TREE-TOP COUNTRY
by Charles E. Carryl · from The Admiral's Caravan
Adapted Version
Dorothy was all alone on a floating sideboard. A little wind blew her away. The sideboard floated softly on the water. Dorothy felt sad and alone.
She saw a forest of big trees. They grew right out of the lake. The trees were very tall and green. Each tree had a little door. Some doors had funny signs on them.
Dorothy found one door with no sign. It had a shiny knocker. She jumped onto a small platform. The sideboard rolled back in surprise. Its doors opened! Many pies fell into the water. The sideboard chased the pies. It pushed them close like a game.
Dorothy looked at the open door. She saw twisty stairs inside. She went in and climbed up. Up, up, up she went. She popped out at the top. She was in a flat field. It was sunny and bright. The floor was made of branches. A little house stood in the middle.
The sign said "The Outside Inn." Dorothy went inside the door. But she came right back out! The house was mixed-up. It was inside out. Things grew from the ground. A bed had flowers on it. Leaves grew from its legs.
Dorothy saw her friends in the bed! The Admiral, Sir Walter, and the Highlander slept. They were in the flowery bed. "Jiminy!" said Dorothy. They opened their eyes. "What are you doing here?" she asked. The Admiral sat up. "Shipwrecked!" he said. He lay down again.
"Did the big umbrella close on you?" asked Dorothy. "Yes," said the Admiral. "It squashed us," said Sir Walter. "Like everything," said the Highlander. "I was afraid," said Dorothy.
The Admiral sat up again. He told a story in a poem. He sang about Sir Peter. Sir Peter was a captain. He loved music. He caught a bad pirate. He sang a song. He was very brave. The pirate was caught.
Dorothy clapped. "He was grand!" she said. Just then, there was a knock. It was a loud knock! "Oh no!" said Sir Walter. "We are in someone's garden!" "Hide!" said the Admiral. They all hid under the bed. It was like a game.
Dorothy called out. "We are out here!" No one answered. She looked at the wall. It was just a vine. The door was a garden gate. The things were gone! The bed was a pile of lilies. The chairs were flower pots. Dorothy stood in a beautiful garden. It was full of flowers. She smiled. "What a fun adventure!"
Original Story
TREE-TOP COUNTRY
It was a very curious thing that the storm seemed to follow the Caravan as if it were a private affair of their own, and the paragondola had no sooner disappeared than Dorothy found herself sailing along as quietly as if such a thing as bad weather had never been heard of. But there was something very lonely about the sideboard now, as it went careering through the water, and she felt quite disconsolate as she sat on the little shelf and wondered what had become of the Caravan.
"If Mrs. Peevy's umbrella shuts up with them inside of it," she said mournfully to herself, "I'm sure I don't know what they'll do. It's such a stiff thing to open that it must be perfectly awful when it shuts up all of a sudden," and she was just giving a little shudder at the mere thought of such a thing, when the sideboard bumped up against something and she found that it had run into a tree. In fact, she found that she had drifted into a forest of enormous trees, growing in a most remarkable manner straight up out of the lake; and as she looked up she could see great branches stretching out in every direction far above her head, all interlaced together and covered with leaves as if it had been midsummer instead of being, as it certainly was, Christmas day.
"THE SIDEBOARD SLOWLY FLOATED ALONG THROUGH THIS STRANGE FOREST."
As the sideboard slowly floated along through this strange forest, Dorothy presently discovered that each tree had a little door in it, close to the water's edge, with a small platform before it by way of a door-step, as if the people who lived in the trees had a fancy for going about visiting in boats. But she couldn't help wondering who in the world, or, rather, who in the trees, the people went to see, for all the little doors were shut as tight as wax, and had notices posted up on them, such as "No admittance," "Go away," "Gone to Persia," and many others, all of which Dorothy considered extremely rude, especially one notice which read, "Beware of the Pig," as if the person who lived in that particular tree was too stingy to keep a dog.
Now all this was very distressing, because, in the first place, Dorothy was extremely fond of visiting, and, in the second place, she was getting rather tired of sailing about on the sideboard; and she was therefore greatly pleased when she presently came to a door without any notice upon it. There was, moreover, a bright little brass knocker on this door, and as this seemed to show that people were expected to call there if they felt like it, she waited until the sideboard was passing close to the platform and then gave a little jump ashore.
The sideboard took a great roll backward and held up its front feet as if expressing its surprise at this proceeding, and as it pitched forward again the doors of it flew open, and a number of large pies fell out into the water and floated away in all directions. To Dorothy's amazement, the sideboard immediately started off after them, and began pushing them together, like a shepherd's dog collecting a flock of runaway sheep; and then, having got them all together in a compact bunch, sailed solemnly away, shoving the pies ahead of it.
Dorothy now looked at the door again, and saw that it was standing partly open. The doorway was only about as high as her shoulder, and as she stooped down and looked through it she saw there was a small winding stairway inside, leading up through the body of the tree. She listened for a moment, but everything was perfectly quiet inside, so she squeezed in through the doorway and ran up the stairs as fast as she could go.
DOROTHY MAKES A CALL IN THE TREE-TOP COUNTRY.
The stairway ended at the top in a sort of trap-door, and Dorothy popped up through it like a jack-in-the-box; but instead of coming out, as she expected, among the branches of the tree, she found herself in a wide, open field as flat as a pancake, and with a small house standing far out in the middle of it. It was a bright and sunny place, and quite like an ordinary field in every way except that, in place of grass, it had a curious floor of branches, closely braided together like the bottom of a market-basket; but, as this seemed natural enough, considering that the field was in the top of a tree, Dorothy hurried away to the little house without giving the floor a second thought.
As she came up to the house she saw that it was a charming little cottage with vines trained about the latticed windows, and with a sign over the door, reading—
THE OUTSIDE INN
"I suppose they'll take me for a customer," she said, looking rather doubtfully at the sign, "and I haven't got any money. But I'm very little, and I won't stay very long," she added, by way of excusing herself, and as she said this she softly pushed open the door and went in. To her great surprise, there was no inside to the house, and she came out into the field again on the other side of the door. The wall on this side, however, was nicely papered, and had pictures hanging on it, and there were curtains at the windows as if it had been one side of a room at some time or another; but there was a notice pasted up beside the door, reading—
THE INN-SIDE OUT
as if the rest of the house had gone out for a walk, and might be expected back at any time.
Now, as you may suppose, Dorothy was quite unprepared for all this, and she was looking about in great astonishment when she suddenly discovered that the furniture was at home, and was standing in a rather lonely manner quite by itself in the open field. It was, moreover, the strangest-looking furniture she had ever seen, for it was growing directly out of the floor in a twisted-up fashion, something like the grapevine chairs in Uncle Porticle's garden; but the oddest part of it all was a ridiculous-looking bed with leaves sprouting out of its legs, and with great pink blossoms growing on the bed-posts like the satin bows on Dorothy's little bed at the Blue Admiral Inn. All this was so remarkable that she went over to where the furniture was standing to take a closer look at it; and as she came up alongside the bed she was amazed to see that the Caravan, all three of them, were lying in it in a row, with their eyes closed as if they were fast asleep. This was such an unexpected sight that Dorothy first drew a long breath of astonishment and then exclaimed, "Jiminy!" which was a word she used only on particular occasions; and, as she said this, the Caravan opened their eyes and stared at her like so many owls.
"Why, what are you all doing here?" she said; at which the Admiral sat up in bed, and after taking a hurried look at her through his spy-glass, said, "Shipwrecked!" in a solemn voice and then lay down again.
"Did the paragonorer shut up with you?" inquired Dorothy, anxiously.
"Yes, ma'am," said the Admiral.
"And squashed us," added Sir Walter.
"Like everything," put in the Highlander.
"I was afraid it would," said Dorothy, sorrowfully; "I s'pose it was something like being at sea in a cornucopia."
"Does a cornucopia have things in it that pinch your legs?" inquired Sir Walter, with an air of great interest.
"Oh, no," said Dorothy.
"Then it wasn't like it at all," said Sir Walter, peevishly.
"It was about as much like it," said the Admiral, "as a pump is like a post-captain"; and he said this in such a positive way that Dorothy didn't like to contradict him. In fact she really didn't know anything about the matter, so she merely said, as politely as she could, "I don't think I know what a post-captain is."
"I don't either," said the Admiral, promptly, "but I can tell you how they behave"; and sitting up in bed, he recited these verses:
Post-captain at the Needles and commander of a crew
On the "Royal Biddy" frigate was Sir Peter Bombazoo;
His mind was full of music, and his head was full of tunes,
And he cheerfully exhibited on pleasant afternoons.
He could whistle, on his fingers, an invigorating reel,
And could imitate a piper on the handles of the wheel;
He could play in double octaves, too, all up and down the rail,
Or rattle off a rondo on the bottom of a pail.
Then porters with their packages, and bakers with their buns,
And countesses in carriages, and grenadiers with guns,
And admirals and commodores, arrived from near and far
To listen to the music of this entertaining tar.
When they heard the Captain humming, and beheld the dancing crew,
The commodores severely said, "Why, this will never do!"
And the admirals all hurried home, remarking, "This is most
Extraordinary conduct for a captain at his post."
"HE DID A LITTLE FIFING ON THE EDGES OF THE NOTE."
Then they sent some sailing-orders to Sir Peter, in a boat,
And he did a little fifing on the edges of the note;
But he read the sailing-orders, as, of course, he had to do,
And removed the "Royal Biddy" to the Bay of Boohgabooh.
Now, Sir Peter took it kindly, but it's proper to explain
He was sent to catch a pirate out upon the Spanish Main;
And he played, with variations, an imaginary tune
On the buttons of his waistcoat, like a jocular bassoon.
Then a topman saw the Pirate come a-sailing in the bay,
And reported to the Captain in the customary way.
"I'll receive him," said Sir Peter, "with a musical salute!"
And he gave some imitations of a double-jointed flute.
Then the Pirate cried derisively, "I've heard it done before!"
And he hoisted up a banner emblematical of gore.
But Sir Peter said serenely, "You may double-shot the guns
While I sing my little ballad of 'The Butter on the Buns.'"
Then the Pirate banged Sir Peter and Sir Peter banged him back,
And they banged away together as they took another tack.
Then Sir Peter said politely, "You may board him, if you like"—
And he played a little dirge upon the handle of a pike.
Then the "Biddies" poured like hornets down upon the Pirate's deck,
And Sir Peter caught the Pirate, and he took him by the neck,
And remarked, "You must excuse me, but you acted like a brute
When I gave my imitation of that double-jointed flute."
So they took that wicked Pirate, and they took his wicked crew,
And tied them up with double knots in packages of two;
And left them lying on their backs in rows upon the beach
With a little bread and water within comfortable reach.
"SIR PETER CAUGHT THE PIRATE, AND HE TOOK HIM BY THE NECK."
Now the Pirate had a treasure (mostly silverware and gold),
And Sir Peter took and stowed it in the bottom of his hold;
And said "I will retire on this cargo of doubloons,
And each of you, my gallant crew, may have some silver spoons."
Now commodores in coach-and-fours, and corporals in cabs,
And men with carts of pies and tarts, and fishermen with crabs,
And barristers with wigs, in gigs, still gather on the strand—
But there isn't any music save a little German band.
"I think Sir Peter was perfectly grand!" said Dorothy, as the Admiral finished his verses. "He was so composed."
"So was the poetry," said the Admiral. "It had to be composed, you know, or there wouldn't have been any."
"That would have been fine!" remarked the Highlander.
The Admiral got so red in the face at this, that Dorothy thought he was going into some kind of a fit; but just at this moment there was a sharp rap at the door, and Sir Walter exclaimed, "That's Bob Scarlet, and here we are in his flower-bed!"
"Jibs and jiggers!" said the Admiral, "I never thought of that. What do you suppose he'll do?"
"Pick us!" said the Highlander, with remarkable presence of mind.
"Then tell him we're all out," said the Admiral to Dorothy in extreme agitation, and with this, the whole Caravan disappeared under the bed with all possible despatch.
"We are out, you know," said Dorothy to herself, "because there's no in for us to be in"; and then she called out in a very loud voice, "We're all out in here!" which wasn't exactly what she meant to say, after all.
But there was no answer, and she was just stooping down to call through the keyhole when she saw that the wall-paper was nothing but a vine growing on a trellis, and the door only a little rustic gate leading through it. "And, dear me!—where has the furniture gone to?" she exclaimed, for the curly chairs had changed into flower-pot stands, and the bed into a great mound of waving lilies, and she found herself standing in a beautiful garden.
CHAPTER V
Story DNA
Plot Summary
Separated from her companions, Dorothy floats on a sideboard into a forest of trees growing from a lake. She enters a tree, climbs to a field at the top, and discovers a peculiar 'Outside Inn' where she finds her friends, the Caravan, asleep in a growing bed. The Admiral entertains them with a long, nonsensical poem about a musical post-captain. Their reunion is cut short when a knock at the door reveals they are in a 'flower-bed,' causing the Caravan to hide, and the entire setting transforms into a garden, leaving Dorothy alone once more.
Themes
Emotional Arc
loneliness to reunion to surprise
Writing Style
Narrative Elements
Cultural Context
Charles E. Carryl was an American author known for his nonsense verse and children's stories, often compared to Lewis Carroll.
Plot Beats (10)
- Dorothy is separated from the Caravan by a storm and floats alone on a sideboard.
- She drifts into a forest of giant trees growing from a lake, each with a door and rude notices.
- Dorothy finds an open door, jumps ashore, and watches the sideboard chase pies.
- She enters the tree, climbs a winding staircase, and emerges onto a flat field at the tree-top.
- Dorothy discovers a strange 'Outside Inn' that is 'Inn-Side Out' and furniture growing from the ground.
- She finds the Caravan (Admiral, Sir Walter, Highlander) asleep in a bed with leaves and blossoms.
- Dorothy wakes them, and they explain they were 'squashed' when the paragondola shut.
- The Admiral recites a lengthy poem about Sir Peter Bombazoo, a musical post-captain who captures a pirate.
- A knock at the door causes the Caravan to realize they are in 'Bob Scarlet's flower-bed' and hide under the bed.
- Dorothy calls out, but then discovers the 'house' is a vine-covered trellis and the 'furniture' has transformed into a garden.
Characters
Dorothy ★ protagonist
Small in stature, with a youthful and curious demeanor. Her build is slight, typical of a young girl, allowing her to easily navigate small spaces like the tree doorway.
Attire: A simple, practical dress suitable for travel and adventure, likely made of sturdy cotton or linen in muted colors, perhaps with a pinafore or apron. Her clothing would be comfortable for sitting on a sideboard or climbing stairs.
Wants: To reunite with her companions (the Caravan) and understand the strange world she finds herself in.
Flaw: Her youth and inexperience sometimes lead to misinterpretations or a lack of understanding of complex situations.
She learns to navigate increasingly surreal environments and interacts with peculiar characters, growing in her ability to cope with the unexpected.
Curious, polite, empathetic, resourceful, and slightly naive. She is easily astonished but quickly adapts to strange situations.
Image Prompt & Upload
A small young girl standing upright, facing forward, full body visible from head to toe. She has light brown hair tied back with a simple ribbon, wide blue eyes, and fair skin with a curious expression. She wears a practical, knee-length blue linen dress with a white collar and cuffs, a simple white apron, and sturdy brown leather shoes. Her hands are clasped loosely in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Sideboard ◆ supporting
A large, wooden sideboard, likely antique in style, with multiple doors and shelves. It is capable of floating and moving independently, and even 'holding up its front feet' and having its 'doors fly open'.
Attire: N/A (furniture)
Wants: To transport Dorothy and later to collect its runaway pies.
Flaw: Its primary function is as furniture, making its sentience and mobility unexpected and perhaps limited.
Serves as Dorothy's initial mode of transport and then demonstrates its own peculiar sentience by collecting its pies.
Responsive, somewhat expressive (as if 'expressing its surprise'), and capable of independent action, particularly in relation to its contents.
Image Prompt & Upload
An antique wooden sideboard floating on calm water, facing forward. It is made of dark, polished mahogany, with intricate carvings on its panels and legs. Its two front doors are slightly ajar, and it appears to be gently propelling itself. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Admiral ◆ supporting
A man of authority, likely of a robust build consistent with a naval officer. He gets 'red in the face' when agitated.
Attire: Though shipwrecked, he retains the demeanor of an Admiral. He would traditionally wear a naval uniform, perhaps a dark blue coat with brass buttons and epaulets, though in his current state, it might be disheveled or incomplete. He is found in bed, so his full attire is not seen.
Wants: To maintain his dignity and explain his situation, even in absurd circumstances.
Flaw: His pomposity and easily ruffled composure. He is quick to anger when contradicted or when his authority is questioned.
He remains largely unchanged, serving as a source of information and entertainment through his recitations.
Authoritative, formal, somewhat pedantic, easily agitated, and prone to dramatic pronouncements. He enjoys reciting poetry.
Image Prompt & Upload
A middle-aged man with a stern, weathered face and a neatly trimmed grey beard, sitting upright in a simple wooden bed. He has a robust build. He wears a disheveled dark blue naval jacket with tarnished brass buttons over a white undershirt. His expression is solemn and slightly annoyed. He holds a small brass spy-glass to his eye. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Sir Walter ◆ supporting
Likely a knight or gentleman of some standing, perhaps of a lean or average build. He is prone to peevishness.
Attire: Implied to be a knight, so his attire would typically include elements of formal or noble dress, though currently, he is 'squashed' and in bed, so his clothing might be rumpled or simplified.
Wants: To express his discomfort and inquire about the nature of their predicament.
Flaw: His peevishness and focus on physical discomforts.
Remains consistent in his character, serving as a foil to Dorothy's politeness and the Admiral's grandiosity.
Peevish, curious about practical discomforts, and prone to complaining.
Image Prompt & Upload
A middle-aged man with a lean build and a perpetually peevish expression, sitting in a simple wooden bed. He has short, neatly combed brown hair and a pointed nose. He wears a rumpled white linen shirt with the top buttons undone. His eyebrows are slightly furrowed. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Highlander ◆ supporting
A man of Scottish origin, likely with a sturdy build. His appearance would reflect his cultural background.
Attire: Though in bed, his identity as a Highlander suggests he would typically wear a kilt, sporran, and other traditional Scottish attire. His current clothing would be a simplified version, perhaps a wool shirt.
Wants: To make his observations known, often with a touch of humor or cynicism.
Flaw: His bluntness can sometimes be perceived as rude or dismissive.
Remains consistent, providing comic relief and practical observations.
Terse, practical, and possesses a dry wit. He is quick to make pointed remarks.
Image Prompt & Upload
A burly man with a rugged face and a thick, dark brown beard, sitting in a simple wooden bed. He has a sturdy build and intense dark eyes. He wears a simple, dark wool shirt. His expression is serious but with a hint of dry amusement. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Forest of Enormous Trees
A peculiar forest where enormous trees grow directly out of a lake. Their great branches interlace far above, covered with leaves as if it were midsummer, despite being Christmas Day. Each tree has a small door near the water's edge with a platform acting as a doorstep. Many doors have rude notices like 'No admittance' or 'Beware of the Pig'.
Mood: Mysterious, slightly eerie, whimsical, with a sense of hidden life.
Dorothy drifts into this strange forest on the sideboard and discovers the tree-dwellings, eventually finding an inviting door.
Image Prompt & Upload
A serene, fantastical forest scene where colossal, ancient trees with thick, gnarled trunks rise directly from a calm, dark lake. Their dense, green canopies interlace far overhead, filtering dappled sunlight onto the water's surface. At the base of several trees, small, weathered wooden doors with tiny platforms are visible, some adorned with faded, hand-painted signs. The water reflects the deep green of the foliage and the muted tones of the tree bark. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Outside Inn / Inn-Side Out Garden
A wide, open field as flat as a pancake, located at the very top of a tree. The 'ground' is a curious floor of branches, closely braided together like a market-basket. In the middle stands a charming little cottage with vines trained about latticed windows, bearing a sign 'THE OUTSIDE INN'. Inside, there is no interior, leading back out to the field, where the wall is papered with pictures and curtains. The furniture (curly chairs, a bed with leaves and pink blossoms) grows directly out of the braided branch floor. Later, this transforms into a beautiful garden with flower-pot stands and a mound of waving lilies.
Mood: Whimsical, confusing, magical, surreal, later beautiful and enchanting.
Dorothy explores the surreal Inn, discovers the shipwrecked Caravan, and witnesses the transformation of the Inn and its furniture into a garden.
Image Prompt & Upload
A surreal, sun-drenched garden atop a colossal tree, where the 'ground' is a tightly woven platform of thick, gnarled branches. In the center, a charming, rustic cottage with latticed windows and climbing vines appears to be a mere facade, its 'interior' opening back to the garden. Whimsical furniture, like chairs with twisted, vine-like legs and a bed adorned with large, vibrant pink blossoms and green leaves, sprouts directly from the braided branch floor. Lush, tall lilies wave gently in the foreground, and the sky above is a clear, bright blue. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.