Two Maidens

by Hans Christian Andersen · from Collected Fairy Tales

fairy tale satirical satirical Ages 8-14 650 words 3 min read
Cover: Two Maidens

Adapted Version

CEFR A1 Age 5 258 words 2 min Canon 100/100

Two special wooden tools lived in a shed. They were called Maidens. Big Maiden and Little Maiden lived there.

But a new idea came. People said a new name was coming. They would be called "stamps." Maidens felt sad.

"No!" said Big Maiden. "We are Maidens," Little Maiden said. "Stamp is bad." "It is not who we are." They felt sad.

Little Maiden had a friend. His name was Big Rammer. "He will not like me," she said. "He will leave me." She was very worried.

Wheelbarrow had an idea. "Stamp is a good name," he said. "It is special. Maiden is not special."

Measuring Tape spoke next. "You must change," he said. "New rules are here. You must listen to them. It is important."

"Never!" said Big Maiden. "I will break first. I will not change my name." She felt sad. She did not want to change.

It was time for work. Big Maiden and Little Maiden rode. They rode in Wheelbarrow. People called them "stamps."

They hit the stones. "Maid--!" they thought. They did not say the full word. They were still Maidens inside. This was their true name.

"We are Maidens," Big Maiden said. Little Maiden agreed. They talked about old days. They missed their old name. They felt sad.

Big Rammer heard the new name. He did not like "stamp." He left her. He was not her friend anymore. Little Maiden was very sad.

The Maidens were still Maidens. They were sad, but they knew who they were. It is good to be yourself.

Original Story 650 words · 3 min read

Two maidens

A fairy tale by Hans Christian Andersen

Have you ever seen "a maiden"? I am referring to what road pavers call a "maiden," a thing used for ramming down the paving stones. "She" is made entirely of wood, broad at the bottom, with iron hoops around it, and a stick run through it at the upper, narrower end, which gives the maiden arms.

Two maidens like this were once standing in the yard shed, among shovels, measuring tapes, and wheelbarrows. Now, there was a rumor going around that they were no longer to be called "maidens," but "stamps" or "hand rammers"; and this is the newest and only correct term in road pavers' language for what we all in olden times called "a maiden."

There are among us human beings certain individuals we call "emancipated women," such as institution superintendents, midwives, ballet dancers, milliners, and nurses; and with this group of "emancipated," the two "maidens" in the yard shed associated themselves. They were known as "maidens" among the road pavers and would under no circumstances give up their good old name and let themselves be called "stamps" or "hand rammers."

Maiden is a human name," they said, "but a 'stamp' or a 'hand rammer' is a thing, and we certainly do not want to be called things; that's insulting us!"

"My betrothed is liable to break off our engagement," said the younger of the two, who was engaged to a ramming block, a large machine used to drive stakes into the ground. In fact, he did on a larger scale the same sort of work that she did on a smaller. "He'll take me as a 'maiden,' but I'm sure he won't have me as a 'stamp' or ' hand rammer,' and so I'll not permit them to change my name."

"As for me, I'd just as soon have both my arms broken off!" said the elder.

But the wheelbarrow had a different idea, and the wheelbarrow was really somebody! He considered himself a quarter of a carriage because he went about on one wheel. "I must, however, tell you that it's common enough to be called 'maidens'; that isn't nearly so distinctive a name as 'stamp,' because that belongs under the category of 'seals.' Just think of the 'royal signet,' and the 'seal of the state.' If I were you I would give up the name 'maiden.' "

"Never!" said the elder. "I'm much too old for that!"

"You don't seem to understand what is called the European necessity," said the honest old measuring tape. "People have to adapt themselves to circumstances, limit themselves, give in to the needs of the times. And if there is a law that the 'maidens' are to be called 'stamps' or 'hand rammers,' then by that new name she must be called. There is a measuring tape for everything."

"Well, if there must be a change," said the younger, "I'd rather be called 'miss,' for 'miss' reminds one a little of 'maiden.' "

"But I'd rather be chopped up for firewood than change at all," said the old "maiden."

Now it was time for work. The "maidens" rode; they were put in the wheelbarrow, which was respectful treatment, but they were now called "stamps."

"Maid--!" they cried as they stamped on the paving stones. "Maid--!" They almost said the whole word "maiden," but they didn't finish; they had decided not to say any more about it. But among themselves they always spoke of each other as "maidens," and praised the good old days when things were called by their proper names and those who were "maidens" were called "maidens."

And "maidens" they both remained, for the ramming block, the big machine I told you about, did break off his engagement with the younger; he would have nothing to do with a "stamp" or "hand rammer"!

  •     *     *     *     *

Story DNA

Moral

Resistance to change, especially when it concerns one's identity, can have both social and personal consequences, but clinging to tradition can also preserve a sense of self.

Plot Summary

Two wooden road-ramming tools, traditionally called 'maidens,' learn that their name is to be changed to 'stamps' or 'hand rammers.' They vehemently resist this change, viewing it as an insult to their identity, while other tools offer differing opinions on adaptation. The younger 'maiden' fears losing her betrothed, a ramming block, over the name change. Despite societal pressure and being called 'stamps' at work, they internally cling to their old name. Ultimately, the younger 'maiden' loses her betrothed because he refuses to be associated with a 'stamp,' leaving both 'maidens' to lament the changing times while preserving their self-identified name.

Themes

identityresistance to changesocial pressuretradition vs. modernity

Emotional Arc

stubbornness to vindication (for one) and loss (for the other)

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: personification, direct address to reader, irony

Narrative Elements

Conflict: person vs society
Ending: bittersweet
Magic: personification of inanimate objects (tools speaking and having human emotions/relationships)
the 'maiden' (representing traditional identity and resistance to change)the 'stamp' (representing imposed, less dignified identity)the ramming block (representing societal expectations and consequences)

Cultural Context

Origin: Danish
Era: 19th century

Andersen often used everyday objects to satirize human behavior and societal trends. The term 'emancipated women' was gaining traction in the 19th century, referring to women seeking greater independence and rights. The story subtly critiques the arbitrary nature of language and social conventions.

Plot Beats (11)

  1. Two wooden road-ramming tools, called 'maidens,' are in a yard shed.
  2. A rumor circulates that their name is to be changed to 'stamps' or 'hand rammers.'
  3. The 'maidens' strongly object, viewing 'stamp' as an insult and associating 'maiden' with human identity.
  4. The younger 'maiden' expresses concern that her betrothed, a ramming block, will break off their engagement if she is called a 'stamp.'
  5. The wheelbarrow suggests 'stamp' is a more distinctive name, comparing it to 'seals.'
  6. The measuring tape advises adaptation to 'European necessity' and the needs of the times.
  7. The 'maidens' remain resolute, with the elder preferring destruction over a name change, and the younger suggesting 'miss' as an alternative if a change is inevitable.
  8. The 'maidens' are taken to work, placed in the wheelbarrow, and referred to as 'stamps' by the pavers.
  9. While working, they internally and partially vocalize 'Maid--!' but do not complete the word, maintaining their internal identity.
  10. Among themselves, they continue to use 'maidens' and lament the loss of the old ways.
  11. The ramming block breaks off his engagement with the younger 'maiden' because he refuses to be associated with a 'stamp' or 'hand rammer.'

Characters

✦

Elder Maiden

object elderly female

Broad wooden base with iron hoops, stick arms

Attire: Iron hoops, simple wooden construction

Prominent iron hoops

Stubborn, traditional

✦

Younger Maiden

object young adult female

Broad wooden base with iron hoops, stick arms

Attire: Iron hoops, simple wooden construction

Slightly smaller size than the Elder

Concerned, slightly more adaptable

✦

Wheelbarrow

object adult male

Single wheel, wooden frame

Attire: Mud splatters, signs of heavy use

Single, prominent wheel

Pompous, self-important

✦

Measuring Tape

object elderly unknown

Worn, retractable tape measure

Attire: Coiled within a metal case

Retracted, coiled form

Practical, authoritarian

✦

Ramming Block

object adult male

Large machine used to drive stakes into the ground

Attire: Grease and dirt

Massive size and weight

Traditional, inflexible

Locations

Yard Shed

indoor

A shed filled with road paving equipment

Mood: workaday, practical

The maidens discuss their names and social status.

shovels measuring tapes wheelbarrows two maidens

Paving Stones

outdoor

Paving stones being rammed down

Mood: busy, noisy

The maidens are put to work and resist their new name.

paving stones stamps road pavers