A Cheerful Temper

by Hans Christian Andersen · from Collected Fairy Tales

fairy tale moral tale whimsical Ages 8-14 1603 words 7 min read
Cover: A Cheerful Temper

Adapted Version

CEFR A1 Age 5 277 words 2 min Canon 100/100

Hello! I am a happy man. I want to tell you a secret.

I am a happy man. My dad was happy too. He gave me this happy heart. My dad drove a special, quiet car. He always had a big smile. He made people feel good.

I like to read the news. It tells me many things. I also like a quiet garden. It has many old stones. I find happy thoughts there. Both places make me smile.

Come with me now! We will walk in the quiet garden. Each stone is a little story. We can think about them. It is nice to do.

I saw a stone for The Grumpy Man. He was always grumpy. Small things made him sad. He worried about many things. He worried so much. He got very tired. Then he went to sleep. He was not happy.

Another stone was for The Man Who Looked Happy. He had many nice things. He wore fancy clothes. But other people did his work. He did not do much. He was not truly happy inside.

I visit the quiet garden often. When people are grumpy, I think of them. I think of them in a happy way. I make them good in my mind. I write happy stories about them. I put them in my special book. This helps me stay cheerful. I am happy every day.

I hope people will say this. "He was a very happy man!" They will think of me. It is good to be happy. This is my wish.

It is good to be happy every day. This is my secret. I hope you are happy too!

Original Story 1603 words · 7 min read

A cheerful temper

A fairy tale by Hans Christian Andersen

From my father I received the best inheritance, namely a "good temper." - "And who was my father?" That has nothing to do with the good temper; but I will say he was lively, good-looking round, and fat; he was both in appearance and character a complete contradiction to his profession. "And pray what was his profession and his standing in respectable society?" Well, perhaps, if in the beginning of a book these were written and printed, many, when they read it, would lay the book down and say, "It seems to me a very miserable title, I don't like things of this sort." And yet my father was not a skin-dresser nor an executioner; on the contrary, his employment placed him at the head of the grandest people of the town, and it was his place by right. He had to precede the bishop, and even the princes of the blood; he always went first,– he was a hearse driver! There, now, the truth is out. And I will own, that when people saw my father perched up in front of the omnibus of death, dressed in his long, wide, black cloak, and his black-edged, three-cornered hat on his head, and then glanced at his round, jocund face, round as the sun, they could not think much of sorrow or the grave. That face said, "It is nothing, it will all end better than people think." So I have inherited from him, not only my good temper, but a habit of going often to the churchyard, which is good, when done in a proper humor; and then also I take in the Intelligencer, just as he used to do.

I am not very young, I have neither wife nor children, nor a library, but, as I said, I read the Intelligencer, which is enough for me; it is to me a delightful paper, and so it was to my father. It is of great use, for it contains all that a man requires to know; the names of the preachers at the church, and the new books which are published; where houses, servants, clothes, and provisions may be obtained. And then what a number of subscriptions to charities, and what innocent verses! Persons seeking interviews and engagements, all so plainly and naturally stated. Certainly, a man who takes in the Intelligencer may live merrily and be buried contentedly, and by the end of his life will have such a capital stock of paper that he can lie on a soft bed of it, unless he prefers wood shavings for his resting-place. The newspaper and the churchyard were always exciting objects to me. My walks to the latter were like bathing-places to my good humor. Every one can read the newspaper for himself, but come with me to the churchyard while the sun shines and the trees are green, and let us wander among the graves. Each of them is like a closed book, with the back uppermost, on which we can read the title of what the book contains, but nothing more. I had a great deal of information from my father, and I have noticed a great deal myself. I keep it in my diary, in which I write for my own use and pleasure a history of all who lie here, and a few more beside.

Now we are in the churchyard. Here, behind the white iron railings, once a rose-tree grew; it is gone now, but a little bit of evergreen, from a neighboring grave, stretches out its green tendrils, and makes some appearance; there rests a very unhappy man, and yet while he lived he might be said to occupy a very good position. He had enough to live upon, and something to spare; but owing to his refined tastes the least thing in the world annoyed him. If he went to a theatre of an evening, instead of enjoying himself he would be quite annoyed if the machinist had put too strong a light into one side of the moon, or if the representations of the sky hung over the scenes when they ought to have hung behind them; or if a palm-tree was introduced into a scene representing the Zoological Gardens of Berlin, or a cactus in a view of Tyrol, or a beech-tree in the north of Norway. As if these things were of any consequence! Why did he not leave them alone? Who would trouble themselves about such trifles? especially at a comedy, where every one is expected to be amused. Then sometimes the public applauded too much, or too little, to please him. "They are like wet wood," he would say, looking round to see what sort of people were present, "this evening; nothing fires them." Then he would vex and fret himself because they did not laugh at the right time, or because they laughed in the wrong places; and so he fretted and worried himself till at last the unhappy man fretted himself into the grave.

Here rests a happy man, that is to say, a man of high birth and position, which was very lucky for him, otherwise he would have been scarcely worth notice. It is beautiful to observe how wisely nature orders these things. He walked about in a coat embroidered all over, and in the drawing-rooms of society looked just like one of those rich pearl-embroidered bell-pulls, which are only made for show; and behind them always hangs a good thick cord for use. This man also had a stout, useful substitute behind him, who did duty for him, and performed all his dirty work. And there are still, even now, these serviceable cords behind other embroidered bell-ropes. It is all so wisely arranged, that a man may well be in a good humor.

Here rests,– ah, it makes one feel mournful to think of him!– but here rests a man who, during sixty-seven years, was never remembered to have said a good thing; he lived only in the hope of having a good idea. At last he felt convinced, in his own mind, that he really had one, and was so delighted that he positively died of joy at the thought of having at last caught an idea. Nobody got anything by it; indeed, no one even heard what the good thing was. Now I can imagine that this same idea may prevent him from resting quietly in his grave; for suppose that to produce a good effect, it is necessary to bring out his new idea at breakfast, and that he can only make his appearance on earth at midnight, as ghosts are believed generally to do; why then this good idea would not suit the hour, and the man would have to carry it down again with him into the grave– that must be a troubled grave.

The woman who lies here was so remarkably stingy, that during her life she would get up in the night and mew, that her neighbors might think she kept a cat. What a miser she was!

Here rests a young lady, of a good family, who would always make her voice heard in society, and when she sang "Mi manca la voce," it was the only true thing she ever said in her life.

Here lies a maiden of another description. She was engaged to be married,– but, her story is one of every-day life; we will leave her to rest in the grave.

Here rests a widow, who, with music in her tongue, carried gall in her heart. She used to go round among the families near, and search out their faults, upon which she preyed with all the envy and malice of her nature. This is a family grave. The members of this family held so firmly together in their opinions, that they would believe in no other. If the newspapers, or even the whole world, said of a certain subject, "It is so-and-so;" and a little schoolboy declared he had learned quite differently, they would take his assertion as the only true one, because he belonged to the family. And it is well known that if the yard-cock belonging to this family happened to crow at midnight, they would declare it was morning, although the watchman and all the clocks in the town were proclaiming the hour of twelve at night.

The great poet Goethe concludes his Faust with the words, "may be continued;" so might our wanderings in the churchyard be continued. I come here often, and if any of my friends, or those who are not my friends, are too much for me, I go out and choose a plot of ground in which to bury him or her. Then I bury them, as it were; there they lie, dead and powerless, till they come back new and better characters. Their lives and their deeds, looked at after my own fashion, I write down in my diary, as every one ought to do. Then, if any of our friends act absurdly, no one need to be vexed about it. Let them bury the offenders out of sight, and keep their good temper. They can also read the Intelligencer, which is a paper written by the people, with their hands guided. When the time comes for the history of my life, to be bound by the grave, then they will write upon it as my epitaph–

"The man with a cheerful temper."

And this is my story.

  •     *     *     *     *

Story DNA

Moral

A cheerful temper and a positive outlook can transform one's perception of life and even death, making existence more bearable and meaningful.

Plot Summary

A narrator, who inherited a cheerful temper from his hearse-driver father, finds joy in reading the newspaper and visiting the churchyard. He takes the reader on a contemplative tour of graves, using the deceased as examples of various human flaws: a man who fretted himself to death over trifles, a superficial nobleman, and a man who died of joy from a secret idea. He also briefly mentions a stingy woman, a vain singer, a gossiping widow, and a stubbornly opinionated family. The narrator concludes by revealing his personal philosophy: he mentally 'buries' annoying people in his diary, transforming them into better characters, thus preserving his own good humor, and hopes to be remembered as 'The man with a cheerful temper'.

Themes

optimism vs. pessimismperspective and judgmentthe nature of happinessacceptance of life and death

Emotional Arc

contemplation to affirmation

Writing Style

Voice: first person
Pacing: slow contemplative
Descriptive: moderate
Techniques: direct address to reader, anecdotal storytelling, metaphorical language

Narrative Elements

Conflict: person vs self
Ending: moral justice
Magic: none
the churchyard (a place of reflection on life and death)the Intelligencer (a source of mundane information, contrasted with profound life lessons)the hearse driver (a symbol of cheerful acceptance of mortality)

Cultural Context

Origin: Danish
Era: 19th century

Hans Christian Andersen often used everyday observations and common societal types to illustrate broader philosophical points, reflecting the social norms and intellectual currents of 19th-century Denmark.

Plot Beats (13)

  1. Narrator introduces himself as having inherited a 'good temper' from his father, a cheerful hearse driver.
  2. Narrator explains his habits of reading the 'Intelligencer' and visiting the churchyard, finding joy in both.
  3. Narrator invites the reader to join him on a walk through the churchyard, comparing graves to closed books.
  4. Narrator describes the grave of a man who, despite a good position, was perpetually unhappy and annoyed by trivial imperfections, eventually fretting himself to death.
  5. Narrator points out the grave of a 'happy man' of high birth, whose status was superficial, relying on others to do his 'dirty work'.
  6. Narrator tells of a man who sought a 'good idea' for 67 years, found it, and died of joy, but never shared it, potentially troubling his grave.
  7. Narrator briefly mentions a stingy woman who mewed like a cat to avoid feeding one.
  8. Narrator describes a young lady who only spoke truth when singing 'Mi manca la voce' (my voice fails me).
  9. Narrator passes over a maiden's grave, deeming her story too common.
  10. Narrator details a widow who, with 'music in her tongue', carried 'gall in her heart', gossiping maliciously.
  11. Narrator describes a family grave where members were so stubbornly unified in opinion they'd believe a schoolboy over the world, or a cock's crow over clocks.
  12. Narrator concludes by stating he often visits the churchyard, and when friends or non-friends annoy him, he mentally 'buries' them, transforming them into better characters in his diary.
  13. Narrator expresses his hope that his epitaph will read: 'The man with a cheerful temper'.

Characters

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The Narrator

human adult male

Inherited a round, jovial face from his father.

Attire: Unspecified, but likely simple, practical clothing suitable for walks in the churchyard.

A round, sun-like face beaming with good humor.

Cheerful, observant, philosophical.

👤

The Narrator's Father

human adult male

Lively, good-looking, round, and fat.

Attire: Long, wide, black cloak and black-edged, three-cornered hat, befitting a hearse driver.

A plump hearse driver with a sunny disposition in stark black attire.

Cheerful, contradictory to his profession, comforting.

👤

The Unhappy Man

human adult male

Not specified, but implied to be of refined tastes.

Attire: Implied to be well-dressed, reflecting his refined tastes.

A furrowed brow perpetually scrutinizing theatrical details.

Fastidious, easily annoyed, critical.

👤

The Happy Man

human adult male

Not specified, but implied to be of high birth and position.

Attire: Coat embroidered all over.

An embroidered bell-pull in human form.

Passive, reliant on others, privileged.

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The Man Who Never Said a Good Thing

human adult male

Not specified.

Attire: Not specified.

A ghostly figure clutching a single, elusive thought bubble.

Unremarkable, hopeful, ultimately unfulfilled.

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The Stingy Woman

human adult female

Not specified.

Attire: Not specified.

A hunched figure mewing in the darkness.

Miserly, secretive, deceptive.

👤

The Widow with Music in Her Tongue

human adult female

Not specified.

Attire: Not specified.

A smiling face with a serpent's tongue.

Malicious, envious, gossipy.

Locations

The Churchyard

outdoor sunny, green trees imply spring or summer

Green trees, graves with epitaphs like closed books, white iron railings around plots

Mood: contemplative, humorous, reflective

The narrator reflects on the lives of the deceased and finds amusement and lessons in their stories.

gravestones iron railings evergreen tendrils rose-tree (gone)

The Narrator's Home

indoor

Implied to be simple, containing a diary and the Intelligencer newspaper

Mood: peaceful, solitary, content

The narrator reads the newspaper and records his observations and reflections in his diary.

Intelligencer newspaper diary soft bed of paper or wood shavings (hypothetical)

The Theatre

indoor night

Stage with moon backdrop, palm trees, cactus, beech-tree

Mood: annoying, imperfect

The unhappy man is annoyed by the inaccuracies in the stage design.

stage moon backdrop palm tree cactus beech-tree