I NUIT
by Unknown · from Les mille et une nuits - Tome premier
Adapted Version
A man went on a long trip. He rode his horse in the hot desert. He had things to sell. He took food for his trip. He had biscuits and dates. He rode far.
The man came home. The sun was hot. He felt very warm. He saw some trees. He wanted to rest there. He found water under a tree. The water was clean.
The man got off his horse. He tied his horse to a tree. He sat by the water. He ate his dates. He ate his biscuits. He threw the date seeds away. He threw them left. He threw them right.
He finished his food. He washed his hands. He prayed to God. He knelt down.
He still prayed. A very big genie came. The Big Genie was old. He was all white. He held a big stick. The Big Genie looked angry. He walked to the man.
The Big Genie shouted. "Get up!" he said. "I will punish you!" he said. "You made my son sick! You hurt him bad!" The man was very scared. He shook with fear.
The man was very scared. He said, "No, sir! I did not do it!" He said, "I do not know your son." He said, "I never saw him."
The Big Genie said, "You sat here. You ate dates. You threw seeds. A seed hit my son's eye. It made him very sick. He got very sick. He did not get better."
The man said, "Yes, I threw seeds. It was an accident. I did not mean it. Please, forgive me! Please let me live!"
The Big Genie was angry. He said, "No! No pardon! No mercy!" He said, "You hurt my son. I will punish you." He was very firm.
The Big Genie grabbed the man. He pushed him down. The man fell to the ground. The Big Genie lifted his big stick. He held it high. He looked very cross.
The man cried. He cried very much. He thought of his wife. He thought of his children. He said, "I am good!"
The Big Genie waited. He did not move. He still looked angry. He said, "Your tears do not help. I will punish you now."
The Big Genie raised his stick. He was ready to hit. Just then, the sun came up. What will happen next?
Original Story
I NUIT.
LE MARCHAND ET LE GÉNIE. Sire, il y avait autrefois un marchand qui possédait de grands biens, tant en fonds de terre qu'en marchandises et en argent comptant. Il avait beaucoup de commis, de facteurs et d'esclaves. Comme il était obligé de temps en temps de faire des voyages, pour s'aboucher avec ses correspondants, un jour qu'une affaire d'importance l'appelait assez loin du lieu qu'il habitait, il monta à cheval et partit avec une valise derrière lui, dans laquelle il avait mis une petite provision de biscuit et de dattes, parce qu'il avait un pays désert à passer, où il n'aurait pas trouvé de quoi vivre. Il arriva sans accident à l'endroit où il avait affaire, et quand il eut terminé la chose qui l'y avait appelé, il remonta à cheval pour s'en retourner chez lui.
Le quatrième jour de sa marche, il se sentit tellement incommodé de l'ardeur du soleil, et de la terre échauffée par ses rayons, qu'il se détourna de son chemin pour aller se rafraîchir sous des arbres qu'il aperçut dans la campagne. Il y trouva, au pied d'un grand noyer, une fontaine d'une eau très-claire et coulante. Il mit pied à terre, attacha son cheval à une branche d'arbre, et s'assit près de la fontaine, après avoir tiré de sa valise quelques dattes et du biscuit. En mangeant les dattes, il en jetait les noyaux à droite et à gauche. Lorsqu'il eut achevé ce repas frugal, comme il était bon musulman, il se lava les mains, le visage et les pieds[5], et fit sa prière.
Il ne l'avait pas finie, et il était encore à genoux, quand il vit paraître un génie tout blanc de vieillesse et d'une grandeur énorme, qui, s'avançant jusqu'à lui le sabre à la main, lui dit d'un ton de voix terrible: «Lève-toi, que je te tue avec ce sabre, comme tu as tué mon fils.» Il accompagna ces mots d'un cri effroyable. Le marchand, autant effrayé de la hideuse figure du monstre que des paroles qu'il lui avait adressées, lui répondit en tremblant: «Hélas! mon bon seigneur, de quel crime puis-je être coupable envers vous, pour mériter que vous m'ôtiez la vie? - Je veux, reprit le génie, te tuer de même que tu as tué mon fils. - Hé! bon Dieu, repartit le marchand, comment pourrais-je avoir tué votre fils? Je ne le connais point, et je ne l'ai jamais vu. - Ne t'es-tu pas assis en arrivant ici? répliqua le génie; n'as-tu pas tiré des dattes de la valise, et, en les mangeant, n'en as-tu pas jeté les noyaux à droite et à gauche? - J'ai fait ce que vous dites, répondit le marchand; je ne puis le nier. - Cela étant, reprit le génie, je te dis que tu as tué mon fils, et voici comment: dans le temps que tu jetais tes noyaux, mon fils passait; il en a reçu un dans l'oeil, et il en est mort: c'est pourquoi il faut que je te tue. - Ah! monseigneur, pardon, s'écria le marchand. - Point de pardon, répondit le génie, point de miséricorde. N'est-il pas juste de tuer celui qui a tué? - J'en demeure d'accord, dit le marchand; mais je n'ai assurément pas tué votre fils; et quand cela serait, je ne l'aurais fait que fort innocemment: par conséquent, je vous supplie de me pardonner et de me laisser la vie. - Non, non, dit le génie, en persistant dans sa résolution, il faut que je te tue de même que tu as tué mon fils.» À ces mots, il prit le marchand par le bras, le jeta la face contre terre, et leva le sabre pour lui couper la tête.
Cependant le marchand tout en pleurs, et protestant de son innocence, regrettait sa femme et ses enfants, et disait les choses du monde les plus touchantes. Le génie, toujours le sabre haut, eut la patience d'attendre que le malheureux eût achevé ses lamentations; mais il n'en fut nullement attendri: «Tous ces regrets sont superflus, s'écria-t-il; quand tes larmes seraient de sang, cela ne m'empêcherait pas de te tuer comme tu as tué mon fils. - Quoi! répliqua le marchand, rien ne peut vous toucher? Vous voulez absolument ôter la vie à un pauvre innocent? - Oui, repartit le génie, j'y suis résolu.» En achevant ces paroles…
Scheherazade, en cet endroit, s'apercevant qu'il était jour, et sachant que le sultan se levait de grand matin pour faire sa prière et tenir son conseil, cessa de parler. «Bon Dieu! ma soeur, dit alors Dinarzade, que votre conte est merveilleux! - La suite en est encore plus surprenante, répondit Scheherazade; et vous en tomberiez d'accord, si le sultan voulait me laisser vivre encore aujourd'hui, et me donner la permission de vous la raconter la nuit prochaine.» Schahriar, qui avait écouté Scheherazade avec plaisir, dit en lui-même: «J'attendrai jusqu'à demain; je la ferai toujours bien mourir quand j'aurai entendu la fin de son conte.» Ayant donc pris la résolution de ne pas faire ôter la vie à Scheherazade ce jour-là, il se leva pour faire sa prière et aller au conseil.
Pendant ce temps-là, le grand vizir était dans une inquiétude cruelle: au lieu de goûter la douceur du sommeil, il avait passé la nuit à soupirer et à plaindre le sort de sa fille, dont il devait être le bourreau. Mais si dans cette triste attente il craignait la vue du sultan, il fut agréablement surpris, lorsqu'il vit que ce prince entrait au conseil sans lui donner l'ordre funeste qu'il en attendait.
Le sultan, selon sa coutume, passa la journée à régler les affaires de son empire, et quand la nuit fut venue, il coucha encore avec Scheherazade. Le lendemain avant que le jour parût, Dinarzade ne manqua pas de s'adresser à sa soeur et de lui dire: «Ma soeur, si vous ne dormez pas, je vous supplie, en attendant le jour qui paraîtra bientôt, de continuer le conte d'hier.» Le sultan n'attendit pas que Scheherazade lui en demandât la permission: «Achevez, lui dit-il, le conte du génie et du marchand; je suis curieux d'en entendre la fin.» Scheherazade prit alors la parole, et continua son conte dans ces termes:
Story DNA
Plot Summary
A wealthy merchant, resting during a desert journey, accidentally kills the son of a powerful genie by throwing a date pit. The genie appears, enraged, and despite the merchant's pleas of innocence and the accidental nature of the act, is determined to exact revenge by killing him. As the genie raises his saber to strike, the story is dramatically interrupted by the dawn, leaving the merchant's fate unresolved as part of Scheherazade's ongoing narrative to the Sultan.
Themes
Emotional Arc
peace to terror
Writing Style
Narrative Elements
Cultural Context
This story is part of the larger 'One Thousand and One Nights' collection, a compilation of Middle Eastern folk tales compiled during the Islamic Golden Age. The framing story of Scheherazade is crucial to its narrative structure.
Plot Beats (16)
- A wealthy merchant embarks on a business trip, carrying provisions for a desert crossing.
- On his return journey, he seeks shade and water under trees, finding a clear fountain.
- He dismounts, ties his horse, and eats dates and biscuit, discarding the date pits.
- After his meal, he performs his Muslim prayers.
- Before finishing his prayer, an enormous, ancient genie appears, saber in hand.
- The genie accuses the merchant of killing his son and declares his intention to kill the merchant in revenge.
- The merchant, terrified, pleads his innocence, stating he doesn't know the genie's son.
- The genie explains that one of the date pits the merchant threw struck and killed his son.
- The merchant admits to throwing the pits but insists it was an innocent, accidental act and begs for mercy.
- The genie refuses all pleas for pardon, reiterating his resolve to exact revenge.
- The genie seizes the merchant, throws him to the ground, and raises his saber to behead him.
- The merchant weeps, laments his wife and children, and protests his innocence.
- The genie waits for the merchant to finish his lamentations but remains unmoved, declaring tears won't save him.
- Just as the genie is about to strike, Scheherazade stops her story as dawn breaks.
- Dinarzade praises the story, and Scheherazade promises a more surprising continuation if the Sultan spares her for another night.
- The Sultan, intrigued, decides to spare Scheherazade for the day to hear the end of the tale.
Characters
The Merchant
A man of average height and build, likely with sun-darkened skin from his travels. His features are not explicitly described but would be consistent with a man from the Middle East or North Africa, perhaps with a well-maintained beard.
Attire: Practical, yet indicating wealth. He would wear a loose-fitting, long-sleeved tunic (perhaps a thobe or qamis) made of fine linen or cotton, possibly in a muted color like cream or light brown, suitable for desert travel. Over this, he might have a simple, unadorned cloak. He would wear sturdy leather sandals or soft leather boots. His clothing would be clean but show signs of travel.
Wants: To conduct his business successfully and return safely to his family. Later, his motivation is purely to survive the Genie's wrath.
Flaw: His vulnerability to unforeseen circumstances and the arbitrary justice of supernatural beings. His fear makes him helpless against the Genie.
Starts as a successful, confident businessman, but is abruptly thrown into a life-or-death situation, forcing him to confront his mortality and plead for his life. His arc is one of extreme vulnerability and desperation.
Pious, practical, resourceful, fearful, pleading, innocent (of intentional wrongdoing).
The Genie
Enormous in size, towering over the merchant. His entire form is described as 'tout blanc de vieillesse' (all white with age), suggesting a spectral, ancient appearance, possibly with a long white beard and hair, and skin that is pale or glowing white.
Attire: No specific clothing is mentioned, implying his form is either his natural state or his attire is part of his ethereal, ancient appearance. If clothed, it would be flowing, simple, and ancient, perhaps white or grey robes that blend with his 'all white' description.
Wants: To avenge the death of his son, believing the merchant is directly responsible.
Flaw: His absolute, unreasoning conviction in the merchant's guilt, and his inability to be swayed by pleas or logic.
Remains unchanged throughout the excerpt, steadfast in his vengeful intent. His arc is one of unwavering, terrifying resolve.
Vengeful, unyielding, terrifying, resolute, merciless, patient (waiting for the merchant's lamentations).
Scheherazade
Not explicitly described, but as a queen and storyteller, she would likely be presented as beautiful and graceful, consistent with a woman of high status in an Arabian court. Her features would be of Middle Eastern descent.
Attire: Rich, flowing robes of silk or fine cotton, possibly in jewel tones, adorned with subtle embroidery or patterns. She would wear a modest amount of elegant jewelry, such as gold earrings or a necklace, appropriate for a queen in an Arabian setting.
Wants: To survive by captivating the Sultan with her stories, thereby saving her own life and potentially the lives of other women in the kingdom.
Flaw: Her life is constantly at risk, dependent on the Sultan's whim.
Her arc is ongoing, as she is in the process of transforming the Sultan through her stories, moving from a condemned woman to a potential savior.
Intelligent, resourceful, captivating, courageous, strategic, empathetic (implied by her desire to save herself and others).
Sultan Schahriar
Not explicitly described, but as a powerful Sultan, he would be depicted as commanding and regal, likely with a strong build. His features would be consistent with a ruler from an Arabian empire.
Attire: Opulent and regal, befitting an Arabian Sultan. He would wear richly embroidered silk robes (e.g., a caftan or jubbah) in deep, royal colors like crimson or emerald, possibly with gold thread. A jeweled turban or crown would adorn his head. He might wear a heavy gold chain or other significant jewelry.
Wants: Initially driven by a desire for vengeance against perceived female infidelity (implied by the larger frame story). In this excerpt, his motivation is to hear the end of Scheherazade's captivating tale.
Flaw: His initial cruelty and impulsiveness. His curiosity, while saving Scheherazade, also makes him vulnerable to her influence.
His arc is one of gradual transformation, moving from a ruthless tyrant to a more thoughtful and less bloodthirsty ruler, influenced by Scheherazade's tales. In this excerpt, he shows a shift from immediate execution to patient anticipation.
Initially cruel and vengeful (implied by his past actions), but becomes curious, intrigued, and eventually patient due to Scheherazade's stories. He is decisive in his rule.
Dinarzade
As Scheherazade's sister, she would likely share similar features, perhaps slightly younger or less imposing in presence. Her features would be of Middle Eastern descent.
Attire: Elegant but less elaborate than Scheherazade's, perhaps a simpler silk dress or tunic in a soft color, suitable for a lady-in-waiting or sister to the queen.
Wants: To hear the continuation of her sister's captivating stories, and by extension, to help her sister survive.
Flaw: Her role is primarily to prompt Scheherazade, she has no agency of her own in the story.
Remains a static character, serving as a foil and prompt for Scheherazade.
Curious, supportive, admiring, eager.
The Grand Vizier
An older man, likely with a distinguished appearance, perhaps a bit stooped with worry. His features would be of Middle Eastern descent.
Attire: Formal court attire, less opulent than the Sultan's but still indicative of high rank. Perhaps a dark, richly woven robe (e.g., a jubbah or caftan) with a simpler, yet still distinguished, turban.
Wants: To fulfill his duty to the Sultan, despite the personal anguish of having to potentially execute his own daughter. His ultimate motivation is his daughter's survival.
Flaw: His powerlessness to save his daughter directly, and his deep emotional distress.
His arc in this excerpt is one of emotional relief, moving from cruel anxiety to pleasant surprise as his daughter is spared for another day.
Anxious, sorrowful, dutiful, relieved.
Locations
Desert Road
A long, exposed desert road, intensely hot under the sun's rays, with the earth radiating heat.
Mood: Desolate, arduous, weary
The merchant travels through this desert, feeling the intense heat before seeking shade.
Oasis with Walnut Tree and Fountain
A small oasis in the desert, featuring a large, ancient walnut tree providing ample shade, and a very clear, flowing fountain at its base. The ground beneath the tree is likely soft earth or sand, contrasting with the harsh desert.
Mood: Initially refreshing and peaceful, then terrifying and confrontational
The merchant stops here to rest, eat, and pray, leading to his fateful encounter with the genie.