WHEREYOUWANTOGOTO

by E. Nesbit · from Nine Unlikely Tales

fairy tale adventure whimsical Ages 8-14 10355 words 46 min read
Cover: WHEREYOUWANTOGOTO

Adapted Version

CEFR A1 Age 5 802 words 4 min Canon 80/100

It was a very hot day. Selim and Mia were bored. They sat inside their house. Grown-ups said, "Quiet!" London was warm. The sun shone bright. Selim felt hot. Mia felt hot too. They could not play outside. Grumpy Grown-ups were there. They made the children stay in. Selim wanted to run. Mia wanted to play. They wanted to have fun. But they could not. They were not happy. They wished for seaside fun. They wished for no grown-ups.

The children felt very hot. They had nothing to do. They sat on the floor. Selim sighed a big sigh. Mia looked sad. Mia rubbed her eyes. "I am so bored," Mia said. Selim nodded his head. "Me too," he said. They felt very tired of waiting. They wanted to laugh and play. But they just sat there. It was a very quiet room.

"What would make you happy?" a voice asked. It was a thick, soft voice. A big green and red ball rolled out. It came from the toy box. The Bouncy Ball looked at them. It looked very new. The ball rolled slowly. It stopped near their feet.

Selim looked at the ball. Mia looked at it too. "We want the beach," Mia said. "We want to play in sand." Selim nodded. "No grown-ups there," he said. "No one says 'Quiet!'" They wanted to play. They wanted to splash in the water. They wanted to have much fun.

"Bounce me!" said The Bouncy Ball. "Bounce me high!" Selim picked up ball. He bounced it. Mia bounced it too. The ball went up. It came down. They felt happy. They felt light. "Now you bounce!" said the ball. Selim started to bounce. Mia started to bounce. Their feet felt bouncy. They bounced higher and higher. They bounced out the door. They bounced over the wall. They bounced into the world. It was so much fun.

They bounced and bounced. The Bouncy Ball led the way. Soon they saw blue water. They saw soft, yellow sand. "The seaside!" cried Mia. "We are here!" cried Selim. They ran to the water. They splashed and played. They built a big sand house. No one said, "Stop!" Or "Quiet!" They played. It was a perfect day. They felt very happy.

The Bouncy Ball bounced. It came near the children. "I must go now," it said. Its voice was soft. Selim felt a little sad. Mia looked at the ball. "What will we do?" Mia asked. The ball gave a little bounce. "You can stay here," it said. "Or you can come with me." "A new fun place," it added.

Mia smiled. "I will stay here," Mia said. "I love the beach." Mia made a small sand shell. Selim thought and thought. He looked at the ball. "I want a new story," he said. "I want to see more." The Bouncy Ball smiled. It bounced away. Selim bounced after it. He was a new boy now. His name was Tony.

Tony was very small. The world was very big. A Little King stood near. "Get me milk!" said the King. His voice was cross. "The Big Mountain Girl has it." Tony looked up. The Big Mountain Girl was huge. She was like a real mountain. Tony felt very tiny. He must get the milk.

Tony walked on the ground. It felt like a big carpet. He saw big bugs. They were very friendly. He walked past giant flowers. He came to the Big Mountain Girl. She was eating breakfast. Her spoon was very big. Tony climbed on her plate. He climbed over big food. He found the milk cup. He was very brave.

Tony got the milk. He brought it to the King. "Here is your milk," Tony said. The Little King looked at it. He looked at Tony. "You broke my cup!" he yelled. The King was very angry. "Go away!" he said. "You are naughty!" Tony felt sad. He did not break the cup.

Tony held the milk cup. He felt very sad. He drank the milk. He drank it all up. Then a thing happened. Tony started to grow. He grew very, very big. He grew bigger than the King. He grew bigger than the houses. He grew bigger than the trees. He was so big now.

Tony looked down. His old town looked small. It looked like a toy town. The Little King looked like a tiny bug. Tony was now big. He looked at the Big Mountain Girl. She was his new friend. She smiled at Tony. They were the same size.

The Big Mountain Girl smiled. "That was a small story," she said. "For small people." Tony smiled too. He was happy now. He was big in this world. He was "Tony next door." He had a new, big friend.

Original Story 10355 words · 46 min read

WHEREYOUWANTOGOTO

OR THE BOUNCIBLE BALL

IT is very hard, when you have been accustomed to go to the seaside every summer ever since you were quite little, to be made to stay in London just because an aunt and an uncle choose to want to come and stay at your house to see the Royal Academy and go to the summer sales.

Selim and Thomasina felt that it was very hard indeed. And aunt and uncle were not the nice kind, either. If it had been Aunt Emma, who dressed dolls and told fairy-tales—or Uncle Reggie, who took you to the Crystal Palace, and gave you five bob at a time, and never even asked what you spent it on, it would have been different. But it was Uncle Thomas and Aunt Selina.

Aunt Selina was all beady, and sat bolt upright, and told you to mind what you were told, and Selim had been named after her—as near as they could get. And Uncle Thomas was the one Thomasina had been named after: he was deaf, and he always told you what the moral of everything was, and the housemaid said he was “near.”

“I know he is, worse luck,” said Thomasina.

“I mean, miss,” explained the housemaid, “he’s none too free with his chink.”

Selim groaned. “He never gave me but a shilling in his life,” said he, “and that turned out to be bad when I tried to change it at the ginger-beer shop.”

The children could not understand why this aunt and uncle were allowed to interfere with everything as they did: and they quite made up their minds that when they were grown up they would never allow an aunt or an uncle to cross their doorsteps. They never thought—poor, dear little things—that some day they would grow up to be aunts and uncles in their turn, or, at least, one of each.

It was very hot in London that year: the pavement was like hot pie, and the asphalt was like hot pudding, and there was a curious wind that collected dust and straw and dirty paper, and then got tired of its collection, and threw it away in respectable people’s areas and front gardens. The blind in the nursery had never been fixed up since the day when the children took it down to make a drop-scene for a play they were going to write and never did. So the hot afternoon sun came burning in through the window, and the children got hotter and hotter, and crosser and crosser, till at last Selim slapped Thomasina’s arms till she cried, and Thomasina kicked Selim’s legs till he screamed.

Then they sat down in different corners of the nursery and cried, and called each other names, and said they wished they were dead. This is very naughty indeed, as, of course, you know; but you must remember how hot it was.

When they had called each other all the names they could think of, Thomasina said, suddenly, “All right, Silly,” (that was Selim’s pet name)—“cheer up.”

“It’s too hot to cheer up,” said Selim, gloomily.

“We’ve been very naughty,” said Thomasina, rubbing her eyes with the paint rag, “but it’s all the heat. I heard Aunt Selina telling mother the weather wore her nerves to fiddle-strings. That just meant she was cross.”

“Then it’s not our fault,” said Selim. “People say be good and you’ll be happy. Uncle Reggy says, ‘Be happy, and perhaps you’ll be good.’ I could be good if I was happy.”

“So could I,” said Thomasina.

“What would make you happy?” said a thick, wheezy voice from the toy cupboard, and out rolled the big green and red india-rubber ball that Aunt Emma had sent them last week. They had not played with it much, because the garden was so hot and sunny—and when they wanted to play with it in the street, on the shady side, Aunt Selina had said it was not like respectable children, so they weren’t allowed.

Now the Ball rolled out very slowly—and the bright light on its new paint seemed to make it wink at them. You will think that they were surprised to hear a ball speak. Not at all. As you grow up, and more and more strange things happen to you, you will find that the more astonishing a thing is the less it surprises you. (I wonder why this is. Think it over, and write and tell me what you think.)

Selim stood up, and said, “Halloa”; but that was only out of politeness. Thomasina answered the Ball’s question.

“We want to be at the seaside—and no aunts—and none of the things we don’t like—and no uncles, of course,” she said.

“Well,” said the Ball, “if you think you can be good, why not set me bouncing?”

“We’re not allowed in here,” said Thomasina, “because of the crinkly ornaments people give me on my birthdays.”

“Well, the street then,” said the Ball; “the nice shady side.”

“It’s not like respectable children,” said Selim sadly.

The Ball laughed. If you have never heard an india-rubber ball laugh you won’t understand. It’s the sort of quicker, quicker, quicker, softer, softer, softer chuckle of a bounce that it gives when it’s settling down when you’re tired of bouncing it.

“The garden, then,” it said.

“I don’t mind, if you’ll go on talking,” said Selim kindly.

So they took the Ball down into the garden and began to bounce it in the sun, on the dry, yellowy grass of the lawn.

“Come on,” said the Ball. “You do like me!”

“What?” said the children.

“Why, do like I do—bounce!” said the Ball. “That’s right—higher, higher, higher!”

For then and there the two children had begun bouncing as if their feet were india-rubber balls, and you have no idea what a delicious sensation that gives you.

“Higher, higher,” cried the green and red ball, bouncing excitedly. “Now, follow me, higher, higher.” And off it bounced down the blackened gravel of the path, and the children bounced after it, shrieking with delight at the new feeling. They bounced over the wall—all three of them—and the children looked back just in time to see Uncle Thomas tapping at the window, and saying, “Don’t.”

You have not the least idea how glorious it is to feel full of bouncibleness; so that, instead of dragging one foot after the other, as you do when you feel tired or naughty, you bounce along, and every time your feet touch the ground you bounce higher, and all without taking any trouble or tiring yourself. You have, perhaps, heard of the Greek gentleman who got new strength every time he fell down. His name was Antæus, and I believe he was an india-rubber ball, green on one side where he touched the earth, and red on the other where he felt the sun. But enough of classical research.

Thomasina and Selim bounced away, following the Bouncible Ball. They went over fences and walls, and through parched, dry gardens and burning-hot streets; they passed the region where fields of cabbages and rows of yellow brick cottages mark the division between London and the suburbs. They bounced through the suburbs, dusty and neat, with geraniums in the front gardens, and all the blinds pulled half-way down; and then the lamp-posts in the road got fewer and fewer, and the fields got greener and the hedges thicker—it was real, true country—with lanes instead of roads; and down the lanes the green and red Ball went bouncing, bouncing, bouncing, and the children after it. Thomasina, in her white, starched frock, very prickly round the neck, and Selim, in his every-day sailor-suit, a little tight under the arms. His Sunday one was a size larger. No one seemed to notice them, but they noticed and pitied the children who were being “taken for a walk” in the gritty suburban roads.

“Where are we going?” they asked the Ball, and it answered, with a sparkling green and red smile—

“To the most delightful place in the world.”

“What’s it called?” asked Selim.

“It’s called Whereyouwantogoto,” the Ball answered, and on they went. It was a wonderful journey—up and down, looking through the hedges and over them, looking in at the doors of cottages, and then in at the top windows, up and down—bounce—bounce—bounce.

And at last they came to the sea. And the Bouncing Ball said, “Here you are! Now be good, for there’s nothing here but the things that make people happy.” And with that he curled himself up like a ball in the shadow of a wet sea-weedy rock, and went to sleep, for he was tired out with his long journey. The children stopped bouncing, and looked about them.

“Oh, Tommy;” said Selim.

THEY BOUNCED THROUGH THE SUBURBS.

“Oh, Silly!” said Thomasina. And well they might! In the place to which the Ball had brought them was all that your fancy can possibly paint, and a great deal more beside.

The children feel exactly as you do when you’ve had the long, hot, dirty train journey—and every one has been so cross about the boxes and the little brown portmanteau that was left behind at the junction—and then when you get to your lodgings you are told that you may run down and have a look at the sea if you’re back by tea time, and mother and nurse will unpack.

Only Thomasina and her brother had not had a tiresome journey—and there were no nasty, stuffy lodgings for them, and no tea with oily butter and a new pot of marmalade.

“There’s silver-sand,” said she—“miles of it.”

“And rocks,” said he.

“And cliffs.”

“And caves in the cliffs.”

“And how cool it is,” said Thomasina.

“And yet it’s nice and warm too,” said Selim.

“And what shells!”

“And seaweed.”

“And the downs behind!”

“And trees in the distance!”

“And here’s a dog, to go after sticks. Here, Rover, Rover.”

A big black dog answered at once to the name, because he was a retriever, and they are all called Rover.

“And spades!” said the girl.

“And pails!” said the boy.

“And what pretty sea-poppies,” said the girl.

“And a basket—and grub in it!” said the boy. So they sat down and had lunch.

It was a lovely lunch. Lobsters and ice-creams (strawberry and pine-apple), and toffee and hot buttered toast and ginger-beer. They ate and ate, and thought of the aunt and uncle at home, and the minced veal and sago pudding, and they were very happy indeed.

Just as they were finishing their lunch they saw a swirling, swishing, splashing commotion in the green sea a little way off, and they tore off their clothes and rushed into the water to see what it was. It was a seal. He was very kind and convenient. He showed them how to swim and dive.

“But won’t it make us ill to bathe so soon after meals? Isn’t it wrong?” asked Thomasina.

THE SEAL WAS VERY KIND AND CONVENIENT.

“Not at all,” said the seal. “Nothing is wrong here—as long as you’re good. Let me teach you water-leapfrog—a most glorious game, so cool, yet so exciting. You try it.”

At last the seal said: “I suppose you wear man-clothes. They’re very inconvenient. My two eldest have just outgrown their coats. If you’ll accept them——”

And it dived, and came up with two golden sealskin coats over its arm, and the children put them on.

“Thank you very much,” they said. “You are kind.”

I am almost sure that it has never been your luck to wear a fur coat that fitted you like a skin, and that could not be spoiled with sand or water, or jam, or bread and milk, or any of the things with which you mess up the nice new clothes your kind relations buy for you. But if you like, you may try to imagine how jolly the little coats were.

Thomasina and Selim played all day on the beach, and when they were tired then went into a cave, and found supper—salmon and cucumber, and welsh-rabbit and lemonade—and then they went to bed in a great heap of straw and grass and fern and dead leaves, and all the delightful things you have often wished to sleep in. Only you have never been allowed to.

In the morning there were plum-pudding for breakfast, and roast duck and lemon jelly, and the day passed like a happy dream, only broken by surprising and delightful meals. The Ball woke up and showed them how to play water-polo; and they bounced him on the sand, with shrieks of joy and pleasure. You know, a Ball likes to be bounced by people he is fond of—it is like slapping a friend on the shoulder.

There were no houses in “Whereyouwantogoto,” and no bathing machines or bands, no nursemaids or policemen or aunts or uncles. You could do exactly what you liked as long as you were good.

“What will happen if we’re naughty?” Selim asked. The Ball looked very grave, and answered—

“I must not tell you; and I very strongly advise you not to try to find out.”

“We won’t—indeed, we won’t,” said they, and went off to play rounders with the rabbits on the downs—who were friendly fellows, and very keen on the game.

On the third evening Thomasina was rather silent, and the Ball said, “What’s the matter, girl-bouncer? Out with it.”

So she said, “I was wondering how mother is, and whether she has one of her bad headaches.”

The Ball said, “Good little girl! Come with me and I’ll show you something.”

He bounced away, and they followed him, and he flopped into a rocky pool, frightening the limpets and sea-anemones dreadfully, though he did not mean to.

“Now look,” he called from under the water, and the children looked, and the pool was like a looking-glass, only it was not their own faces they saw in it.

They saw the drawing-room at home, and father and mother, who were both quite well, only they looked tired—and the aunt and uncle were there—and Uncle Thomas was saying, “What a blessing those children are away.”

“Then they know where we are?” said Selim to the Ball.

“They think they know,” said the Ball, “or you think they think they know. Anyway, they’re happy enough. Good-night.”

And he curled himself up like a ball in his favourite sleeping-place. The two children crept into their pleasant, soft, sweet nest of straw and leaves and fern and grass, and went to sleep. But Selim was vexed with Thomasina because she had thought of mother before he had, and he said she had taken all the fern—and they went to sleep rather cross. They woke crosser. So far they had both helped to make the bed every morning, but to-day neither wanted to.

“I don’t see why I should make the beds,” said he; “it’s a girl’s work, not a boy’s.”

“I don’t see why I should do it,” said Thomasina; “it’s a servant’s place, not a young lady’s.”

And then a very strange and terrible thing happened. Quite suddenly, out of nothing and out of nowhere, appeared a housemaid—large and stern and very neat indeed, and she said—

“You are quite right, miss; it is my place to make the beds. And I am instructed to see that you are both in bed by seven.”

Think how dreadful this must have been to children who had been going to bed just when they felt inclined. They went out on to the beach.

“You see what comes of being naughty,” said Thomasina; and Selim said, “Oh, shut up, do!”

SUDDENLY, OUT OF NOTHING AND NOWHERE, APPEARED A LARGE, STERN HOUSEMAID.

They cheered up towards dinner-time—it was roast pigeons that day and bread sauce, and whitebait and syllabubs—and for the rest of the day they were as good as gold, and very polite to the Ball. Selim told it all about the dreadful apparition of the housemaid, and it shook its head (I know you’ve never seen a ball do that, and very likely you never will) and said—

“My Bouncible Boy, you may be happy here for ever and ever if you’re contented and good. Otherwise—well, it’s a quarter to seven—you’ve got to go.”

And, sure enough, they had to. And the housemaid put them to bed, and washed them with yellow soap, and some of it got in their eyes. And she lit a night-light, and sat with them till they went to sleep, so that they couldn’t talk, and were ever so much longer getting to sleep than they would have been if she had not been there. And the beds were iron, with mattresses and hot, stuffy, fluffy sheets and many more new blankets than they wanted.

The next day they got out as early as they could and played water football with the seal and the Bouncible Ball, and when dinner-time came it was lobster and ices. But Thomasina was in a bad temper. She said, “I wish it was duck.” And before the words had left her lips it was cold mutton and rice-pudding, and they had to sit up to table and eat it properly too, and the housemaid came round to see that they didn’t leave any bits on the edges of their plates, or talk with their mouths full.

There were no more really nice meals after that, only the sort of things you get at home. But it is possible to be happy even without really nice meals. But you have to be very careful. The days went by pleasantly enough. All the sea and land creatures were most kind and attentive. The seal taught them all it knew, and was always ready to play with them. The star-fish taught them astronomy, and the jelly-fish taught them fancy cooking. The limpets taught them dancing as well as they could for their lameness. The sea-birds taught them to make nests—a knowledge they have never needed to apply—and if the oysters did not teach them anything it was only because oysters are so very stupid, and not from any lack of friendly feeling.

The children bathed every day in the sea, and if they had only been content with this all would have been well. But they weren’t.

A LONG, POINTED THING CAME SLOWLY UP OUT OF THE SAND.

“Let’s dig a bath,” said Selim, “and the sea will come in and fill it, and then we can bathe in it.”

So they fetched their spades and dug—and there was no harm in that, as you very properly remark.

But when the hole was finished, and the sea came creep, creep, creeping up—and at last a big wave thundered up the sand and swirled into the hole, Thomasina and Selim were struggling on the edge, fighting which should go in first, and the wave drew sandily back into the sea, and neither of them had bathed in the new bath. And now it was all wet and sandy, and its nice sharp edges rounded off, and much shallower. And as they looked at it angrily, the sandy bottom of the bath stirred and shifted and rose up, as if some great sea-beast were heaving underneath with his broad back. The wet sand slipped back in slabs at each side, and a long pointed thing like a thin cow’s back came slowly up. It showed broader and broader, and presently the flakes of wet sand were dropping heavily off the top of a brand-new bathing machine that stood on the sand over where their bath had been.

“Well,” said Selim, “we’ve done it this time.”

They certainly had, for on the door of the bathing machine was painted: “You must not bathe any more except through me.”

So there was no more running into the sea just when and how they liked. They had to use the bathing machine, and it smelt of stale salt water and other people’s wet towels.

After this the children did not seem to care so much about the seaside, and they played more on the downs, where the rabbits were very kind and hospitable, and in the woods, where all sorts of beautiful flowers grew wild—and there was nobody to say “Don’t” when you picked them. The children thought of what Uncle Thomas would have said if he had been there, and they were very, very happy.

But one day Thomasina had pulled a lot of white convolvulus and some pink geraniums and calceolarias—the kind you are never allowed to pick at home—and she had made a wreath of them and put it on her head.

Then Selim said, “You are silly! You look like a Bank Holiday.”

And his sister said, “I can’t help it. They’d look lovely on a hat, if they were only artificial. I wish I had a hat.”

And she had. A large stiff hat that hurt her head just where the elastic was sewn on, and she had her stiff white frock that scratched, her tiresome underclothing, all of it, and stockings and heavy boots; and Selim had his sailor suit—the every-day one that was too tight in the arms; and they had to wear them always, and their fur coats were taken away.

They went sadly, all stiff and uncomfortable, and told the Bouncible Ball. It looked very grave, and great tears of salt water rolled down its red and green cheeks as it sat by the wet, seaweed-covered rock.

“Oh, you silly children,” it said, “haven’t you been warned enough? You’ve everything a reasonable child could wish for. Can’t you be contented?”

“Of course we can,” they said—and so they were—for a day and a half. And then it wasn’t exactly discontent but real naughtiness that brought them to grief.

They were playing on the downs by the edge of the wood under the heliotrope tree. A hedge of camellia bushes cast a pleasant shadow, and out in the open sunlight on the downs the orchids grew like daisies, and the carnations like buttercups. All about was that kind of turf on which the gardener does not like you to play, and they had pulled armfuls of lemon verbena and made a bed of it. But Selim’s blouse was tight under the arms. So when Thomasina said—

“Oh, Silly dear, how beautiful it is, just like fairyland,” he said—

“Silly yourself. There’s no such thing as fairyland.”

Just then a fairy, with little bright wings the colour of a peacock’s tail, fluttered across the path, and settled on a magnolia flower.

“Oh! Silly darling,” cried Thomasina, “it is fairyland, and there’s a fairy, such a beautiful dear. Look—there she goes.”

But Selim would not look—he turned over and hid his eyes.

“There’s no such thing as fairyland, I tell you,” he grunted, “and I don’t believe in fairies.”

And then, quite suddenly and very horribly the fairy turned into a policeman—because every one knows there are such things as policemen, and any one can believe in them.

And all the rare and beautiful flowers withered up and disappeared, and only thorns and thistles were left, and the misty, twiny trim little grass path that led along the top of the cliffs turned into a parade, and the policeman walked up and down it incessantly, and watched the children at their play, and you know how difficult it is to play when any one is watching you, especially a policeman. Selim was extremely vexed: that was why, he said, there couldn’t possibly be glow-worms as big as bicycle lamps, which, of course, there were in “Whereyouwantogoto.” It was after that that the gas-lamps were put all along the parade, and a pier sprang up on purpose to be lighted with electricity, and a band played, because it is nonsense to have a pier without a band.

IT IS DIFFICULT TO PLAY WHEN ANY ONE IS WATCHING YOU, ESPECIALLY A POLICEMAN.

“Oh, you naughty, silly children,” said the Bouncible Ball, turning red with anger, except in the part where he was green with disgust; “it makes me bounce with rage to see how you’ve thrown away your chances, and what a seaside resort you’re making of ‘Whereyouwantogoto.’”

And he did bounce, angrily, up and down the beach till the housemaid looked out of the cave and told the children not to be so noisy, and the policeman called out—

“Now then, move along there, move along. You’re obstructing of the traffic.”

And now I have something to tell you which you will find it hard to make any excuses for. I can’t make any myself. I can only ask you to remember how hard it is to be even moderately good, and how easy it is to be extremely naughty.

When the Bouncible Ball stopped bouncing, Selim said—

“I wonder what makes him bounce.”

“Oh no, don’t!” cried Thomasina, for she had heard her brother wonder that about balls before, and she knew all too well what it ended in.

“Oh, don’t,” she said, “oh, Silly, he brought us here, he’s been so kind.” But Selim said, “Nonsense; balls can’t feel, and it will be almost as good to play with after I’ve looked inside it.”

And then, before Thomasina could prevent him, he pulled out the knife Uncle Reggy gave him last holiday but one, and catching the Ball up, he plunged the knife into its side. The Bouncible Ball uttered one whiffing squeak of pain and grief, then with a low, hissing sigh its kindly spirit fled, and it lay, a lifeless mass of paint and india-rubber in the hands of its assassin. Thomasina burst into tears—but the heartless Selim tore open the Ball, and looked inside. You know well enough what he found there. Emptiness; the little square patch of india-rubber that makes the hard lump on the outside of the ball which you feel with your fingers when the ball is alive and his own happy, bouncing, cheerful self.

The children stood looking at each other.

“I—I almost wish I hadn’t,” said Selim at last; but before Thomasina could answer he had caught her hand.

“Oh, look,” he cried, “look at the sea.”

It was, indeed, a dreadful sight. The beautiful dancing, sparkling blue sea was drying up before their eyes—in less than a moment it was quite flat and dusty. It hurriedly laid down a couple of railway lines, ran up a signal-box and telegraph-poles, and became the railway at the back of their house at home.

The children, gasping with horror, turned to the downs. From them tall, yellow brick houses were rising, as if drawn up by an invisible hand. Just as treacle does in cold weather if you put your five fingers in and pulled them up. But, of course, you are never allowed to do this. The beach got hard—it was a pavement. The green downs turned grey—they were slate roofs—and Thomasina and Selim found themselves at the iron gate of their own number in the terrace—and there was Uncle Thomas at the window knocking for them to come in, and Aunt Selina calling out to them how far from respectable it was to play in the streets.

They were sent to bed at once—that was Aunt Selina’s suggestion—and Uncle Thomas arranged that they should have only dry bread for tea.

Selim and Thomasina have never seen “Whereyouwantogoto” again, nor the Bouncible Ball—not even his poor body—and they don’t deserve to either. Of course, Thomasina was not so much to blame as Selim, but she was punished just the same. I can’t help that. This is really the worst of being naughty. You not only have to suffer for it yourself, but some one else always has to suffer too, generally the person who loves you best.

You are intelligent children, and I will not insult you with a moral. I am not Uncle Thomas. Nor will I ask you to remember what I have told you. I am not Aunt Selina.


THE BLUE MOUNTAIN

THE BLUE MOUNTAIN

TONY was young Tony, and old Tony was his grandfather. This story is about young Tony, and no human being believes a word of it, unless young Tony does.

Tony was born in the town of Antioch. This is not the same Antioch that you read about in history, but quite a different place. It was a place where nearly every one was very dark as to the complexion, and rather short as to the temper and figure. People who were fair in the face and easy in the temper were not thought much of in Antioch. When Tony’s mother saw that her baby was as fair as a daffodil and as good as gold, and laughed all day, she said, “Oh dear, oh dear, I suppose he takes after his grandfather, he is not in the least like my family,” and the matter annoyed her so much that she died.

Then there was only old Tony left to look after young Tony, because his father had been killed in the wars—-only a few weeks before.

The people of Antioch were always fighting the neighbouring tribes, red-faced savages who deserved no better fate than to be killed, only, of course, sometimes a few Antiochians had to be killed too, because that is part of the game, and if there were no danger there would be no glory, would there?

Little Tony’s hair remained yellow, and his habit of laughing grew with his years, and he learned his lessons and he learned his play. He was excellent company, and if it had not been for the yellowness of his hair and the gentleness of his nature, he would have been quite popular among his schoolmates.

His grandfather called him “gentle,” but the people of Antioch called him “lazy,” for they, as I said, were very black, and generally angry. They scurried up and down in their rocky little city, and always they seemed to be driven by most urgent affairs, hurrying to keep important appointments. They ran about all day long, attending to their business, and hardly stopping even for their dinner or their tea, and no one ever saw any of them asleep.

“Why is it, Grandfather?” young Tony asked one day, “what is it all about? why do they never sit down quietly like you and me?”

THE PEOPLE OF ANTIOCH WERE ALWAYS IN A HURRY AND GENERALLY ANGRY.

“It is the great heart of the Nation, my boy,” said old Tony, “it cannot be still; it is in the breed, you know, they can’t help it. They are all alike too, except you and me. Why, bless your heart, look at the King, he is more in a hurry than all the rest, and more—and more noble and active, bless him.”

The old man ended his speech in quite a different voice from the one he had begun with. This was because he suddenly caught the glitter of the King’s crown as the Monarch popped round the corner.

The King of Antioch was always in a hurry, always running somewhere or other, consequently he was seldom on his throne, and his loyal subjects had to look out very sharply, for he was always sure to be where they least expected him. You may think that they could have got over this little difficulty by always looking for the King where they least expected him, but if you try this simple experiment for yourself with your governess or tutor, or even your nurse, I think you will find that it is not so easy as it looks.

“Ha!” said the King, standing in the doorway and laughing cheerfully, “talking treason, eh? well, you know what the punishment for that is. Pinching with black pincers, you know, till—well—till you don’t feel the pinching any more.”

“Aha! your Majesty always has such a pleasant way with you,” said old Tony politely; and young Tony decided that when he grew up he would try not to have any pleasant ways at all.

The King rustled quickly round the little house, and looked at everything—dresser, chairs, plates and pots. He was sorry that there was nothing that he could find fault with, so he said, “Beware of Luxury,” and hurried off to make his presence felt in some other humble home. There was no pride about King Anthony XXIII. He just dropped in without an invitation and took his subjects as he found them.

“King Anthony XXIII. is the noblest of monarchs,” said old Tony, as he and his grandson sat down to their plain supper.

“It’s all right, grandfather, he has quite gone, he’s not listening—for a wonder!” said young Tony.

Meantime the King was hurrying in and out and up and down the crowded streets of his city, picking up little bits of information, and making his subjects feel that his kingship was not a mere matter of form, but that he was really interested in the most humble life among his people.

It was a strange town, all up-hill and down-hill, with steep rocks and precipices all mixed up with the public streets. The people, for all their busy habits, had no trade, or rather they did not manufacture anything. They built houses, and brought up their families. They wrapped their children up very snugly and carried them about at an earlier age than we consider safe, and they milked their cows, which were large and green and had wings, and they drank the milk, and they gathered the fruit of the trees that grew on the plain below the town, and they got on very well indeed. There was only one drawback to life in Antioch, and that was its uncertainty. At any moment an earthquake might occur, then down would go half the town, and the busy citizens had it all to build again. They soon did it, for they were nothing if not industrious. A much more awful thing was the storm of hot rain that now and then fell on the town, a blighting rain that killed all it touched. This was more dreaded than even the earthquakes, but fortunately it very seldom happened.

Old Tony was beadle and sexton and keeper of the town records; and very nicely he kept them too. There was not a speck of dirt on one of them. He used to spend hours and hours polishing the records, and he scoured the tombstones till they shone again; and he had most of the inscriptions by heart. After an earthquake he was always most careful to put the tombstones back in their proper places, and one day, when he was doing this, he came on a stone he did not remember to have seen before. He called to young Tony, who had had a Board School education, to see if he could read the bits of words that were carved upon it.

“It seems like a foreign language,” said he.

“I can’t make it out,” said young Tony, “it is not carved, it is in the stone somehow. Looks as if it were coming through from the other side.”

He turned the stone over, and there, on the other side, was an inscription which both of them had read a hundred times.

“HERE LIES HENRY BIRKBECK,

MAGICIAN TO THE INSTITUTE,

However humble he seems to you,

His last foretelling is going to come true.

P.S.—You see if it doesn’t.”

“Dear me,” said old Tony. “Poor old Henry Birkbeck, it seems like yesterday; yes, he was very respectable, but only in a small way of business. A magician he was by trade, but no one thought much of him, except perhaps the King, and he never gave him a lift. He used to do things with eggs and a hat. He broke the eggs as often as not. And the goldfish and handkerchief he hardly ever brought off.”

Old Tony began to lay down the tombstone, but young Tony held it up with one hand and tried to scrape the back of it with the other.

“There’s something here,” he said, “let’s set it upright instead of laying it down, and I will scrub it and see what the letters are. Poor old Mr. Birkbeck, I wonder what his last foretelling was. Was he good at prophesying, grandfather?”

“Not a bit,” said the sexton, “and to do him justice he almost gave it up in his later years. You see people laughed at him so, because the things that he foretold never happened. Towards the end he grew very feeble—hardly prophesied a single prophecy from one year’s end to another. Sometimes he would say, ‘I should not wonder if it rained before Sunday,’ but then he never wondered at anything. He was a calm old man, was poor Henry. It took a good deal to astonish him.”

Young Tony tried to interest his boy friends in the back of poor old Henry Birkbeck’s tombstone, but nobody cared. They were all in too much of a hurry to care for an occupation so slow as cleaning tombstones, but Tony worked away perseveringly. He cleaned it with soap, and he cleaned it with soda, with brickdust and vinegar, with rotten stone and washleather, with patience and elbow grease, and the last two, as you know, will clean almost anything. So after a time a few letters began to show distinctly here and there, and presently Tony found he could read whole words.

There was “milk” and “mountain,” and a word that looked like “Jilk,” only of course it could not be that. And the last word of all was “reign,” and the second word of all was “Tony.”

“It must be something to do with me,” said young Tony, “because of my name being in it.”

“It must have something to do with the King,” said old Tony, “because it says ‘reign,’ so you’d better cut off to the Palace, and look sharp about it, or His Majesty will know the reason why.”

So Tony looked sharp about it, and got to the Palace in less than five minutes. For a wonder the King was not engaged in dropping in on his subjects, but was on his throne amid his fussy black courtiers, who were all busy trying to make themselves as small as they could.

This was because the King was very short, though he did not like to say so. He always had himself described in the Census and the Palace Reports as a “powerful man of middle height,” though he was nowhere near the middle height, and no more powerful than other people.

“Well, boy,” said King Anthony XXIII., “what have you come here for?”

“There is a prophecy,” said Tony.

“There are a good many,” said King Anthony, “but they don’t amount to much since poor Henry Birkbeck died. He was something like a prophet,” he went on, turning to his courtiers; “he foretold, when I was only a baby, that if I grew up I should perhaps be king. The late King, my father, was very pleased, I remember.”

The courtiers all bowed, and said it was really wonderful. Tony said,

“Well, then you’d better come and have a look at this prophecy, because it is the late Mr. Birkbeck’s last one, and he said it’ll come true.”

“Bring it here, can’t you?” said the King.

“No, I can’t,” said the boy. “It’s on his tombstone, so there. I can’t carry tombstones about.”

“No,” said the King thoughtfully, “of course you are not powerfully built. You are nowhere near the medium height.”

“Come and look at it if you want to,” said Tony. “I’m in no hurry.”

“Well,” said King Anthony, “I don’t care if I do. I’m tired of sitting still.”

So off they all went, King, Court, heralds, men-at-arms, banner-bearers and spearmen, down the narrow, dark, crooked town streets, till they came to the churchyard where the tombstones were—both the upright and the flat kind.

Tony ran on ahead and knelt in front of the tombstone. Then he jumped up and called out,

“You hurry up, it’s as plain now as the nose on your face.”

“You should say the royal nose on your Majesty’s royal face,” said old Tony anxiously.

But the King was too interested to care about even his subjects’ manners.

OFF THEY ALL WENT, KING, COURT, AND MEN-AT-ARMS.

He came up to the tombstone, and on it he read, and Tony read, and all the courtiers read:—

“When Tony drinks the Blue Mountain’s milk

He shall wear a Sunday suit of silk.

He shall be tallest in all the Land,

And hold the town under his command.

He shall have greatness and we shall have grain;

Soon may it happen and long may he reign!

Hurrah.

H. T. Birkbeck.”

The King read this, and said—

“Well, I never!”

And all the courtiers said the same.

“Tony means Me,” said the King.

The courtiers said that of course it did.

“I am King Tony XXIII.,” said he.

And the courtiers said of course he was.

They all spoke at once like a chorus.

“I was christened Anthony, of course,” his restless Majesty went on, fidgeting with his gold collar; “but I know that my subjects have always spoken of me behind my back by the endearing diminutive.”

The courtiers assured the King that this was so.

“I suppose there’s no one else called Tony?” The King turned a threatening glance on the crowd, and every one hastened to say “No, there wasn’t.” But old Tony turned extremely pale, and hurrying into the vestry, he tampered with the register of births, and altered his own name to Sydney Cecil Ernest Watchett.

But young Tony spoke up. “My name’s Tony,” said he.

“Oh, is it?” said His Majesty. “We’ll soon see about that. Guards, seize him! Now, what is your name?”

“Tony,” said he.

“Your name is not Tony,” said the King, “your name is——” he could not think of a name at the moment, so he stopped.

Tony said, “My name is Tony.”

“Take him to the Parliament House,” said the King, beside himself with rage. “Give him a taste of the Mace,” and Tony tasted the Mace and was stamped on by the Great Seal, who was very fierce and lived in a cage at the Parliament House, until he was stiff and sore and sorry enough to be glad to say that his name was anything the King liked, except Tony, which of course it never, never could have been. He admitted at last that his name was William Waterbury Watchett, and was discharged with a caution.

TONY WAS STAMPED ON BY THE GREAT SEAL, WHO WAS VERY FIERCE.

“But my name is Tony after all,” he said to himself as he went home, full of sad memories of the Mace and the Great Seal. “I wonder where the Blue Mountain is?”

Young Tony thought a good deal about poor Henry Birkbeck’s prophecy. Perhaps the Great Seal had stamped it on his memory. Anyway he could not forget it, and all the next day he was wandering about on the steep edge of the town, looking out over the landscape below. It was not an interesting landscape. All round the brown hill where the town was lay the vast forests of green trees, something like bamboos, whose fruit the people ate; and beyond that one could see the beginnings of a still larger forest, where none of the people of Antioch had ever dared to go—the forest, whose leaves were a hundred times as big as the King himself, and the trunks of the trees as big as whole countries. Above all was the blue sky—but, look as Tony would, he could see no blue mountain.

Then suddenly he saw the largest forest shake and shiver—its enormous leaves swaying this way and that.

“It must be an earthquake,” said Tony, trembling, but he did not run away. And his valour was rewarded as valour deserves to be. The next moment the vast branches of the enormous forest parted, and a giant figure came out into the forest of bamboo-like trees. It was a figure more gigantic than Tony had ever imagined possible. It had long yellow hair. In its hand it carried a great white bowl, big enough to float a navy in. If such an expression did not sound rather silly, I should say that this figure gave Tony the idea of a little-girl-giant. It sat down among the bamboo forest, crushing millions of trees as it sat. With a spoon twice the length of the King’s banqueting hall, it began to eat out of the tremendous basin. Tony saw great lumps, like blocks of soft marble, balanced on the vast spoon, and he knew that the giant-little-girl was eating giant-bread-and-milk. And she wore a giant frock, and the frock was blue. Then Tony understood. This was the “Blue Mountain,” and in that big big sea of a basin there was milk—the Blue Mountain’s milk.

Tony stood still for a moment, then turned and ran as hard as he could straight into the Royal presence. To be more exact, he ran into the Royal waistcoat, for the King, in a hurry, as usual, was coming out of his palace gates with a rush. The King was extremely annoyed. He refused to listen to a word Tony had to say until Parliament had been called together, and had passed a Bill strengthening the enactments against cheek. Then he allowed Tony to tell his tale. And when the tale was told every one ran to the battlements of the town to look. There was no blue mountain to be seen.

THE GIANT-LITTLE-GIRL.

Then his Majesty told Tony what he thought of him, and it was not pleasant hearing.

“I am not a liar,” said Tony; “I am very sorry I told you anything about it; I might jolly well have gone and got it for myself. My name is——William——Waterbury——Watchett.” He stopped in confusion.

“I should think it was,” said the King; “if there is any mountain, which I don’t for a moment believe, you had better go and fetch me some of the milk (not that I think there is any) out of the mountain’s basin (which I cannot believe exists outside of your imagination). If you bring it to this address you will be suitably rewarded.”

“All right,” said Tony; “shall I fetch it in a jug, or will they lend me a can?”

“I will lend you my mug,” said the King; “and mind you bring it back full.”

So Tony took the mug. It had “For a good little King. A present from Antwerp,” on it. And he kissed his grandfather, and started off on his long, perilous journey.

“I suppose he will give me a reward if I get it,” he thought, “and if not, well, it’s an adventure, anyway.”

He passed through the crowded streets, where every one was rushing about in the usual frantic haste, and out at the town gates, and down the road into the forest. The trunks of the trees towered tall and straight above, and a subdued green light shone all about him.

The ground was very broken and uneven, and often Tony had to go a long way round to avoid some great rock or chasm. But he travelled fast, for he was a quick walker, and he did not miss the way once, although, of course, it was quite a strange country to him.

There had been evening classes at his school to teach the boys the art of finding their way in strange places, and Tony had attended all the lectures and taken notice as well as notes. And now he was able to practise what he had learned, and he was glad he had not wasted his time in drawing pictures of the masters, or playing nibs with the boys next him, and throwing ink pellets at more studious boys.

But the journey was longer than he expected, and the mug was rather in his way. He was very much afraid of breaking that mug: it is an awkward thing to break a mug with “A present for a good King” on it. It is so difficult to replace. There are very few of those mugs made nowadays. There is little or no demand for them.

But at last the green light of the forest began to grow brighter, and Tony saw that he was approaching a sort of clearing among the trees, so he put his best foot foremost, without stopping to think which was his worst foot—always a mistake when you are tired and footsore.

And now he came out from under the tall branches, and saw a round open space in the forest, where millions of fallen trees lay on the ground. And he knew that this was the spot where the mountain had sat down to eat its unimaginable enormous breakfast. But there was no mountain to be seen, and Tony knew that he could do nothing but sit down and wait, in the hope that the Blue Mountain would come next morning to eat its breakfast in the same place.

So he looked about for a place to rest safely in, and presently found just what he wanted—a little cave, whose walls and roof were of dried earth—and there he stayed all that day and night, eating the fruit of the fallen trees.

And next morning there was a rustling and a swaying of the trees, and the Blue Mountain came striding over the tall tree-tops, bending down the forest as she came on colossal black legs and massive shoes with monstrous ankle straps. Each shoe was big enough to have crushed a hundred Tonys at one step. So he hid in his cave, and presently knew by the shaking of the ground, like an earthquake, that the mountain had sat down.

Then he came out. He was too near to see the mountain properly, but he saw a great blue-fold of giant frock near him, and far above him towered the blue heights of the giant-little-girl’s knees. On the summit of these shone a vast white round—the great bread-and-milk basin.

Tony started to climb the blue-fold. It was stiff, starched—with giant starch, I suppose—and it bore his weight easily. But it was a long climb, and he drew a deep breath of thankfulness when he reached the broad table-land of the giant-little-girl’s knees—and now the smooth china roundness of the big basin was before him. He tried its polished surface again and again, and always fell back baffled. Then he saw that he might climb up the sleeve of the gigantic arm whose hand held the basin. With his heart in his mouth he began the ascent, slowly and carefully, holding the precious mug closely to his breast. His breath came faster and faster as he went up and up, and at last stood triumphantly on the edge of the great blue sleeve. From there to the edge of the basin it was easy to crawl, and now at last he stood on the giddy verge of the monstrous basin, and looked down at the lake of milk with the rocks of bread in it, many feet below. The great height made him giddy. He lost his footing, and still clasping the mug, he fell headlong into the giant-bread-and-milk. The bread rocks were fortunately soft. Tony picked himself up. He was wet, but no bones were broken, and the mug—oh, joy! the mug was safe. Tony looked it over anxiously as he sat on a rock, a sloppy and uncertain resting place. There was only one small crack near the handle, and Tony was almost sure that that had been there before.

“I don’t know however I shall get out again,” said Tony; “perhaps I never shall, but in case I do, I suppose I had better fill the mug”; so he stooped from the rocks and filled the mug from the lake of milk, which was much thicker than the milk of the green cows with wings, the only milk Tony was used to. He had just filled the mug and tied it down with a piece of parchment which he had taken from the Town Records and brought with him for the purpose, when a noise like thunder suddenly broke on his ear. And indeed it very nearly broke the ear itself, and so startled Tony that the precious mug all but slipped from his grasp. Then a wave of milk swept up almost over his head. The whole of the massive basin was moved sideways. Then came a shock like an earthquake. The basin was being set on the ground. Tony felt that the Blue Mountain had seen him and had screamed. What would the giant-little-girl do? Would she kill him? If so, how?

These questions afforded Tony food for some interesting reflections during the next few moments.

He looked round him for a way of escape. Everywhere towered the smooth white walls. The tremendous spoon which he had seen the Blue Mountain use had, unfortunately, not been left in the basin, or he could have climbed out by that. He gave himself up for lost. Then suddenly he saw the trunk of a slender tree appear at the edge of the basin. It was pushed down towards him. Yes on to the very bread-rock on which he crouched. Would it crush him? No! The end of it rested on the rock by his side; it gently moved towards him. He saw now that the Blue Mountain was not cruel. She was not bent on destroying him. She was offering him a way of escape. He eagerly climbed the tree. When he was half-way up, however, the giant-little-girl flung the tree aside, and with Tony still clinging to it, it fell crashing into the forest. When he came to himself he almost shouted for joy to find the mug still whole.

TONY AMONG THE ROCKS IN THE BREAD-AND-MILK BASIN.

He never knew how he got home.

When he took the mug to the King the monarch looked at it, and said—

“The milk’s very thick.”

“It’s giant cow’s milk,” said Tony, “you drink it up and let’s see what happens.”

“I don’t know,” said the King, suspiciously, “suppose it’s poison; I shall have it analysed.”

“Well, you promised me a reward,” said Tony, “and you wouldn’t grudge it if you knew what a time I’ve had of it. I might have been killed, you know.”

Reward!” said the King, who had been looking at the mug, “reward! when you have cracked my mug—my own only mug, with ‘A present for a good King’ on it. Reward indeed! a stamp from the Great Seal would be more——”

But Tony was gone. He ran home to tell his grandfather—but his grandfather was not there—only a letter lay on the kitchen table.

“Dear grandson,” it said, “the King has found out that my name was entered in the register as Anthony Antrobus, and he refuses to believe that the alteration to Sydney Cecil Ernest Watchett was made at my birth. So I am seeking safety at a distance. I have only one piece of advice to give you. Do so too.—Your loving Grandfather.”

This seemed such good advice to Tony, whose name was also in the register, that he was just going to take it when the door was flung open, and in rushed the King and the Army. They hustled and bustled and rustled round the house, breaking and tearing everything, and when there was nothing more to spoil they carried Tony off to prison.

“So this is my reward for getting the milk for him,” said poor Tony to himself, as he sat in prison, loaded with chains, and waiting for his trial. “I wish I had drunk the milk myself. This is what comes of loyalty. But I don’t care, my name is Tony, and his is not, and I will say so too, if I hang for it.”

Acting on this resolution next day, at his trial, Tony said so, and what is more, he came very near indeed to hanging for it. For King Anthony XXIII. was furious. He absolutely danced with rage, and it took six Prime Ministers to restrain his emotion while the trial went on. Tony was tried for an attempt to murder the King. The whole thing, said the Public Persecutor, was nothing but a plot. The prophecy of Henry Birkbeck, which nobody had seen, till Tony found it; the Blue Mountain, which nobody but Tony had seen at all; the thick milk so mysteriously obtained, all pointed to dark treason and villainy. The crack in the mug was a peculiarly incriminating circumstance. (I cannot help the long words—Public Persecutors will use them.) It was a vile plot, the Persecutor said, but it had failed. The Public Analyst gave evidence that the milk was not milk at all, but some explosive substance too dangerous to analyse.

Tony looked at the Jury and he looked round the Court, and he saw that the case did indeed look black against himself. When he was asked what was his defence, he said—

“There is no pleasing some people.”

“It is my duty to caution you,” said the Persecutor, “that everything you say will be used against you.”

“I am sure it will,” said Tony, wearily, “but I can’t help that, everything I do is used against me too. I needn’t have told any one anything about it. I might have got the milk myself and been King, but I got it for him, and I did not crack the mug. At least, I am almost sure not. I only wish I had drunk the milk.”

“Make him drink it now,” shouted a thousand voices from the crowded Court.

“Don’t!” said the King, hastily, “it might not be poison after all.”

“You can’t have it both ways, your Majesty,” said the Persecutor bravely; “either it is poison, in which case the Prisoner deserves to drink it, or it is not poison, in which case the Prisoner leaves the Court without a stain upon his character.”

“It is poison!”

“EVERYTHING YOU SAY WILL BE USED AGAINST YOU,” SAID THE PUBLIC PERSECUTOR.

“It isn’t!”

“It is!”

“It is not!”

The shouts rose louder and louder.

“It is not poison, it is milk!” cried Tony, and suddenly seizing the mug of milk, which had been brought into the Court to give its evidence, he lifted it to his lips, and before the Jailer could prevent it, he drained the milk to the last drop and ran out of the Court. For every one was too astonished to stop him.

The moment he was outside, he felt a sudden and awful change in himself. He was growing, growing, growing. He hurried out of the town. He felt that it would soon be too small to hold him. Outside he got bigger and bigger till the trees of the nearer forest were like grass under his feet, and the mug ran out of his hand like a little grain of rape-seed. And there beside him stood the Mountain—a little girl in a blue dress—and he was taller than she was.

“Hullo!” said the Blue Mountain, “where did you spring from?”

“From the town down there,” said Tony.

“There?” said the Mountain, stooping, “that’s not a town, silly, you know it’s only an ant-heap, really.”

“It is my town,” said Tony, “and its name is Antioch, and——”

And then he told her the whole story. In the middle of it she sat down to listen better, crushing millions of trees as she sat. And Tony sat down, crushing other millions, only now it seemed to him that he had sat down on the grass. It makes a great deal of difference what size you are.

“And that is where I used to live,” said Tony, pointing to the town, “and my name is Tony.”

“I know that,” said the Blue Mountain, “but you live next door to us, you know you do, you always did, and that is only an ant-heap.”

And when Tony looked down again it seemed to him that perhaps it really was only an ant-heap.

All the same he knew the King when he saw him hurrying along the ramparts, and he picked the King up and put him on a cow’s ear. And the cow scratched its ear with its hind foot. And that was the end of the King.

“Don’t tease the ants,” said the Blue Mountain. “People pour boiling water sometimes, or dig up the heaps, but I think it’s cruel.”

HE WAS GROWING, GROWING, GROWING.

Tony remembered the hot rain and the earthquakes.

“It is a nice story,” she said, “of course the grass is like a forest to the ants, and the big forest is the hedge. Your Sunday suit is silk velvet, your aunt told mother so. Yes, it is a nice story, and an ant did drop into my bread and milk yesterday, though I don’t know how you knew.”

“You mayn’t believe it;” said Tony, “but I shall give them corn because it says so in Mr. Birkbeck’s prophecy, only I won’t ever give them any milk in case they grow big. They are too bad-tempered. Just think if the King had been our size!”

“Oh, come along home, do,” said the Blue Mountain, a little crossly. “I am tired. It is dinner time, it’s no use pretending about Kings and things. You know well enough you are only Tony-next-door.”

And whatever he may have been before, it is quite certain that since then he has been “Tony-next-door,” and nothing else whatever.



Story DNA fairy tale · whimsical

Plot Summary

Two children, Selim and Thomasina, are miserable during a hot London summer, confined by their strict aunt and uncle. A magical india-rubber ball appears, offering to take them 'Whereyouwantogoto.' They follow the ball, bouncing joyfully out of London to a perfect seaside. When the ball must leave, Thomasina stays, but Selim chooses another adventure, transforming into Tony, a tiny hero in a giant world. Tony undertakes a quest for a tiny King to retrieve milk from a 'Blue Mountain' (a giant girl). After a perilous journey, he is accused of treason by the King, drinks the milk, and grows to giant size, realizing his former world was an ant-heap. He then lives as 'Tony-next-door' in this new, larger reality.

Themes

escape and freedomperspective and scalechildhood imaginationthe nature of reality

Emotional Arc

frustration to delight to wonder to confusion

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: direct address to reader, interjections and asides, rule of three

Narrative Elements

Conflict: person vs society
Ending: ambiguous
Magic: talking india-rubber ball, magical bouncing ability, transportation to fantastical places, transformation of character (Selim to Tony), magical growth potion (milk)
the Bouncible Ball (freedom, imagination)the seaside (idealized escape)the giant milk (transformation, change in perspective)

Cultural Context

Origin: English
Era: pre-industrial

E. Nesbit's stories often blend everyday Edwardian life with magic, reflecting the social norms and domestic settings of the time while introducing fantastical elements.

Plot Beats (14)

  1. Selim and Thomasina are unhappy in London, forced to stay home due to their strict Aunt Selina and Uncle Thomas.
  2. Feeling hot and cross, they fight and wish they were dead.
  3. A green and red india-rubber ball rolls out of the cupboard and speaks, asking what would make them happy.
  4. The children express their desire to be at the seaside without their aunts and uncles.
  5. The Ball encourages them to bounce, and they discover they can bounce effortlessly, following the Ball out of the garden and into the countryside.
  6. They arrive at 'Whereyouwantogoto,' which is the seaside, and enjoy a perfect, rule-free day.
  7. The Ball announces it must leave, and the children are given a choice: stay at the seaside or go on another adventure.
  8. Thomasina chooses to stay at the seaside, while Selim chooses to go with the Ball to a 'story' and becomes Tony.
  9. Tony finds himself a tiny person in a giant world, where he is tasked by a tiny King to retrieve milk from a 'Blue Mountain' (a giant girl).
  10. Tony embarks on a perilous journey, encountering giant insects and navigating the Blue Mountain's breakfast.
  11. He successfully obtains the milk, but upon returning, the King accuses him of cracking his mug and treason, threatening him with execution.
  12. At his trial, Tony, in defiance, drinks the milk himself, causing him to grow to an immense size.
  13. Tony realizes his former town is an ant-heap and his King is an ant, and he is now the same size as the 'Blue Mountain' girl, who is his neighbor.
  14. The Blue Mountain dismisses his story as an ant's tale, and Tony accepts his new reality as 'Tony-next-door'.

Characters 8 characters

Selim ★ protagonist

human child male

A young boy, likely of average height and build for his age, with a tendency to get hot and cross in the summer heat.

Attire: Simple, comfortable clothes suitable for a child playing indoors during a hot London summer, likely linen or cotton shorts and a shirt, in light colors.

Wants: To escape the boredom and discomfort of a hot London summer, to be happy, and to avoid his unpleasant aunt and uncle.

Flaw: Impatience, prone to naughtiness when bored or uncomfortable, easily swayed by others.

Transforms from a bored, naughty, and unhappy child into an energetic, imaginative one who experiences the joy of 'bouncibleness' and a fantastical adventure, though he eventually returns to his normal life.

A young boy mid-bounce, with a look of pure delight on his face.

Mischievous, easily bored, prone to grumbling, but also polite (says 'Halloa' to the Ball) and kind (says 'I don't mind, if you'll go on talking'). He is easily influenced by others, especially Thomasina and the Ball.

Image Prompt & Upload
A young English boy, around 8 years old, standing upright, facing forward, full body visible from head to toe. He has fair skin, a round face, and short, light brown hair. He wears a light blue linen shirt with rolled-up sleeves and dark knee-length shorts. He has a wide, joyful smile and appears to be lightly bouncing on the balls of his feet. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Thomasina ★ protagonist

human child female

A young girl, likely of average height and build for her age, with a tendency to get hot and cross in the summer heat.

Attire: Simple, comfortable clothes suitable for a child playing indoors during a hot London summer, likely a light cotton or linen dress, perhaps with a pinafore, in light colors.

Wants: To escape the boredom and discomfort of a hot London summer, to be at the seaside, and to avoid her unpleasant aunt and uncle.

Flaw: Impatience, prone to naughtiness when bored or uncomfortable, easily swayed by others.

Transforms from a bored, naughty, and unhappy child into an energetic, imaginative one who experiences the joy of 'bouncibleness' and a fantastical adventure, though she eventually returns to her normal life.

A young girl mid-bounce, with a look of pure delight on her face.

Mischievous, easily bored, prone to grumbling and crying, but also practical (remembers the crinkly ornaments) and imaginative. She is the first to articulate their desires.

Image Prompt & Upload
A young English girl, around 7 years old, standing upright, facing forward, full body visible from head to toe. She has fair skin, a round face, and long, wavy light brown hair tied back with a simple ribbon. She wears a pale yellow cotton dress with short puffed sleeves and a white lace collar. She has a wide, joyful smile and appears to be lightly bouncing on the balls of her feet. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Aunt Selina ⚔ antagonist

human adult female

A woman of mature age, described as 'beady' (suggesting small, sharp eyes) and sitting 'bolt upright,' indicating a stiff, rigid posture.

Attire: Formal, somewhat restrictive clothing, likely a dark, high-necked dress made of sturdy fabric like wool or serge, with minimal ornamentation, reflecting her rigid personality. Perhaps a brooch at the collar.

Wants: To maintain order and respectability, to impose her will on others, and to enjoy her London visit (Royal Academy, sales) without disturbance.

Flaw: Lack of empathy, rigidity, easily irritated, inability to connect with children.

Remains unchanged throughout the story, serving as a static representation of adult authority and unpleasantness.

A woman sitting rigidly upright, with a stern expression and 'beady' eyes.

Strict, critical, easily annoyed ('weather wore her nerves to fiddle-strings'), concerned with respectability, and generally unpleasant. She is a disciplinarian.

Image Prompt & Upload
A middle-aged English woman, slender and tall, standing upright, facing forward, full body visible from head to toe. She has a severe expression, small dark eyes, and her dark brown hair is pulled back tightly into a neat bun. She wears a dark grey wool dress with a high collar and long sleeves, a small silver brooch pinned at her throat. Her posture is stiff and unyielding. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Uncle Thomas ⚔ antagonist

human adult male

A man of mature age, described as deaf and 'near' (meaning stingy). His physical presence is not detailed beyond these traits.

Attire: Formal, conservative attire, likely a dark suit (frock coat, waistcoat, trousers) made of wool, with a starched collar and tie, reflecting his respectable but 'near' nature.

Wants: To save money, to impart morals, and to enjoy his London visit without disturbance.

Flaw: Stinginess, deafness, inability to connect with children, preoccupation with morals over happiness.

Remains unchanged throughout the story, serving as a static representation of adult authority and unpleasantness.

A man with a stern expression, tapping at a window with a disapproving look.

Stingy ('none too free with his chink'), deaf, and prone to moralizing. He is generally unpleasant and ungenerous.

Image Prompt & Upload
A middle-aged English man, stout and of average height, standing upright, facing forward, full body visible from head to toe. He has a stern, slightly confused expression, with a neatly trimmed grey mustache and receding dark hair. He wears a dark grey three-piece wool suit, a white collared shirt, and a dark tie. He holds a gold pocket watch chain visible on his waistcoat. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Bouncible Ball ◆ supporting

object (magical india-rubber ball) ageless non-human

A large, new india-rubber ball, green and red in color. It appears to 'wink' due to the bright light on its new paint.

Wants: To be bounced and played with, to bring joy and adventure to the children.

Flaw: None apparent, it is a magical object.

Acts as the catalyst for the children's adventure, enabling their transformation and journey. It remains a magical, playful entity.

A large, vibrant green and red india-rubber ball, appearing to 'wink' and bouncing with an infectious energy.

Magical, playful, encouraging, slightly mischievous (its laugh is a 'quicker, quicker, quicker, softer, softer, softer chuckle'), and capable of granting wishes (or at least enabling them).

Image Prompt & Upload
A large, perfectly spherical india-rubber ball, half bright green and half vibrant red, with a glossy, new appearance. A single bright highlight on its surface gives the impression of a 'wink.' It is positioned mid-air, slightly compressed as if having just bounced, conveying a sense of playful energy. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Tony ★ protagonist

human child male

A young boy, whose name is 'Tony' in the register, but is also referred to as 'Tony-next-door.' He undergoes a magical transformation, growing to an immense size, taller than the Blue Mountain.

Attire: His 'Sunday suit' is described as 'silk velvet,' implying a formal, perhaps dark-colored, suit with a luxurious texture, typical for a well-dressed English child of the era.

Wants: To clear his name, to prove his loyalty, and to understand the mystery of the milk and the prophecy.

Flaw: Naivety (trusts the King), can be easily framed by others.

Transforms from an accused prisoner into a giant, then back to his normal size, realizing the relative insignificance of his previous troubles and accepting his identity as 'Tony-next-door.'

A young boy in a silk velvet suit, growing to an immense size, with trees like grass under his feet.

Loyal (gets milk for the King), defiant (insists on his name), weary of injustice, quick-thinking (drinks the milk), and ultimately kind-hearted (doesn't want to tease the ants).

Image Prompt & Upload
A young English boy, around 9 years old, standing upright, facing forward, full body visible from head to toe. He has a determined expression, fair skin, and short, neat dark brown hair. He wears a dark blue silk velvet suit with a white collared shirt and a small bow tie. He holds a simple earthenware mug in his right hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Blue Mountain ◆ supporting

magical creature (mountain personified) little girl female

A 'little girl in a blue dress' who is actually a mountain personified. She is immense in size, capable of crushing millions of trees when she sits down.

Attire: A simple blue dress, fitting for a 'little girl,' but on an immense scale. The fabric would appear like vast swathes of blue cloth.

Wants: To observe, to interact with Tony, and to maintain the natural order of her world.

Flaw: Can get tired, a little cross.

Remains largely unchanged, serving as a guide and a source of alternative perspective for Tony.

A colossal 'little girl' in a blue dress, sitting down and crushing millions of trees, with a calm, knowing expression.

Calm, wise, a little cross when tired, and possesses a different perspective on reality (sees towns as ant-heaps). She is protective of nature ('Don’t tease the ants').

Image Prompt & Upload
A colossal young girl, appearing to be around 8 years old, standing upright, facing forward, full body visible from head to toe. She has a serene, knowing expression, with fair skin and long, flowing dark hair. She wears a simple, flowing sky-blue dress that drapes around her immense form. Her hands are clasped gently in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

King Anthony XXIII ⚔ antagonist

human adult male

A king, described as furious and dancing with rage. His physical appearance is not detailed beyond his royal status.

Attire: Royal attire, likely elaborate robes and a crown, befitting a king. The story mentions him 'hurrying along the ramparts,' suggesting active wear for a monarch.

Wants: To maintain his power, to punish perceived threats, and to avoid anything that might harm him.

Flaw: Paranoia, uncontrolled rage, cowardice, injustice.

Remains a tyrannical figure until his sudden and ignominious end, being picked up by Tony and placed on a cow's ear.

A king in royal robes, dancing with uncontrolled rage, his face red with fury.

Tyrannical, easily enraged, unjust, paranoid, and cowardly (fears the milk might not be poison).

Image Prompt & Upload
A middle-aged man with a plump build, standing upright, facing forward, full body visible from head to toe. He has a red, furious face, wide eyes, and a short, dark beard. He wears an elaborate golden crown adorned with jewels, a rich crimson velvet robe trimmed with ermine, and a golden sash. His hands are clenched into fists, and he appears to be mid-stomp, conveying intense rage. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
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London Nursery

indoor afternoon Hot summer, dusty wind

A hot, sun-drenched nursery in a London house, with a broken blind allowing harsh afternoon sun to stream in. It contains a toy cupboard and is a place where children are usually confined.

Mood: Stifling, irritable, confined, then suddenly magical

Selim and Thomasina are miserable due to the heat and their strict relatives, leading to an argument. The Bouncible Ball speaks to them here for the first time.

Broken window blind Toy cupboard Paint rag Crinkly ornaments Hot afternoon sun
Image Prompt & Upload
A sun-drenched Victorian-era London nursery, with a broken roller blind hanging askew, allowing harsh, yellow afternoon sunlight to flood the room. Dust motes dance in the thick air. A simple wooden toy cupboard stands against one wall, slightly ajar, revealing a glimpse of toys. The room feels stifling and a bit neglected. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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London Garden

outdoor afternoon Hot summer, dry

A small, dry, and yellowed lawn in a London garden, with a blackened gravel path leading away. It is bordered by a wall.

Mood: Initially mundane and hot, quickly becomes exhilarating and magical

The children begin bouncing the magical ball here, and then, imbued with 'bouncibleness,' they bounce over the garden wall and into their adventure.

Dry, yellowy grass lawn Blackened gravel path Garden wall Uncle Thomas tapping at a window
Image Prompt & Upload
A small, parched London garden in the intense heat of a summer afternoon. The lawn is a patch of dry, yellowed grass, contrasting with a dark, blackened gravel path that curves towards a low brick garden wall. The air shimmers with heat. Beyond the wall, a glimpse of other urban gardens or rooftops. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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The Blue Mountain's Domain (Giant Perspective)

outdoor Varies, includes hot rain and earthquakes from the 'ants'' perspective

A vast, surreal landscape where what appears to be a town from a human perspective is merely an ant-heap, and a forest is like grass. The Blue Mountain, a giant girl, sits here, crushing trees as if they were blades of grass.

Mood: Surreal, immense, disorienting, playful yet powerful

Tony, now giant-sized, meets the Blue Mountain and gains a new perspective on his 'town' and the world, realizing his previous life was on a tiny scale.

Giant Blue Mountain (a girl) Ant-heap (formerly a town) Forests like grass Hedge (a 'big forest' to ants) Cow (of immense size)
Image Prompt & Upload
A surreal, immense landscape from a giant's perspective. Rolling hills are covered in what appears to be a vast, uniform green texture, which upon closer inspection reveals itself as an endless forest of trees. A 'town' is merely a small, intricate ant-heap on the ground. A colossal, blue-clad figure of a girl, the Blue Mountain, sits casually, her form dwarfing the 'forests'. The sky is wide and open, suggesting a vast, boundless world. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.