THE BALL in THE DELL
by Atha Westbury · from Australian fairy tales
Adapted Version
It was a warm night in Australia. Tottie played in her garden with Sultan. The air felt soft. Stars shone bright above. Sultan wagged his tail. Tottie smiled and threw a small ball. This was a happy time.
Tottie walked to the river. The river flowed slowly. She saw tiny, shiny people there. The people sparkled brightly. They stood in two lines. A big boat sat on the water. Six white swans pulled the boat. It looked very pretty.
The Fairy King stepped out. His voice was kind. "Come with us," he said to Tottie. Fairies helped Tottie onto the boat. Tottie felt a soft push. They were very gentle. Tottie felt safe with them.
Tottie sat on a soft seat. The seat felt like moss. She heard sweet, soft music. Music was like bells. The boat moved on the river. Tottie watched the water go by. She felt calm and happy.
The boat stopped at a secret garden. Green vines grew everywhere. Bright flowers bloomed there. It was a pretty place. Fairies led Tottie inside. This was where the fairy party would be.
Tottie went inside the garden. The light was warm. Glow-worms made soft light. The Fairy Queen sat there. Other fairies sat with her. Fairies wore shiny clothes. Tottie looked at them all.
The Fairy Queen smiled at Tottie. She held out a shiny gift. The gift gleamed brightly. "Welcome, dear Tottie," she said. Tottie's heart felt warm. Tottie felt very special.
More fairy friends came. Tiny wings fluttered. Birds flew into the garden. Happy sounds filled air. The wind whispered softly. Everyone was very excited. The party was starting.
The Fairy King stood up. His voice was clear. "Let's dance!" he said. The birds sang a happy song. The song made Tottie smile. Their music was very sweet.
The fairies danced fast. Their dresses flowed freely. They spun and jumped. Little bells tinkled softly. It was a fun, wild dance. Tottie watched them twirl. She felt full of wonder.
A big bell rang. A loud sound echoed. *Dong!* All the lights went out. Silence fell quickly then. It was dark now. The dancing stopped at once.
Tottie woke up in her bed. The room was quiet. Tottie blinked her eyes. Jane stood there. "Your parents are home," Jane said. Tottie thought, "Was it a dream? Or was it real?"
Original Story
THE BALL IN THE DELL.
Tottie Maybush, of Melgrove on the hills, was never known to tell an untruth. Yet little kind-hearted Tottie could not be certain whether she had fallen asleep and dreamed all about the fairies’ ball, or the spirits of the dell had carried her off bodily to their annual festival. On one of our beautiful Australian midsummer nights, the dark-blue sky, and the earth beneath it, illumined by a full, radiant moon, Tottie was seated under a large fig-tree in the garden, playing with Sultan, the retriever puppy. The child’s parents had gone to visit a neighbour; therefore there was no one at home save Jane, the servant, who had promised Tottie that she might remain up till they returned.
No one can say—not even Tottie herself—how it was she came to leave her seat and the puppy, and stroll all alone down the long walk beyond the orchard, until she emerged upon a sloping lawn that dipped with an easy fall to the edge of the river. The round, full moon overhead cast thin streaks and broad bars of soft light athwart the branches of the tall trees, which formed triangles, circles, and crosses, about the sombre trunks, and lay like scraps of burnished steel about her path. Out on the mossy bank the moon’s focus seemed to rest on one great patch of light, whereon stood a group of small, slender, puny creatures, drawn up in two lines, like a regiment of soldiers on parade. Tiny and insignificant as they appeared, Tottie could not help observing their costumes, which were both elegant and superb. Every rich and varied flower in the botanical world of the Southern Hemisphere had lent its bloom and beauty to adorn their persons, while beyond their ranks, on the placid bosom of the river, sat six large, white swans, attached to the car of state, which glowed and sparkled under the beams of the moon like a mass of sapphires.
The moment Tottie appeared, the King of the fairies stepped forth and addressed her,—
“Mortal, you are invited to our Jubilee in the dell. Xylophagus, my Queen, has sent her barge of state, together with this gallant escort, to convey you thither. Fear not to come with us; we are your friends and your slaves for the hour. Gentlemen, let your royal barge approach.”
The elfin monarch waved his hand, when instantly there arose upon the air a choral melody from the fairy boat, far surpassing the song of birds. No warbling bulbul, no melting note of dulcimer floating o’er the waters at still midnight, ever ravished the senses, or soothed with tones so liquid soft, as the strains which fell upon the ears of Tottie Maybush as she was borne aboard by the elves. They placed her on a couch of softest down, fringed by a border of wild rose leaves, and two lovely fairy ladies fanned her with perfumed fans, which not only warded off the mosquitoes, but lulled Tottie into a passive state, wherein she was utterly powerless to move or act, yet which left her sense of hearing and observation free and unfettered. What engines made of mortal hands could propel a boat so swiftly and noiselessly as those proud, vigorous swans, who glided onward down the river with the elfin barque and its freight as if the whole thing had been no heavier than a gossamer? What mortal ears could conceive from out the world of sound such enchanting harmony? It was the silvery lullaby of Fairyland, that our Australian sprites might chant to some fretful changeling they had adopted and sought to hush to sleep.
And now the view opens upon a magnificent glade, with here and there a huge eucalyptus standing out in bold relief like a grim giant on guard. Here the elfin King and his grotesque retinue land, and escort their mortal guest across the velvet sward and through a grove of trees, which terminates in a deep dell—the scene of the fairy ball.
Upon a verdant, natural carpet, softer than velvet pile, stood two lines of young trees, from the roots of which the vines of the purple sarsaparilla had shot upward along the trunks and amongst the branches, and there bending with a graceful slope had met and entwined, and so had formed a long trellis-work roof, where the moon beamed through in twice ten thousand rays into the gallery beneath.
The elfin King conducted Tottie into this primeval hall, where Queen Xylophagus was seated with her ladies on a bank of wild violets. The child was quite bewildered at the wildly odd scene that met her gaze. The gallery was hung round with myriads of glow-worms and fire-flies, which illumined the place with a soft, subdued light, and shed a sparkling sheen on the parti-coloured robes of the gay creatures which moved to and fro about her. Here, as in the higher world of mortals, the ladies fanned and flirted, while the gentlemen flattered and were smilingly attentive; but there was no lurking devil behind it all with the elves. They, at least, were genuine.
“Approach, O mortal, and kiss my hand,” cried the fairy Queen, rising and saluting Tottie. “In this dell thou shalt be fed on honeyed words. We will deck thee with jewels brought from hidden caves and gathered in bowers of green, where loop the clustered vines. Pure pearls of may-dew shall adorn thy fair young brow like summer’s fruited gems, ripe and mellow.”
Tottie tried to thank her Majesty.
“These are my ladies,” continued the Queen, pointing to several lovely fays beside her. “Moppet, stand forth. This is our lady of the robes, who supplies a new dress for our person every morning.”
A fair, wee creature rose from her seat and kissed Tottie.
“Moth and Poppy, two of my daughters, who are about to be married—Poppy, the youngest, to Prince Cornflower, and her sister, to the celebrated Grimalkin of the Hills,” said her Majesty, introducing the members of the household. “Those three ladies in purple, who are teasing that old gentleman with the crutch, are Gloze, Geneva, and Moss, the King’s first cousins—old maiden ladies who have never been married, and who delight in annoying the bachelors.”
Perhaps it was fortunate for poor Tottie Maybush that a great noise at the other end of the gallery interrupted the Queen, otherwise she would probably have been smothered by the warm-hearted beings presented to her. The commotion was caused by the arrival of several ambassadors from the vast realm of Nature. Here advanced the representative of the Forest with stately dignity; then followed the Wind, whose tread shook the roof of the ball-room; and after him came a long procession of birds. The eagle headed one column, the wild turkey another, after which came parrots and plovers, quails, snipe, and magpies, while the jolliest of them all—the great kingfisher—brought up the rear. Round and round the hall they trooped until the whole host found suitable perches among the thick foliage of the trees, where they gazed down in wonder upon the throng beneath.
Amid a deep silence which had fallen upon the place the elfin King rose to his feet, and in a sharp, clear, piping tone, said, “We are all assembled; let the dance begin.”
Suddenly the throng of birds struck up a wild medley of song, whereupon the fairies, bounding to their feet, began a fantastic dance around the grotto. Such a quick, changing whirl of steps and leaps and varied motions it would be difficult to conceive. Circles here, confusion there, up and down in mazes, until, the feathered band piping higher and wilder, the eye was unable to follow the labyrinth of gay creatures in their mad career. “The witches at Benevento” were as nothing compared to the furious freaks and vagaries of the elves; but in the midst of it all there was heard the booming of a bell, and—like enchantment—darkness and quiet fell upon the sylvan festivity in the twinkling of an eye.
“Tottie! Miss Tottie, do get up and come to bed!” cried Jane. “Your pa and ma have returned home!”
Story DNA
Plot Summary
On a beautiful Australian midsummer night, Tottie Maybush, a truthful child, wanders from her garden to the river where she encounters the Fairy King and Queen. She is invited to their Jubilee, transported by a swan-drawn barge, and lulled into a state of passive observation. Tottie witnesses a magnificent fairy ball in a natural dell, complete with a royal court, ambassadors from nature, and a wild, enchanting dance. The festivities are abruptly ended by a bell, and Tottie awakens back in her bed, left to wonder if her magical adventure was a dream or a real visit to the fairy realm.
Themes
Emotional Arc
curiosity to wonder to enchantment to gentle return
Writing Style
Narrative Elements
Cultural Context
Atha Westbury was an Australian author, and this story reflects an attempt to create an Australian fairy tale tradition, incorporating local natural elements into a European fairy lore framework.
Plot Beats (12)
- Tottie Maybush is alone in her garden at night, playing with her puppy, while her parents are out.
- She wanders down to the river and sees a group of small, elegant creatures and a swan-drawn barge.
- The Fairy King invites Tottie to their Jubilee, and she is gently carried onto the barge.
- Tottie is lulled into a passive, observant state by the fairies and their enchanting music as the barge glides down the river.
- They arrive at a magnificent glade and are escorted to a deep dell, the location of the fairy ball.
- Tottie enters a natural hall, illuminated by glow-worms, where Queen Xylophagus and her ladies are seated.
- The Queen greets Tottie, offers her gifts, and introduces her to various members of the fairy court.
- The arrival of ambassadors from the Forest, Wind, and a procession of birds causes a commotion.
- The Fairy King announces the start of the dance, and the birds begin to sing.
- The fairies engage in a wild, fantastic dance, a dizzying whirl of motion.
- A booming bell interrupts the festivities, and darkness falls instantly.
- Tottie is awakened by Jane, who tells her her parents have returned, leaving Tottie to ponder if her experience was real or a dream.
Characters
Tottie Maybush ★ protagonist
Small and kind-hearted, with a youthful innocence. Her exact height and build are not specified but implied to be typical for a young girl.
Attire: Not explicitly described for her initial appearance, but later, the Queen offers to deck her with jewels and pearls of may-dew. For her initial appearance, she would likely be in simple, comfortable Australian children's nightwear of the late 19th/early 20th century, perhaps a cotton nightgown.
Wants: Initially, she is simply playing and waiting for her parents. Once with the fairies, her motivation shifts to observing and experiencing the magical event.
Flaw: Her youth and innocence make her vulnerable to the fairies' enchanting influence, rendering her passive and unable to act independently.
She experiences a magical, bewildering adventure that blurs the line between dream and reality, expanding her understanding of the world beyond the mundane.
Kind-hearted, truthful, observant, bewildered, passive.
Image Prompt & Upload
A young Australian girl, perhaps around 8-10 years old, with fair skin and a round, innocent face. Her light brown hair is tied back simply. She wears a simple, loose-fitting cream-colored cotton nightgown, typical of the late 19th century, with short sleeves and a modest neckline. Her posture is relaxed and slightly passive, with wide, curious blue eyes. She is seated on a soft, downy couch fringed with wild rose leaves. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Sultan ○ minor
A retriever puppy, implying a medium-sized dog breed with a friendly, playful appearance. Likely has a thick, golden or dark brown coat typical of retrievers.
Attire: None, as an animal.
Wants: To play and be with Tottie.
Flaw: None explicitly stated, but his youth implies a lack of worldly experience.
Remains unchanged, serving as a grounding element to Tottie's reality before her magical journey.
Playful, loyal (implied by being a retriever and with Tottie).
Image Prompt & Upload
A golden retriever puppy, about 6 months old, with soft, golden-brown fur and floppy ears. It is in a playful stance, looking up with bright, intelligent brown eyes and a slightly open mouth. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Fairy King ◆ supporting
Small, slender, and puny, yet with a regal bearing. His exact height is tiny, consistent with a fairy. His form is elegant and superb, adorned with flowers.
Attire: Costume made from the blooms and beauty of rich and varied flowers of the Southern Hemisphere, suggesting vibrant, natural colors and delicate, petal-like fabrics. He wears regal attire befitting a monarch.
Wants: To host the annual fairy festival (Jubilee) and include Tottie as an honored guest.
Flaw: None explicitly stated, but his realm is confined to the dell and subject to the natural rhythms of night and day.
Remains consistent as the gracious host and ruler of the fairy realm.
Regal, welcoming, commanding, hospitable, eloquent.
Image Prompt & Upload
A tiny, slender male fairy figure with an elegant and regal posture, standing upright. He has delicate, translucent wings. His skin is fair, and his face is finely featured with sharp, intelligent eyes. His hair is a vibrant green, styled in a short, leaf-like cut. He wears a tunic and breeches made entirely of interwoven petals and leaves from Australian wildflowers, such as purple sarsaparilla and eucalyptus blossoms, in shades of deep purple, green, and white. He gestures with an open hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Queen Xylophagus ◆ supporting
Small, slender, and puny, yet with a graceful and queenly presence. Her form is elegant and superb, adorned with flowers.
Attire: Costume made from the blooms and beauty of rich and varied flowers of the Southern Hemisphere, suggesting vibrant, natural colors and delicate, petal-like fabrics. Her robes are 'parti-coloured' and sparkling, befitting a queen. She is seated on a bank of wild violets.
Wants: To host the annual fairy festival and ensure Tottie feels honored and welcomed.
Flaw: None explicitly stated.
Remains consistent as the gracious hostess and ruler of the fairy realm.
Regal, welcoming, generous, hospitable, warm-hearted.
Image Prompt & Upload
A tiny, slender female fairy figure with an elegant and graceful posture, seated. She has delicate, iridescent wings. Her skin is fair, and her face is gentle and welcoming, with large, luminous eyes. Her long, flowing hair is a soft, silvery-white, adorned with tiny dewdrop pearls. She wears a flowing gown made of shimmering, parti-coloured petals from Australian wildflowers, such as purple sarsaparilla, eucalyptus blossoms, and wattle, in shades of violet, gold, and green, with a sparkling sheen. She extends a hand in a welcoming gesture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Moppet ○ minor
A fair, wee creature, implying a small and delicate fairy form.
Attire: As the 'lady of the robes,' she is likely impeccably dressed in a costume made of flowers, perhaps with a focus on elegant fabrics and intricate details, reflecting her role.
Wants: To fulfill her role as lady of the robes and greet guests.
Flaw: None explicitly stated.
Remains consistent in her role.
Polite, attentive, dutiful (as lady of the robes).
Image Prompt & Upload
A tiny, slender female fairy figure, standing upright with a polite, slightly bowed posture. She has delicate, shimmering wings. Her skin is fair, and her face is sweet and gentle, with bright, curious eyes. Her hair is a soft, light green, styled in intricate braids adorned with tiny dewdrop beads. She wears an exquisitely detailed gown made of delicate, overlapping petals from white and pink Australian native flowers, such as flannel flowers and boronias, with a flowing, layered skirt. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Moth ○ minor
One of the Queen's daughters, implying a beautiful and delicate fairy form.
Attire: Likely adorned with flowers and delicate fabrics, befitting a fairy princess about to be married. Perhaps in colors associated with her future husband, Grimalkin of the Hills.
Wants: To be married to Grimalkin of the Hills.
Flaw: None explicitly stated.
Remains consistent in her role as a princess.
Not explicitly described, but implied to be amiable and gentle.
Image Prompt & Upload
A tiny, slender female fairy figure, standing gracefully. She has delicate, shimmering wings that resemble a moth's, with soft, dusty patterns. Her skin is fair, and her face is serene and beautiful, with large, dark, gentle eyes. Her long, flowing hair is a soft, silvery-grey, adorned with tiny, luminous pearls. She wears a flowing gown made of delicate, layered fabrics in shades of soft grey, cream, and lavender, resembling petals and fine silk, perhaps with subtle embroidery of moonflowers. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Poppy ○ minor
The youngest of the Queen's daughters, implying a beautiful and delicate fairy form, perhaps with a youthful vivacity.
Attire: Likely adorned with flowers and delicate fabrics, befitting a fairy princess about to be married. Perhaps in colors associated with her future husband, Prince Cornflower.
Wants: To be married to Prince Cornflower.
Flaw: None explicitly stated.
Remains consistent in her role as a princess.
Not explicitly described, but implied to be amiable and gentle.
Image Prompt & Upload
A tiny, slender female fairy figure, standing gracefully. She has delicate, translucent wings. Her skin is fair, and her face is bright and beautiful, with sparkling blue eyes. Her long, flowing hair is a vibrant, fiery red, adorned with small, delicate poppy blossoms. She wears a flowing gown made of delicate, layered fabrics in shades of bright red, orange, and green, resembling poppy petals and leaves, with a light, airy quality. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Melgrove Garden under the Fig-tree
A domestic garden on the hills of Melgrove, illuminated by a full, radiant moon. A large fig-tree provides shade, and the ground is likely soft earth or grass.
Mood: Peaceful, slightly magical, expectant, domestic
Tottie Maybush is playing with her puppy before being drawn away by an unseen force.
Image Prompt & Upload
A wide shot of a moonlit Australian garden at night. A large, gnarled fig tree with broad, dark leaves dominates the foreground, casting deep shadows. Beyond it, a faint path winds into the distance. The sky is a deep indigo, with a brilliant full moon high above, casting long, soft shadows and silvering the edges of the fig leaves. The ground is a mix of short, dry Australian grass and exposed earth. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Sloping Lawn to the River's Edge
A sloping lawn beyond an orchard, dipping gently to the edge of a placid river. Tall trees line the bank, their branches casting thin streaks and broad bars of soft moonlight, forming geometric patterns on the sombre trunks and path. A mossy bank is illuminated by a concentrated patch of moonlight.
Mood: Ethereal, mysterious, enchanting, liminal
Tottie encounters the fairy regiment and the royal barge, receiving her invitation to the ball.
Image Prompt & Upload
A wide, moonlit Australian landscape. A gently sloping lawn, covered in short, dry grass, descends towards a wide, placid river. Along the riverbank, tall, slender River Red Gum trees with smooth, mottled bark stand, their branches reaching out over the water. The full moon casts long, silvery reflections on the calm river surface and dapples the mossy bank with bright patches of light. The air is clear and still. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Deep Dell - Fairy Ball Hall
A magnificent glade with huge eucalyptus trees, leading to a deep dell. The dell features a verdant, natural carpet softer than velvet. Two lines of young trees have purple sarsaparilla vines growing up their trunks and branches, meeting overhead to form a long trellis-work roof. Myriads of glow-worms and fire-flies illuminate the space with a soft, subdued, sparkling light.
Mood: Magical, vibrant, festive, bewildering, enchanting
The setting for the fairy ball, where Tottie meets the Queen, is introduced to the fairy court, and witnesses the grand dance.
Image Prompt & Upload
A deep, natural dell in an Australian forest at night. Overhead, the canopy is formed by young eucalyptus trees and intertwined purple sarsaparilla vines, creating a natural trellis roof. Thousands of glow-worms and fireflies emit a soft, sparkling, green-gold light, illuminating the verdant, mossy ground below. Huge, ancient eucalyptus trees with peeling bark stand like silent sentinels around the edges of the dell. Moonlight filters in dappled patterns through gaps in the leafy roof. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.