7\. Try Metaphysics
by George MacDonald · from The Light Princess
Adapted Version
A King and Queen lived in a castle. They had a daughter, Princess Lily. But Princess Lily was very special!
King Arthur and Queen Ann were sad. Their daughter was Princess Lily. Princess Lily was very light. She did not walk like other girls. Her parents worried about this. They wanted to talk to her.
Princess Lily came into the room. She floated and flew. She did not touch the floor. She went to a big chair. She sat in the chair. But she did not touch it.
King Arthur spoke to Princess Lily. "You are not like others," he said. Queen Ann said, "Be calm." Lily laughed. "Oh, papa, you are funny!" she said. She did not want to change. She liked being light.
King Arthur asked, "What do you wish?" She smiled big. "Oh, papa, yes!" she said. "I want to fly like a kite! With a very long string!" She laughed again.
King Arthur felt a little sad. Queen Ann felt sad too. Princess Lily went to play. Her parents needed help for her. They would ask very wise people. These wise people knew many things.
The King sent for two wise men. One was The First Wise Man. The other was The Second Wise Man. They came to the castle.
King Arthur told them about Lily. She was very light. She floated in the air. The wise men knew this. King Arthur asked, "What can we do?"
The Second Wise Man spoke first. "Lily's spirit is from far away," he said. "She must learn about Earth. She must learn about pets. She must learn about old things. Then she will feel heavy."
The First Wise Man had a new idea. "Her heart works the wrong way," he said. He had a very scary plan. It was a bad plan. It would hurt Princess Lily. This plan was bad.
King Arthur did not like these plans. Queen Ann did not like them. They loved Princess Lily. They did not want her hurt. They said no to the wise men.
Princess Lily was very special. She was special. Her parents loved her so much. They loved her just as she was. Being not like others was okay. She was a happy, floating princess.
Original Story
7. Try Metaphysics.
After a long avoidance of the painful subject, the king and queen resolved to hold a council of three upon it; and so they sent for the princess. In she came, sliding and flitting and gliding from one piece of furniture to another, and put herself at last in an armchair, in a sitting posture. Whether she could be said to sit, seeing she received no support from the seat of the chair, I do not pretend to determine.
"My dear child," said the king, "you must be aware by this time that you are not exactly like other people."
"Oh, you dear funny papa! I have got a nose, and two eyes, and all the rest. So have you. So has mamma."
"Now be serious, my dear, for once," said the queen.
"No, thank you, mamma; I had rather not."
"Would you not like to be able to walk like other people?" said the king.
"No indeed, I should think not. You only crawl. You are such slow coaches!"
"How do you feel, my child?" he resumed, after a pause of discomfiture.
"Quite well, thank you."
"I mean, what do you feel like?"
"Like nothing at all, that I know of."
"You must feel like something."
"I feel like a princess with such a funny papa, and such a dear pet of a queen-mamma!"
"Now really!" began the queen; but the princess interrupted her.
"Oh Yes," she added, "I remember. I have a curious feeling sometimes, as if I were the only person that had any sense in the whole world."
She had been trying to behave herself with dignity; but now she burst into a violent fit of laughter, threw herself backwards over the chair, and went rolling about the floor in an ecstasy of enjoyment. The king picked her up easier than one does a down quilt, and replaced her in her former relation to the chair. The exact preposition expressing this relation I do not happen to know.
"Is there nothing you wish for?" resumed the king, who had learned by this time that it was useless to be angry with her.
"Oh, you dear papa!—yes," answered she.
"What is it, my darling?"
"I have been longing for it—oh, such a time!—ever since last night." "Tell me what it is."
"Will you promise to let me have it?"
The king was on the point of saying Yes, but the wiser queen checked him with a single motion of her head. "Tell me what it is first," said he.
"No no. Promise first."
"I dare not. What is it?"
"Mind, I hold you to your promise.—It is—to be tied to the end of a string—a very long string indeed, and be flown like a kite. Oh, such fun! I would rain rose-water, and hail sugar-plums, and snow whipped-cream, and—and—and—"
A fit of laughing checked her; and she would have been off again over the floor, had not the king started up and caught her just in time. Seeing nothing but talk could be got out of her, he rang the bell, and sent her away with two of her ladies-in-waiting.
"Now, queen," he said, turning to her Majesty, "what IS to be done?"
"There is but one thing left," answered she. "Let us consult the college of Metaphysicians."
"Bravo!" cried the king; "we will."
Now at the head of this college were two very wise Chinese philosophers-by name Hum-Drum, and Kopy-Keck. For them the king sent; and straightway they came. In a long speech he communicated to them what they knew very well already—as who did not?—namely, the peculiar condition of his daughter in relation to the globe on which she dwelt; and requested them to consult together as to what might be the cause and probable cure of her INFIRMITY. The king laid stress upon the word, but failed to discover his own pun. The queen laughed; but Hum-Drum and Kopy-Keck heard with humility and retired in silence.
The consultation consisted chiefly in propounding and supporting, for the thousandth time, each his favourite theories. For the condition of the princess afforded delightful scope for the discussion of every question arising from the division of thought-in fact, of all the Metaphysics of the Chinese Empire. But it is only justice to say that they did not altogether neglect the discussion of the practical question, what was to be done.
Hum-Drum was a Materialist, and Kopy-Keck was a Spiritualist. The former was slow and sententious; the latter was quick and flighty: the latter had generally the first word; the former the last.
"I reassert my former assertion," began Kopy-Keck, with a plunge. "There is not a fault in the princess, body or soul; only they are wrong put together. Listen to me now, Hum-Drum, and I will tell you in brief what I think. Don't speak. Don't answer me. I won't hear you till I have done.— At that decisive moment, when souls seek their appointed habitations, two eager souls met, struck, rebounded, lost their way, and arrived each at the wrong place. The soul of the princess was one of those, and she went far astray. She does not belong by rights to this world at all, but to some other planet, probably Mercury. Her proclivity to her true sphere destroys all the natural influence which this orb would otherwise possess over her corporeal frame. She cares for nothing here. There is no relation between her and this world.
"She must therefore be taught, by the sternest compulsion, to take an interest in the earth as the earth. She must study every department of its history—its animal history; its vegetable history; its mineral history; its social history; its moral history; its political history, its scientific history; its literary history; its musical history; its artistical history; above all, its metaphysical history. She must begin with the Chinese dynasty and end with Japan. But first of all she must study geology, and especially the history of the extinct races of animals-their natures, their habits, their loves, their hates, their revenges. She must—"
"Hold, h-o-o-old!" roared Hum-Drum. "It is certainly my turn now. My rooted and insubvertible conviction is, that the causes of the anomalies evident in the princess's condition are strictly and solely physical. But that is only tantamount to acknowledging that they exist. Hear my opinion.— From some cause or other, of no importance to our inquiry, the motion of her heart has been reversed. That remarkable combination of the suction and the force-pump works the wrong way-I mean in the case of the unfortunate princess: it draws in where it should force out, and forces out where it should draw in. The offices of the auricles and the ventricles are subverted. The blood is sent forth by the veins, and returns by the arteries. Consequently it is running the wrong way through all her corporeal organism—lungs and all. Is it then at all mysterious, seeing that such is the case, that on the other particular of gravitation as well, she should differ from normal humanity? My proposal for the cure is this:—
"Phlebotomize until she is reduced to the last point of safety. Let it be effected, if necessary, in a warm bath. When she is reduced to a state of perfect asphyxy, apply a ligature to the left ankle, drawing it as tight as the bone will bear. Apply, at the same moment, another of equal tension around the right wrist. By means of plates constructed for the purpose, place the other foot and hand under the receivers of two air-pumps. Exhaust the receivers. Exhibit a pint of French brandy, and await the result."
"Which would presently arrive in the form of grim Death," said Kopy-Keck.
"If it should, she would yet die in doing our duty," retorted Hum-Drum.
But their Majesties had too much tenderness for their volatile offspring to subject her to either of the schemes of the equally unscrupulous philosophers. Indeed, the most complete knowledge of the laws of nature would have been unserviceable in her case; for it was impossible to classify her. She was a fifth imponderable body, sharing all the other properties of the ponderable.
Story DNA
Plot Summary
Concerned about their unnaturally light daughter, a king and queen attempt to discuss her condition, but the princess remains playfully indifferent, wishing only to be flown like a kite. Frustrated, the royal couple consults two renowned philosophers, a Materialist and a Spiritualist. Each philosopher proposes an elaborate, extreme, and dangerous theory for the princess's 'infirmity' and a corresponding cure. Ultimately, the loving parents reject both impractical schemes, realizing their daughter is an unclassifiable anomaly.
Themes
Emotional Arc
curiosity to frustration
Writing Style
Narrative Elements
Cultural Context
George MacDonald was a Victorian author known for his Christian allegories and fantasy. This story, part of 'The Light Princess', reflects philosophical debates of the era (materialism vs. spiritualism) in a whimsical context.
Plot Beats (11)
- The king and queen decide to confront their daughter, the princess, about her unusual lightness.
- The princess enters, floating and flitting, and sits without actually touching the chair.
- The king and queen try to make the princess understand her difference and wish to be normal, but she finds their concerns amusing and expresses no desire to change.
- The princess reveals her only wish is to be flown like a kite, further highlighting her detachment from earthly concerns.
- Frustrated, the king and queen send the princess away and decide to consult the college of Metaphysicians.
- Two prominent Chinese philosophers, Hum-Drum (Materialist) and Kopy-Keck (Spiritualist), are summoned.
- The king explains the princess's condition, which the philosophers already know, and asks for a cause and cure.
- Kopy-Keck, the Spiritualist, proposes that the princess's soul belongs to another planet and suggests a rigorous education in earthly history as a cure.
- Hum-Drum, the Materialist, argues that the princess's heart motion is reversed, causing her physical anomalies, and proposes a drastic, life-threatening bloodletting and ligature procedure.
- The king and queen, horrified by the philosophers' extreme and dangerous suggestions, reject both plans.
- The story concludes with the realization that the princess is an unclassifiable, 'fifth imponderable body'.
Characters
The Princess ★ protagonist
Of indeterminate height and build, she appears to float or glide rather than walk, suggesting an ethereal lightness. Her movements are fluid and unburdened by gravity, allowing her to flit and roll with ease.
Attire: Her clothing is not explicitly described, but given her royal status and the story's fantastical nature, she likely wears fine, perhaps flowing garments that do not impede her unusual movements. The specific style would be European, possibly Victorian or earlier, with soft fabrics that allow for her 'sliding and flitting' motion.
Wants: To experience joy and amusement, often through unconventional means (like being flown as a kite). She seems driven by a desire for freedom and lightheartedness.
Flaw: Her inability to connect with the physical world or take anything seriously makes her difficult to govern or help. She lacks a sense of grounding and responsibility.
In this excerpt, she remains unchanged, steadfast in her unique nature and resistant to any attempts to 'cure' her. Her arc is one of consistent self-acceptance, even if it baffles others.
Playful, whimsical, irreverent, intelligent (in her own way), and utterly unconcerned with conventional behavior or gravity. She finds amusement in her parents' distress and her own unique condition.
Image Prompt & Upload
A young European princess, appearing to be in her late teens or early twenties, with a slender, ethereal build, floating gracefully a few inches above the ground. She has fair skin, a round face, bright, intelligent eyes, and a playful, slightly mischievous smile. Her long, wavy light brown hair flows freely around her shoulders. She wears a flowing, pale blue silk gown with delicate lace trim at the cuffs and neckline, cinched loosely at the waist with a silver ribbon. Her posture is light and unburdened, as if she could drift away at any moment. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The King ◆ supporting
A man of royal bearing, likely of average height and build, though his specific features are not detailed. He is capable of picking up his daughter with ease, suggesting she is indeed very light.
Attire: He wears royal attire, likely a formal European court suit of the 19th century, perhaps a dark velvet coat with gold embroidery, a waistcoat, and breeches, with a white cravat. His clothing would be rich but practical for his duties.
Wants: To find a cure or solution for his daughter's unusual condition so she can live a normal life.
Flaw: His patience is often tested, and he can be easily flustered by his daughter's antics. He is also somewhat naive, nearly promising her a kite string without knowing what she wanted.
He learns that anger is useless with his daughter and becomes more open to unconventional advice, eventually agreeing to consult the Metaphysicians.
Patient (to a point), loving, concerned, somewhat exasperated, and willing to try unconventional solutions for his daughter's well-being.
Image Prompt & Upload
A middle-aged European king, standing upright, facing forward, full body visible from head to toe. He has a dignified but weary expression, with a neatly trimmed dark brown beard and mustache, and kind, tired eyes. He wears a formal dark blue velvet court coat with intricate gold embroidery, a white silk waistcoat, and dark breeches. A white cravat is tied at his neck. His posture is regal but slightly slumped with concern. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Queen ◆ supporting
A queen of regal bearing, likely of average height and build. Her specific features are not detailed, but she possesses a quiet wisdom.
Attire: She wears royal attire, likely a formal European court gown of the 19th century, perhaps made of rich silk or satin in a deep jewel tone, with a fitted bodice and a full skirt. Her clothing would be elegant and refined.
Wants: To find a practical and safe solution for her daughter's condition, while protecting her from harm.
Flaw: Her quiet nature might make her seem less assertive, but her wisdom is potent.
She consistently provides wise counsel, guiding the King towards a more sensible course of action.
Wise, calm, discerning, and supportive. She is more pragmatic than the King and often offers sound advice.
Image Prompt & Upload
A middle-aged European queen, standing upright, facing forward, full body visible from head to toe. She has a serene and intelligent expression, with elegant features and dark, discerning eyes. Her dark brown hair is styled in an elaborate updo, possibly adorned with a small, subtle tiara. She wears a rich emerald green satin court gown with a fitted bodice, wide sleeves, and a full, sweeping skirt. A delicate pearl necklace adorns her throat. Her posture is graceful and composed. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Hum-Drum ○ minor
An elderly Chinese philosopher, likely of a sturdy build, reflecting his 'slow and sententious' nature. His physical presence would be grounded and deliberate.
Attire: He wears the traditional attire of a Chinese scholar or philosopher, likely a long, flowing dark blue or grey silk hanfu, possibly with subtle embroidery, and wide sleeves. His clothing would be formal and traditional.
Wants: To prove his materialist theories are correct and to find a physical cure for the princess's condition.
Flaw: His rigid adherence to his own theories blinds him to other possibilities and leads him to propose dangerous solutions.
He remains steadfast in his materialist views, proposing a drastic and dangerous physical 'cure' for the princess.
Materialistic, sententious, stubborn, and dogmatic. He is convinced of his own theories and dismissive of others.
Image Prompt & Upload
An elderly Chinese philosopher, standing upright, facing forward, full body visible from head to toe. He has a long, flowing white beard and mustache, deep-set, serious eyes, and a broad, wise face. His hair is pulled back in a traditional topknot. He wears a dark blue silk hanfu with wide sleeves and subtle, geometric embroidery along the hems. His posture is grounded and deliberate, with his hands clasped in front of him. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Kopy-Keck ○ minor
An elderly Chinese philosopher, likely of a slender and agile build, reflecting his 'quick and flighty' nature. His movements would be more animated than Hum-Drum's.
Attire: He wears the traditional attire of a Chinese scholar or philosopher, likely a long, flowing light green or yellow silk hanfu, possibly with subtle patterns, and wide sleeves. His clothing would be formal and traditional.
Wants: To prove his spiritualist theories are correct and to find a non-physical solution for the princess's condition.
Flaw: His flighty nature and eagerness to speak can make him seem less grounded, and his solutions are equally impractical.
He remains steadfast in his spiritualist views, proposing an elaborate and impractical educational 'cure' for the princess.
Spiritualist, quick-witted, flighty, and equally dogmatic in his own way. He is eager to present his theories and dismissive of Hum-Drum's.
Image Prompt & Upload
An elderly Chinese philosopher, standing upright, facing forward, full body visible from head to toe. He has a pointed white beard and mustache, bright, quick eyes, and an animated, eager expression. His hair is pulled back in a traditional topknot. He wears a light green silk hanfu with wide sleeves and subtle cloud patterns. His posture is energetic and slightly leaning forward, with one hand raised as if making a point. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
The Royal Council Chamber
A formal room within a European-style palace, likely furnished with heavy, ornate furniture. The atmosphere is one of strained formality and parental concern, occasionally broken by the princess's antics.
Mood: Formal, tense, slightly absurd due to the princess's behavior.
The king and queen attempt to have a serious discussion with the princess about her unusual condition, leading to her playful defiance and the decision to consult metaphysicians.
Image Prompt & Upload
A grand, high-ceilinged European palace chamber, possibly with carved wooden paneling or tapestries on the walls. Heavy velvet drapes frame tall windows, letting in soft, diffused daylight. A large, polished wooden table sits centrally, surrounded by ornate, upholstered chairs. The air is still and formal, with a sense of quiet desperation. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The College of Metaphysicians' Study
A scholarly room within a Chinese imperial setting, filled with scrolls, books, and philosophical instruments. The atmosphere is one of intense intellectual debate and ancient wisdom, albeit with a touch of eccentricity.
Mood: Scholarly, intellectual, slightly esoteric, with an undercurrent of philosophical disagreement.
The two Chinese philosophers, Hum-Drum and Kopy-Keck, debate their conflicting theories on the princess's condition and propose their radical 'cures'.
Image Prompt & Upload
A serene, scholarly study within a traditional Chinese palace, featuring dark, polished wood furniture and intricate lattice screens. Walls are adorned with hanging calligraphy scrolls and shelves filled with ancient texts bound in silk. Soft, diffused light filters through a paper-screened window, illuminating a low table where two scholars sit, surrounded by inkstones and brushes. The air is quiet and contemplative, filled with the scent of old paper and incense. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.