Sand Flat Shadows

by Carl Sandburg · from Rootabaga Stories

folk tale origin story whimsical Ages 8-14 1601 words 7 min read
Cover: Sand Flat Shadows

Adapted Version

CEFR A1 Age 5 360 words 2 min Canon 98/100

Fire and Flim were good friends. They liked to sleep by the big lake.

They woke up. The sun came up slowly. Fire the Goat got ready for the day. Flim the Goose got ready too. They looked at the east sky. Dark shapes moved there. The shapes were far away.

The shapes were big. They looked like animals. Some looked like people. A horse had funny legs. A camel had a big hump. An elephant had no head. The shapes moved slowly. They changed all the time. They were very strange.

Flim the Goose asked Fire the Goat. "What are these things?" Flim asked.

Fire the Goat thought for a bit. He looked at Flim. "I will tell you now," he said. He knew many secrets.

"People call them shadows," Fire said. "Some people do not know. But fire-born people know secrets. They know about these shadows. It is a special knowledge."

Long ago, the Makers made things. They made animals and people. These were first tries. They were practice shapes. They were not quite right. They did not make real things yet. They just tried out shapes.

See the shadow horse? Its legs are funny. The elephant has no head. It has six short legs. The camel has one big hump. The man carries a big club. The woman has a big bundle. These were not ready to be real. They were practice shapes only.

Each shadow is special. Each one is different. They were not quite right. They were not ready to be real. They move across the sky.

"This is a secret," Fire said. "Only fire-born know this. I tell you, Flim. We are good friends. We share special things."

Fire and Flim walked by the lake. The day was blue. The water was blue. It was a nice day. They saw the blue water. The sky was also blue.

Fire the Goat spoke softly. He said a special thing. "Only fire-born understand blue." This was a secret.

That night, they slept again. Fire the Goat whispered in his sleep. "Only the fire-born understand blue." Flim smiled. He learned a new secret. He felt warm inside.

Original Story 1601 words · 7 min read

Sand Flat Shadows

Fire the Goat and Flim the Goose slept out. Stub pines stood over them. And away up next over the stub pines were stars.

It was a white sand flat they slept on. The floor of the sand flat ran straight to the Big Lake of the Booming Rollers.

And just over the sand flat and just over the booming rollers was a high room where the mist people were making pictures. Gray pictures, blue and sometimes a little gold, and often silver, were the pictures.

And next just over the high room where the mist people were making pictures, next just over were the stars.

Over everything and always last and highest of all, were the stars.

Fire the Goat took off his horns. Flim the Goose took off his wings. “This is where we sleep,” they said to each other, “here in the stub pines on the sand flats next to the booming rollers and high over everything and always last and highest of all, the stars.”

Fire the Goat laid his horns under his head. Flim the Goose laid his wings under his head. “This is the best place for what you want to keep,” they said to each other. Then they crossed their fingers for luck and lay down and went to sleep and slept. And while they slept the mist people went on making pictures. Gray pictures, blue and sometimes a little gold but more often silver, such were the pictures the mist people went on making while Fire the Goat and Flim the Goose went on sleeping. And over everything and always last and highest of all, were the stars.

They woke up. Fire the Goat took his horns out and put them on. “It’s morning now,” he said.

Flim the Goose took his wings out and put them on. “It’s another day now,” he said.

Then they sat looking. Away off where the sun was coming up, inching and pushing up far across the rim curve of the Big Lake of the Booming Rollers, along the whole line of the east sky, there were people and animals, all black or all so gray they were near black.

There was a big horse with his mouth open, ears laid back, front legs thrown in two curves like harvest sickles.

There was a camel with two humps, moving slow and grand like he had all the time of all the years of all the world to go in.

There was an elephant without any head, with six short legs. There were many cows. There was a man with a club over his shoulder and a woman with a bundle on the back of her neck.

And they marched on. They were going nowhere, it seemed. And they were going slow. They had plenty of time. There was nothing else to do. It was fixed for them to do it, long ago it was fixed. And so they were marching.

Sometimes the big horse’s head sagged and dropped off and came back again. Sometimes the humps of the camel sagged and dropped off and came back again. And sometimes the club on the man’s shoulder got bigger and heavier and the man staggered under it and then his legs got bigger and stronger and he steadied himself and went on. And again sometimes the bundle on the back of the neck of the woman got bigger and heavier and the bundle sagged and the woman staggered and her legs got bigger and stronger and she steadied herself and went on.

This was the show, the hippodrome, the spectacular circus that passed on the east sky before the eyes of Fire the Goat and Flim the Goose.

“Which is this, who are they and why do they come?” Flim the Goose asked Fire the Goat.

Away off where the sun was coming up, there were people and animals

“Do you ask me because you wish me to tell you?” asked Fire the Goat.

“Indeed it is a question to which I want an honest answer.”

“Has never the father or mother nor the uncle or aunt nor the kith and kin of Flim the Goose told him the what and the which of this?”

“Never has the such of this which been put here this way to me by anybody.”

Flim the Goose held up his fingers and said, “I don’t talk to you with my fingers crossed.”

And so Fire the Goat began to explain to Flim the Goose all about the show, the hippodrome, the mastodonic cyclopean spectacle which was passing on the east sky in front of the sun coming up.

“People say they are shadows,” began Fire the Goat. “That is a name, a word, a little cough and a couple of syllables.

“For some people shadows are comic and only to laugh at. For some other people shadows are like a mouth and its breath. The breath comes out and it is nothing. It is like air and nobody can make it into a package and carry it away. It will not melt like gold nor can you shovel it like cinders. So to these people it means nothing.

“And then there are other people,” Fire the Goat went on. “There are other people who understand shadows. The fire-born understand. The fire-born know where shadows come from and why they are.

“Long ago, when the Makers of the World were done making the round earth, the time came when they were ready to make the animals to put on the earth. They were not sure how to make the animals. They did not know what shape animals they wanted.

“And so they practised. They did not make real animals at first. They made only shapes of animals. And these shapes were shadows, shadows like these you and I, Fire the Goat and Flim the Goose, are looking at this morning across the booming rollers on the east sky where the sun is coming up.

“The shadow horse over there on the east sky with his mouth open, his ears laid back, and his front legs thrown in a curve like harvest sickles, that shadow horse was one they made long ago when they were practising to make a real horse. That shadow horse was a mistake and they threw him away. Never will you see two shadow horses alike. All shadow horses on the sky are different. Each one is a mistake, a shadow horse thrown away because he was not good enough to be a real horse.

“That elephant with no head on his neck, stumbling so grand on six legs—and that grand camel with two humps, one bigger than the other—and those cows with horns in front and behind—they are all mistakes, they were all thrown away because they were not made good enough to be real elephants, real cows, real camels. They were made just for practice, away back early in the world before any real animals came on their legs to eat and live and be here like the rest of us.

“That man—see him now staggering along with the club over his shoulder—see how his long arms come to his knees and sometimes his hands drag below his feet. See how heavy the club on his shoulders loads him down and drags him on. He is one of the oldest shadow men. He was a mistake and they threw him away. He was made just for practice.

“And that woman. See her now at the end of that procession across the booming rollers on the east sky. See her the last of all, the end of the procession. On the back of her neck a bundle. Sometimes the bundle gets bigger. The woman staggers. Her legs get bigger and stronger. She picks herself up and goes along shaking her head. She is the same as the others. She is a shadow and she was made as a mistake. Early, early in the beginnings of the world she was made, for practice.

“Listen, Flim the Goose. What I am telling you is a secret of the fire-born. I do not know whether you understand. We have slept together a night on the sand flats next to the booming rollers, under the stub pines with the stars high over—and so I tell what the fathers of the fire-born tell their sons.”

And that day Fire the Goat and Flim the Goose moved along the sand flat shore of the Big Lake of the Booming Rollers. It was a blue day, with a fire-blue of the sun mixing itself in the air and the water. Off to the north the booming rollers were blue sea-green. To the east they were sometimes streak purple, sometimes changing bluebell stripes. And to the south they were silver blue, sheet blue.

Where the shadow hippodrome marched on the east sky that morning was a long line of blue-bird spots.

“Only the fire-born understand blue,” said Fire the Goat to Flim the Goose. And that night as the night before they slept on a sand flat. And again Fire the Goat took off his horns and laid them under his head while he slept and Flim the Goose took off his wings and laid them under his head while he slept.

And twice in the night, Fire the Goat whispered in his sleep, whispered to the stars, “Only the fire-born understand blue.”


8. Two Stories About Corn Fairies, Blue Foxes, Flongboos and Happenings That Happened in the United States and Canada


Story DNA folk tale · whimsical

Plot Summary

Fire the Goat and Flim the Goose sleep on a sand flat by a great lake, observing the stars and mist people. In the morning, they witness a procession of strange, shifting, dark figures in the eastern sky. Flim asks Fire to explain these mysterious 'shadows'. Fire reveals that these are imperfect practice creations—animals and humans—made by the Makers of the World long ago and discarded before real beings were created. He shares this secret knowledge, understood only by the 'fire-born', with Flim, emphasizing that 'Only the fire-born understand blue' as they continue their journey.

Themes

originsperceptionthe natural worldknowledge

Emotional Arc

curiosity to understanding

Writing Style

Voice: third person omniscient
Pacing: slow contemplative
Descriptive: lush
Techniques: repetition, descriptive lists, personification of natural phenomena

Narrative Elements

Conflict: person vs self
Ending: moral justice
Magic: talking animals, mist people making pictures in the sky, shadows of practice creations appearing in the sky
the sand flat shadows (representing discarded attempts or imperfect beginnings)blue (representing deep understanding or spiritual insight)

Cultural Context

Origin: American
Era: timeless fairy tale

Carl Sandburg's Rootabaga Stories are known for their unique American folk-tale style, creating new myths and whimsical explanations for natural phenomena, often with a Midwestern sensibility.

Plot Beats (13)

  1. Fire the Goat and Flim the Goose sleep on a white sand flat by the Big Lake, under stub pines and stars, observing mist people making pictures.
  2. They wake up in the morning, put on their horns and wings, and observe a procession of black/gray figures in the eastern sky as the sun rises.
  3. The figures are strange, shifting shapes of animals (horse, camel, elephant, cows) and humans (man with club, woman with bundle).
  4. Flim the Goose asks Fire the Goat to explain what these figures are.
  5. Fire the Goat, after some playful evasion, agrees to explain the 'mastodonic cyclopean spectacle'.
  6. Fire explains that these are 'shadows,' a concept that some dismiss as nothing, but the 'fire-born' understand.
  7. He reveals that long ago, the Makers of the World practiced making animals and humans, and these shadows are their discarded mistakes.
  8. Fire describes the specific shadow figures (horse, elephant, camel, cows, man, woman) as imperfect practice models that were thrown away.
  9. He emphasizes that each shadow is unique and a mistake, never good enough to be real.
  10. Fire tells Flim that this knowledge is a secret of the 'fire-born', shared because they slept together.
  11. Fire and Flim continue their journey along the lake shore on a blue day, observing the colors of the water.
  12. Fire remarks that 'Only the fire-born understand blue'.
  13. That night, they sleep again on a sand flat, and Fire whispers in his sleep, 'Only the fire-born understand blue'.

Characters 8 characters

Fire the Goat ★ protagonist

goat adult male

A sturdy, medium-sized goat with a strong build. His fur is likely a warm, reddish-brown, indicative of his 'fire' name, with possibly darker markings on his legs or face. He has a wise, observant demeanor.

Attire: None, as he is an animal. His natural fur coat is his attire.

Wants: To understand the world around him and to share his knowledge with his friend, Flim.

Flaw: Perhaps a tendency to be overly philosophical or cryptic, requiring Flim to prompt him for direct answers.

He serves as the teacher and explainer in the story, revealing ancient wisdom to Flim. His arc is one of sharing knowledge and reinforcing his identity as 'fire-born.'

His pair of curved, sturdy horns, which he carefully removes and places under his head to sleep.

Wise, patient, observant, philosophical, a good storyteller.

Image Prompt & Upload
A sturdy adult male goat, facing forward, full body visible from head to toe. He has warm reddish-brown fur, intelligent dark eyes, and a short beard. His posture is calm and thoughtful. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Flim the Goose ★ protagonist

goose adult male

A large, white goose with a long, graceful neck and webbed feet. His feathers are pristine and well-maintained.

Attire: None, as he is an animal. His natural feather coat is his attire.

Wants: To understand the strange phenomena he observes and to learn from his friend, Fire the Goat.

Flaw: His lack of inherent knowledge about the world's deeper mysteries, making him reliant on Fire's explanations.

He begins the story in ignorance of the shadow figures and ends with a deeper understanding, having been educated by Fire the Goat.

His large, white wings, which he carefully removes and places under his head to sleep.

Curious, direct, earnest, slightly naive, loyal.

Image Prompt & Upload
A large adult male goose, facing forward, full body visible from head to toe. He has pristine white feathers, a long graceful neck, an orange bill, and bright inquisitive eyes. His posture is alert and curious. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Mist People ○ minor

magical creature ageless unknown

Ethereal and indistinct, composed of mist. They are likely translucent and shifting in form, without solid features.

Attire: None, as they are non-corporeal beings.

Wants: To create pictures in the high room, a continuous, perhaps unconscious, act of artistry.

Flaw: Their lack of agency or interaction with the physical world; they simply 'are' and 'do.'

They remain constant throughout the story, serving as a background element that highlights the passage of time and the ongoing mysteries of the world.

Their forms are literally made of swirling, colored mist, constantly shifting as they create pictures.

Creative, diligent, silent, mysterious.

Image Prompt & Upload
A group of ethereal, translucent figures made of swirling gray, blue, gold, and silver mist, facing forward, full body visible from head to toe. Their forms are indistinct and constantly shifting, without solid features. They appear to be engaged in a silent, creative act. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Shadow Horse ○ minor

shadow animal ageless non-human

A large, dark, two-dimensional silhouette of a horse, appearing on the horizon. Its form is exaggerated and slightly distorted, with its mouth open, ears laid back, and front legs thrown in two curves like harvest sickles. Its head sometimes sags and drops off, then returns.

Attire: None, as it is a shadow.

Wants: To continue its endless march across the sky, as it was 'fixed for them to do it, long ago.'

Flaw: Its imperfect, 'mistake' nature, causing its form to sag and drop off.

Remains constant, a symbol of the world's ancient history and the nature of shadows.

Its exaggerated, curved front legs like harvest sickles and its head that periodically detaches and reattaches.

Persistent, enduring, a silent testament to past mistakes.

Image Prompt & Upload
A large, two-dimensional silhouette of a horse, facing forward, full body visible from head to toe. Its mouth is open, ears laid back, and front legs are thrown in two exaggerated curves like harvest sickles. Its form is dark gray, almost black, against a lighter background. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Shadow Camel ○ minor

shadow animal ageless non-human

A large, dark, two-dimensional silhouette of a camel with two humps, one noticeably bigger than the other. Its form is grand and slow-moving. Its humps sometimes sag and drop off, then return.

Attire: None, as it is a shadow.

Wants: To continue its endless march across the sky, as it was 'fixed for them to do it, long ago.'

Flaw: Its imperfect, 'mistake' nature, causing its humps to sag and drop off.

Remains constant, a symbol of the world's ancient history and the nature of shadows.

Its two humps, one significantly larger than the other, which periodically sag and detach.

Patient, enduring, a silent testament to past mistakes.

Image Prompt & Upload
A large, two-dimensional silhouette of a camel, facing forward, full body visible from head to toe. It has two humps, one noticeably bigger than the other. Its form is dark gray, almost black, against a lighter background. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Shadow Elephant ○ minor

shadow animal ageless non-human

A large, dark, two-dimensional silhouette of an elephant without a head, with six short legs. It stumbles grandly.

Attire: None, as it is a shadow.

Wants: To continue its endless march across the sky, as it was 'fixed for them to do it, long ago.'

Flaw: Its imperfect, 'mistake' nature, specifically its lack of a head and six legs.

Remains constant, a symbol of the world's ancient history and the nature of shadows.

Its striking lack of a head and its six short legs.

Persistent, enduring, a silent testament to past mistakes.

Image Prompt & Upload
A large, two-dimensional silhouette of an elephant, facing forward, full body visible from head to toe. It has no head, only a neck leading to nothing, and six short legs. Its form is dark gray, almost black, against a lighter background. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Shadow Man ○ minor

shadow human adult male

A tall, dark, two-dimensional silhouette of a man with long arms that reach his knees, sometimes dragging his hands below his feet. He appears burdened and staggers under the weight of a club.

Attire: None, as he is a shadow. His form is a dark silhouette.

Wants: To continue his endless march across the sky, as it was 'fixed for them to do it, long ago.'

Flaw: His imperfect, 'mistake' nature, causing him to stagger under his burden and have disproportionately long limbs.

Remains constant, a symbol of the world's ancient history and the nature of shadows.

His disproportionately long arms that reach his knees and sometimes drag below his feet, and the heavy club over his shoulder.

Burdened, persistent, enduring, a silent testament to past mistakes.

Image Prompt & Upload
A tall, two-dimensional silhouette of an adult man, facing forward, full body visible from head to toe. His arms are long, reaching his knees, and his hands sometimes drag below his feet. He carries a large, heavy club over his shoulder, which makes him stagger. His form is dark gray, almost black, against a lighter background. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Shadow Woman ○ minor

shadow human adult female

A dark, two-dimensional silhouette of a woman, carrying a bundle on the back of her neck. She staggers under its weight, but her legs periodically grow bigger and stronger, allowing her to steady herself.

Attire: None, as she is a shadow. Her form is a dark silhouette.

Wants: To continue her endless march across the sky, as it was 'fixed for them to do it, long ago.'

Flaw: Her imperfect, 'mistake' nature, causing her to stagger under her burden.

Remains constant, a symbol of the world's ancient history and the nature of shadows.

The bundle carried on the back of her neck, which periodically grows bigger, causing her to stagger.

Burdened, persistent, enduring, a silent testament to past mistakes.

Image Prompt & Upload
A two-dimensional silhouette of an adult woman, facing forward, full body visible from head to toe. She carries a large bundle on the back of her neck, which makes her stagger. Her form is dark gray, almost black, against a lighter background. She has a slight head-shaking motion. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

White Sand Flat

outdoor night | dawn | morning Clear night with stars, transitioning to a blue day with a 'fire-blue' sun.

A vast, flat expanse of white sand stretching to the Big Lake. Stub pines are sparsely scattered across it, providing minimal cover. The ground is soft and sandy.

Mood: Peaceful, ancient, mysterious, expansive, contemplative.

Fire the Goat and Flim the Goose sleep here and later witness the 'shadows' on the eastern sky. It's where Fire explains the origin of the shadows.

white sand stub pines Big Lake of the Booming Rollers stars overhead
Image Prompt & Upload
A wide, desolate white sand flat stretches into the distance, meeting the vast, calm expanse of a great lake under a clear, star-filled night sky. A few gnarled, dark stub pines are silhouetted against the horizon, their branches sparse. The sand is smooth and undisturbed, reflecting the faint starlight. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Big Lake of the Booming Rollers

outdoor morning | day Clear, 'fire-blue' day.

A massive lake with waves described as 'booming rollers'. Its waters change color depending on the direction and light: blue sea-green to the north, streak purple or bluebell stripes to the east, and silver blue/sheet blue to the south.

Mood: Vast, dynamic, ever-changing, a backdrop for ancient phenomena.

The lake serves as the foreground for the 'shadow' spectacle on the eastern sky, and its waters reflect the changing light of the day.

large body of water crashing waves ('booming rollers') varying water colors (blue sea-green, purple, bluebell stripes, silver blue) distant horizon
Image Prompt & Upload
A vast, open lake stretches to the horizon, its surface a dynamic mix of blue sea-green and silver-blue, with distant waves breaking into 'booming rollers'. The water reflects the 'fire-blue' light of the morning sun, creating shifting patterns of color. The distant eastern sky shows faint streaks of purple and bluebell stripes where the sun is rising. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

East Sky (Mist People's High Room)

transitional dawn | morning Clear, with rising sun and atmospheric mist/clouds.

The eastern horizon and sky, described as a 'high room where the mist people were making pictures'. These pictures are gray, blue, sometimes gold, and often silver. Later, it becomes the canvas for the 'shadow' procession.

Mood: Mystical, ethereal, a stage for cosmic events, ancient, awe-inspiring.

This is where the 'mist people' create their pictures, and where Fire the Goat and Flim the Goose observe the procession of 'shadows' at dawn, learning about their ancient origins.

horizon line mist/clouds forming shapes rising sun silhouettes of 'shadow' figures (horse, camel, elephant, man, woman)
Image Prompt & Upload
The eastern sky at dawn, a vast canvas of soft, shifting mist and clouds in hues of gray, blue, and faint silver, with touches of gold near the rising sun. Distant, dark silhouettes of fantastical, misshapen animals and human figures slowly march across the horizon, appearing as ancient, ephemeral shadows against the brightening sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.