ELSIE

by Atha Westbury · from Australian fairy tales

fairy tale moral tale tender Ages 5-10 1316 words 6 min read
Cover: ELSIE

Adapted Version

CEFR A1 Age 5 374 words 2 min Canon 98/100

Elsie is a kind girl. She lives in a nice house. She loves to play music. Her house is big. It has a pretty garden. Elsie was always kind. She helped everyone.

One morning, Elsie played her piano. She heard a tiny voice. The voice said her name. It sounded like a small bell. Elsie stopped playing. She listened closely.

Elsie looked. A Tiny Fairy was on her table. She was very small. The fairy asked for pins. Elsie helped her. The fairy was very tiny. She had shiny wings.

The Tiny Fairy came for Harry. He is a boy. He lives in a small house. Harry is very sick. He needs help. The fairy asked Elsie to go. Harry was very unwell. He needed a friend.

Elsie wanted to help. She went with the Tiny Fairy. They walked to a pretty garden. It was a nice place. The garden was full of flowers. Birds sang sweet songs.

The Tiny Fairy spoke to Elsie. "Only kind people see us. We help good things happen. You are very kind. We like kind hearts." Elsie listened. Elsie felt very special. She had a kind heart.

They came near Harry's house. The Tiny Fairy said goodbye. She pointed home. Then she flew away. Elsie waved to her. The fairy flew quickly.

Elsie went inside the small house. Harry was there. He lay on a bed. Harry was very sick. Elsie felt sad. She wanted to help Harry. Harry looked very pale. He coughed a little.

Elsie helped Harry's mother. They made the room a little nice. Elsie went home. She told her mom about Harry. Her mom listened. Harry's mother thanked Elsie. Elsie felt happy.

Elsie's mom packed good food. She put it in a basket. Elsie and her mom went back. They went to Harry's house. They wanted to help. The food was warm and tasty. Harry's mom smiled.

Elsie visited Harry often. She brought food. She brought pretty flowers. She helped him get better. Harry liked her visits. He started to smile.

Harry got well and strong. He was very happy. He saw Elsie often. He knew she was very kind. Being kind makes good things happen. Harry played outside again. He thanked Elsie always.

Original Story 1316 words · 6 min read

ELSIE.

If you were to search the whole of Australia you could not find a more beautiful place than “Hawthorne,” the residence of little Elsie Barton Elsie’s father was a merchant with plenty of money. He therefore erected a large house, a little way in the country, away from the dust and noise of the city. The building stood on a lofty hill, surrounded by trees and a lovely garden, with a broad river flowing down below among crags and thick foliage, and where the water seemed like a great mirror fixed in an emerald frame. Little Elsie loved music, and was always ready every morning to begin her music lessons without being scolded and driven to them, as some disobedient and naughty girls and boys are. It was a bright morning, and Elsie raised up the window to admit the fresh breeze and the sunshine, and then sat down to the piano. She had scarcely touched the keys, however, when she was startled at hearing some one pronounce her name. The voice which Elsie heard calling her was not a gruff or a rough voice by any means, neither was it shrill or disagreeable in its tone; yet it was decidedly unlike any other voice she had ever heard before. It seemed more like the tinkling of a tiny silver bell than anything else, save that the utterance was clear and decided, and sent a thrill, half of fear, half of surprise, through the frame of the listener.

“Elsie—Elsie Barton!” repeated the voice.

Elsie turned about quickly, and stood amazed to observe upon the toilet-table near the window the tiniest and most grotesque creature in the world. The form was that of an old woman. Such a wee, graceful old lady, with a lithe, slight figure, no higher than the bottle of perfume near her. She was attired in a purple robe, green baize shoes, and a shining cloak of the same colour, with a hood attached, but which she had thrown back, disclosing her yellow hair. She supported herself with a crutch stick, about the size of a wax match.

“Well, my dear, you are no doubt astonished at seeing me?” said the old lady, leaning on her staff, and looking at Elsie with a smile. “Pray take out those horrid long spikes you call pins from the pincushion, and I will sit down and rest myself, for I am really tired.”

There was nothing at all repulsive in the manner or the aspect of this strange visitor. So little Elsie, overcoming her wonder and amazement, prepared the pincushion and seated the old lady thereon, then inquired in a respectful tone how she came into the room.

“ ‘PRAY TAKE OUT THOSE HORRID LONG SPIKES.’ ”

“Through the window, of course, my dear,” answered the creature, smiling. “We fairies come and go at divers times and seasons, and exactly how and when we please.”

“Are you a fairy—a real fairy?” cried Elsie, approaching and gazing with deep interest on the little lady before her.

“Certainly, child. Couldn’t you see that? We Australian elves are not so tall as our kindred over the ocean, but we are fairies notwithstanding.”

“I—I have read of the fairies,” said Elsie shyly, “but I have never seen any of them before.”

“Oh, my dear, it’s a great favour for any mortal to see us. It is only good children who have the privilege. Do you know why I came here this morning?” said the old lady, fanning herself with a rose-leaf.

“No. Pray tell me.”

“A poor little boy, who has been dreadfully hurt, and who lives in the little hut near the quarry, sent me to you,” replied the fairy.

“Is it little Harry, the widow’s boy?”

“The same, my dear.”

“I will go this moment,” she replied; and running down the stairs, Elsie took her sun-bonnet from the rack in the hall, and joined the elfin in the garden. Without speaking another word the fairy led the way down the hill, and away along the sunny banks of the river, and onward to a secluded dell, where Nature had exhausted the skill of simplicity. The earth undulating into tiny hillocks, was clothed with a tender verdure as soft and green as moss. The deep blue waters rolled by with a hushed ripple, that was more soothing than silence, and a blueness that rivalled the deep azure of the skies. On one side rose great masses of rugged rocks, and these and all the trees around were draped with great masses of clematis. From the roots of these there crept along the ground the beautiful vines of the purple sarsaparilla, and the grass all around was gemmed with wild violets and the blossoms of a delicately pencilled little wild orchid. The scent of the clematis made the air heavy with perfume, and the song of birds came with added music from the other side of the stream.

In this pleasant spot were gathered together a troop of elves—little, transparent people, dressed in scarlet, and blue, and amber, others in white, shining robes, and with green jewels and wreaths decking their golden curls.

Elsie Barton stood spellbound with amazement at the wonderful sight before her. Many a time she had strolled through the lovely dell previously, but she had never met either fay or sprite. While she stood with mouth agape, the old lady fairy whispered in her ear and led the child away out of the glen and over the river, where the blue smoke from the cottage wherein lay the sick boy could be seen ascending in a thin, spiral column up toward heaven, as if bridging the void between the suffering child and the ministering angels of God.

Within sight of the hut, the fairy halted, and seating herself upon a mushroom, said in a sweet, piping tone: “I cannot venture farther, Elsie. We elves are but the emblem of good thoughts and benevolent deeds. Whoever thinks least of self can see us palpably everywhere, because we are beneficence personified. Wherever there may be an act of kindness to be done, we seek out the kindly disposed to do it; but it is death to us to look upon any other mortals, save the humane and kindly hearted. Bend down, my dear, so that I may kiss you. Now, good-bye,” and the tiny lady vanished in a moment.

It was a very rude dwelling built of slabs, and almost devoid of furniture, and little Elsie Barton’s eyes filled with tears as she entered it and beheld on a bed, in one corner of the room, a boy about her own age, lying pale and ill. The poor lad had been obliged to work in a quarry, to help his widowed mother and his two little brothers, and a large stone had fallen down and had crushed one of his legs dreadfully. The brave child was sinking fast for want of generous diet and such nourishment as the widow was unable to procure for him, and so the fairy had brought kind-hearted little Elsie Barton to visit him; and Elsie helped the widow to make the sick-room more light and cosy, then went home and told her mother about the sick boy; and Mrs. Barton, after filling a basket with nice food, returned with Elsie to the cottage.

And every day for weeks Elsie Barton carried her basket of flowers and fruit, and choice morsels of dainty food for the little sufferer, until the lad grew well and strong again; and sometimes, sitting in the small country church on Sundays, the quarry boy sees her in the family pew listening with upturned face to the preacher, while through the stained windows gleam broad bars of rich and gorgeous light, which float about her as a gossamer, and surround the gentle face as with a glory tint.


Story DNA fairy tale · tender

Moral

Acts of kindness and selflessness are rewarded and bring joy to both the giver and receiver.

Plot Summary

Elsie Barton, a kind and privileged girl, is visited by a tiny Australian fairy who asks for her help. The fairy leads Elsie to a beautiful dell, explaining that elves embody good deeds and can only be seen by the kind-hearted, before vanishing. Elsie finds a poor, injured boy named Harry in a desolate hut, and is moved to tears by his suffering. With her mother's help, Elsie provides daily care and nourishment to Harry until he fully recovers, demonstrating the power of compassion and benevolence.

Themes

kindnesscompassioncharitybenevolence

Emotional Arc

innocence to compassionate action to fulfillment

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: lush
Techniques: descriptive imagery, direct address to reader (implied)

Narrative Elements

Conflict: person vs society
Ending: moral justice
Magic: talking fairy, invisible elves, magical appearance/disappearance
the fairy (symbol of benevolence)Elsie's basket (symbol of charity and care)

Cultural Context

Origin: Australian
Era: pre-industrial

Reflects a 19th-century Australian context, where charity and social responsibility towards the less fortunate were emphasized, and quarry work was a common, dangerous occupation for the poor.

Plot Beats (12)

  1. Elsie Barton, a kind and musical girl, lives in a beautiful country home called 'Hawthorne'.
  2. One morning, while playing piano, Elsie hears a tiny, bell-like voice call her name.
  3. She discovers a tiny, old woman fairy on her toilet-table, who asks to sit on a pincushion.
  4. The fairy introduces herself as an Australian elf and explains she was sent by a poor, injured boy named Harry.
  5. Elsie immediately agrees to go, and the fairy leads her through a beautiful, magical dell filled with other elves.
  6. The fairy explains that elves are 'beneficence personified' and can only be seen by the humane and kindly-hearted.
  7. The fairy kisses Elsie goodbye near Harry's hut and vanishes, unable to venture further.
  8. Elsie enters the poor, slab-built dwelling and finds Harry, a boy her age, gravely ill from a quarry accident, and is moved to tears.
  9. Elsie helps Harry's widowed mother make the room more comfortable, then returns home to tell her own mother.
  10. Elsie's mother fills a basket with food and returns with Elsie to the cottage.
  11. For weeks, Elsie regularly brings food and flowers to Harry, helping him recover.
  12. Harry eventually grows well and strong, and often sees Elsie at church, admiring her kindness.

Characters 3 characters

Elsie Barton ★ protagonist

human child female

A young girl, likely of slender build given her age. Her specific height and build are not detailed, but she is described as 'little Elsie'. Her overall appearance is gentle and kind.

Attire: Initially, she is at home, then puts on a 'sun-bonnet' to go outside. Later, she is seen in a 'family pew' in church, implying neat, modest, and era-appropriate attire for a well-to-do Australian child of the late 19th or early 20th century, likely a simple dress with a bonnet for outdoor excursions and a more formal dress for church.

Wants: Driven by a natural inclination towards kindness and a desire to help those in need, especially after being prompted by the fairy.

Flaw: Initially, perhaps a touch of naivety or sheltered innocence, as she is amazed by the fairy and the poverty of Harry's home.

Transforms from a sheltered, well-off child into a compassionate caregiver, learning about hardship and actively engaging in benevolent deeds, demonstrating her innate goodness.

Her sun-bonnet and basket of provisions, symbolizing her journey of kindness.

Kind-hearted, compassionate, obedient (especially regarding music lessons), curious, gentle, and proactive in helping others.

Image Prompt & Upload
A young Australian girl, around 8-10 years old, standing upright, facing forward, full body visible from head to toe. She has fair skin with rosy cheeks, a gentle, round face, and bright, curious eyes. Her light brown hair is styled in two neat braids. She wears a simple, light-colored cotton dress, possibly cream or pale blue, with short puffed sleeves and a modest hem, and a white apron over it. On her head is a wide-brimmed straw sun-bonnet tied under her chin. She carries a small wicker basket filled with colorful wildflowers and a few pieces of fruit in her left hand. Her expression is kind and slightly earnest. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Old Lady Fairy ◆ supporting

fairy (Australian elf) ageless (appears as an old woman) female

The tiniest and most grotesque creature, yet graceful. She is no higher than a perfume bottle. Her figure is lithe and slight, despite her aged appearance.

Attire: Attired in a purple robe, green baize shoes, and a shining cloak of the same purple color as her robe, with an attached hood. The cloak is 'shining'.

Wants: To facilitate acts of kindness and beneficence among humans, specifically to guide Elsie to help Harry.

Flaw: Cannot venture into places where there is suffering or unkindness; 'it is death to us to look upon any other mortals, save the humane and kindly hearted.'

Serves as a catalyst for Elsie's journey of compassion; she appears, gives a mission, and then vanishes, her role being to initiate change in others.

Her tiny, old woman form, dressed in a shining purple robe and green shoes, leaning on a wax match-sized crutch stick.

Benevolent, wise, a little whimsical, direct, and slightly formal in her speech, but ultimately kind and guiding.

Image Prompt & Upload
A tiny old woman, no taller than a perfume bottle, standing upright, facing forward, full body visible from head to toe. She has a lithe, slight figure, with delicate, wrinkled features on her face. Her hair is bright yellow and styled in a neat bun. She wears a shining, deep purple robe with long sleeves, green baize shoes, and a matching deep purple cloak with a hood thrown back. She leans gently on a thin, brown crutch stick, about the size of a wax match. Her expression is kind and knowing, with a slight smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Harry (the quarry boy) ○ minor

human child male

A boy about Elsie's age, initially described as 'pale and ill', lying on a bed. He has been 'dreadfully hurt' with a crushed leg. After Elsie's care, he grows 'well and strong again'.

Attire: Implied to be very poor, as his dwelling is 'rude' and 'almost devoid of furniture'. He would likely wear simple, patched, and worn clothes typical of a working-class child in rural Australia, possibly a rough linen shirt and trousers.

Wants: To recover from his injury and help his widowed mother and younger brothers.

Flaw: Physical vulnerability due to his injury and the family's poverty, which makes him susceptible to illness and slow recovery.

From a gravely injured and vulnerable child, he recovers fully due to Elsie's intervention, becoming well and strong again.

Lying pale and ill in a sparse, slab-built hut, symbolizing his initial state of suffering.

Brave (as he worked in the quarry despite his age and injury), resilient, and appreciative of kindness.

Image Prompt & Upload
A young Australian boy, around 8-10 years old, lying on a simple, rough wooden bed in a very sparse, slab-built hut. He is pale and thin, with dark, short-cropped hair and closed eyes, indicating illness. He wears a simple, patched, light-colored linen shirt and trousers. His left leg is bandaged. The room is dimly lit, with bare wooden walls. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

Elsie's Music Room at 'Hawthorne'

indoor morning Bright, fresh breeze, sunshine

A bright room with a window overlooking a lovely garden and a broad river. Contains a piano and a toilet-table.

Mood: Peaceful, domestic, then suddenly magical and surprising

Elsie is practicing piano when she is startled by the fairy's voice and first encounters the tiny Australian elf.

piano open window toilet-table perfume bottle pincushion
Image Prompt & Upload
A sun-drenched colonial-era Australian homestead interior, with a large open window revealing a lush, green garden and a glimpse of a wide, reflective river below. Inside, a polished dark wood piano sits near the window, with sheet music open on its stand. On a small, ornate dressing table beside it, a delicate glass perfume bottle catches the light. Warm morning sunlight streams through the window, illuminating dust motes in the air and casting soft shadows across the timber floorboards. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Secluded Dell by the River

outdoor morning Sunny, fragrant air, gentle breeze

A hidden valley with undulating earth forming tiny hillocks, covered in soft, green verdure. Deep blue waters of the river roll by with a hushed ripple. Great masses of rugged rocks rise on one side, draped with clematis, and purple sarsaparilla vines creep along the ground. Wild violets and delicate wild orchids gem the grass.

Mood: Enchanting, serene, magical, natural beauty

The fairy leads Elsie to this dell where a troop of transparent elves are gathered, revealing the hidden world of Australian fairies.

tiny hillocks tender green verdure deep blue river rugged rocks clematis vines purple sarsaparilla wild violets wild orchids
Image Prompt & Upload
A secluded Australian dell, bathed in bright morning sunlight. The ground undulates gently into small, mossy hillocks, covered in a vibrant, soft green carpet of native grasses and groundcover. A wide, deep blue river flows calmly through the scene, reflecting the azure sky. On one side, ancient, rugged sandstone rock formations rise, heavily draped with flowering white clematis vines. At their base, purple sarsaparilla vines weave through the undergrowth, and the grass is dotted with clusters of wild purple violets and delicate, small white orchids. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Widow's Hut near the Quarry

indoor afternoon Implied clear, as smoke rises clearly

A very rude dwelling built of timber slabs, almost devoid of furniture. A pale, ill boy lies on a bed in one corner.

Mood: Poor, desolate, somber, but later becomes more hopeful

Elsie visits the sick boy, Harry, and begins her acts of kindness, bringing comfort and aid to the family.

slab walls sparse furniture simple bed small window (implied for light)
Image Prompt & Upload
The interior of a humble, rustic Australian slab hut, with rough-hewn timber slab walls and a simple dirt floor. The room is sparsely furnished, with only a narrow, rudimentary bed in one corner where a pale boy lies beneath a thin blanket. A small, unadorned window lets in a muted, soft afternoon light, highlighting the raw textures of the timber. The air feels still and quiet, reflecting the boy's illness. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.