ÍNDICE
by Unknown · from Fábulas y cuentos en verso: Selección
Adapted Version
A little page of notes helps readers. This page has many small numbers. Each number starts a helpful note. The notes sit in a long row. They wait by the book. They help from start to end.
Each note helps with a story. One note points to a page. Another note explains a small fact. The book gives many tiny helps. A reader can look and learn. The notes make hard parts clear.
One note tells about the writer. He wrote when he was young. He started very early in life. He made fables in those years. The note shares this gentle fact.
Some notes match one story to another. Two stories can share one idea. Two stories can teach one thing. The notes help readers see this. The book feels linked and friendly.
Some notes tell about old places. One note tells why a place had a name. One note tells where something came from. These small facts hold old time. They make the book feel real.
Some notes tell of older stories. A story came from one before. Some came from famous old writers. Their names stay short and light. The notes show stories travel on.
One note shows an old poem style. It tells how poems once looked. The words moved in a past way. The note makes old writing simple. A reader can smile at it.
One writer told one idea many ways. He made old thoughts feel new. The note loves that playful gift. It shows care and bright skill.
After the notes, another part comes. It tells how the book was copied. Small print slips were fixed there. Marks were cleaned with great care. Blank parts were taken away too. The book was made neat again. New readers can use it easily.
At the end, a last note stays. This old book was shared with care. People can read and use it well. The notes help people know books better.
Original Story
ÍNDICE
NOTAS
[1] Campoamor escribió las fábulas de los quince a los veintitrés años.
[2] Ver la pág. 191. Se incluyen a veces fábulas del mismo asunto para poder establecer comparaciones.
[3] Ver el mismo asunto en la pág. 192.
[4] Arreglo de un cuento de don Agustín Moreto.
[5] Así fué llamada por mucho tiempo la que estaba a orilla del estanque mayor del Retiro.
[6] Escrita con motivo de la inauguración del nuevo edificio destinado a Monte de Piedad y Caja de Ahorros de Madrid en el año de 1875.
[7] Ver el mismo asunto en la pág. 181.
[8] Ver el mismo asunto en la pág. 186.
[9] Ver el mismo asunto en la pág. 138.
[10] Incluyo esta fábula como muestra de una versificación que estuvo en boga a fines del siglo XVI y comienzos del XVII, en que se ensayaron multitud de extravagancias rítmicas.
[11] Ver el mismo asunto en la pág. 187.
[13] Ver el mismo asunto en la pág. 185.
[14] Véase el mismo asunto en las págs. 157 y 171.
[15] El asunto de este cuento es el mismo que incluye Cervantes en el Quijote, parte II, cap. II.
[29] He puesto aquí estas tres fábulas seguidas como muestra de la facilidad que tenía Lope de Vega para tratar múltiples veces un mismo asunto sin repetirse en la forma.
Nota de transcripción
Los errores de imprenta han sido corregidos sin avisar.
Se ha respetado la ortografía del original impreso pero se han puesto tildes a las mayúsculas.
Las páginas en blanco han sido eliminadas.
Las notas a pie de página se han renumerado y colocado al final del libro.
Algunas ilustraciones se han desplazado ligeramente para no interrumpir un poema.
*** END OF THE PROJECT GUTENBERG EBOOK FÁBULAS Y CUENTOS EN VERSO ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
Story DNA
Plot Summary
This document is an index or set of explanatory notes for a collection of fables and stories, likely from a book titled 'Fábulas y Cuentos en Verso'. It provides numbered annotations that offer context, historical details, literary comparisons, and authorial information for various entries within the main text. The notes highlight instances of shared themes, specific literary influences, and the historical background of certain tales. The document concludes with transcription notes detailing editorial decisions for the digital edition and standard Project Gutenberg legal information.
Themes
Emotional Arc
null
Writing Style
Narrative Elements
Cultural Context
The notes provide a glimpse into the literary and cultural landscape of Spain, particularly concerning the creation and reception of fables and stories in the 19th century and earlier.
Plot Beats (10)
- The document begins with a section titled 'NOTAS', containing a series of numbered annotations.
- Each note provides specific information about a fable or story, often referencing page numbers within a larger text.
- Some notes detail the author's background, such as Campoamor writing fables between 15 and 23 years old.
- Many notes point out instances of similar subject matter across different fables, encouraging comparison.
- Historical context is provided for certain stories, like the opening of a specific building or the origin of a nickname for a fountain.
- Literary origins are cited, such as a story being an arrangement of a tale by Agustín Moreto or having the same subject as a Cervantes story.
- A note explains the inclusion of a fable to showcase a particular versification style from the 16th and 17th centuries.
- Another note highlights Lope de Vega's ability to treat the same subject multiple times without repetition in form.
- Following the numbered notes, a 'Nota de transcripción' outlines the editorial decisions made during the digitization process.
- The document concludes with standard Project Gutenberg legal and usage information, indicating its status as a digital edition of a public domain work.
Locations
El Retiro Park, by the larger pond
A specific area within Madrid's El Retiro Park, adjacent to its largest pond, known for a particular structure or feature that was present for a long time.
Mood: Public, recreational, historical
Historically referenced as the location of a specific, long-standing feature ('la que estaba a orilla del estanque mayor del Retiro').
New Monte de Piedad y Caja de Ahorros Building, Madrid (1875)
The newly inaugurated building for the Monte de Piedad y Caja de Ahorros in Madrid, opened in 1875.
Mood: Formal, institutional, civic
The setting for a fable written specifically for its inauguration.