The Thorny Road of Honor

by Hans Christian Andersen · from Collected Fairy Tales

fairy tale moral tale solemn Ages 8-14 1474 words 7 min read
Cover: The Thorny Road of Honor

Adapted Version

CEFR A1 Age 5 251 words 2 min Canon 100/100

Have you tried new, hard things?

It is hard to do new things. It is hard to help others. This is a hard path. But it is a good path. Many people walked this path. They helped make the world better.

Socrates was a wise man. He taught good things. People did not know him. They were not kind. He had to stop teaching.

Homer told many stories. He could not see well. He did not have much money. People did not see his stories were special. But they loved them later.

Columbus wanted to find new lands. People laughed at his big idea. He found a new land. But he did not get a thank you. He was sent away.

Robert Fulton built a big boat. It used steam. At first, it did not work. People laughed at him. But he tried again. The boat worked! All were happy.

These people felt happy inside. They knew their hard work helped others. People did not say thank you right away. But their good work made things better.

Their good work lived on always. They helped make the world better. They showed us how to be brave. They showed us how to be kind.

Doing new, good things is hard. At times people do not know you at first. But keep trying. Your good work helps many. People will think of you. So, think of this: doing good is hard. But good things make the world better. Your kindness will shine always.

Original Story 1474 words · 7 min read

The thorny road of honor

A fairy tale by Hans Christian Andersen

There is an old fairy tale: "The Thorny Road of Honor was trodden by a marksman named Bryde, to whom came great honor and dignity, but not until after manifold adversities and peril of life." More than one of us had heard that tale in childhood, and perhaps read it in later years, and thought of his own unsung "thorny road" and "manifold adversities." Romance and reality are very nearly alike, but romance has its harmonious ending here on earth, while reality more often delays it and leads us to time and eternity.

The history of the world is a magic lantern, showing us picture slides against the dark backgrounds of the ages, of how the benefactors of mankind, the martyrs of progress, have trodden their Thorny Roads of Honor.

From all times, from all lands, these pictures of splendor come to us; each picture lasts a moment only, yet it is a whole lifetime of struggles and triumphs. Let us glance at a few in the ranks of the marytrs (NB= martyrs), those ranks which will never be filled until earth itself shall pass a way.

We see a crowded theater! The Clouds of Aristophanes is sending forth to the audience a river of mirth and mockery; the stage of Athens is ridiculing, in both body and mind, her most remarkable man, who was the shield and defense of the people against the Thirty Tyrants. Socrates, who in the heat of battle rescued Alcibiades and Xenophon, whose spirit soared above the deities of the ancient world, is here in person. He has risen from the spectators' bench and has stepped forward, so that the mocking Athenians may decide whether he and the stage caricature resemble each other. There he stands erect before them, and in high spirit he is high above them.

You green, juicy, poisonous hemlock, be you, and not the olive tree, the shadowy symbol of this Athens!

Seven cities claimed to be the birthplace of Homer-that is, after he was dead. But look at him in his lifetime! Through these same cities he wanders, reciting his verses for a pittance. Care for the morrow turns his hair gray. He, mightiest of seers, is blind and alone; and the sharp thorns tear the mantle of the king of poesy.

His songs yet live, and in them alone live still the gods and heroes of olden times.

Picture after picture leaps forth from the morning land and the evening land, far separated by time and space, yet all with the same thorny path, where the thistle never bears blossoms till it adorns the grave.

Under the palm trees walk swaying camels, laden with indigo and other precious gifts, sent by the ruler of the land to him whose songs are the people's delight and the country's pride. He whom spite and slander drove into exile is found again, for the caravan draws near the little town where he has taken refuge. But a poor corpse is being carried out of the gate, and the caravan is stopped. The dead is the very man they seek, Firdausi; ended is his Thorny Road of Honor.

There sits an African Negro, with blunt features, thick lips, and black kinky hair, begging on the marble steps of the palace in Portugal's capital; he is the faithful slave of Camöens. If it were not for him and the coppers that he begs, his master, the singer of The Lusiad, would have starved to death. Now an expensive monument rises over the grave of Camöens.

Still another picture. Behind iron bars a man appears, ghostly white, with a long and matted beard. "I have made an invention!" he cries. "The greatest in centuries; and for more than twenty years they have kept me caged up here!"

"Who is he?"

"A lunatic," replies the keeper. "What crazy ideas a man may get! He thinks people could move along by steam power!" It is Salomon de Caus, inventor of the steam engine. His prophetic words have not been clear enough for a Richelieu, and he dies imprisoned in a madhouse.

Here stands Columbus, whom once street boys pursued and mocked at, because he would discover a new world. He has discovered it! The bells of jubilation ring at his triumphant return; but soon the bells of envy sound more loudly still. The world discoverer, who raised the American land of gold from the ocean and gave it to his king, is rewarded with chains of iron. He asks that they be laid in his coffin, to show the world how a man is valued in his own age.

Picture rushes after picture, for rich is the Thorny Road of Honor.

Here in dismal gloom sits he who measured the heights of the moon mountains, who forced his way out among the planets and stars of space-mighty Galileo, who could see and hear the earth itself turning beneath him. Blind and deaf he sits now in his old age, suffering wracking pain and neglect, hardly able to lift his foot-that foot which once, when the words of truth were blotted out, he stamped on the earth in mental agony, crying out, "Yet it moves!"

Here stands a woman with the heart of a child, with inspiration and faith. She bears her banner before the fighting army and brings victory and freedom to her motherland. There is shouting-and the fire burns high; Joan of Arc, the witch, is burned at the stake. Yes, the coming age will spit upon the white lily; Voltaire, wit's own satyr, will sing of La Pucelle.

At the Viborg-Thing the nobles of Denmark are burning the king's laws; they burst into flames that light up both age and lawmaker and send a flash of glory into a dark dungeon tower. There he sits, gray-haired, bent, digging at the stone table with his fingers. Once he ruled over three kingdoms, the popular leader, friend of townfolk and peasant alike, Christian II- he of the hard will in a hard age. Enemies wrote his story. Twenty-seven long years of prison, let us remember, when we think of his blood guilt.

There sails a ship from Denmark, and a man stands beside the tall mast; for the last time he looks upon Hveen, Tycho Brahe, who lifted Denmark's name to the stars themselves and was repaid with scorn and mockery, is setting forth to a foreign land. "Heaven is everywhere; what more do I want?" Those are his words as he sails away, our most famous man, sure in foreign lands of being honored and free.

"Yes, free! Ah, if only free from the intolerable pains of this body!" sighs a voice to us from across the centuries. What a picture! Griffenfeld, the Danish Prometheus, chained to Munkholm's rocky isle.

Now we are in America, beside a large river. A great crowd has gathered there, for it is said that a ship is to sail against wind and tide, to be itself a power against the elements. Robert Fulton is the name of the man who thinks he can do this strange thing. The ship begins its trip, but suddenly it stops. The crowd laughs, whistles, and mocks; his own father mocks with them. "Conceit! Madness! He has got what was coming to him! Put the crackbrain under lock and key!" Then a small nail rattles loose-for a moment it had stopped the machinery-the engines turn the paddle wheels again and cut through the opposition of the waves-the ship moves!

The weaver shuttle of steam turns hours into minutes between all the lands of the world.

Mankind, can you realize the happiness of that moment of assurance when the soul understands its mission? That moment, when the sorest wounds from the Thorny Road of Honor, even if caused by one's own fault, are healed and forgotten in spiritual health and strength and freedom. When all discords melt into harmony, and men perceive a revelation of God's grace, granted to one alone, and by him made known to all!

Then the Thorny Road of Honor shines like a path of glory around the earth. Happy is he who is chosen to be a pilgrim on that road and, through no merit of his own, is made one of the master builders of the bridge between God and man.

The Genius of History wings his mighty way down through the ages and gives us comfort and good cheer and thoughtful peace of mind by showing us, in brilliant pictures against nightdark backgrounds, the Thorny Road of Honor-not a path that ends, like a fairy tale, in gladness and triumph here on earth, but one that leads onward and upward, far into time and eternity.

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Story DNA

Moral

Great honor and lasting impact often come only after immense suffering, ridicule, and adversity, with true recognition frequently delayed until after death.

Plot Summary

This philosophical fairy tale argues that true honor and lasting impact are often achieved through immense suffering and adversity, with recognition frequently delayed until after death. It illustrates this 'Thorny Road of Honor' through a series of historical examples, including Socrates, Homer, Firdausi, Camões, Salomon de Caus, Columbus, Galileo, Joan of Arc, Christian II, Tycho Brahe, Griffenfeld, and Robert Fulton. Each figure faced ridicule, imprisonment, or death for their contributions, only for their genius to be celebrated posthumously. The story concludes by emphasizing the spiritual triumph and eternal glory of those who walk this difficult path, becoming 'master builders' for humanity.

Themes

perseverancesacrificeunrecognized geniusthe cost of progress

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: episodic
Descriptive: moderate
Techniques: list of examples, rhetorical questions, direct address to reader, metaphorical language

Narrative Elements

Conflict: person vs society
Ending: bittersweet
Magic: The 'magic lantern' of history as a metaphor
The 'Thorny Road of Honor' (metaphor for life's difficult path to greatness)Hemlock (symbol of unjust death for truth)Chains (symbol of unjust imprisonment/reward for greatness)Fire (symbol of martyrdom and purification)The 'magic lantern' (symbol of history revealing truths)

Cultural Context

Origin: Danish
Era: timeless fairy tale

The story draws heavily on historical figures and events, presenting them as archetypal examples of genius and virtue facing adversity. It reflects a 19th-century European perspective on history and progress, often romanticizing suffering for a greater cause.

Plot Beats (15)

  1. The narrator introduces the concept of the 'Thorny Road of Honor' as a universal truth, not just a fairy tale, for benefactors of mankind.
  2. Socrates is presented, ridiculed and caricatured in Athens, ultimately facing death by hemlock despite his wisdom and service.
  3. Homer is shown wandering blind and poor, his genius unrecognized and suffering, only to be celebrated posthumously.
  4. Firdausi, exiled and slandered, dies just as a caravan arrives to honor him, his recognition coming too late.
  5. Camões, the great poet, is depicted as dependent on his slave's begging to survive, his monument only rising after his death.
  6. Salomon de Caus, inventor of the steam engine, is imprisoned in a madhouse, his revolutionary idea dismissed as lunacy.
  7. Columbus, mocked for his ambition, discovers a new world but is rewarded with chains, which he requests be buried with him.
  8. Galileo, who measured the heavens, is shown blind, deaf, and in pain in old age, having been forced to recant his truths.
  9. Joan of Arc, who brought victory to her nation, is burned as a witch, her heroism only later acknowledged.
  10. Christian II, a popular leader, is imprisoned for 27 years, his story written by enemies.
  11. Tycho Brahe, who elevated Denmark's name, is scorned and mocked, forced to seek honor in a foreign land.
  12. Griffenfeld, the 'Danish Prometheus,' is chained to a rocky isle, suffering physical pain.
  13. Robert Fulton's steamship initially fails, leading to public ridicule and even his father's mockery, before a minor fix allows it to succeed.
  14. The narrative reflects on the spiritual triumph and healing of wounds experienced by those who walk this thorny path, even if earthly recognition is delayed.
  15. The story concludes by defining the 'Thorny Road of Honor' as a path of glory that leads into eternity, making its pilgrims master builders between God and man.

Characters

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Bryde

human adult male

Marksman who faced adversities

Attire: Simple hunting clothes, leather jerkin, boots

Quiver of arrows slung across his back

Resilient, honorable, persevering

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Socrates

human adult male

Remarkable man, shield and defense of the people

Attire: Simple Greek tunic and sandals

Sandaled foot stepping forward from the audience

Wise, courageous, principled

👤

Homer

human elderly male

Blind, wandering, reciting verses for a pittance

Attire: Torn and patched mantle

Empty eye sockets turned towards the sky

Resilient, creative, proud

👤

Firdausi

human adult male

Whose songs are the people's delight and the country's pride

Attire: Simple robes, perhaps travel-worn

Corpse being carried out of town as a caravan arrives

Talented, exiled, ultimately honored

👤

Camöens

human adult male

Singer of The Lusiad, would have starved to death

Attire: Tattered clothing, beggar's rags

Begging bowl held out by his slave

Proud, impoverished, talented

👤

Salomon de Caus

human adult male

Ghostly white, with a long and matted beard

Attire: Tattered prison clothes

Hand reaching through iron bars

Inventive, misunderstood, imprisoned

👤

Columbus

human adult male

World discoverer, who raised the American land of gold from the ocean

Attire: Fine clothes initially, then iron chains

Iron chains laid in his coffin

Determined, visionary, betrayed

👤

Galileo

human elderly male

Blind and deaf, suffering wracking pain and neglect

Attire: Simple scholar's robes

Foot stamping on the earth

Brilliant, persecuted, defiant

Locations

Crowded Theater of Athens

indoor

A crowded theater with a stage where Aristophanes' play is being performed, ridiculing Socrates.

Mood: Mocking, ridiculing, tense

Socrates is ridiculed on stage, highlighting the lack of appreciation for his contributions.

stage audience actors Socrates Clouds of Aristophanes

Marble Steps of the Palace in Portugal

outdoor

Marble steps leading to a palace in Portugal's capital.

Mood: Desolate, impoverished, ironic

Camõens' faithful slave begs for money to support the poet, illustrating the neglect of genius.

marble steps palace African Negro beggar Camõens (implied)

Dismal Dungeon Tower

indoor

A dark dungeon tower with a stone table.

Mood: Gloomy, oppressive, despairing

Christian II is imprisoned, symbolizing the harsh treatment of leaders who challenge the status quo.

iron bars stone table Christian II gray hair darkness

River in America

outdoor

A wide river with a large crowd gathered on the banks.

Mood: Skeptical, mocking, then triumphant

Robert Fulton's steamboat successfully sails against the current, demonstrating the triumph of innovation over skepticism.

river crowd Robert Fulton's steamboat paddle wheels