man of his profession and region, likely with a lean physique from travel. His features would be typical of a man from Baghdad, with a sun-kissed complexion.

Attire: Though not explicitly described, he would wear the typical attire of a Baghdadi merchant: a loose-fitting tunic (qamis) made of fine linen or cotton, possibly a vest (sadriya) over it, and wide trousers (sirwal). His head would be covered by a turban (imamah) of a rich color, perhaps silk. He would wear soft leather slippers.

Wants: To survive the immediate danger and escape his predicament.

Flaw: His vulnerability to the whims of powerful figures and his physical helplessness when confined.

In this segment, he is purely reactive, experiencing extreme fear and helplessness. His arc is one of survival through sheer luck and the actions of others.

A man curled up inside a large, ornate wooden chest, eyes wide with terror.

Resourceful (to get into the situation), terrified, anxious, observant (narrating the events), cautious.

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The Favorite

human young adult female

A woman of graceful stature, likely slender and elegant, befitting her position as a favorite in a royal harem. Her movements would be fluid and refined.

Attire: She would wear luxurious attire: a flowing, richly embroidered silk dress (possibly a kaftan or a similar court dress) in vibrant colors like emerald green or sapphire blue, adorned with gold thread and perhaps small pearls. She might have a sheer veil or head covering draped elegantly. Her clothing would be of the finest quality, reflecting her status.

Wants: To protect herself and the merchant (who is her secret lover or accomplice) from discovery, and to maintain her standing with Zobeide.

Flaw: Her secret involvement with the merchant, which puts her at great risk.

She is actively trying to avert disaster, demonstrating her cunning and bravery. Her arc in this segment is one of intense struggle to maintain her secret and protect the merchant.

A beautiful woman in flowing, richly embroidered silk, standing defiantly before a stack of ornate chests, holding a key.

Clever, quick-witted, firm, resourceful, loyal (to Zobeide), manipulative (in her excuses), courageous.

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The Officer of the Eunuchs

human adult male

Likely a man of imposing presence, perhaps stout or muscular, reflecting his role as a guardian. His features would be stern and unyielding, typical of a man in a position of authority within a palace.

Attire: He would wear the uniform of a palace guard or official: a practical but well-made tunic and trousers, possibly in dark colors like deep blue or maroon, with a sturdy belt. He might wear a simple, functional turban or cap. His attire would convey authority rather than luxury.

Wants: To enforce the rules of the harem, maintain order, and assert his authority, especially after being disturbed.

Flaw: His fear of Zobeide, which ultimately makes him back down.

He serves as an initial obstacle, demonstrating his power and strictness, but is ultimately outmaneuvered by the Favorite's cleverness and his own fear of Zobeide.

A stern, imposing man in a dark uniform, with a thick mustache, standing with arms crossed, blocking a doorway.

Strict, suspicious, easily angered, stubborn, dutiful (to a point), intimidated by higher authority (Zobeide).

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The Caliph

human adult male

A man of dignified and powerful bearing, likely well-fed and robust, reflecting his status as a ruler. His presence would command immediate respect and attention.

Attire: He would wear the most opulent attire: a flowing, richly embroidered silk robe (thobe or similar court garment) in deep, royal colors like crimson or imperial purple, possibly with gold thread and precious stones. A wide, jeweled belt would cinch his waist. His clothing would be a clear indicator of his immense wealth and power.

Wants: To satisfy his curiosity and assert his authority, even over the women's quarters and his wife's preferences.

Flaw: His insatiable curiosity and perhaps a touch of arrogance, which makes him unknowingly threaten the Favorite's secret.

He enters as a powerful force of disruption, unknowingly threatening the merchant's life. He remains an unyielding obstacle due to his curiosity, driving the tension of the scene.

A powerful ruler in a magnificent, jeweled turban and crimson silk robes, seated on cushions, demanding to see the contents of a chest.

Curious, imperious, accustomed to immediate obedience, persistent, somewhat playful (in his insistence), powerful.

👤

Scheherazade

human young adult female

A woman of captivating beauty and intelligence, likely slender and graceful, with an air of quiet determination. Her features would be delicate yet strong.

Attire: As the Sultana of the Indies, she would wear exquisite Indian attire: a flowing, richly embroidered silk or brocade lehenga or a similar court dress, in deep jewel tones like sapphire or ruby, possibly with intricate gold or silver zari work. She might wear delicate gold jewelry, such as a maang tikka on her forehead or jhumkas (bell-shaped earrings).

Wants: To save her life by continuously captivating the Sultan with her stories.

Flaw: Her life depends entirely on her ability to entertain and delay.

She is in the midst of her ongoing struggle for survival, continuing to weave her tales night after night, demonstrating her unwavering resolve and narrative genius.

A beautiful Indian sultana with long, dark hair and expressive eyes, seated elegantly, captivating an unseen listener with her words.

Intelligent, resourceful, captivating, determined, resilient, eloquent.

Locations

Palace Corridor/Antechamber

indoor dawn Warm, dry desert climate implied; interior likely cool from the night.

A transitional space within an Abbasid-era Arabian palace, likely dimly lit before dawn, where the eunuch officer intercepts the favorite. The air is tense with suppressed anger and fear.

Mood: Tense, confrontational, fearful.

The favorite is stopped by the eunuch officer who demands to inspect the chests, including the one containing the merchant.

Heavy wooden chests Eunuch officer in charge Favorite (concubine) Palace guards/eunuchs Stone or tiled floor Archways or doorways leading to other parts of the palace

Apartment of the Ladies (Harem)

indoor dawn Warm, dry desert climate implied; interior likely cool and still.

A private, opulent chamber within the caliph's harem, richly decorated with luxurious fabrics and cushions, designed for the ladies of the court. It is a space of both comfort and strict protocol.

Mood: Luxurious, anxious, claustrophobic for the hidden merchant.

The chests are brought into the ladies' apartment, and the Caliph unexpectedly arrives, demanding to inspect them himself.

Luxurious fabrics and cushions Ornate chests Caliph seated Favorite presenting goods Geometric patterns on walls/floors Possibly a low divan or seating area