TATTERCOATS

by Flora Annie Webster Steel · from English Fairy Tales

fairy tale transformation hopeful Ages 8-14 1441 words 7 min read
Cover: TATTERCOATS

Adapted Version

CEFR A1 Age 5 370 words 2 min Canon 100/100

Tattercoats is a girl. She lives in a big house. But she is very sad. Her Grandpa is very sad. Tattercoats' mother went away long ago. Grandpa does not want to see Tattercoats. He sits by his window. Tattercoats is often alone.

Tattercoats wears an old dress. She has one friend. He is the gooseherd boy. He plays a pipe. The pipe makes happy music. His geese like the music. The geese dance with Tattercoats. Tattercoats is happy with her friend.

One day, the King plans a big party. The party is at the castle. All can come. Grandpa wants to go. He puts on nice clothes. But Grandpa forgets Tattercoats. Tattercoats is still alone.

Tattercoats is very sad. She goes to the gooseherd boy. She tells him about the party. The gooseherd boy plays his pipe. He says, "Let's go!" Tattercoats smiles.

Tattercoats and the gooseherd boy walk. They dance on the road. The geese dance too. The gooseherd boy plays his pipe. A kind young man comes. He sees Tattercoats and her friends.

The young man thinks Tattercoats is very nice. He says, "Come to the castle party!" Tattercoats says, "My dress is old." He says, "You look nice. Come!"

The young man says, "Please come! Bring your friend. Bring your geese too." Tattercoats thinks. She says, "Yes, we come." He is happy.

Tattercoats goes to the party. The gooseherd boy is with her. The geese walk with them. They go into the big room. All look at them. The music stops.

The young man stands up. He is the Prince! The Prince walks to Tattercoats. He takes her hand. He says, "This is my new friend. She is kind. She is good."

The gooseherd boy plays his pipe. It is magic! Tattercoats' old dress changes. It becomes a nice new dress. The geese change too. They get little hats. The geese look funny.

The King smiles. He says, "Welcome, Princess!" All are happy. The music plays again. Tattercoats smiles too. She is a princess now.

The gooseherd boy waves goodbye. He goes home with his geese. Tattercoats stays at the castle. She has new friends. Tattercoats is not sad now. She has friends. And she is happy.

Original Story 1441 words · 7 min read

TATTERCOATS

In a great Palace by the sea there once dwelt a very rich old lord, who had neither wife nor children living, only one little granddaughter, whose face he had never seen in all her life. He hated her bitterly, because at her birth his favourite daughter died; and when the old nurse brought him the baby he swore that it might live or die as it liked, but he would never look on its face as long as it lived.

So he turned his back, and sat by his window looking out over the sea, and weeping great tears for his lost daughter, till his white hair and beard grew down over his shoulders and twined round his chair and crept into the chinks of the floor, and his tears, dropping on to the window-ledge, wore a channel through the stone, and ran away in a little river to the great sea. Meanwhile, his granddaughter grew up with no one to care for her, or clothe her; only the old nurse, when no one was by, would sometimes give her a dish of scraps from the kitchen, or a torn petticoat from the rag-bag; while the other servants of the palace would drive her from the house with blows and mocking words, calling her "Tattercoats," and pointing to her bare feet and shoulders, till she ran away, crying, to hide among the bushes.

So she grew up, with little to eat or to wear, spending her days out of doors, her only companion a crippled gooseherd, who fed his flock of geese on the common. And this gooseherd was a queer, merry little chap, and when she was hungry, or cold, or tired, he would play to her so gaily on his little pipe, that she forgot all her troubles, and would fall to dancing with his flock of noisy geese for partners.

Now one day people told each other that the King was travelling through the land, and was to give a great ball to all the lords and ladies of the country in the town near by, and that the Prince, his only son, was to choose a wife from amongst the maidens in the company. In due time one of the royal invitations to the ball was brought to the Palace by the sea, and the servants carried it up to the old lord, who still sat by his window, wrapped in his long white hair and weeping into the little river that was fed by his tears.

But when he heard the King's command, he dried his eyes and bade them bring shears to cut him loose, for his hair had bound him a fast prisoner, and he could not move. And then he sent them for rich clothes, and jewels, which he put on; and he ordered them to saddle the white horse, with gold and silk, that he might ride to meet the King; but he quite forgot he had a granddaughter to take to the ball.

Meanwhile Tattercoats sat by the kitchen-door weeping, because she could not go to see the grand doings. And when the old nurse heard her crying she went to the Lord of the Palace, and begged him to take his granddaughter with him to the King's ball.

But he only frowned and told her to be silent; while the servants laughed and said, "Tattercoats is happy in her rags, playing with the gooseherd! Let her be—it is all she is fit for."

A second, and then a third time, the old nurse begged him to let the girl go with him, but she was answered only by black looks and fierce words, till she was driven from the room by the jeering servants, with blows and mocking words.

Weeping over her ill-success, the old nurse went to look for Tattercoats; but the girl had been turned from the door by the cook, and had run away to tell her friend the gooseherd how unhappy she was because she could not go to the King's ball.

Now when the gooseherd had listened to her story, he bade her cheer up, and proposed that they should go together into the town to see the King, and all the fine things; and when she looked sorrowfully down at her rags and bare feet he played a note or two upon his pipe, so gay and merry, that she forgot all about her tears and her troubles, and before she well knew, the gooseherd had taken her by the hand, and she and he, and the geese before them, were dancing down the road towards the town.

"Even cripples can dance when they choose," said the gooseherd.

Before they had gone very far a handsome young man, splendidly dressed, riding up, stopped to ask the way to the castle where the King was staying, and when he found that they too were going thither, he got off his horse and walked beside them along the road.

"You seem merry folk," he said, "and will be good company."

"Good company, indeed," said the gooseherd, and played a new tune that was not a dance.

It was a curious tune, and it made the strange young man stare and stare and stare at Tattercoats till he couldn't see her rags—till he couldn't, to tell the truth, see anything but her beautiful face.

Then he said, "You are the most beautiful maiden in the world. Will you marry me?"

Then the gooseherd smiled to himself, and played sweeter than ever.

But Tattercoats laughed. "Not I," said she; "you would be finely put to shame, and so would I be, if you took a goose-girl for your wife! Go and ask one of the great ladies you will see to-night at the King's ball, and do not flout poor Tattercoats."

But the more she refused him the sweeter the pipe played, and the deeper the young man fell in love; till at last he begged her to come that night at twelve to the King's ball, just as she was, with the gooseherd and his geese, in her torn petticoat and bare feet, and see if he wouldn't dance with her before the King and the lords and ladies, and present her to them all, as his dear and honoured bride.

Tattercoats dancing while the gooseherd pipes.

Now at first Tattercoats said she would not; but the gooseherd said, "Take fortune when it comes, little one."

So when night came, and the hall in the castle was full of light and music, and the lords and ladies were dancing before the King, just as the clock struck twelve, Tattercoats and the gooseherd, followed by his flock of noisy geese, hissing and swaying their heads, entered at the great doors, and walked straight up the ball-room, while on either side the ladies whispered, the lords laughed, and the King seated at the far end stared in amazement.

But as they came in front of the throne Tattercoats' lover rose from beside the King, and came to meet her. Taking her by the hand, he kissed her thrice before them all, and turned to the King.

"Father!" he said—for it was the Prince himself—"I have made my choice, and here is my bride, the loveliest girl in all the land, and the sweetest as well!"

Before he had finished speaking, the gooseherd had put his pipe to his lips and played a few notes that sounded like a bird singing far off in the woods; and as he played Tattercoats' rags were changed to shining robes sewn with glittering jewels, a golden crown lay upon her golden hair, and the flock of geese behind her became a crowd of dainty pages, bearing her long train.

And as the King rose to greet her as his daughter the trumpets sounded loudly in honour of the new Princess, and the people outside in the street said to each other:

"Ah! now the Prince has chosen for his wife the loveliest girl in all the land!"

But the gooseherd was never seen again, and no one knew what became of him; while the old lord went home once more to his Palace by the sea, for he could not stay at Court, when he had sworn never to look on his granddaughter's face.

So there he still sits by his window,—if you could only see him, as you may some day—weeping more bitterly than ever. And his white hair has bound him to the stones, and the river of his tears runs away to the great sea.



Story DNA fairy tale · hopeful

Moral

True worth and beauty are not diminished by outward circumstances, and kindness can lead to unexpected rewards.

Plot Summary

Tattercoats, a young girl, is cruelly neglected by her wealthy grandfather, who blames her for his daughter's death, and lives in rags, befriended only by a gooseherd. When the Prince announces a ball to choose his bride, Tattercoats is forbidden to attend. Heartbroken, she goes with the gooseherd and his geese to the town, where she meets the Prince, who is captivated by her despite her appearance. At midnight, Tattercoats, the gooseherd, and the geese enter the ball, and the Prince declares her his bride. The gooseherd's magical pipe transforms Tattercoats into a radiant princess, while her grandfather remains forever bound by his grief, never seeing her face.

Themes

neglect and abandonmentinner beauty vs. outer appearancekindness and loyaltyredemption and recognition

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition of motifs (old lord's tears, Tattercoats' rags), magical realism (hair binding, tears forming a river)

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: old lord's hair growing to bind him, his tears forming a river, the gooseherd's magical pipe (making Tattercoats forget troubles, making the Prince see only her beauty, transforming her clothes and the geese)
Tattercoats' rags (symbol of neglect and hidden worth)the gooseherd's pipe (symbol of magic, joy, and transformation)the old lord's tears/hair (symbol of self-imposed grief and isolation)

Cultural Context

Origin: English
Era: timeless fairy tale

Flora Annie Steel collected and retold many English and Indian folk tales. This story reflects common European fairy tale tropes of neglected heroines and magical transformations.

Plot Beats (13)

  1. An old lord, grieving his daughter's death, vows never to look at his granddaughter, Tattercoats, who is neglected and mistreated by the household.
  2. Tattercoats grows up in rags, befriended only by a crippled gooseherd who plays a magical pipe.
  3. The King announces a grand ball where the Prince will choose a bride, and the old lord prepares to attend, forgetting Tattercoats.
  4. The old nurse tries three times to convince the lord to take Tattercoats, but is met with scorn and mockery from him and the servants.
  5. Tattercoats, heartbroken, runs to the gooseherd, who cheers her up and suggests they go to the town to see the King.
  6. Tattercoats, the gooseherd, and his geese dance down the road, encountering a handsome young man (the Prince).
  7. The Prince is enchanted by Tattercoats' face, despite her rags, and proposes marriage, which she initially refuses.
  8. The Prince convinces Tattercoats to come to the ball at midnight, just as she is, with the gooseherd and geese.
  9. At midnight, Tattercoats, the gooseherd, and the geese enter the grand ballroom, causing shock and amusement.
  10. The Prince rises, kisses Tattercoats, and declares her his chosen bride to the King and court.
  11. The gooseherd plays his pipe, transforming Tattercoats' rags into splendid robes and the geese into pages.
  12. The King accepts Tattercoats as his daughter, and trumpets sound for the new Princess.
  13. The gooseherd vanishes, and the old lord returns to his palace, forever bound by his grief and refusal to acknowledge Tattercoats.

Characters 5 characters

Tattercoats ★ protagonist

human young adult female

Slender and graceful, despite her harsh upbringing. Her bare feet and shoulders are often mentioned, indicating a lack of proper clothing but also a natural agility from spending time outdoors. She possesses an inherent beauty that shines through her impoverished state.

Attire: Initially, she wears 'torn petticoats' and 'rags' from the rag-bag, with bare feet and shoulders. After her transformation, she wears 'shining robes sewn with glittering jewels' and a 'golden crown'.

Wants: To find happiness and acceptance, to escape her lonely and neglected existence.

Flaw: Her low self-esteem and belief that her rags define her worth, making her initially doubt her own beauty and value.

Transforms from a neglected, ragged girl with low self-worth into a confident, beautiful princess, accepting her true value and finding love and a family.

Her torn petticoats and bare feet, contrasted with her inner radiance and beautiful face.

Resilient, kind-hearted, initially timid and easily saddened, but also capable of joy and playfulness. She is humble and self-deprecating, initially refusing the Prince due to her station.

Image Prompt & Upload
A young woman of slender build, standing upright, facing forward, full body visible from head to toe. She has a beautiful, kind face with large, expressive eyes and long, unkempt golden-blonde hair. She wears a patched, torn cream-colored linen petticoat, revealing bare shoulders and feet. Her expression is gentle and slightly melancholic, but with a hint of resilience. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old Lord ⚔ antagonist

human elderly male

Very rich, but physically deteriorated by grief. His white hair and beard are exceptionally long, described as growing down over his shoulders, twining around his chair, and creeping into the chinks of the floor. His tears have worn a channel through the stone window-ledge.

Attire: Initially, he is so bound by his hair that his clothes are not mentioned, implying a state of neglect. When preparing for the King's ball, he wears 'rich clothes, and jewels', suggesting velvet, silk, and precious stones appropriate for a lord of the era.

Wants: To mourn his lost daughter, to avoid the pain of seeing his granddaughter who reminds him of his loss.

Flaw: His overwhelming grief and inability to forgive or move past his daughter's death, leading to extreme cruelty and self-imprisonment.

Remains unchanged throughout the story, trapped by his grief and bitterness, ultimately returning to his self-imposed prison.

His incredibly long white hair and beard, twined around his chair and the floor, and the river of tears flowing from his window.

Bitter, grief-stricken, stubborn, self-absorbed, cruel (due to his neglect of Tattercoats).

Image Prompt & Upload
An elderly man seated, facing forward, full body visible from head to toe. He has a gaunt, sorrowful face with deep-set eyes, perpetually weeping. His exceptionally long, tangled white hair and beard flow over his shoulders and are visibly twined around the arms and legs of a large, ornate wooden chair. He wears a simple, dark, heavy velvet robe, appearing worn from long sitting. His posture is hunched and defeated. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Gooseherd ◆ supporting

human child male

A 'crippled' boy, though the nature of his disability is not specified. He is described as a 'queer, merry little chap', suggesting a small stature and lively demeanor despite his physical challenge.

Attire: Simple, functional peasant clothing suitable for tending geese, likely made of coarse linen or wool in muted earth tones. He would wear sturdy, perhaps patched, trousers and a tunic.

Wants: To bring happiness to Tattercoats, to help her realize her true destiny.

Flaw: His physical 'crippled' state, though this does not hinder his spirit or magical abilities.

Acts as a magical helper and catalyst for Tattercoats' transformation. His own fate is left mysterious, disappearing after her transformation.

His little pipe, which he constantly plays, and his flock of geese.

Merry, kind, loyal, wise beyond his years, magical (revealed at the end). He is a source of comfort and joy.

Image Prompt & Upload
A young boy of small stature, facing forward, full body visible from head to toe. He has a cheerful, round face with bright eyes and short, messy brown hair. He wears a simple, patched grey linen tunic and dark brown breeches, with sturdy leather boots. He holds a small, wooden flute-like pipe to his lips, with a merry, knowing smile. His posture is slightly uneven due to his 'crippled' state, but he stands with a light, joyful air. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Prince ◆ supporting

human young adult male

Handsome and 'splendidly dressed', implying a noble and well-proportioned physique.

Attire: Initially 'splendidly dressed' for travel, suggesting fine riding attire of rich fabrics like velvet or brocade, possibly with embroidery and jewels. For the ball, he would wear even more elaborate court attire, perhaps a doublet and hose of silk and gold thread.

Wants: To find a true love and a worthy bride, not just a lady of high status.

Flaw: None explicitly shown, but perhaps a slight naivety in his immediate proposal to a ragged girl, though this proves to be his strength.

Finds his true love in an unexpected place, demonstrating his wisdom and character by choosing Tattercoats despite her appearance.

His splendid attire, contrasting with Tattercoats' rags, yet his focus is solely on her.

Perceptive, kind, determined, romantic. He sees beyond Tattercoats' rags to her true beauty and worth.

Image Prompt & Upload
A handsome young man of noble bearing, standing upright, facing forward, full body visible from head to toe. He has a strong, kind face with dark, intelligent eyes and neatly styled dark brown hair. He wears a rich, deep blue velvet doublet with silver embroidery, white silk hose, and soft leather boots. A finely crafted silver sword hangs at his hip. His posture is confident and regal, with a gentle, loving expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old Nurse ◆ supporting

human elderly female

Likely frail from age, but persistent and caring. No specific details are given, but her role suggests a kind, maternal figure.

Attire: Simple, practical servant's attire, likely a plain linen dress with an apron, in muted colors, reflecting her station.

Wants: To care for Tattercoats and ensure her well-being, to right the wrong done to her.

Flaw: Her lack of power and influence in the household, making her efforts often futile against the lord's will.

Remains a steadfast protector of Tattercoats, her efforts culminating in Tattercoats' eventual happiness, though she doesn't directly witness the transformation.

Her persistent, pleading stance before the old lord, trying to help Tattercoats.

Kind, loyal, compassionate, persistent, brave (in standing up to the lord and servants).

Image Prompt & Upload
An elderly woman of slight build, standing upright, facing forward, full body visible from head to toe. She has a kind, wrinkled face with soft, worried eyes and grey hair pulled back neatly under a white cap. She wears a simple, long-sleeved dark grey linen dress with a clean white apron tied at the waist. Her posture is slightly stooped, but she stands with a determined and compassionate expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
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The Old Lord's Palace by the Sea

transitional Implied temperate coastal climate, with the sound and sight of the sea constant.

A grand, yet neglected, palace situated directly by the sea. The old lord's chamber features a window overlooking the ocean, where his tears have worn a channel in the stone, forming a small river. The interior is likely opulent but unkempt, reflecting the lord's reclusive state, with his long white hair and beard having grown to entwine around his chair and into the floor's chinks.

Mood: Melancholy, neglected, isolated, with an underlying sense of past grandeur.

The setting for the old lord's perpetual mourning and Tattercoats' early life of neglect and mistreatment by servants. It's where the royal invitation arrives.

Palace by the sea Old lord's window Channel worn in stone by tears Small river flowing to the sea Lord's chair entwined with hair Kitchen door where Tattercoats weeps
Image Prompt & Upload
A grand, weathered English coastal palace, built of grey stone with tall, narrow windows, perched on a cliff overlooking a turbulent, grey-blue sea under a dramatic sky. One particular window on an upper floor shows a deep groove worn into the stone sill, from which a tiny stream of water trickles down the ancient wall towards the crashing waves below. Inside, a heavy, ornate wooden chair is almost consumed by long, flowing white hair that has grown into the very fabric of the room. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Common and Road to Town

outdoor daytime Implied pleasant weather, suitable for outdoor grazing and travel.

An open common where the gooseherd tends his flock, likely grassy and somewhat wild. A winding road leads from this common towards a nearby town. The journey on this road is where Tattercoats meets the Prince.

Mood: Simple, rustic, initially sorrowful for Tattercoats, but quickly becoming joyful and magical due to the gooseherd's pipe.

Tattercoats spends her childhood here with the gooseherd. It's where she decides to go to town, and crucially, where she meets the Prince.

Grassy common Flock of geese Winding dirt road Bushes for hiding Gooseherd's pipe
Image Prompt & Upload
A wide, sun-dappled English common, covered in short, slightly wild grass and dotted with low, thorny bushes. A well-trodden dirt path winds through the common, leading towards the distant silhouette of a medieval town with half-timbered houses and a church spire. A flock of white geese grazes peacefully, their feathers catching the soft afternoon light. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The King's Castle Ballroom

indoor night (specifically midnight) Indoors, so weather is not a factor, but the night outside is implied.

A grand, brightly lit hall within the King's castle, filled with music and dancing. It features a throne at one end where the King presides, and large entrance doors. The atmosphere is initially one of aristocratic revelry, which then shifts to astonishment and wonder.

Mood: Festive, opulent, initially mocking, then astonished and magical.

The climax of the story, where Tattercoats, the gooseherd, and the geese make their dramatic entrance. It's where Tattercoats is transformed and revealed as the Prince's chosen bride.

Grand ballroom Throne Dancing lords and ladies Large entrance doors Bright lights and music Clock striking twelve
Image Prompt & Upload
A vast, high-ceilinged medieval English castle ballroom, illuminated by countless flickering candles in ornate iron chandeliers. The walls are adorned with rich tapestries depicting heraldic scenes, and the floor is polished stone. At the far end, a gilded throne sits on a raised dais. Elegant lords and ladies in period attire are dancing, their colorful gowns swirling. Large, heavy oak doors stand open at the opposite end, revealing a glimpse of the dark night outside. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.